Chords for Lesson 1 - Foot Technique (John Bonham)
Tempo:
78.525 bpm
Chords used:
G
F#
E
F#m
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
Dan Zalak, coming at you.
and the other way is to bury the beater.
[G]
Notice the pivoting action in my foot.
Observe carefully as [F#m] you'll notice the beater being [E] drawn away from the head.
[G]
[E] And now a little slower.
how my heel [G] doesn't sit on the ground or go up too high off the [G] floor.
and the other way is to bury the beater.
[G]
Notice the pivoting action in my foot.
Observe carefully as [F#m] you'll notice the beater being [E] drawn away from the head.
[G]
[E] And now a little slower.
how my heel [G] doesn't sit on the ground or go up too high off the [G] floor.
100% ➙ 79BPM
G
F#
E
F#m
A
G
F#
E
_ _ _ _ _ _ Dan Zalak, coming at you.
There are two different techniques.
Pull the beater away from the head, and the other way is to bury the beater.
Both produce different sounds. _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ Notice the pivoting action in my foot.
_ [F#] _ _ _ [G] _ _ _
_ _ _ Observe carefully as [F#m] you'll notice the beater being [E] drawn away from the head.
This produces a more round sound.
[A] _
_ [G] _ _ _ _ _ _ _
_ _ [E] And now a little slower.
_ Notice how my heel [G] doesn't sit on the ground or go up too high off the [G] floor. _ _
_ _ _ _ _ _ _ [D] _
_ [F#] Here's a little pool in the rain for you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ And now a little slower. _ _
_ _ _ Notice all the vibration in the batter head.
_ _ _ _ _ _ _ _
_ _ _ Here's something Bonzo would do in games he could use.
_ _ One of my favorite things to do. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Now here come those steady 16th notes. _ _
Watch my leg as you'll notice a pumping motion.
In _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ this technique you are able to do ghost notes and heavy, dewy accent notes.
_ [F#] _ _ _ _ _
_ _ [E] This technique is called heel toe.
[G#] It is very commonly used [G#m] when you [F#m] have an unported bass drum.
[F#] _ When you don't have a port, there's a lot of air that needs to escape.
If you bury your beater, what you'll get is a rubbery kind of sound.
It won't be very tight and it [Em] won't sound as good. _ _ _
What you must do is release the beater off the head.
Not bury it.
_ [F#] _ _ _ _ _ _ _
_ This is by no means the easiest method to play bass drum.
_ [G] _ _ I hope you enjoyed my first lesson. _
There are two different techniques.
Pull the beater away from the head, and the other way is to bury the beater.
Both produce different sounds. _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ Notice the pivoting action in my foot.
_ [F#] _ _ _ [G] _ _ _
_ _ _ Observe carefully as [F#m] you'll notice the beater being [E] drawn away from the head.
This produces a more round sound.
[A] _
_ [G] _ _ _ _ _ _ _
_ _ [E] And now a little slower.
_ Notice how my heel [G] doesn't sit on the ground or go up too high off the [G] floor. _ _
_ _ _ _ _ _ _ [D] _
_ [F#] Here's a little pool in the rain for you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ And now a little slower. _ _
_ _ _ Notice all the vibration in the batter head.
_ _ _ _ _ _ _ _
_ _ _ Here's something Bonzo would do in games he could use.
_ _ One of my favorite things to do. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Now here come those steady 16th notes. _ _
Watch my leg as you'll notice a pumping motion.
In _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ this technique you are able to do ghost notes and heavy, dewy accent notes.
_ [F#] _ _ _ _ _
_ _ [E] This technique is called heel toe.
[G#] It is very commonly used [G#m] when you [F#m] have an unported bass drum.
[F#] _ When you don't have a port, there's a lot of air that needs to escape.
If you bury your beater, what you'll get is a rubbery kind of sound.
It won't be very tight and it [Em] won't sound as good. _ _ _
What you must do is release the beater off the head.
Not bury it.
_ [F#] _ _ _ _ _ _ _
_ This is by no means the easiest method to play bass drum.
_ [G] _ _ I hope you enjoyed my first lesson. _