All My Friends Chords by Lcd Soundsystem
Tempo:
70.075 bpm
Chords used:
A
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
That's how it starts.
We go back to your house.
You check the charts and start to figure it out.
And it's crowded all the better because we know we're gonna be up late.
But if you're worried about the weather, then you pick the wrong place to stay.
That's how it starts.
And so it starts.
You switch the engine on.
We set controls for the heart of the sun.
One of the ways that we show our image.
And if the sun comes up, if the sun comes up, if the sun comes up,
and I still don't want to stagger home,
then it's the memory of our fetters that are keeping us on our feet.
You spend the first five years trying to get with the plan,
and the next five years trying to be with your friends.
You're talking 45 turns just as fast as you can.
Yeah, I know it gets tired, but it's better when we pretend.
Here comes the part, the way it does in bad films.
Except the part where the moral kicks in.
The one we're letting out of the drums.
And the conversation's grinding away.
I wouldn't trade one stupid decision
for another five years of wine.
You've got the first ten years just as fast as you can,
and the next ten people who are trying to be with you.
When you're blowing 85 days in the middle of France,
yeah, I know it gets tired, only worry your friends tonight.
Tell the truth, this could be the last time.
So here we go, like a sales force into the night.
And if I made a fool, if I made a fool,
if I made a fool on the road, this always ends.
And if I'm suiting to submission, I can still come home to this.
And with a face like a dad at a laughable stand,
you can sleep on the plane or review what's been said.
When you're drunk and the kids look impossibly fat,
get them over and over, hey, I'm fine, and she's in.
Or if a trip and the plan come apart in your hand,
you can turn it on yourself, you're ridiculous about it.
You'll never forget what you meant when you read what you said,
and yeah, we knew you would stop, but then where are your friends tonight?
Where are your friends tonight?
Where are your friends tonight?
If I can see your mug face tonight,
if I can see your mug face [D] tonight,
if I [A] can see your mug face tonight,
if I can see your mug face [D] tonight.
That's how it starts.
We go back to your house.
You check the charts and start to figure it out.
And it's crowded all the better because we know we're gonna be up late.
But if you're worried about the weather, then you pick the wrong place to stay.
That's how it starts.
And so it starts.
You switch the engine on.
We set controls for the heart of the sun.
One of the ways that we show our image.
And if the sun comes up, if the sun comes up, if the sun comes up,
and I still don't want to stagger home,
then it's the memory of our fetters that are keeping us on our feet.
You spend the first five years trying to get with the plan,
and the next five years trying to be with your friends.
You're talking 45 turns just as fast as you can.
Yeah, I know it gets tired, but it's better when we pretend.
Here comes the part, the way it does in bad films.
Except the part where the moral kicks in.
The one we're letting out of the drums.
And the conversation's grinding away.
I wouldn't trade one stupid decision
for another five years of wine.
You've got the first ten years just as fast as you can,
and the next ten people who are trying to be with you.
When you're blowing 85 days in the middle of France,
yeah, I know it gets tired, only worry your friends tonight.
Tell the truth, this could be the last time.
So here we go, like a sales force into the night.
And if I made a fool, if I made a fool,
if I made a fool on the road, this always ends.
And if I'm suiting to submission, I can still come home to this.
And with a face like a dad at a laughable stand,
you can sleep on the plane or review what's been said.
When you're drunk and the kids look impossibly fat,
get them over and over, hey, I'm fine, and she's in.
Or if a trip and the plan come apart in your hand,
you can turn it on yourself, you're ridiculous about it.
You'll never forget what you meant when you read what you said,
and yeah, we knew you would stop, but then where are your friends tonight?
Where are your friends tonight?
Where are your friends tonight?
If I can see your mug face tonight,
if I can see your mug face [D] tonight,
if I [A] can see your mug face tonight,
if I can see your mug face [D] tonight.
Key:
A
D
A
D
A
D
A
D
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ That's how it starts.
_ _ _ We go back to your house.
_ _ _ _ You check the charts and _ _ start to figure it out.
_ _ _ _ And it's crowded all the better _ because we know we're gonna be up late.
_ _ _ _ But if you're worried about the weather, _ _ then you pick the wrong place to stay. _
_ _ _ _ That's how it starts.
_ _ _ _ _ _ _ _
_ _ _ _ And so it starts.
_ _ _ You switch the engine on.
_ _ _ _ We set controls for the heart of the sun.
