Chords for Live With Regis And Kathy Lee - Bill Bruford And Steve Howe Part 1
Tempo:
73.875 bpm
Chords used:
Ab
Gb
E
G
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Absolutely one of the most famous bands to emanate from the 70s era of rock and roll
mania was the British group Yes whose popularity has withstood the test of time obviously spanning
17 albums over 25 years.
Two of the original members of Yes have flown over from England to talk about their latest
recording and here they are Steve Howe and Bill Bruford.
[Gb]
[N] Sorry we smell like cabbage.
There's a lot of cooking going on here.
When's the invitation?
I can't wait.
Now I stress the word original because there have been many variations [Ab] and there's been
an incredible amount of different lineups.
I think in all there's been about 14 different people in Yes.
At least 12 and I think more recently there's been other people.
You two have always stayed with the group?
I [A] was since 1970 and Bill.
I started with the group but dipped out for a little kind of 18 year [Ab] break.
18 year break?
What do we do for 18 [B] years?
We play in other bands.
Lots and lots of other bands.
Lots of other different styles of music.
Because you want to be creative.
Indeed so.
I try to you know push forward that sort of thing.
And I love the name.
Yes.
[Ab] You can't buy a name better than that.
Yes absolutely.
Very positive.
Yeah.
And did you come up with that name?
No.
No I didn't.
No I don't know quite what it is. Peter Banks?
Yeah.
You know there's always one [Eb] of those awful you know what are we going to do with this?
What should we call it?
Yeah I think it was [E] Peter Banks.
Short names are good for groups.
[Bb] Oh absolutely.
It was the time of The Who, The Knights, you know other bands like that.
Very exciting time wasn't it?
Yeah it was.
Was it as crazy as we hear?
I mean we were alive then.
[G]
[Ab] But when you weren't a part of the scene and you just read [E] about the scene or heard about
the scene it seemed [Ab] like how did any of you survive it?
There were some great facets about it.
One was that all the groups had total musical freedom and there was
From the record companies you mean?
Yeah.
You know the group provided direction.
It wasn't conjured up by A&R [G] people.
Or a producer that came in and tried to make you something.
Yeah the industry was expanding you know 30 [N]% a year type thing.
It was a growth industry.
Everybody in London had a [Ab] recording contract.
It was no problem getting one.
It was an [Gb] optimistic time.
Whatever you want.
We were indulged and spoiled rotten.
Were you?
[N] So things are pretty much the opposite now.
And you can see by the album covers that you guys haven't changed at all.
[E] [Gb] Roger Dean's got a lot of great logos.
There's sort of a dark side to [Ab] these albums.
At least the covers and stuff.
That one, show Fragile because that's the first sleeve.
Was this the very first one?
No that was the first sleeve that Roger Dean did and his logo and his script became very
much a part of the [N] group's image.
We've got a big fan over here.
Is that another album?
Well that's actually, in 1990 we did Anderson, Booth and Wakeman Howe.
Anderson, Booth and Wakeman Howe was a kind of break away idea from Yes.
You know as we don't use the name Yes.
That's specifically for certain people at certain times who were in the group.
And at that time we weren't and that's the group that we put together.
Anderson, Booth and Wakeman Howe.
It was quite a mouthful.
It wasn't as easy as Yes.
Yes is easy.
So now the whole group comes back and you work with the London Philharmonic Orchestra.
Well let's clarify that.
It's three [Bb] original members, John Anderson and Bill Booth and myself with the London Philharmonic Orchestra.
It really was terrific.
[Gb] Really exciting.
What a sound.
That's your new CD right?
That's right.
[B] Of course.
Hi, when we come back Steve and Bill [E] are going to propose [D] to us.
[C] We'll see you.
[G]
mania was the British group Yes whose popularity has withstood the test of time obviously spanning
17 albums over 25 years.
Two of the original members of Yes have flown over from England to talk about their latest
recording and here they are Steve Howe and Bill Bruford.
[Gb]
[N] Sorry we smell like cabbage.
There's a lot of cooking going on here.
When's the invitation?
I can't wait.
Now I stress the word original because there have been many variations [Ab] and there's been
an incredible amount of different lineups.
I think in all there's been about 14 different people in Yes.
At least 12 and I think more recently there's been other people.
You two have always stayed with the group?
I [A] was since 1970 and Bill.
I started with the group but dipped out for a little kind of 18 year [Ab] break.
18 year break?
What do we do for 18 [B] years?
We play in other bands.
Lots and lots of other bands.
Lots of other different styles of music.
Because you want to be creative.
Indeed so.
I try to you know push forward that sort of thing.
And I love the name.
Yes.
[Ab] You can't buy a name better than that.
Yes absolutely.
Very positive.
Yeah.
And did you come up with that name?
No.
No I didn't.
