Chords for KXM - Behind the Scenes / 2017 / ft: George Lynch, dUg Pinnick (King's X), Ray Luzier (KoRn)
Tempo:
126.55 bpm
Chords used:
C#
D
A
F#
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
What's up everyone, I'm Doug.
I'm Ray.
I'm George.
Hey, stop that.
Let me do it again.
Hey, what's up everyone, this is KXM.
We're on the shoot of Scatterbrain.
Scatterbrain.
Scatterbrain.
[A]
[F#]
[B]
[Bm] [B]
Here we are, KXM.
Two.
[F#] Well, there you go.
[G#] We love the first record.
We're
very excited [Bm] about it and it seems like a whole [D] bunch of people were too, [F] so we're really
happy about that.
Just getting together with George and [B] Ray and making the first record
[D] was so much fun.
It was something [G#] new that I'd never done before, working with two guys
that were different than what I'm used [D] to.
When we do get together, [F] it's this orgy of
[E] creativity.
It's just crazy.
[D] What happens with this band [F] is [D] really what music is all
[N] about and the creative endeavor is all about.
The first record was so well received by our
fans and by new people that we decided, hey, let's go in [Bm] and do another one.
[Em] [G]
[Bm]
[D#] With Scatterbrain,
the new record, we came into Steakhouse Studios, which we love.
It's a very inspirational room
to play in.
[D] So we tracked the KXM record on this board.
This is a [F] very special Neve board.
It's an [B] EMI Neve board.
It was commissioned by EMI [Bm] Records [C#] in England in the [A] 70s.
There
was only four ever made.
This machine [Bm] has soul.
Absolutely.
[D] [F]
[F#] [Bm] [D]
[Em]
[F] [E] [B] So we booked 12 days of [F#] studio time and did 13 songs in that time.
No preconceived ideas
were allowed into the studio.
[B]
We'd just get [F] together and we'd play and [F#] what comes up comes
up and we create a landscape.
It was just a jam session.
We would jam stuff and [Bm] we would
go, oh, that was cool.
Turn on the mics [E] and record that.
And [F#] we built songs that way.
That really separates the men from the boys.
Can you do this or not?
Can you [D] pull this
off?
[B] And we had an album after two weeks.
It was the most beautiful [Bm] thing.
It was [G#m] one
of the highlights of my [A] creative life.
I [Bm]
[G] [E]
[D] [B]
[E] think George is out of his freaking mind on this
in [F#] a good way.
His leads to me are just some of the best [C#m] leads I've heard from [A] him.
I try
to [G] tell a story with the [F#m] solo.
I try to make [Bm] it so this isn't just [F#] dead time.
This matters.
This elevates the song.
When someone plays that good, especially in [Bm] the studio, it makes
you go like, well, yeah, well, you kind [G#] of make it makes you step up your game even more.
[C#] [A]
[F#]
[A] [C#]
[A]
[C#] [E]
[D] [C#]
[E] [C#] Scatterbrain to me is a little bit darker of a record.
[E] There's a little bit [D#] more experimentation
on there.
We have prog stuff that we're playing some odd time.
The majority of the record
has an unusual thing about it.
It's very unique.
And [D] I think [D#] that's kind of the [G#] point of [E] KXM.
The music is a bit [N] more complicated and there's more lyrics and more harmonies and it's just
like more of everything, [C#] I guess, you know.
It's definitely its own animal.
And that's
[F] because it's just a product of kind of a unique [C#] situation.
[D#]
It's great to [G#] hear all the different
nuances on this compared to the first [F#] one.
And it's really cool to see that it still
sounds like [A] KXM.
Us three get together.
You know, [C#]
it's still us.
It's just [A] unbridled [F#] creative
license.
It's just there's there's no [E] boundaries.
I love this [D] band because everything happened
so [C#] fast that I don't have time to look back and [A] think about it or [D#m] digest it.
It's sort
of [D#] like we just jumped into the creek [C#] and said, the water's cold.
Just jump and you'll
figure out how to swim.
And we floated up to the top and people like what they heard
and [B] they liked it [C#] so much that we got a chance to do another one.
And [C#m] maybe there'll be another
one down the line.
I'm completely [C#] honored to be with these guys.
And we were actually
[Am] joking when we stepped [A] in here today about starting the third [F#] record.
So who [G#] knows?
You
know, we're all lifers [A] and we're going to do this till [C#] we die anyway.
So why not?
[A] [C#m]
[F#] [C#] [E] [D]
[C#]
[B] [C#]
I'm Ray.
I'm George.
Hey, stop that.
Let me do it again.
Hey, what's up everyone, this is KXM.
We're on the shoot of Scatterbrain.
