Chords for Lightning Bolt Interview l 2015 l The Drone
Tempo:
89.5 bpm
Chords used:
G
Eb
C
Bb
Gb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Gb] [N]
Yeah, I put a mask on.
Partially it's a function because it has a microphone.
It's like putting
on your armor to [Gb] go into battle or something.
Like I put it on and [Abm] it kind of gets me ready.
It gets my head in the right [N] place.
But at the same time it like suffocates me.
You know
I've had people come up and be [Dbm] like, I like your music [Gb] but like I'm so scared of you or
something.
I [Ab] feel bad about that sometimes.
You know I don't want to scare people more
than they need to be scared.
I mean my main goal for Lighting Bolt is just to like deliver
energy because the music is aggressive so I need to direct that aggression at a thing.
And I think like you know the state of the world that's something that you can get a
lot of energy towards.
So it's just like finding targets to like muster up [N] energy towards.
Like I had stuff about like when George Bush was president we have a song that it's kind
of about the war and like about him.
[Eb] But the thing is like the wars continue with him
[Gb] gone so now I just like sing the song and like [G] switch his name out for Obama and just
like continue on with the [F] same song.
So the song still kind [C] of works.
[Db]
There's a [Ab] couple songs on the new album.
There's a song [B] Horsepower.
[Bb] It's again it's sort of
roughly about like [F] being materialistic in a world where like the [A] environment is starting
to crumble and like [Bb] kind of like holding onto your [Eb] goods while like this big wave comes
and washes you [Db] out to sea.
That's like sort of what one song [E] is about.
[Gb] But sometimes I'll [Ab] like be in a political mood and talk about that [F] stuff.
And other
times I'll just talk about weird [Gb] stupid shit and not be political at all.
[Eb] But yeah we kind
of go back and forth between [N] like reality and fantasy.
We walk this weird line.
Which
I think is just yeah I think that's just us.
It's like who we are [Bb] as people.
And a
lot of I mean a lot of free [E] jazz and specifically like black free jazz in the late 60s early
70s.
Yeah they were like fiercely political but they didn't ever like the poetics of it
were almost more important than the political of it.
So yeah I remember watching one of
the one of the Sun Ra things like documentaries like he's sitting outside the White House
and he's talking in that like Sun Ra speak.
So you're like I'm sitting in front of the
White House looking over across the street but I don't see the black house.
That's [A] where
it ought to be because you can't have a White House if you don't have a black house.
[Eb] In
fact you can't have anything [D] unless you have a comparison.
[G] And you're sort of like wow
is he.
That's [Bbm] like a genius like [Bb] political thing.
But [G] but maybe he's not even being political
like he might just be talking about whatever.
[Bb] And he's always he's always kind of walking
that line you know.
[G] And so yeah definitely he's I mean he's a huge inspiration.
[Bb] [G]
[Eb]
[B] [G] [Eb]
[G]
[Eb] [C]
[Eb] [G]
[Ebm] [Bb] [G] I mean
America's just been a mess for [Eb] years now or you can see it.
I think the mess [C] has always
been there but you just it's become more visible [Eb] like the groups are just getting more [C] separate
and there's just so much misunderstanding and like anger towards everybody like things
don't seem to be [C] working you know.
There's there don't seem to be the [G] words to say to
like bring people together like whatever you say seems to get like pushed or twisted the
wrong way and like pushes people further [E] apart.
So [C] it's [G] yeah I mean it's an important time
to pay attention.
[Bb] But [C] it's it's a hard time to [Bm] figure out like what to do.
Transmolecularization.
[B] I better [Db] still [C] teleport the whole
Yeah, I put a mask on.
Partially it's a function because it has a microphone.
It's like putting
on your armor to [Gb] go into battle or something.
Like I put it on and [Abm] it kind of gets me ready.
It gets my head in the right [N] place.
But at the same time it like suffocates me.
You know
I've had people come up and be [Dbm] like, I like your music [Gb] but like I'm so scared of you or
something.
I [Ab] feel bad about that sometimes.
You know I don't want to scare people more
than they need to be scared.
I mean my main goal for Lighting Bolt is just to like deliver
energy because the music is aggressive so I need to direct that aggression at a thing.
And I think like you know the state of the world that's something that you can get a
lot of energy towards.
So it's just like finding targets to like muster up [N] energy towards.
Like I had stuff about like when George Bush was president we have a song that it's kind
of about the war and like about him.
[Eb] But the thing is like the wars continue with him
[Gb] gone so now I just like sing the song and like [G] switch his name out for Obama and just
like continue on with the [F] same song.
So the song still kind [C] of works.
[Db]
There's a [Ab] couple songs on the new album.
There's a song [B] Horsepower.
[Bb] It's again it's sort of
roughly about like [F] being materialistic in a world where like the [A] environment is starting
to crumble and like [Bb] kind of like holding onto your [Eb] goods while like this big wave comes
and washes you [Db] out to sea.
That's like sort of what one song [E] is about.