No I don't know quite what it is. Peter Banks?
Yeah.
You know there's always one [Eb] of those awful you know what are we going to do with this?
What should we call it?
Yeah I think it was [E] Peter Banks.
Short names are good for groups.
[Bb] Oh absolutely.
It was the time of The Who, The Knights, you know other bands like that.
Very exciting time wasn't it?
Yeah it was.
Was it as crazy as we hear?
I mean we were alive then.
[G]
[Ab] But when you weren't a part of the scene and you just read [E] about the scene or heard about
the scene it seemed [Ab] like how did any of you survive it?
There were some great facets about it.
One was that all the groups had total musical freedom and there was
From the record companies you mean?
Yeah.
You know the group provided direction.
It wasn't conjured up by A&R [G] people.
Or a producer that came in and tried to make you something.
Yeah the industry was expanding you know 30 [N]% a year type thing.
It was a growth industry.
Everybody in London had a [Ab] recording contract.
It was no problem getting one.
It was an [Gb] optimistic time.
Whatever you want.
We were indulged and spoiled rotten.
Were you?
[N] So things are pretty much the opposite now.
And you can see by the album covers that you guys haven't changed at all.
[E] [Gb] Roger Dean's got a lot of great logos.
There's sort of a dark side to [Ab] these albums.
At least the covers and stuff.
That one, show Fragile because that's the first sleeve.
Was this the very first one?
No that was the first sleeve that Roger Dean did and his logo and his script became very
much a part of the [N] group's image.
We've got a big fan over here.
Is that another album?
Well that's actually, in 1990 we did Anderson, Booth and Wakeman Howe.
Anderson, Booth and Wakeman Howe was a kind of break away idea from Yes.
You know as we don't use the name Yes.
That's specifically for certain people at certain times who were in the group.
And at that time we weren't and that's the group that we put together.
Anderson, Booth and Wakeman Howe.
It was quite a mouthful.
It wasn't as easy as Yes.
Yes is easy.
So now the whole group comes back and you work with the London Philharmonic Orchestra.
Well let's clarify that.
It's three [Bb] original members, John Anderson and Bill Booth and myself with the London Philharmonic Orchestra.
It really was terrific.
[Gb] Really exciting.
What a sound.
That's your new CD right?
That's right.
[B] Of course.
Hi, when we come back Steve and Bill [E] are going to propose [D] to us.
[C] We'll see you.
[G]
Key:
Ab
Gb
E
G
B
Ab
Gb
E
_ _ _ _ _ Absolutely one of the most famous bands to emanate from the 70s era of rock and roll
mania was the British group Yes whose popularity has withstood the test of time obviously spanning
17 albums over 25 years.
Two of the original members of Yes have flown over from England to talk about their latest
recording and here they are Steve Howe and Bill Bruford.
_ [Gb] _ _ _ _ _ _ _
_ _ [N] Sorry we smell like cabbage.
There's a lot of cooking going on here.
When's the invitation?
I can't wait.
Now I stress the word original because there have been many variations [Ab] and there's been
an incredible amount of different lineups.
I think in all there's been about 14 different people in Yes.
At least 12 and I think more recently there's been other people.
You two have always stayed with the group?
I [A] was since 1970 and Bill.
I started with the group but dipped out for a little kind of 18 year [Ab] break.
18 year break?
What do we do for 18 [B] years?
We play in other bands.
Lots and lots of other bands.
Lots of other different styles of music.
Because you want to be creative.
Indeed so.
I try to you know push forward that sort of thing.
And I love the name.
Yes.
[Ab] You can't buy a name better than that.
Yes absolutely.
Very positive.
Yeah.
And did you come up with that name?
No.
No I didn't.
No I don't know quite what it is. Peter Banks?
Yeah.
You know there's always one [Eb] of those awful you know what are we going to do with this?
What should we call it?
Yeah I think it was [E] Peter Banks.
Short names are good for groups.
[Bb] Oh absolutely.
It was the time of The Who, The Knights, you know other bands like that.
Very exciting time wasn't it?
Yeah it was.
Was it as crazy as we hear?
I mean we were alive then.
[G] _
[Ab] But when you weren't a part of the scene and you just read [E] about the scene or heard about
the scene it seemed [Ab] like how did any of you survive it?
There were some great facets about it.
One was that all the groups had total musical freedom and there was_
From the record companies you mean?
Yeah.
You know the group provided direction.
It wasn't conjured up by A&R [G] people.
Or a producer that came in and tried to make you something.
Yeah the industry was expanding you know 30 [N]% a year type thing.
It was a growth industry.
Everybody in London had a [Ab] recording contract.
It was no problem getting one.
It was an [Gb] optimistic time.
Whatever you want.
We were indulged and spoiled rotten.
Were you?
[N] So things are pretty much the opposite now.
