Chords for KXM - Behind the Scenes / 2017 / ft: George Lynch, dUg Pinnick (King's X), Ray Luzier (KoRn)

Tempo:
126.55 bpm
Chords used:

C#

D

A

F#

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
KXM - Behind the Scenes / 2017 / ft: George Lynch, dUg Pinnick (King's X), Ray Luzier (KoRn) chords
Jam Along & Learn...
What's up everyone, I'm Doug.
I'm Ray.
I'm George.
Hey, stop that.
Let me do it again.
Hey, what's up everyone, this is KXM.
We're on the shoot of Scatterbrain.
Scatterbrain.
Scatterbrain.
[A]
[F#]
[B]
[Bm] [B]
Here we are, KXM.
Two.
[F#] Well, there you go.
[G#] We love the first record.
We're
very excited [Bm] about it and it seems like a whole [D] bunch of people were too, [F] so we're really
happy about that.
Just getting together with George and [B] Ray and making the first record
[D] was so much fun.
It was something [G#] new that I'd never done before, working with two guys
that were different than what I'm used [D] to.
When we do get together, [F] it's this orgy of
[E] creativity.
It's just crazy.
[D] What happens with this band [F] is [D] really what music is all
[N] about and the creative endeavor is all about.
The first record was so well received by our
fans and by new people that we decided, hey, let's go in [Bm] and do another one.
[Em] [G]
[Bm]
[D#] With Scatterbrain,
the new record, we came into Steakhouse Studios, which we love.
It's a very inspirational room
to play in.
[D] So we tracked the KXM record on this board.
This is a [F] very special Neve board.
It's an [B] EMI Neve board.
It was commissioned by EMI [Bm] Records [C#] in England in the [A] 70s.
There
was only four ever made.
This machine [Bm] has soul.
Absolutely.
[D] [F]
[F#] [Bm] [D]
[Em]
[F] [E] [B] So we booked 12 days of [F#] studio time and did 13 songs in that time.
No preconceived ideas
were allowed into the studio.
[B]
We'd just get [F] together and we'd play and [F#] what comes up comes
up and we create a landscape.
It was just a jam session.
We would jam stuff and [Bm] we would
go, oh, that was cool.
Turn on the mics [E] and record that.
And [F#] we built songs that way.
That really separates the men from the boys.
Can you do this or not?
Can you [D] pull this
off?
[B] And we had an album after two weeks.
It was the most beautiful [Bm] thing.
It was [G#m] one
of the highlights of my [A] creative life.
I [Bm]
[G] [E]
[D] [B]
[E] think George is out of his freaking mind on this
in [F#] a good way.
His leads to me are just some of the best [C#m] leads I've heard from [A] him.
I try
to [G] tell a story with the [F#m] solo.
I try to make [Bm] it so this isn't just [F#] dead time.
This matters.
This elevates the song.
When someone plays that good, especially in [Bm] the studio, it makes
you go like, well, yeah, well, you kind [G#] of make it makes you step up your game even more.
[C#] [A]
[F#]
[A] [C#]
[A]
[C#] [E]
[D] [C#]
[E] [C#] Scatterbrain to me is a little bit darker of a record.
[E] There's a little bit [D#] more experimentation
on there.
We have prog stuff that we're playing some odd time.
The majority of the record
has an unusual thing about it.
It's very unique.
And [D] I think [D#] that's kind of the [G#] point of [E] KXM.
The music is a bit [N] more complicated and there's more lyrics and more harmonies and it's just
like more of everything, [C#] I guess, you know.
It's definitely its own animal.
And that's
[F] because it's just a product of kind of a unique [C#] situation.
[D#]
It's great to [G#] hear all the different
nuances on this compared to the first [F#] one.
And it's really cool to see that it still
sounds like [A] KXM.
Us three get together.
You know, [C#]
it's still us.
It's just [A] unbridled [F#] creative
license.
It's just there's there's no [E] boundaries.
I love this [D] band because everything happened
so [C#] fast that I don't have time to look back and [A] think about it or [D#m] digest it.
It's sort
of [D#] like we just jumped into the creek [C#] and said, the water's cold.
Just jump and you'll
figure out how to swim.
And we floated up to the top and people like what they heard
and [B] they liked it [C#] so much that we got a chance to do another one.
And [C#m] maybe there'll be another
one down the line.
I'm completely [C#] honored to be with these guys.
And we were actually
[Am] joking when we stepped [A] in here today about starting the third [F#] record.
So who [G#] knows?
You
know, we're all lifers [A] and we're going to do this till [C#] we die anyway.
So why not?
[A] [C#m]
[F#] [C#] [E] [D]
[C#]
[B] [C#]
100%  ➙  127BPM
C#
12341114
D
1321
A
1231
F#
134211112
Bm
13421112
C#
12341114
D
1321
A
1231
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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
What's up everyone, I'm Doug.
I'm Ray.
I'm George.
