Chords for Los Lobos - Good Morning Aztlán (eTown webisode #875)

Tempo:
107.25 bpm
Chords used:

A

F#m

F#

Bm

E

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Los Lobos - Good Morning Aztlán (eTown webisode #875) chords
Start Jamming...
[Em] [G]
[Bm] [F#] Well, I think the era that we grew [Bm] up in, you know, like we were born [F#] in the mid-fifties.
Myself, you know, I loved [A#] guitar [Bm] and I'd [G] listen to, you know, [F#] Dwayne Eddy and things like that.
And [Bm] surf music came in in the early sixties.
[F#] We were exposed to a lot of amazing music.
[Bm] I'd go to the market in the afternoon for [F#] my mom, either go get the hamburger or whatever she wanted to make.
[Bm] And it'd be like on the way [F#] that you'd hear like three or four bands, you know, [G] playing in the garage.
Even the radio back then was, you know, you'd had [F#] the hits and even the hits were cool.
It was the [Bm] Supremes or Junior Walker or Smokey.
At the [F#] same time, you could hear Jimmy [Bm] Reed and Slim Harpo [F#] and James Brown.
[Bm] It was wide open, you know, music was [G] music.
So, I mean, that was [F#] the world we lived in.
So, [Em] [Bm] that's how we still view [Em] the world.
[F#]
[E] [F#]
[A] [E] [F#] [A] [E] [F#m]
[A] [F#] [A] [F#]
[A] [E] [F#] [A] The statue of the heart was [F#m] there in [A] the middle of the name that looks [F#m] like Joe.
[A] And a young [E] girl looking [F#m] at her makeup in the [A] mirror, got a little bold [F#m] thing on her toes.
[D] God said, why?
[Bm] Two, [D] three [Bm] more things [A] before I'm [E] gone.
[F#] [A] [F#] [A] The shot gun [F#m] man thinks something's wrong [A] in the middle and the fat [F#] guy's running to the door.
[A] And [F#m] everybody's mother comes sitting in [A] the kitchen and gives a stack to [F#m] the floor.
[D] God said, why?
[Bm] [D] Two, three [Bm] more things before [F#m] I'm gone.
[A]
You can't [Em] run, [F#m] hide and hide [A] away.
Here the men come, [F#m] here comes another day.
[A] [E] [F#] [A]
[F#] [A] [F#] [A] Little Red Riding Hood, [F#m] little Mexican [A] 200, straight in the face, let's fire [F#m] the gate.
[A] The bodyguard is out [F#m] there honking [A] on the horn or else they're gonna make [F#m] him late.
[D] God said, why?
[Bm] Two, [D] three [Bm] more things before [F#m] I'm gone.
[A] You can't run, [F#m] hide and hide [A] away.
Here the men come, [F#m] here comes another [A] day.
Say you are, [F#m] whether far away [E] or no matter where you are,
they're never really far, good [A] morning, fine.
[E] [F#] [A] [F#m] [A]
[F#m] [A] [E] [F#]
[A]
[B] [C] [A]
[F#m]
[Em] [F#m] [Am] [F#m]
[A] [F#] [A] [F#m]
[A] [E] [F#m] [A] [E] [F#]
[A] So, the big fat [F#m] heart was the name of the [A] place that [F#] I call home.
[A] And when I get [F#m] lost, even got [A] a nickel, there's a piece of it, [F#m] I call my home.
[D] God said, why?
[Bm] Two, [D] three [Bm] more things [F#m] before I'm gone.
[A] You [F#m] can't run, [F#] hide and hide [A] away.
Here it [F#m] comes, comes another [A] day.
You can't [F#] run, hide and hide [A] away.
Here it [F#m] comes, comes another [A] day.
Where you are, [F#m] never really [A] far away.
[F#m] Good [A] morning, fine.
[F#] [A] [F#]
[A] [F#m] [A] [F#m]
[A]