_ One of the ways that we show our image. _
_ _ _ And if the sun comes up, if the sun comes up, if the sun comes up,
and I still don't want to stagger home, _ _
_ _ _ then it's the memory of our fetters that are keeping us on our feet. _ _
_ _ _ You spend the first five years trying to get with the plan,
and the next five years trying to be with your friends. _ _ _
_ _ _ You're talking 45 turns just as fast as you can.
Yeah, I know it gets tired, but it's better when we pretend.
Here _ _ _ _ comes the part, _ _ _ the way it does in bad films. _ _
_ _ Except the part _ _ _ where the moral kicks in. _ _
_ _ The one we're letting out of the drums. _
And the conversation's grinding away. _ _ _ _
_ I wouldn't trade one stupid decision _
for another five years of wine. _ _ _ _
_ You've got the first ten years just as fast as you can,
and the next ten people who are trying to be with you. _ _ _ _
_ When you're blowing 85 days in the middle of France,
yeah, I know it gets tired, only worry your friends tonight.
Tell _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ the truth, _ _ _ this could be the last time. _ _ _ _
So here we go, _ _ like a sales force into the night. _ _ _ _ _
And if I made a fool, if I made a fool,
if I made a fool on the road, this always ends. _ _ _ _
And if I'm suiting to submission, I can still come home to this. _ _ _ _ _
And with a face like a dad at a laughable stand,
you can sleep on the plane or review what's been said.
When you're drunk and the kids look impossibly fat,
get them over and over, hey, I'm fine, and she's in.
Or if a trip and the plan come apart in your hand,
you can turn it on yourself, you're ridiculous about it.
You'll never forget what you meant when you read what you said,
and yeah, we knew you would stop, but then where are your friends tonight?
Where are your friends tonight?
Where are your friends tonight? _ _ _ _ _ _ _
If I can see your mug face tonight,
if I can see your mug face [D] tonight,
if I [A] can see your mug face tonight,
if I can see your mug face [D] tonight. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ That's how it starts.
_ _ _ We go back to your house.
_ _ _ _ You check the charts and _ _ start to figure it out.
_ _ _ _ And it's crowded all the better _ because we know we're gonna be up late.
_ _ _ _ But if you're worried about the weather, _ _ then you pick the wrong place to stay. _
_ _ _ _ That's how it starts.
_ _ _ _ _ _ _ _
_ _ _ _ And so it starts.
_ _ _ You switch the engine on.
_ _ _ _ We set controls for the heart of the sun.
_ One of the ways that we show our image. _
_ _ _ And if the sun comes up, if the sun comes up, if the sun comes up,
and I still don't want to stagger home, _ _
_ _ _ then it's the memory of our fetters that are keeping us on our feet. _ _
_ _ _ You spend the first five years trying to get with the plan,
and the next five years trying to be with your friends. _ _ _
_ _ _ You're talking 45 turns just as fast as you can.
Yeah, I know it gets tired, but it's better when we pretend.
Here _ _ _ _ comes the part, _ _ _ the way it does in bad films. _ _
_ _ Except the part _ _ _ where the moral kicks in. _ _
_ _ The one we're letting out of the drums. _
And the conversation's grinding away. _ _ _ _
_ I wouldn't trade one stupid decision _
for another five years of wine. _ _ _ _
_ You've got the first ten years just as fast as you can,
and the next ten people who are trying to be with you. _ _ _ _
_ When you're blowing 85 days in the middle of France,
yeah, I know it gets tired, only worry your friends tonight.
Tell _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ the truth, _ _ _ this could be the last time. _ _ _ _
So here we go, _ _ like a sales force into the night. _ _ _ _ _
And if I made a fool, if I made a fool,
if I made a fool on the road, this always ends. _ _ _ _
And if I'm suiting to submission, I can still come home to this. _ _ _ _ _
And with a face like a dad at a laughable stand,
you can sleep on the plane or review what's been said.
When you're drunk and the kids look impossibly fat,
get them over and over, hey, I'm fine, and she's in.
Or if a trip and the plan come apart in your hand,
you can turn it on yourself, you're ridiculous about it.
You'll never forget what you meant when you read what you said,
and yeah, we knew you would stop, but then where are your friends tonight?
Where are your friends tonight?
Where are your friends tonight? _ _ _ _ _ _ _
If I can see your mug face tonight,
if I can see your mug face [D] tonight,
if I [A] can see your mug face tonight,
if I can see your mug face [D] tonight. _ _ _ _ _ _ _