Chords for Learn Thin Lizzy inspired guitar lesson add bluesy touches licks lesson Cowboy song style

Tempo:
87.125 bpm
Chords used:

A

E

D

F#m

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Learn Thin Lizzy inspired guitar lesson add bluesy touches licks lesson Cowboy song style chords
Start Jamming...
[E]
[F#m]
[D]
[A] [D] [E]
[F#m]
[D]
[A] [C#] [A]
[F#]
[A] Hey everybody, this is Dave Nassi over here at Next Level Guitar.
How you doing?
[B] So we're going to take one of my favorite bands ever and have a great Inspired By lesson.
And here we go.
Hey everybody, click on that link that you see below.
It's down there in the YouTube text box.
What do you get if you click the link?
Well you get a free video that is not available on YouTube and you get a coinciding ebook.
The ebook is pretty awesome.
It comes with all kinds of chords and scales and diagrams and all those things that you
need in your everyday life.
So just click on the link that you see down there below.
We're going to take this and make it bluesy and hopefully take it completely out of the
context of the song and rearrange it and just be inspired.
So first thing that we want to do is we're going to outline [A] some of the chords that we're
going to play.
Classic A major chord.
We're going to do some neat little extensions with our middle finger.
Maybe even do this.
Great way to form an A chord.
We're going to think about [E] our E chord.
We might play it that way.
That would be kind of a cool way to do it.
We may also [A] do it [E] this way.
I like to think of inversions of chords, you know, and every time they come around [G] maybe
we play them a little bit different.
[E] Then we're going to think [F#] of, of course, [F#m] F sharp minor in both places.
[B]
And [D] then we're going to think of our D major.
And what we're going to do is each time we play one of these chords, we're going to dance
around a little bit and try to throw in some cool licks and things that we could do to
just make it [F] a fun thing to play.
So [A] the first time, maybe we'll play the A this way.
And in between there now, I might think of a nice lick that [D] I can do.
[E] [F#] Right?
Really, really simple.
And I'll put this in slow and it'll be the same every time.
[B] [D] [E] Right?
From there we're going to go to maybe the E right here.
Because I'm in that position.
So that would be really simple to do.
So we [A] have
[D]
[D] [E]
Now [F#m] I want to hit my
[A]
Kind of a cool way [Em] to spice up the [F#m] F sharp minor.
If I lift away my pinky, it becomes a minor 7 and I can bring that pinky down to the high E string.
That's always good.
And that sounds cool if I do that.
And then I'm [C#m] going to lead it back to my D.
[D]
So maybe we'll [A] recap on that one.
[E] [F#]
[Bm]
That sounds cool.
That sounds nice.
And I'm doing some different stuff.
Of course, with a Titan tremolo bar, I [G] can have some vibrato on the [D] whole chord.
[F#] And any of those classic kind of double stops that we get, [D] we can rake into them.
[C] Those always sound good to me.
I can go [A] back to the A this way.
[B]
[E] Maybe I'll do my E this way.
Kind of different.
And [F#] then the F sharp this way.
[F#m]
And I can [D] go
That's kind of different.
Anytime we play the chord, we can omit a note.
We can just
[A]
[E] hear that low E go
And I [F#] bend it when it was ringing.
That was awesome.
[E] [C#m] [F#m]
[D] [A]
[F] That's always kind of cool off of a [A] major kind of jam there.
Are you getting that?
Go into the E there.
Or maybe I'll go like this.
[G#m] [C#m] [A]
[E] [D]
Whoa!
What was that?
Definitely stole that from somebody.
Can't remember where, but it's cool.
[A]
[E] [A] [E]
[F#]
[D] You can lead that into a chord.
I think you can kind of see the mission of [N] this.
I just like taking simple things that are like ear candy to me,
and things that made me want to play guitar in the first place,
and think of how I could just jam on it for days and make it simple.
And I don't have to do a lot of crazy stuff all the time.
But you start to think about different things as a guitar player that way.
It's not always the licks that you play.
It's the tone you have and the way you approach what you have
that makes you a better guitar player.
And these are songs.
These aren't practiced exercises of repetition.
This is making experienced playing, not experienced practice all the time.
So go to the website, everybody.
I'm going to play this out a little bit more,
but I think you can see the mission behind this.
And hopefully, you can be inspired to do just this.
Play your chords different every time.
Fill them with some great melody every single time.
And have yourself with limitations sometimes comes creativity, I guess.
So everybody, I'll see you next time, and thank you [A] so much.
[E] [F#] [F#m]
[D] [A]
[E]
[F#m] [E]
[D] See you next time.
[Am] [C] [A] [Am] [G]
[C] [D] [Am]
Key:  
A
1231
E
2311
D
1321
F#m
123111112
F#
134211112
A
1231
E
2311
D
1321
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_ _ _ _ _ [E] _ _ _
_ _ _ _ [F#m] _ _ _ _
[D] _ _ _ _ _ _ _ _
_ [A] _ _ _ [D] _ _ _ [E] _