[Gb] But sometimes I'll [Ab] like be in a political mood and talk about that [F] stuff.
And other
times I'll just talk about weird [Gb] stupid shit and not be political at all.
[Eb] But yeah we kind
of go back and forth between [N] like reality and fantasy.
We walk this weird line.
Which
I think is just yeah I think that's just us.
It's like who we are [Bb] as people.
And a
lot of I mean a lot of free [E] jazz and specifically like black free jazz in the late 60s early
70s.
Yeah they were like fiercely political but they didn't ever like the poetics of it
were almost more important than the political of it.
So yeah I remember watching one of
the one of the Sun Ra things like documentaries like he's sitting outside the White House
and he's talking in that like Sun Ra speak.
So you're like I'm sitting in front of the
White House looking over across the street but I don't see the black house.
That's [A] where
it ought to be because you can't have a White House if you don't have a black house.
[Eb] In
fact you can't have anything [D] unless you have a comparison.
[G] And you're sort of like wow
is he.
That's [Bbm] like a genius like [Bb] political thing.
But [G] but maybe he's not even being political
like he might just be talking about whatever.
[Bb] And he's always he's always kind of walking
that line you know.
[G] And so yeah definitely he's I mean he's a huge inspiration.
[Bb] [G]
[Eb]
[B] [G] [Eb]
[G]
[Eb] [C]
[Eb] [G]
[Ebm] [Bb] [G] I mean
America's just been a mess for [Eb] years now or you can see it.
I think the mess [C] has always
been there but you just it's become more visible [Eb] like the groups are just getting more [C] separate
and there's just so much misunderstanding and like anger towards everybody like things
don't seem to be [C] working you know.
There's there don't seem to be the [G] words to say to
like bring people together like whatever you say seems to get like pushed or twisted the
wrong way and like pushes people further [E] apart.
So [C] it's [G] yeah I mean it's an important time
to pay attention.
[Bb] But [C] it's it's a hard time to [Bm] figure out like what to do.
Transmolecularization.
[B] I better [Db] still [C] teleport the whole
Key:
G
Eb
C
Bb
Gb
G
Eb
C
_ _ _ _ _ _ _ _
_ [Gb] _ _ [N] _ _ _ _ _
_ _ _ _ Yeah, I put a mask on.
Partially it's a function because it has a microphone.
It's like putting
on your armor to [Gb] go into battle or something.
Like I put it on and [Abm] it kind of gets me ready.
It gets my head in the right [N] place. _
But at the same time it like suffocates me.
You know
I've had people come up and be [Dbm] like, I like your music [Gb] but like I'm so scared of you or
something.
I [Ab] feel bad about that sometimes.
You know I don't want to scare people more
than they need to be scared. _ _
_ _ _ _ _ _ _
I mean my main goal for Lighting Bolt is just to like deliver
energy because the music is aggressive so I need to direct that aggression at a thing.
And I think like you know the state of the world that's something that you can get a
lot of energy towards.
So it's just like finding targets to like muster up [N] energy towards.
Like I had stuff about like when George Bush was president we have a song that it's kind
of about the war and like about him.
[Eb] But the thing is like the wars continue with him
[Gb] gone so now I just like sing the song and like [G] switch his name out for Obama and just
like continue on with the [F] same song.
So the song still kind [C] of works.
_ [Db] _ _ _ _ _ _
There's a [Ab] couple songs on the new album.
There's a song [B] Horsepower.
[Bb] It's again it's sort of
roughly about like [F] being materialistic in a world where like the [A] environment is starting
to crumble and like [Bb] kind of like holding onto your [Eb] goods while like this big wave comes
and washes you [Db] out to sea.
That's like sort of what one song [E] is about. _ _ _ _ _ _
_ _ _ _ _ _ [Gb] But sometimes I'll [Ab] like be in a political mood and talk about that [F] stuff.
And other
times I'll just talk about weird [Gb] stupid shit and not be political at all.
[Eb] But yeah we kind
of go back and forth between [N] like reality and fantasy.
We walk this weird line.
Which
I think is just yeah I think that's just us.
It's like who we are [Bb] as people.
And a
lot of I mean a lot of free [E] jazz and specifically like black free jazz in the late 60s early
70s.
Yeah they were like fiercely political but they didn't ever like the poetics of it
were almost more important than the political of it.
So yeah I remember watching one of
the one of the Sun Ra things like documentaries like he's sitting outside the White House
and he's talking in that like Sun Ra speak.
So you're like I'm sitting in front of the
White House looking over across the street but I don't see the black house.
_ _ That's [A] where
it ought to be because you can't have a White House if you don't have a black house.
[Eb] _ In
fact you can't have anything [D] unless you have a comparison.
[G] And you're sort of like wow
is he.
That's [Bbm] like a genius like [Bb] political thing.
But [G] but maybe he's not even being political
like he might just be talking about whatever.
[Bb] And he's always he's always kind of walking
that line you know.
[G] And so yeah definitely he's I mean he's a huge inspiration.