Scatterbrain.
Scatterbrain.
[A]
[F#]
[B]
[Bm] [B]
Here we are, KXM.
Two.
[F#] Well, there you go.
[G#] We love the first record.
We're
very excited [Bm] about it and it seems like a whole [D] bunch of people were too, [F] so we're really
happy about that.
Just getting together with George and [B] Ray and making the first record
[D] was so much fun.
It was something [G#] new that I'd never done before, working with two guys
that were different than what I'm used [D] to.
When we do get together, [F] it's this orgy of
[E] creativity.
It's just crazy.
[D] What happens with this band [F] is [D] really what music is all
[N] about and the creative endeavor is all about.
The first record was so well received by our
fans and by new people that we decided, hey, let's go in [Bm] and do another one.
[Em] [G]
[Bm]
[D#] With Scatterbrain,
the new record, we came into Steakhouse Studios, which we love.
It's a very inspirational room
to play in.
[D] So we tracked the KXM record on this board.
This is a [F] very special Neve board.
It's an [B] EMI Neve board.
It was commissioned by EMI [Bm] Records [C#] in England in the [A] 70s.
There
was only four ever made.
This machine [Bm] has soul.
Absolutely.
[D] [F]
[F#] [Bm] [D]
[Em]
[F] [E] [B] So we booked 12 days of [F#] studio time and did 13 songs in that time.
No preconceived ideas
were allowed into the studio.
[B]
We'd just get [F] together and we'd play and [F#] what comes up comes
up and we create a landscape.
It was just a jam session.
We would jam stuff and [Bm] we would
go, oh, that was cool.
Turn on the mics [E] and record that.
And [F#] we built songs that way.
That really separates the men from the boys.
Can you do this or not?
Can you [D] pull this
off?
[B] And we had an album after two weeks.
It was the most beautiful [Bm] thing.
It was [G#m] one
of the highlights of my [A] creative life.
I [Bm]
[G] [E]
[D] [B]
[E] think George is out of his freaking mind on this
in [F#] a good way.
His leads to me are just some of the best [C#m] leads I've heard from [A] him.
I try
to [G] tell a story with the [F#m] solo.
I try to make [Bm] it so this isn't just [F#] dead time.
This matters.
This elevates the song.
When someone plays that good, especially in [Bm] the studio, it makes
you go like, well, yeah, well, you kind [G#] of make it makes you step up your game even more.
[C#] [A]
[F#]
[A] [C#]
[A]
[C#] [E]
[D] [C#]
[E] [C#] Scatterbrain to me is a little bit darker of a record.
[E] There's a little bit [D#] more experimentation
on there.
We have prog stuff that we're playing some odd time.
The majority of the record
has an unusual thing about it.
It's very unique.
And [D] I think [D#] that's kind of the [G#] point of [E] KXM.
The music is a bit [N] more complicated and there's more lyrics and more harmonies and it's just
like more of everything, [C#] I guess, you know.
It's definitely its own animal.
And that's
[F] because it's just a product of kind of a unique [C#] situation.
[D#]
It's great to [G#] hear all the different
nuances on this compared to the first [F#] one.
And it's really cool to see that it still
sounds like [A] KXM.
Us three get together.
You know, [C#]
it's still us.
It's just [A] unbridled [F#] creative
license.
It's just there's there's no [E] boundaries.
I love this [D] band because everything happened
so [C#] fast that I don't have time to look back and [A] think about it or [D#m] digest it.
It's sort
of [D#] like we just jumped into the creek [C#] and said, the water's cold.
Just jump and you'll
figure out how to swim.
And we floated up to the top and people like what they heard
and [B] they liked it [C#] so much that we got a chance to do another one.
And [C#m] maybe there'll be another
one down the line.
I'm completely [C#] honored to be with these guys.
And we were actually
[Am] joking when we stepped [A] in here today about starting the third [F#] record.
So who [G#] knows?
You
know, we're all lifers [A] and we're going to do this till [C#] we die anyway.
So why not?
[A] [C#m]
[F#] [C#] [E] [D]
[C#]
[B] [C#]
Key:
C#
D
A
F#
Bm
C#
D
A
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
What's up everyone, I'm Doug.
I'm Ray.
I'm George.
Hey, stop that.
Let me do it again.
_ _ Hey, what's up everyone, this is KXM.
We're on the shoot of Scatterbrain.
Scatterbrain. _
_ Scatterbrain.
_ _ _ [A] _ _
_ _ _ _ [F#] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ [B] _ _ _
Here we are, KXM.
Two.
[F#] _ Well, there you go.
[G#] We love the first record.
