Chords for Laura Nyro Interview - 1969

Tempo:
150 bpm
Chords used:

Bb

E

Eb

Bbm

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Laura Nyro Interview - 1969 chords
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[N] Music, all of which she writes, arranges, and sings, as you know, to her own
[E] accompaniment, has been called [Bb] rock, jazz, and soul, I guess, are the three elements
that [F] cover it.
Two of her works, by the way, [E] have been recorded by a popular
group, the Fifth [Bb] Dimension, and both of these pieces, [C] Stoned [Eb] Soul Picnic and
Fruit [Db] Blindness, indicate that her music is [E] beginning to reach larger audiences.
Now Miss Nero discusses her work with William [Bb] Kloman, freelance writer for
Esquire magazine [D] and the Sunday New York [Bb] Times.
[Fm]
[Gb] [Bb]
[E] [Eb] [Bb]
[E] [Bb] [Gb]
[Bb] [Eb]
[Bbm]
[Eb] [D] [Db]
[E] I was never even conscious [Bb] of it, you know, that I was sitting down and writing a personal [E] song.
[Bbm]
[Eb] [Bb]
[Gb] Well, it's like [Bbm] a labor, you know, [Bb] it's a very special labor,
[E] and [Bb] it's always [Eb] worth it at the end, you know,
[D] so it's a good, good feeling, it's a good labor, [Bbm] and sometimes [A] I just be [Bb] feeling, going through something [E] emotional,
and unable to know what it is, you know, like I just don't know what it is, [Bbm] and
then one night I just [Bb] sit down, and there's a song there that's coming [Eb] from, you know,
from inside [Bbm] me, and [Bb] uh, it comes from pain, yeah, it comes from pain, and [Eb]
usually it comes from pain,
[Bb] and sometimes,
[Eb] you know, a lot of times [E] it comes from [Bbm] a [Bb] [F]
joy [Eb] [E] that's so joyful that [Eb] even
it's painful, you [Bbm] know, but [E] uh,
[Bbm] you know, it [Bb] comes, it's usually near the middle of the road,
[E] you know, I, I, uh, the feeling is [Eb] extreme, [A] whether it's extreme joy, [Bb] or pain, [F] yeah, yeah, [Bbm] yeah, did you [E] start doing this when you were [F] little?
[Bbm] Yeah, when I was about, uh, [E] I don't know, baby, [Bb] you know, I would [E] sing, and then I, when I was a little girl,
I wrote [Gb] poetry, and [Eb] uh, you [Ebm] know, like when I was five [D] years old, I played the piano,
[E]
[Bbm] and [F] you know, from that time, [E] it just became [Eb] a thing, you know, and uh, [E] it was my little world,
like creating your own world, [Bbm] yeah, [Gb] you know, [Bb] kind of, I didn't know, [Gb] you know, I would, I remember [E] like as a
child being in my parents' house, and like sometimes I'd just be in my [Ebm] room, totally [Bbm] tuned out, or
totally [Eb] tuned in, you [Bb] know, [Eb] tuned in to, um, [Bbm] [Eb] to my own thing, because [Gb] in [E] my world, [Bbm] I could
look at my [Eb] pain, [E] and it wasn't ugly to me, [D] it was, um, [E] it was a matter of [Eb] understanding it, and
channeling it, you [E] know, into a beautiful thing, and [Bbm] uh, because I think pain is, [Bb] is something
[Bbm] that can do two [F] things to a person.
[Bb] I think it, [Bbm] it [Eb] can sometimes shatter a person,
[E] destroy them, [Bbm] or they can grow from their pain,
[E] they can become a greater person, I believe,
from their [Bb] pain, because, you know, it's uh, that, you [Bbm]
know, and um,
[Bb] [Bbm]
[F] yeah, [Bbm]
yeah, [E] but not only songs, [Bb] not only that, I mean,
[G] it, it, it [Bbm] just can penetrate you,
[E] you know, it [Bb] just penetrate [Eb] a human being, you know, [E] and [D] uh, [Ebm] uh, [Bbm]
[F] it's also, it [Eb] also, um,
kind [Gb] of [Bb] has, [Gb]
has to do [Bbm] with [Gbm] your communication with people [D] after that, you know, [A] you, you,
I think [Gb] that you understand [Eb] more, you know, [Gb] because I really feel [Bb] that, you know,
pain can do [F] those two [Eb] things, you know.
And [F] if you're [Bbm] creating, [F] or if your work involves the
openness to the experience, do [Bb] you ever find [Gbm] the difficulty that you
[F] seek certain kinds of experience [E] in order to [Bb] create something from them?
Uh, well, [F] I [Bbm]
suppose that, that it's a little bit of that, you know, [E] it's a little bit of that,
because [Bb] like, sometimes, you know, like, um, [Eb]
it's [F] very groovy, I say, oh, very [Eb] good material,
[Gb] [G] and it's terrible, [Ebm] it sounds terrible, but, but, [E] uh, you know, but, [Bbm]
[Bb] um, [Bbm] no, but I,
but, but it's a natural [Ebm] thing, you know, I, I [Eb] reflect, you know, [E] I reflect [Eb] on, on, [F] uh,
you know, things, [Eb] you know, [E] and what I [Bb] feel, you know, [Bbm] I, it's the most honest [Eb] part of me.
[Gb] And what [Bb] about, what, what, what influences, how much people maybe [F] see the world the same way you
[Bbm] do?
[F] Are there people that you, like, learn to see the world through your [Bbm] child?
Well, I, I, I'm [Eb] sure that, you know, that I see the world through, [Bb] you know, through,
[Eb] through my eyes, and it's, uh, it's, um, uh, I think that I see things differently than [E] most
people.
I think so, you know, because like, you know, like, um, um, [Bb]
you know, like, I [Eb] remember
in school, you [Bb] know, I hated school, and, and when the [Eb] teacher, like, uh, [E] she used to talk to me,
I wouldn't really be hearing what she was saying, but I would be looking into her eyes and trying
to, you know, and getting into a [Eb] sensory thing, you know, and
And seeing the [A] world through your senses.
[Gb] Right.
Yeah.
Thank you.
You're welcome.
Key:  
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E
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Eb
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Bbm
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F
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Bb
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Let's start jamming Laura Nyro - Interview 1969 chords, practice the chord sequence Bbm, Eb, E, Bb, E, Bbm and Bb. Start slow with ChordU's Free Tempo controller and increase your speed as you get comfortable. With Bb Major as the song's key, tweak the capo to cater to your vocal pitch and chord likes.