Hey, stop that.
Let me do it again.
_ _ Hey, what's up everyone, this is KXM.
We're on the shoot of Scatterbrain.
Scatterbrain. _
_ Scatterbrain.
_ _ _ [A] _ _
_ _ _ _ [F#] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ [B] _ _ _
Here we are, KXM.
Two.
[F#] _ Well, there you go.
[G#] We love the first record.
We're
very excited [Bm] about it and it seems like a whole [D] bunch of people were too, [F] so we're really
happy about that.
Just getting together with George and [B] Ray and making the first record
[D] was so much fun.
It was something [G#] new that I'd never done before, working with two guys
that were different than what I'm used [D] to.
When we do get together, [F] it's this orgy of
[E] creativity.
It's just crazy.
[D] What happens with this band [F] is [D] really what music is all
[N] about and the creative endeavor is all about.
The first record was so well received by our
fans and by new people that we decided, hey, let's go in [Bm] and do another one. _
_ _ _ [Em] _ _ _ [G] _ _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D#] _ _ With Scatterbrain,
the new record, we came into Steakhouse Studios, which we love.
It's a very inspirational room
to play in.
[D] So we tracked the KXM record on this board.
This is a [F] very special Neve board.
It's an [B] EMI Neve board.
It was commissioned by EMI [Bm] Records [C#] in England in the [A] 70s.
There
was only four ever made.
This machine [Bm] has soul.
Absolutely.
_ _ [D] _ _ [F] _ _ _ _
[F#] _ _ _ [Bm] _ _ _ _ [D] _
_ _ _ _ _ _ [Em] _ _
[F] _ _ [E] _ _ [B] _ So _ we booked 12 days of [F#] studio time and did 13 songs in that time.
No preconceived ideas
were allowed into the studio.
[B]
We'd just get [F] together and we'd play and [F#] what comes up comes
up and we create a landscape.
It was just a jam session.
We would jam stuff and [Bm] we would
go, oh, that was cool.
Turn on the mics [E] and record that.
And [F#] we built songs that way.
That really separates the men from the boys.
Can you do this or not?
Can you [D] pull this
off?
[B] And we had an album after two weeks.
It was the most beautiful [Bm] thing.
It was [G#m] one
of the highlights of my [A] creative life.
I _ [Bm] _ _
_ _ _ _ [G] _ _ [E] _ _
_ [D] _ _ _ [B] _ _ _ _
_ _ [E] think George is out of his freaking mind on this
in [F#] a good way.
His leads to me are just some of the best [C#m] leads I've heard from [A] him.
I try
to [G] tell a story with the [F#m] solo.
I try to make [Bm] it so this isn't just [F#] dead time.
This matters.
This elevates the song.
When someone plays that good, especially in [Bm] the studio, it makes
you go like, well, yeah, well, you kind [G#] of make it makes you step up your game even more.
_ [C#] _ _ _ _ _ [A] _
_ _ _ _ _ [F#] _ _ _
_ _ [A] _ _ _ _ _ [C#] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [C#] _ _ _ [E] _
_ _ [D] _ _ [C#] _ _ _ _
_ _ [E] _ _ [C#] _ Scatterbrain to me is a little bit darker of a record.
[E] There's a little bit [D#] more experimentation
on there.
We have prog stuff that we're playing some odd time.
The majority of the record
has an unusual thing about it.
It's very unique.
And [D] I think [D#] that's kind of the [G#] point of [E] KXM.
The music is a bit [N] more complicated and there's more lyrics and more harmonies and it's just
like more of everything, [C#] I guess, you know.
It's definitely its own animal. _
And that's
[F] because it's just a product of kind of a unique [C#] situation.
_ _ [D#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ It's great to [G#] hear all the different
nuances on this compared to the first [F#] one.
And it's really cool to see that it still
sounds like [A] KXM.
Us three get together.
You know, [C#]
it's still us.
It's just _ [A] _ unbridled [F#] creative
license.
It's just there's there's no [E] boundaries.
I love this [D] band because everything happened
so [C#] fast that I don't have time to look back and [A] think about it or [D#m] digest it.
It's sort
of [D#] like we just jumped into the creek [C#] and said, the water's cold.
Just jump and you'll
figure out how to swim.
And we floated up to the top and people like what they heard
and [B] they liked it [C#] so much that we got a chance to do another one.
And [C#m] maybe there'll be another
one down the line.
I'm completely [C#] honored to be with these guys.
And we were actually
[Am] joking when we stepped [A] in here today about starting the third [F#] record.
So who [G#] knows?
You
know, we're all lifers [A] and we're going to do this till [C#] we die anyway.
So why not? _ _
_ _ [A] _ _ [C#m] _ _ _ _
[F#] _ _ [C#] _ _ [E] _ _ _ [D] _
_ _ [C#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [B] _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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