[Bb] _ _ _ _ _ [G] _ _ _
_ _ _ [Eb] _ _ _ _ _
_ _ [B] _ _ _ [G] _ [Eb] _ _
_ _ _ [G] _ _ _ _ _
[Eb] _ _ _ _ _ [C] _ _ _
_ _ [Eb] _ _ _ [G] _ _ _
_ _ [Ebm] _ _ [Bb] _ _ [G] I mean
America's just been a mess for [Eb] years now or you can see it.
I think the mess [C] has always
been there but you just it's become more visible [Eb] like the groups are just getting more [C] separate
and there's just so much misunderstanding and like anger towards everybody like things
don't seem to be [C] working you know.
There's there don't seem to be the [G] words to say to
like bring people together like whatever you say seems to get like pushed or twisted the
wrong way and like pushes people further [E] apart.
So [C] it's [G] yeah I mean it's an important time
to pay attention.
[Bb] But _ [C] it's it's a hard time to [Bm] figure out like what to do.
Transmolecularization.
[B] _ I better [Db] still [C] teleport the whole
_ [Gb] _ _ [N] _ _ _ _ _
_ _ _ _ Yeah, I put a mask on.
Partially it's a function because it has a microphone.
It's like putting
on your armor to [Gb] go into battle or something.
Like I put it on and [Abm] it kind of gets me ready.
It gets my head in the right [N] place. _
But at the same time it like suffocates me.
You know
I've had people come up and be [Dbm] like, I like your music [Gb] but like I'm so scared of you or
something.
I [Ab] feel bad about that sometimes.
You know I don't want to scare people more
than they need to be scared. _ _
_ _ _ _ _ _ _
I mean my main goal for Lighting Bolt is just to like deliver
energy because the music is aggressive so I need to direct that aggression at a thing.
And I think like you know the state of the world that's something that you can get a
lot of energy towards.
So it's just like finding targets to like muster up [N] energy towards.
Like I had stuff about like when George Bush was president we have a song that it's kind
of about the war and like about him.
[Eb] But the thing is like the wars continue with him
[Gb] gone so now I just like sing the song and like [G] switch his name out for Obama and just
like continue on with the [F] same song.
So the song still kind [C] of works.
_ [Db] _ _ _ _ _ _
There's a [Ab] couple songs on the new album.
There's a song [B] Horsepower.
[Bb] It's again it's sort of
roughly about like [F] being materialistic in a world where like the [A] environment is starting
to crumble and like [Bb] kind of like holding onto your [Eb] goods while like this big wave comes
and washes you [Db] out to sea.
That's like sort of what one song [E] is about. _ _ _ _ _ _
_ _ _ _ _ _ [Gb] But sometimes I'll [Ab] like be in a political mood and talk about that [F] stuff.
And other
times I'll just talk about weird [Gb] stupid shit and not be political at all.
[Eb] But yeah we kind
of go back and forth between [N] like reality and fantasy.
We walk this weird line.
Which
I think is just yeah I think that's just us.
It's like who we are [Bb] as people.
And a
lot of I mean a lot of free [E] jazz and specifically like black free jazz in the late 60s early
70s.
Yeah they were like fiercely political but they didn't ever like the poetics of it
were almost more important than the political of it.
So yeah I remember watching one of
the one of the Sun Ra things like documentaries like he's sitting outside the White House
and he's talking in that like Sun Ra speak.
So you're like I'm sitting in front of the
White House looking over across the street but I don't see the black house.
_ _ That's [A] where
it ought to be because you can't have a White House if you don't have a black house.
[Eb] _ In
fact you can't have anything [D] unless you have a comparison.
[G] And you're sort of like wow
is he.
That's [Bbm] like a genius like [Bb] political thing.
But [G] but maybe he's not even being political
like he might just be talking about whatever.
[Bb] And he's always he's always kind of walking
that line you know.
[G] And so yeah definitely he's I mean he's a huge inspiration.
[Bb] _ _ _ _ _ [G] _ _ _
_ _ _ [Eb] _ _ _ _ _
_ _ [B] _ _ _ [G] _ [Eb] _ _
_ _ _ [G] _ _ _ _ _
[Eb] _ _ _ _ _ [C] _ _ _
_ _ [Eb] _ _ _ [G] _ _ _
_ _ [Ebm] _ _ [Bb] _ _ [G] I mean
America's just been a mess for [Eb] years now or you can see it.
I think the mess [C] has always
been there but you just it's become more visible [Eb] like the groups are just getting more [C] separate
and there's just so much misunderstanding and like anger towards everybody like things
don't seem to be [C] working you know.
There's there don't seem to be the [G] words to say to
like bring people together like whatever you say seems to get like pushed or twisted the
wrong way and like pushes people further [E] apart.
So [C] it's [G] yeah I mean it's an important time
to pay attention.
[Bb] But _ [C] it's it's a hard time to [Bm] figure out like what to do.
Transmolecularization.
[B] _ I better [Db] still [C] teleport the whole