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[N] _ Music, all of which she writes, arranges, and sings, as you know, to her own
[E] accompaniment, has been called [Bb] rock, _ _ jazz, and soul, I guess, are the three elements
that [F] cover it.
Two of her works, by the way, [E] have been recorded by a popular
group, the Fifth [Bb] Dimension, and both of these pieces, [C] _ _ Stoned [Eb] Soul Picnic _ and
Fruit [Db] Blindness, indicate that her music is [E] beginning to reach larger audiences.
_ Now Miss Nero discusses her work with William [Bb] Kloman, freelance writer for
Esquire magazine [D] and the Sunday New York [Bb] Times. _ _ _ _ _ _
_ _ _ _ _ _ _ [Fm] _
_ _ [Gb] _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ [Eb] _ _ _ [Bb] _
_ _ _ [E] _ _ [Bb] _ _ [Gb] _
_ _ _ [Bb] _ _ _ _ [Eb] _
_ _ _ _ _ [Bbm] _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ _ [D] _ _ [Db] _ _ _
_ [E] _ _ I was never even conscious [Bb] of it, you know, _ _ that I was sitting down and writing a personal [E] song.
_ _ _ [Bbm] _
_ _ _ [Eb] _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ _ [Gb] Well, it's like [Bbm] a labor, you know, _ _ _ _ _ [Bb] it's a very special labor, _ _
[E] and _ _ [Bb] it's always [Eb] worth it at the end, you know,
[D] so it's a good, good _ feeling, it's a good labor, _ _ _ _ [Bbm] and _ _ _ sometimes _ _ [A] I _ just be [Bb] feeling, going through something _ [E] emotional,
and unable to know what it is, you know, like I just don't know what it is, _ [Bbm] and
then _ one night I just [Bb] sit down, _ and there's a song there that's coming _ [Eb] from, you know,
from inside [Bbm] me, _ _ and [Bb] uh, it comes from pain, _ _ _ _ _ _ yeah, it comes from pain, and [Eb]
usually it comes from pain,
[Bb] and sometimes, _
[Eb] you know, a lot of times [E] it comes from _ [Bbm] a _ [Bb] _ _ _ _ [F] _
joy [Eb] [E] that's so joyful that [Eb] even
it's painful, you [Bbm] know, but [E] uh, _
[Bbm] _ _ you know, it [Bb] comes, it's usually near the middle of the road,
[E] you know, I, I, uh, the feeling is [Eb] extreme, [A] whether it's extreme joy, [Bb] or pain, [F] yeah, yeah, [Bbm] yeah, _ _ _ did you [E] start doing this when you were [F] little?
_ [Bbm] Yeah, when I was about, uh, _ _ [E] I don't know, baby, [Bb] you know, I would [E] sing, and then I, when I was a little girl,
I wrote [Gb] poetry, _ and [Eb] uh, you [Ebm] know, like when I was five [D] years old, I played the piano,
_ [E] _
_ [Bbm] and _ _ [F] you know, from that time, [E] it just became [Eb] a thing, you know, and uh, [E] it was my little world,
like creating your own world, [Bbm] yeah, _ [Gb] you know, [Bb] kind of, I didn't know, [Gb] you know, I would, I remember [E] like as a
child being in my parents' house, and like sometimes I'd just be in my [Ebm] room, _ totally [Bbm] tuned out, _ or
_ totally [Eb] tuned in, you [Bb] know, [Eb] tuned in to, um, [Bbm] _ _ [Eb] to my own thing, because _ [Gb] in [E] my world, [Bbm] I could
_ look at my [Eb] pain, [E] and it wasn't ugly to me, [D] it was, um, _ [E] it was a matter of [Eb] understanding it, _ and