_ _ _ _ _ [F#m] _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ [A] _ _ [C#] _ _ [A] _
_ _ _ _ [F#] _ _ _ _
[A] _ _ _ _ Hey everybody, this is Dave Nassi over here at Next Level Guitar.
How you doing?
[B] So we're going to take one of my favorite bands ever and have a great Inspired By lesson.
And here we go.
Hey everybody, click on that link that you see below.
It's down there in the YouTube text box.
What do you get if you click the link?
Well you get a free video that is not available on YouTube and you get a coinciding ebook.
The ebook is pretty awesome.
It comes with all kinds of chords and scales and diagrams and all those things that you
need in your everyday life.
So just click on the link that you see down there below.
We're going to take this and make it bluesy and hopefully take it completely out of the
context of the song and rearrange it and just be inspired.
So first thing that we want to do is we're going to outline [A] some of the chords that we're
going to play. _
Classic A major chord.
We're going to do some neat little extensions with our middle finger. _ _
Maybe even do this.
_ _ Great way to form an A chord.
We're going to think about [E] our E chord.
We might play it that way.
That would be kind of a cool way to do it.
We may also [A] do it [E] this way. _ _ _
_ _ I like to think of inversions of chords, you know, and every time they come around [G] maybe
we play them a little bit different.
[E] _ _ Then we're going to think [F#] of, of course, [F#m] _ _ F sharp minor in both places.
[B] _
And [D] then we're going to think of our D major. _ _ _ _
_ _ And what we're going to do is each time we play one of these chords, we're going to dance
around a little bit and try to throw in some cool licks and things that we could do to
just make it [F] a fun thing to play.
So [A] the first time, maybe we'll play the A this way. _ _ _
_ _ And in between there now, I might think of a nice lick that [D] I can do.
_ _ [E] _ _ [F#] Right?
Really, really simple.
And I'll put this in slow and it'll be the same every time. _ _
_ [B] _ [D] _ _ [E] Right?
From there we're going to go to maybe the E right here.
_ Because I'm in that position.
So that would be really simple to do.
So we [A] have_
_ _ _ _ _ [D] _
_ [D] _ _ [E] _ _ _ _
Now [F#m] I want to hit my_
_ _ _ [A] _
_ Kind of a cool way [Em] to spice up the [F#m] F sharp minor.
If I lift away my pinky, it becomes a minor 7 and I can bring that pinky down to the high E string.
That's always good. _ _ _
_ _ _ _ And that sounds cool if I do that.
And then I'm [C#m] going to lead it back to my D.
[D] _ _ _ _ _
So maybe we'll [A] recap on that one. _ _ _ _
_ _ _ [E] _ _ _ _ [F#] _
_ _ _ _ _ [Bm] _ _
That sounds cool.
That sounds nice.
And I'm doing some different stuff.
Of course, with a Titan tremolo bar, I [G] can have some vibrato on the [D] whole chord.
_ _ _ [F#] And any of those classic kind of double stops that we get, [D] we can rake into them.
_ _ _ [C] Those always sound good to me.
I can go [A] back to the A this way.
_ _ _ _ _ [B] _ _
[E] _ _ _ _ Maybe I'll do my E this way.
_ _ _ Kind of different.
And [F#] then the F sharp this way.
[F#m] _
_ _ And I can _ [D] go_ _
_ That's kind of different.
Anytime we play the chord, we can omit a note.
We can just _
_ _ _ _ [A] _ _ _ _
_ [E] _ _ _ _ hear that low E go_
And I [F#] bend it when it was ringing.
That was awesome.
[E] _ [C#m] _ _ _ [F#m] _
_ [D] _ _ _ _ _ _ [A] _
_ _ [F] That's always kind of cool off of a [A] major kind of jam there.
Are you getting that?
_ Go into the E there.
Or maybe I'll go like this. _
_ _ _ [G#m] _ [C#m] _ _ _ [A] _
_ [E] _ _ [D] _ _ _ _
Whoa!
What was that?
Definitely stole that from somebody. _ _ _
Can't remember where, but it's cool.
_ _ [A] _ _
[E] _ _ _ [A] _ _ _ _ [E] _
_ _ _ [F#] _ _ _ _ _
[D] _ _ _ You can lead that into a chord.
I think you can kind of see the mission of [N] this.
I just like taking simple things that are like ear candy to me,
and things that made me want to play guitar in the first place,
and think of how I could just jam on it for days and make it simple.
And I don't have to do a lot of crazy stuff all the time.
But you start to think about different things as a guitar player that way.
It's not always the licks that you play.
It's the tone you have and the way you approach what you have
that makes you a better guitar player.
And these are songs.
These aren't practiced exercises of repetition.
This is making experienced playing, not experienced practice all the time.
So go to the website, everybody.
I'm going to play this out a little bit more,
but I think you can see the mission behind this.
And hopefully, you can be inspired to do just this.
Play your chords different every time.
Fill them with some great melody every single time.
And have yourself with limitations sometimes comes creativity, I guess.
So everybody, I'll see you next time, and thank you [A] so much. _ _
_ [E] _ _ _ _ [F#] _ _ [F#m] _
_ _ _ [D] _ _ _ _ [A] _
_ _ _ _ [E] _ _ _ _
_ _ _ [F#m] _ _ [E] _ _ _
_ [D] _ _ See you next time.
[Am] _ _ _ [C] _ _ _ [A] _ [Am] _ _ _ [G] _
_ [C] _ [D] _ _ [Am] _ _ _ _