We're
very excited [Bm] about it and it seems like a whole [D] bunch of people were too, [F] so we're really
happy about that.
Just getting together with George and [B] Ray and making the first record
[D] was so much fun.
It was something [G#] new that I'd never done before, working with two guys
that were different than what I'm used [D] to.
When we do get together, [F] it's this orgy of
[E] creativity.
It's just crazy.
[D] What happens with this band [F] is [D] really what music is all
[N] about and the creative endeavor is all about.
The first record was so well received by our
fans and by new people that we decided, hey, let's go in [Bm] and do another one. _
_ _ _ [Em] _ _ _ [G] _ _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D#] _ _ With Scatterbrain,
the new record, we came into Steakhouse Studios, which we love.
It's a very inspirational room
to play in.
[D] So we tracked the KXM record on this board.
This is a [F] very special Neve board.
It's an [B] EMI Neve board.
It was commissioned by EMI [Bm] Records [C#] in England in the [A] 70s.
There
was only four ever made.
This machine [Bm] has soul.
Absolutely.
_ _ [D] _ _ [F] _ _ _ _
[F#] _ _ _ [Bm] _ _ _ _ [D] _
_ _ _ _ _ _ [Em] _ _
[F] _ _ [E] _ _ [B] _ So _ we booked 12 days of [F#] studio time and did 13 songs in that time.
No preconceived ideas
were allowed into the studio.
[B]
We'd just get [F] together and we'd play and [F#] what comes up comes
up and we create a landscape.
It was just a jam session.
We would jam stuff and [Bm] we would
go, oh, that was cool.
Turn on the mics [E] and record that.
And [F#] we built songs that way.
That really separates the men from the boys.
Can you do this or not?
Can you [D] pull this
off?
[B] And we had an album after two weeks.
It was the most beautiful [Bm] thing.
It was [G#m] one
of the highlights of my [A] creative life.
I _ [Bm] _ _
_ _ _ _ [G] _ _ [E] _ _
_ [D] _ _ _ [B] _ _ _ _
_ _ [E] think George is out of his freaking mind on this
in [F#] a good way.
His leads to me are just some of the best [C#m] leads I've heard from [A] him.
I try
to [G] tell a story with the [F#m] solo.
I try to make [Bm] it so this isn't just [F#] dead time.
This matters.
This elevates the song.
When someone plays that good, especially in [Bm] the studio, it makes
you go like, well, yeah, well, you kind [G#] of make it makes you step up your game even more.
_ [C#] _ _ _ _ _ [A] _
_ _ _ _ _ [F#] _ _ _
_ _ [A] _ _ _ _ _ [C#] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [C#] _ _ _ [E] _
_ _ [D] _ _ [C#] _ _ _ _
_ _ [E] _ _ [C#] _ Scatterbrain to me is a little bit darker of a record.
[E] There's a little bit [D#] more experimentation
on there.
We have prog stuff that we're playing some odd time.
The majority of the record
has an unusual thing about it.
It's very unique.
And [D] I think [D#] that's kind of the [G#] point of [E] KXM.
The music is a bit [N] more complicated and there's more lyrics and more harmonies and it's just
like more of everything, [C#] I guess, you know.
It's definitely its own animal. _
And that's
[F] because it's just a product of kind of a unique [C#] situation.
_ _ [D#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ It's great to [G#] hear all the different
nuances on this compared to the first [F#] one.
And it's really cool to see that it still
sounds like [A] KXM.
Us three get together.
You know, [C#]
it's still us.
It's just _ [A] _ unbridled [F#] creative
license.
It's just there's there's no [E] boundaries.
I love this [D] band because everything happened
so [C#] fast that I don't have time to look back and [A] think about it or [D#m] digest it.
It's sort
of [D#] like we just jumped into the creek [C#] and said, the water's cold.
Just jump and you'll
figure out how to swim.
And we floated up to the top and people like what they heard
and [B] they liked it [C#] so much that we got a chance to do another one.
And [C#m] maybe there'll be another
one down the line.
I'm completely [C#] honored to be with these guys.
And we were actually
[Am] joking when we stepped [A] in here today about starting the third [F#] record.
So who [G#] knows?
You
know, we're all lifers [A] and we're going to do this till [C#] we die anyway.
So why not? _ _
_ _ [A] _ _ [C#m] _ _ _ _
[F#] _ _ [C#] _ _ [E] _ _ _ [D] _
_ _ [C#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [B] _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
What's up everyone, I'm Doug.
I'm Ray.
I'm George.
Hey, stop that.
Let me do it again.
_ _ Hey, what's up everyone, this is KXM.
We're on the shoot of Scatterbrain.
Scatterbrain. _
_ Scatterbrain.