_ _ channeling it, you [E] know, into a beautiful thing, _ _ and [Bbm] uh, _ _ because I think pain is, _ [Bb] is something
[Bbm] _ _ that can do two [F] things to a person.
_ [Bb] I think it, [Bbm] it [Eb] can sometimes shatter a person,
_ _ [E] destroy them, _ [Bbm] or _ they _ can grow from their pain, _ _ _
[E] they can become a greater person, I believe,
from their [Bb] pain, because, _ you know, it's uh, _ _ _ _ _ _ _ _ that, you [Bbm] _
know, _ _ and um, _ _
_ [Bb] _ _ _ _ _ _ [Bbm] _
_ _ _ [F] yeah, _ _ [Bbm] _
_ _ _ _ _ _ _ _
_ _ _ yeah, [E] but not only songs, [Bb] not only that, I mean, _ _
_ [G] it, it, it [Bbm] just _ can penetrate you,
_ [E] you know, it [Bb] just _ _ penetrate [Eb] a human being, you know, [E] and [D] uh, [Ebm] _ uh, [Bbm]
[F] it's also, it [Eb] also, um, _ _
kind [Gb] of _ [Bb] _ has, [Gb] _
has to do [Bbm] with [Gbm] your communication with people [D] after that, you know, [A] you, you,
I think [Gb] that you understand [Eb] more, you know, [Gb] because I really feel [Bb] that, you know,
pain can do [F] those two [Eb] things, you know.
And [F] if you're [Bbm] _ _ creating, [F] or if your work involves the
openness to the experience, do [Bb] you ever find [Gbm] the difficulty that you
[F] seek certain kinds of experience [E] in order to [Bb] create something from them? _ _ _ _ _
Uh, well, _ _ [F] I [Bbm] _
_ _ suppose that, that it's a little bit of that, you know, [E] it's a little bit of that,
because [Bb] like, sometimes, you know, like, um, _ [Eb] _ _ _
it's [F] very groovy, I say, oh, very [Eb] good material,
_ _ [Gb] _ _ [G] and it's terrible, [Ebm] it sounds terrible, but, but, [E] uh, you know, but, _ [Bbm] _ _ _ _ _
_ _ [Bb] _ _ _ _ um, [Bbm] _ _ _ _ no, but I, _
_ _ _ _ _ _ _ _
_ _ but, but it's a natural [Ebm] thing, you know, I, I [Eb] reflect, you know, [E] I reflect [Eb] on, on, [F] uh,
you know, things, [Eb] you know, [E] and what I [Bb] feel, you know, [Bbm] I, it's the most honest [Eb] part of me.
[Gb] And what _ [Bb] about, _ _ what, what, what influences, how much people _ maybe [F] see the world the same way you
[Bbm] do? _ _
[F] Are there people that you, like, learn to see the world through your [Bbm] child? _ _ _ _
Well, _ I, I, I'm [Eb] sure that, you know, that I see the world through, [Bb] you know, through,
[Eb] through my eyes, and it's, uh, it's, um, _ uh, I think that I see things differently than [E] most
people.
I think so, you know, because like, you know, like, um, um, _ _ [Bb] _ _
you know, like, I [Eb] remember
in school, you [Bb] know, _ _ I hated school, and, and when the [Eb] teacher, like, uh, [E] she used to talk to me,
I wouldn't really be hearing what she was saying, but I would be looking into her eyes and trying
to, you know, and getting into a [Eb] sensory thing, you know, and_
And seeing the [A] world through your senses.
_ _ _ [Gb] Right. _ _
_ _ Yeah.
_ Thank you.
_ You're welcome. _ _ _ _ _

Facts about this song

This song was featured on the Lockport 1990 album.

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