And you can see by the album covers that you guys haven't changed at all.
[E] _ [Gb] Roger Dean's got a lot of great _ logos.
There's sort of a dark side to [Ab] these albums.
At least the covers and stuff.
That one, show Fragile because that's the first sleeve.
Was this the very first one?
No that was the first sleeve that Roger Dean did and his logo and his script became very
much a part of the [N] group's image.
We've got a big fan over here.
Is _ that another album?
Well that's actually, in 1990 we did Anderson, Booth and Wakeman Howe.
Anderson, Booth and Wakeman Howe was a kind of break away idea from Yes.
You know as we don't use the name Yes.
That's specifically for certain people at certain times who were in the group.
And at that time we weren't and that's the group that we put together.
Anderson, Booth and Wakeman Howe.
It was quite a mouthful.
It wasn't as easy as Yes.
Yes is easy.
So now the whole group comes back and you work with the London Philharmonic Orchestra.
Well let's clarify that.
It's three [Bb] original members, John Anderson and Bill Booth and myself with the London Philharmonic Orchestra.
It really was terrific.
[Gb] Really exciting.
What a sound.
That's your new CD right?
That's right.
[B] Of course.
Hi, when we come back Steve and Bill [E] are going to propose [D] to us.
[C] We'll see you.
_ [G] _
mania was the British group Yes whose popularity has withstood the test of time obviously spanning
17 albums over 25 years.
Two of the original members of Yes have flown over from England to talk about their latest
recording and here they are Steve Howe and Bill Bruford.
_ [Gb] _ _ _ _ _ _ _
_ _ [N] Sorry we smell like cabbage.
There's a lot of cooking going on here.
When's the invitation?
I can't wait.
Now I stress the word original because there have been many variations [Ab] and there's been
an incredible amount of different lineups.
I think in all there's been about 14 different people in Yes.
At least 12 and I think more recently there's been other people.
You two have always stayed with the group?
I [A] was since 1970 and Bill.
I started with the group but dipped out for a little kind of 18 year [Ab] break.
18 year break?
What do we do for 18 [B] years?
We play in other bands.
Lots and lots of other bands.
Lots of other different styles of music.
Because you want to be creative.
Indeed so.
I try to you know push forward that sort of thing.
And I love the name.
Yes.
[Ab] You can't buy a name better than that.
Yes absolutely.
Very positive.
Yeah.
And did you come up with that name?
No.
No I didn't.
No I don't know quite what it is. Peter Banks?
Yeah.
You know there's always one [Eb] of those awful you know what are we going to do with this?
What should we call it?
Yeah I think it was [E] Peter Banks.
Short names are good for groups.
[Bb] Oh absolutely.
It was the time of The Who, The Knights, you know other bands like that.
Very exciting time wasn't it?
Yeah it was.
Was it as crazy as we hear?
I mean we were alive then.
[G] _
[Ab] But when you weren't a part of the scene and you just read [E] about the scene or heard about
the scene it seemed [Ab] like how did any of you survive it?
There were some great facets about it.
One was that all the groups had total musical freedom and there was_
From the record companies you mean?
Yeah.
You know the group provided direction.
It wasn't conjured up by A&R [G] people.
Or a producer that came in and tried to make you something.
Yeah the industry was expanding you know 30 [N]% a year type thing.
It was a growth industry.
Everybody in London had a [Ab] recording contract.
It was no problem getting one.
It was an [Gb] optimistic time.
Whatever you want.
We were indulged and spoiled rotten.
Were you?
[N] So things are pretty much the opposite now.
And you can see by the album covers that you guys haven't changed at all.
[E] _ [Gb] Roger Dean's got a lot of great _ logos.
There's sort of a dark side to [Ab] these albums.
At least the covers and stuff.
That one, show Fragile because that's the first sleeve.
Was this the very first one?
No that was the first sleeve that Roger Dean did and his logo and his script became very
much a part of the [N] group's image.
We've got a big fan over here.
Is _ that another album?
Well that's actually, in 1990 we did Anderson, Booth and Wakeman Howe.
Anderson, Booth and Wakeman Howe was a kind of break away idea from Yes.
You know as we don't use the name Yes.
That's specifically for certain people at certain times who were in the group.
And at that time we weren't and that's the group that we put together.
Anderson, Booth and Wakeman Howe.
It was quite a mouthful.
It wasn't as easy as Yes.
Yes is easy.
So now the whole group comes back and you work with the London Philharmonic Orchestra.
Well let's clarify that.
It's three [Bb] original members, John Anderson and Bill Booth and myself with the London Philharmonic Orchestra.
It really was terrific.
[Gb] Really exciting.
What a sound.
That's your new CD right?
That's right.
[B] Of course.
Hi, when we come back Steve and Bill [E] are going to propose [D] to us.
[C] We'll see you.
_ [G] _