_ _ _ [A] _ _
_ _ _ _ [F#] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ [B] _ _ _
Here we are, KXM.
Two.
[F#] _ Well, there you go.
[G#] We love the first record.
We're
very excited [Bm] about it and it seems like a whole [D] bunch of people were too, [F] so we're really
happy about that.
Just getting together with George and [B] Ray and making the first record
[D] was so much fun.
It was something [G#] new that I'd never done before, working with two guys
that were different than what I'm used [D] to.
When we do get together, [F] it's this orgy of
[E] creativity.
It's just crazy.
[D] What happens with this band [F] is [D] really what music is all
[N] about and the creative endeavor is all about.
The first record was so well received by our
fans and by new people that we decided, hey, let's go in [Bm] and do another one. _
_ _ _ [Em] _ _ _ [G] _ _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D#] _ _ With Scatterbrain,
the new record, we came into Steakhouse Studios, which we love.
It's a very inspirational room
to play in.
[D] So we tracked the KXM record on this board.
This is a [F] very special Neve board.
It's an [B] EMI Neve board.
It was commissioned by EMI [Bm] Records [C#] in England in the [A] 70s.
There
was only four ever made.
This machine [Bm] has soul.
Absolutely.
_ _ [D] _ _ [F] _ _ _ _
[F#] _ _ _ [Bm] _ _ _ _ [D] _
_ _ _ _ _ _ [Em] _ _
[F] _ _ [E] _ _ [B] _ So _ we booked 12 days of [F#] studio time and did 13 songs in that time.
No preconceived ideas
were allowed into the studio.
[B]
We'd just get [F] together and we'd play and [F#] what comes up comes
up and we create a landscape.
It was just a jam session.
We would jam stuff and [Bm] we would
go, oh, that was cool.
Turn on the mics [E] and record that.
And [F#] we built songs that way.
That really separates the men from the boys.
Can you do this or not?
Can you [D] pull this
off?
[B] And we had an album after two weeks.
It was the most beautiful [Bm] thing.
It was [G#m] one
of the highlights of my [A] creative life.
I _ [Bm] _ _
_ _ _ _ [G] _ _ [E] _ _
_ [D] _ _ _ [B] _ _ _ _
_ _ [E] think George is out of his freaking mind on this
in [F#] a good way.
His leads to me are just some of the best [C#m] leads I've heard from [A] him.
I try
to [G] tell a story with the [F#m] solo.
I try to make [Bm] it so this isn't just [F#] dead time.
This matters.
This elevates the song.
When someone plays that good, especially in [Bm] the studio, it makes
you go like, well, yeah, well, you kind [G#] of make it makes you step up your game even more.
_ [C#] _ _ _ _ _ [A] _
_ _ _ _ _ [F#] _ _ _
_ _ [A] _ _ _ _ _ [C#] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [C#] _ _ _ [E] _
_ _ [D] _ _ [C#] _ _ _ _
_ _ [E] _ _ [C#] _ Scatterbrain to me is a little bit darker of a record.
[E] There's a little bit [D#] more experimentation
on there.
We have prog stuff that we're playing some odd time.
The majority of the record
has an unusual thing about it.
It's very unique.
And [D] I think [D#] that's kind of the [G#] point of [E] KXM.
The music is a bit [N] more complicated and there's more lyrics and more harmonies and it's just
like more of everything, [C#] I guess, you know.
It's definitely its own animal. _
And that's
[F] because it's just a product of kind of a unique [C#] situation.
_ _ [D#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ It's great to [G#] hear all the different
nuances on this compared to the first [F#] one.
And it's really cool to see that it still
sounds like [A] KXM.
Us three get together.
You know, [C#]
it's still us.
It's just _ [A] _ unbridled [F#] creative
license.
It's just there's there's no [E] boundaries.
I love this [D] band because everything happened
so [C#] fast that I don't have time to look back and [A] think about it or [D#m] digest it.
It's sort
of [D#] like we just jumped into the creek [C#] and said, the water's cold.
Just jump and you'll
figure out how to swim.
And we floated up to the top and people like what they heard
and [B] they liked it [C#] so much that we got a chance to do another one.
And [C#m] maybe there'll be another
one down the line.
I'm completely [C#] honored to be with these guys.
And we were actually
[Am] joking when we stepped [A] in here today about starting the third [F#] record.
So who [G#] knows?
You
know, we're all lifers [A] and we're going to do this till [C#] we die anyway.
So why not? _ _
_ _ [A] _ _ [C#m] _ _ _ _
[F#] _ _ [C#] _ _ [E] _ _ _ [D] _
_ _ [C#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [B] _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _