Chords for LITTLE STEVEN:SUN CITY LIVE [1990]
Tempo:
121.5 bpm
Chords used:
B
A
E
F#
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F] Thank you!
[G]
[D] Let's [Gm] go!
[G]
[N]
Alright.
[F#]
Let me bring a friend of ours.
[A]
[C#] Someone who has traveled many miles and written many songs.
[E]
Tonight he's back [C#] with us in Wembley Stadium
[B] to tell the truth.
[E]
[E] [B] Nicaragua, two different ships of Soweto.
Ladies and gentlemen, can you please [C#] welcome
Little Steven!
[G#]
[E] [C#] [B]
[C#] Hello, my name [E] is
[B]
[E] [B] [A]
[E] [B]
[E] [Bm] [A]
[G] [B]
[F#]
Deja Vu!
This looks [E] familiar.
[E]
Now we've got good reason to be here today.
Before we do that,
I'm gonna bring out some more friends
because that's what we do at these shows.
Friends with my friend.
I don't know who's still here but
[F#] anybody who's still here, come on out.
I know Chrissy Hine is here.
I [A] know Jeremy Shaw is here.
[B] Shane Goodwin.
[D] Bobby Ray.
[B] Harry Stringthorpe.
[A] Lou Reed.
[G#]
[F#]
What's his name?
Peter Gabriel!
[D#]
[E] Well, [F#]
we've got a good reason to be here two years ago, right?
Were you here two years ago?
Well, you don't [B] fool around.
You said three notes of American lesson
and [E] he's here tonight, right?
[A] [D] We've got a good reason [G] tonight too.
[B] We're here to help Nelson Mandela.
He's going down there to negotiate.
We've got to get something to negotiate with.
That means sanctions.
We've got to keep the pressure [E] on.
[B] Keep the pressure [Am] on.
Can you say it?
Come on, come on.
Keep the [C#] pressure on.
Keep the pressure on.
[G] [D] Keep the [F#] pressure on.
[Bm] Keep the pressure on.
One person, one vote.
Keep the pressure on.
One person, one vote.
Keep the pressure [B] on.
All right, all right, all right, all right.
[E] So this is like, you know, it's not only a tribute,
but it's also a sanctions show.
So we're going to do the sanctions song.
We've got to help, all right?
Ready, song!
Ready, dance!
Ready,
[B] everybody.
[Bm] Hey, hey, hey.
[F#] Ain't no place like Sydney.
[D] You say it.
[A] [Bm] Ain't no place like Sydney.
[B] [A]
[E] [A] [B] [A]
[E] [B] [A]
[E] [A] [B] [A]
[E] [A] Relocation to foreign [A] homeland.
[B] [F#] Separation of families, chain of the stand.
[B] [A] 26 million [E] named both black and white.
Stand by our brothers [E] and our sisters in the back, [B] yeah.
[A]
[E] Ain't no [B] place like Sydney.
[A]
[E] [B] [A]
[E] [A] Ain't no [B] place like Sydney.
[A]
[E] [A] [B] [A]
[E] [A] [B] Trust in [A] the statement,
[E] follow Captain's plan.
[B] Meanwhile, [E] people are dying.
Get on hold.
[A] You can't, you're [E] overzealous.
[B] [A]
[E] [A] Ain't no [B] place like Sydney.
[A]
Oh, no.
Everybody [B] say, ah, [A]
[E] [A] ah.
Ain't no [B] place like Sydney.
[A]
Oh, no.
[B] Nah, [A] nah, nah, nah, [E] nah, [A] nah.
Nah, [B] nah, nah, nah, [A] nah, nah.
[B] [A]
[E] [A] Nah, nah, [B] nah, nah, nah, [A] nah.
[E] Oh, yeah.
[B]
Privilege, yeah.
[G]
Privilege, nobody [F#m] rise for free.
[F#] Look around the world.
Stand up, you and I.
[Bm]
[C#] [F#]
Ain't no place like Sydney.
[A] Oh, no.
[B]
[E] [A] Ain't no [B] place like Sydney.
[A] Oh, [E] no.
[F#] Ah, ah, ah.
Ain't no place like Sydney.
You say it now, come on, y'all.
[Bm]
Ain't no place [F#] like Sydney.
[G]
Y'all say it.
Ain't no place [B] like Sydney.
Take it down, baby.
[D] Let's hear it, let's hear it.
[G#]
[Em]
[G#m]
[G] [E]
[D#] [B] [F#]
[B]
[A] [F#]
[B]
[E] [E]
[A] [B] [E] Yeah.
Oh, [B] [E]
[A] [B] yeah.
[A] [E]
[B] Nah, nah, nah, nah, [E]
[Am] nah, nah.
[B] Yeah.
[A]
Yeah.
[B] Yeah.
[E]
[A] [B] [Bm]
[B]
Oh, yeah.
We got this, y'all.
Yeah.
[G#]
Ladies and gentlemen,
Matt says we're gonna kick the [D] pressure off.
[G]
[D] Let's [Gm] go!
[G]
[N]
Alright.
[F#]
Let me bring a friend of ours.
[A]
[C#] Someone who has traveled many miles and written many songs.
[E]
Tonight he's back [C#] with us in Wembley Stadium
[B] to tell the truth.
[E]
[E] [B] Nicaragua, two different ships of Soweto.
Ladies and gentlemen, can you please [C#] welcome
Little Steven!
[G#]
[E] [C#] [B]
[C#] Hello, my name [E] is
[B]
[E] [B] [A]
[E] [B]
[E] [Bm] [A]
[G] [B]
[F#]
Deja Vu!
This looks [E] familiar.
[E]
Now we've got good reason to be here today.
Before we do that,
I'm gonna bring out some more friends
because that's what we do at these shows.
Friends with my friend.
I don't know who's still here but
[F#] anybody who's still here, come on out.
I know Chrissy Hine is here.
I [A] know Jeremy Shaw is here.
[B] Shane Goodwin.
[D] Bobby Ray.
[B] Harry Stringthorpe.
[A] Lou Reed.
[G#]
[F#]
What's his name?
Peter Gabriel!
[D#]
[E] Well, [F#]
we've got a good reason to be here two years ago, right?
Were you here two years ago?
Well, you don't [B] fool around.
You said three notes of American lesson
and [E] he's here tonight, right?
[A] [D] We've got a good reason [G] tonight too.
[B] We're here to help Nelson Mandela.
He's going down there to negotiate.
We've got to get something to negotiate with.
That means sanctions.
We've got to keep the pressure [E] on.
[B] Keep the pressure [Am] on.
Can you say it?
Come on, come on.
Keep the [C#] pressure on.
Keep the pressure on.
[G] [D] Keep the [F#] pressure on.
[Bm] Keep the pressure on.
One person, one vote.
Keep the pressure on.
One person, one vote.
Keep the pressure [B] on.
All right, all right, all right, all right.
[E] So this is like, you know, it's not only a tribute,
but it's also a sanctions show.
So we're going to do the sanctions song.
We've got to help, all right?
Ready, song!
Ready, dance!
Ready,
[B] everybody.
[Bm] Hey, hey, hey.
[F#] Ain't no place like Sydney.
[D] You say it.
[A] [Bm] Ain't no place like Sydney.
[B] [A]
[E] [A] [B] [A]
[E] [B] [A]
[E] [A] [B] [A]
[E] [A] Relocation to foreign [A] homeland.
[B] [F#] Separation of families, chain of the stand.
[B] [A] 26 million [E] named both black and white.
Stand by our brothers [E] and our sisters in the back, [B] yeah.
[A]
[E] Ain't no [B] place like Sydney.
[A]
[E] [B] [A]
[E] [A] Ain't no [B] place like Sydney.
[A]
[E] [A] [B] [A]
[E] [A] [B] Trust in [A] the statement,
[E] follow Captain's plan.
[B] Meanwhile, [E] people are dying.
Get on hold.
[A] You can't, you're [E] overzealous.
[B] [A]
[E] [A] Ain't no [B] place like Sydney.
[A]
Oh, no.
Everybody [B] say, ah, [A]
[E] [A] ah.
Ain't no [B] place like Sydney.
[A]
Oh, no.
[B] Nah, [A] nah, nah, nah, [E] nah, [A] nah.
Nah, [B] nah, nah, nah, [A] nah, nah.
[B] [A]
[E] [A] Nah, nah, [B] nah, nah, nah, [A] nah.
[E] Oh, yeah.
[B]
Privilege, yeah.
[G]
Privilege, nobody [F#m] rise for free.
[F#] Look around the world.
Stand up, you and I.
[Bm]
[C#] [F#]
Ain't no place like Sydney.
[A] Oh, no.
[B]
[E] [A] Ain't no [B] place like Sydney.
[A] Oh, [E] no.
[F#] Ah, ah, ah.
Ain't no place like Sydney.
You say it now, come on, y'all.
[Bm]
Ain't no place [F#] like Sydney.
[G]
Y'all say it.
Ain't no place [B] like Sydney.
Take it down, baby.
[D] Let's hear it, let's hear it.
[G#]
[Em]
[G#m]
[G] [E]
[D#] [B] [F#]
[B]
[A] [F#]
[B]
[E] [E]
[A] [B] [E] Yeah.
Oh, [B] [E]
[A] [B] yeah.
[A] [E]
[B] Nah, nah, nah, nah, [E]
[Am] nah, nah.
[B] Yeah.
[A]
Yeah.
[B] Yeah.
[E]
[A] [B] [Bm]
[B]
Oh, yeah.
We got this, y'all.
Yeah.
[G#]
Ladies and gentlemen,
Matt says we're gonna kick the [D] pressure off.
Key:
B
A
E
F#
G
B
A
E
_ _ _ _ _ _ [F] Thank you!
_ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ Let's [Gm] go!
_ [G] _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Alright.
_ [F#] _ _ _ _
_ Let me bring a friend of ours.
_ [A] _ _
_ _ [C#] _ _ Someone who has traveled many miles and written many songs.
[E] _ _ _ _
_ _ Tonight he's back [C#] with us in Wembley Stadium _
[B] to tell the truth.
[E] _ _ _ _
[E] _ _ _ _ [B] _ Nicaragua, two different ships of Soweto.
_ _ _ Ladies and gentlemen, can you please [C#] welcome _ _
Little Steven!
_ _ _ _ [G#] _ _
[E] _ _ _ _ [C#] _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [C#] _ Hello, my name [E] is_
_ [B] _ _ _
[E] _ _ _ _ [B] _ _ _ [A] _
_ [E] _ _ _ [B] _ _ _ _
[E] _ _ _ _ [Bm] _ _ _ [A] _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ [B] _ _ _
_ _ [F#] _ _ _ _ _
Deja Vu! _ _ _ _ _
This looks [E] familiar.
_ _ [E] _ _ _ _
Now we've got good reason to be here today. _ _ _
Before we do that,
_ I'm gonna bring out some more friends
because that's what we do at these shows.
Friends with my friend. _
_ _ _ _ I don't know who's still here but
[F#] _ anybody who's still here, come on out.
I know Chrissy Hine is here.
I _ _ [A] know Jeremy Shaw is here. _ _ _ _ _ _
[B] Shane Goodwin.
[D] Bobby Ray. _ _ _
_ _ [B] Harry Stringthorpe. _ _ _
_ _ [A] Lou Reed. _ _ _
_ _ _ _ [G#] _ _ _ _
_ [F#] _ _ _ _ _ _ _
What's his name?
Peter Gabriel! _ _ _
_ _ _ _ [D#] _ _ _
[E] Well, _ _ [F#] _ _ _ _ _
we've got a good reason to be here two years ago, right? _
Were you here two years ago? _ _ _ _ _
Well, you don't [B] fool around.
You said three notes of American lesson
and [E] he's here tonight, right?
_ [A] _ [D] We've got a good reason [G] tonight too.
_ [B] We're here to help Nelson Mandela. _ _ _
He's going down there to negotiate.
_ We've got to get something to negotiate with.
That means sanctions. _ _ _
_ We've got to keep the pressure [E] on.
_ [B] _ Keep the pressure [Am] on.
Can you say it?
Come on, come on.
Keep the [C#] pressure on.
_ _ _ Keep the pressure on.
[G] _ _ _ [D] Keep the [F#] pressure on.
_ [Bm] _ _ Keep the pressure on.
One person, one vote.
Keep the pressure on.
One person, one vote.
Keep the pressure [B] on.
All right, all right, all right, all right.
[E] So this is like, you know, it's not only a tribute,
but it's also a sanctions show.
So we're going to do the sanctions song. _
We've got to help, all right? _ _ _
Ready, song!
_ _ _ Ready, dance!
Ready, _
[B] _ everybody. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ Hey, hey, hey. _
_ _ [F#] Ain't no place like Sydney. _ _
_ _ [D] You say it. _ _ _
[A] _ _ [Bm] Ain't no place like Sydney. _ _
_ _ _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ [B] _ _ [A] _ _
[E] _ _ _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ _ Relocation to foreign [A] homeland.
[B] _ [F#] Separation of families, chain of the stand.
[B] _ [A] 26 million [E] named both black and white.
Stand by our brothers [E] and our sisters in the back, [B] yeah.
_ [A] _ _
[E] _ _ Ain't no [B] place like Sydney.
[A] _ _
[E] _ _ [B] _ _ _ _ [A] _ _
[E] _ _ [A] Ain't no [B] place like Sydney.
[A] _ _
[E] _ _ [A] _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ [B] Trust in [A] the statement, _
[E] follow Captain's plan.
[B] Meanwhile, [E] people are dying.
Get on hold.
[A] You can't, you're [E] overzealous.
_ _ _ [B] _ _ [A] _ _
[E] _ _ [A] Ain't no [B] place like Sydney.
[A] _
Oh, no.
Everybody [B] say, ah, [A] _ _
[E] _ [A] ah.
Ain't no [B] place like Sydney.
[A] _
Oh, no.
_ _ _ [B] Nah, [A] nah, nah, nah, [E] nah, [A] nah.
Nah, [B] nah, nah, nah, [A] nah, nah.
_ _ _ [B] _ _ [A] _ _
[E] _ _ [A] Nah, nah, [B] nah, nah, nah, [A] nah.
[E] _ _ _ Oh, yeah.
[B] _ _ _
_ Privilege, yeah.
_ _ _ [G]
Privilege, nobody [F#m] rise for free.
[F#] Look around the world.
Stand up, you and I.
[Bm] _ _ _ _
_ _ [C#] _ _ [F#] _ _ _ _
_ _ Ain't no place like Sydney. _ _
_ [A] Oh, no.
[B] _ _ _ _
[E] _ _ [A] Ain't no [B] place like Sydney.
[A] Oh, [E] no.
_ _ _ [F#] _ _ Ah, ah, _ ah.
Ain't no place like Sydney.
You say it now, come on, y'all. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Bm] _ _
_ Ain't no place [F#] like Sydney.
_ [G] _
_ _ Y'all say it. _ _ _
_ Ain't no place [B] like Sydney. _ _
Take it down, baby.
[D] Let's hear it, let's hear it.
[G#] _ _ _ _
_ _ _ _ _ _ [Em] _ _
_ _ [G#m] _ _ _ _ _ _
[G] _ _ _ _ _ _ [E] _ _
_ _ [D#] _ _ [B] _ _ _ [F#] _
_ _ _ [B] _ _ _ _ _
_ _ _ _ [A] _ _ _ [F#] _
_ _ [B] _ _ _ _ _ _
[E] _ _ _ _ _ _ [E] _ _
_ [A] _ _ [B] _ _ _ [E] Yeah.
Oh, [B] _ _ _ _ [E] _ _
[A] _ _ [B] yeah.
[A] _ _ [E] _ _
_ _ [B] _ Nah, nah, nah, nah, [E] _ _
[Am] nah, nah.
[B] Yeah.
_ [A] _ _ _
Yeah.
_ [B] Yeah.
[E] _ _ _ _
[A] _ _ [B] _ _ _ _ [Bm] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ Oh, yeah.
We got this, y'all.
Yeah.
[G#] _ _ _ _
_ _ Ladies _ _ and gentlemen,
_ Matt says we're gonna kick the [D] pressure off.
_ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ Let's [Gm] go!
_ [G] _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Alright.
_ [F#] _ _ _ _
_ Let me bring a friend of ours.
_ [A] _ _
_ _ [C#] _ _ Someone who has traveled many miles and written many songs.
[E] _ _ _ _
_ _ Tonight he's back [C#] with us in Wembley Stadium _
[B] to tell the truth.
[E] _ _ _ _
[E] _ _ _ _ [B] _ Nicaragua, two different ships of Soweto.
_ _ _ Ladies and gentlemen, can you please [C#] welcome _ _
Little Steven!
_ _ _ _ [G#] _ _
[E] _ _ _ _ [C#] _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [C#] _ Hello, my name [E] is_
_ [B] _ _ _
[E] _ _ _ _ [B] _ _ _ [A] _
_ [E] _ _ _ [B] _ _ _ _
[E] _ _ _ _ [Bm] _ _ _ [A] _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ [B] _ _ _
_ _ [F#] _ _ _ _ _
Deja Vu! _ _ _ _ _
This looks [E] familiar.
_ _ [E] _ _ _ _
Now we've got good reason to be here today. _ _ _
Before we do that,
_ I'm gonna bring out some more friends
because that's what we do at these shows.
Friends with my friend. _
_ _ _ _ I don't know who's still here but
[F#] _ anybody who's still here, come on out.
I know Chrissy Hine is here.
I _ _ [A] know Jeremy Shaw is here. _ _ _ _ _ _
[B] Shane Goodwin.
[D] Bobby Ray. _ _ _
_ _ [B] Harry Stringthorpe. _ _ _
_ _ [A] Lou Reed. _ _ _
_ _ _ _ [G#] _ _ _ _
_ [F#] _ _ _ _ _ _ _
What's his name?
Peter Gabriel! _ _ _
_ _ _ _ [D#] _ _ _
[E] Well, _ _ [F#] _ _ _ _ _
we've got a good reason to be here two years ago, right? _
Were you here two years ago? _ _ _ _ _
Well, you don't [B] fool around.
You said three notes of American lesson
and [E] he's here tonight, right?
_ [A] _ [D] We've got a good reason [G] tonight too.
_ [B] We're here to help Nelson Mandela. _ _ _
He's going down there to negotiate.
_ We've got to get something to negotiate with.
That means sanctions. _ _ _
_ We've got to keep the pressure [E] on.
_ [B] _ Keep the pressure [Am] on.
Can you say it?
Come on, come on.
Keep the [C#] pressure on.
_ _ _ Keep the pressure on.
[G] _ _ _ [D] Keep the [F#] pressure on.
_ [Bm] _ _ Keep the pressure on.
One person, one vote.
Keep the pressure on.
One person, one vote.
Keep the pressure [B] on.
All right, all right, all right, all right.
[E] So this is like, you know, it's not only a tribute,
but it's also a sanctions show.
So we're going to do the sanctions song. _
We've got to help, all right? _ _ _
Ready, song!
_ _ _ Ready, dance!
Ready, _
[B] _ everybody. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ Hey, hey, hey. _
_ _ [F#] Ain't no place like Sydney. _ _
_ _ [D] You say it. _ _ _
[A] _ _ [Bm] Ain't no place like Sydney. _ _
_ _ _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ [B] _ _ [A] _ _
[E] _ _ _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ _ Relocation to foreign [A] homeland.
[B] _ [F#] Separation of families, chain of the stand.
[B] _ [A] 26 million [E] named both black and white.
Stand by our brothers [E] and our sisters in the back, [B] yeah.
_ [A] _ _
[E] _ _ Ain't no [B] place like Sydney.
[A] _ _
[E] _ _ [B] _ _ _ _ [A] _ _
[E] _ _ [A] Ain't no [B] place like Sydney.
[A] _ _
[E] _ _ [A] _ _ [B] _ _ [A] _ _
[E] _ _ [A] _ _ [B] Trust in [A] the statement, _
[E] follow Captain's plan.
[B] Meanwhile, [E] people are dying.
Get on hold.
[A] You can't, you're [E] overzealous.
_ _ _ [B] _ _ [A] _ _
[E] _ _ [A] Ain't no [B] place like Sydney.
[A] _
Oh, no.
Everybody [B] say, ah, [A] _ _
[E] _ [A] ah.
Ain't no [B] place like Sydney.
[A] _
Oh, no.
_ _ _ [B] Nah, [A] nah, nah, nah, [E] nah, [A] nah.
Nah, [B] nah, nah, nah, [A] nah, nah.
_ _ _ [B] _ _ [A] _ _
[E] _ _ [A] Nah, nah, [B] nah, nah, nah, [A] nah.
[E] _ _ _ Oh, yeah.
[B] _ _ _
_ Privilege, yeah.
_ _ _ [G]
Privilege, nobody [F#m] rise for free.
[F#] Look around the world.
Stand up, you and I.
[Bm] _ _ _ _
_ _ [C#] _ _ [F#] _ _ _ _
_ _ Ain't no place like Sydney. _ _
_ [A] Oh, no.
[B] _ _ _ _
[E] _ _ [A] Ain't no [B] place like Sydney.
[A] Oh, [E] no.
_ _ _ [F#] _ _ Ah, ah, _ ah.
Ain't no place like Sydney.
You say it now, come on, y'all. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Bm] _ _
_ Ain't no place [F#] like Sydney.
_ [G] _
_ _ Y'all say it. _ _ _
_ Ain't no place [B] like Sydney. _ _
Take it down, baby.
[D] Let's hear it, let's hear it.
[G#] _ _ _ _
_ _ _ _ _ _ [Em] _ _
_ _ [G#m] _ _ _ _ _ _
[G] _ _ _ _ _ _ [E] _ _
_ _ [D#] _ _ [B] _ _ _ [F#] _
_ _ _ [B] _ _ _ _ _
_ _ _ _ [A] _ _ _ [F#] _
_ _ [B] _ _ _ _ _ _
[E] _ _ _ _ _ _ [E] _ _
_ [A] _ _ [B] _ _ _ [E] Yeah.
Oh, [B] _ _ _ _ [E] _ _
[A] _ _ [B] yeah.
[A] _ _ [E] _ _
_ _ [B] _ Nah, nah, nah, nah, [E] _ _
[Am] nah, nah.
[B] Yeah.
_ [A] _ _ _
Yeah.
_ [B] Yeah.
[E] _ _ _ _
[A] _ _ [B] _ _ _ _ [Bm] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ Oh, yeah.
We got this, y'all.
Yeah.
[G#] _ _ _ _
_ _ Ladies _ _ and gentlemen,
_ Matt says we're gonna kick the [D] pressure off.