[B] [C] [D]
[F#m] [Am] [F#m]
[A] [F#m]
[A] [F#m] [A] [Em] [D]
[A] [F#m] [A]
[Em] [F#m] [Am] [F#m]
[A]
[B] [Am] [A]
[B] [N] Thank you.
Thank you so much.
How are y'all doing?
It's good to be back here on E-Town.
It's always a [A] pleasure.
Hi,
[Em] [G] [Gm] this is Nick Forrester from [C] E-Town.
If you want to [G] stay up to date with all the performances, interviews and behind the scenes footage,
[Gm] click the [G] subscribe button.
Thanks.
Key:  
A
1231
F#m
123111112
F#
134211112
Bm
13421112
E
2311
A
1231
F#m
123111112
F#
134211112
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[Em] _ _ _ _ _ [G] _ _ _
_ _ [Bm] _ _ [F#] Well, I think the era that we grew [Bm] up in, you know, like we were born [F#] in the mid-fifties.
Myself, you know, I loved [A#] guitar [Bm] and I'd [G] listen to, you know, [F#] Dwayne Eddy and things like that.
And [Bm] surf music came in in the early sixties.
[F#] We were exposed to a lot of amazing music.
[Bm] I'd go to the market in the afternoon for [F#] my mom, either go get the hamburger or whatever she wanted to make.
[Bm] And it'd be like on the way [F#] that you'd hear like three or four bands, you know, [G] playing in the garage.
Even the radio back then was, you know, you'd had [F#] the hits and even the hits were cool.
It was the [Bm] Supremes or Junior Walker or Smokey.
At the [F#] same time, you could hear Jimmy [Bm] Reed and Slim Harpo [F#] and James Brown.
[Bm] It was wide open, you know, music was [G] music.
So, I mean, that was [F#] the world we lived in.
So, [Em] _ [Bm] that's how we still view [Em] the world.
_ [F#] _ _ _ _ _ _
_ _ _ _ _ [E] _ _ [F#] _
_ [A] _ [E] _ [F#] _ [A] _ _ [E] _ [F#m] _
[A] _ _ _ [F#] _ _ [A] _ _ [F#] _
_ [A] _ _ [E] _ [F#] [A] The statue of the heart was [F#m] there in [A] the middle of the name that looks [F#m] like Joe.
[A] And a young [E] girl looking [F#m] at her makeup in the [A] mirror, got a little bold [F#m] thing on her toes.
[D] God said, why?
[Bm] Two, [D] three [Bm] more things [A] before I'm [E] gone.
[F#] _ _ [A] _ _ [F#] _ [A] The shot gun [F#m] man thinks something's wrong [A] in the middle and the fat [F#] guy's running to the door.
[A] And [F#m] everybody's mother comes sitting in [A] the kitchen and gives a stack to [F#m] the floor.
[D] God said, why?
_ [Bm] [D] Two, three [Bm] more things before [F#m] I'm gone.
_ _ _ _ _ _ [A]
You can't [Em] run, [F#m] _ hide and hide [A] away.
Here the men come, [F#m] here comes another day.
_ _ _ [A] _ [E] _ [F#] _ _ [A] _
_ [F#] _ _ [A] _ _ [F#] _ [A] Little Red Riding Hood, [F#m] little Mexican [A] 200, straight in the face, let's fire [F#m] the gate.
[A] The bodyguard is out [F#m] there honking [A] on the horn or else they're gonna make [F#m] him late.
[D] God said, why?
_ [Bm] Two, [D] three [Bm] more things before [F#m] I'm gone. _ _ _ _ _ _
[A] You can't run, [F#m] hide and hide [A] away.
Here the men come, [F#m] here comes another [A] day.
Say you are, [F#m] _ whether far away [E] or no matter where you are,
they're never really far, good [A] morning, fine.
[E] _ [F#] _ _ [A] _ _ [F#m] _ [A] _
_ _ [F#m] _ _ [A] _ [E] _ [F#] _ _
[A] _ _ _ _ _ _ _ _
_ _ [B] _ [C] _ _ _ _ [A] _
_ _ _ _ _ _ [F#m] _ _
_ [Em] _ [F#m] _ _ [Am] _ _ [F#m] _ _
[A] _ _ [F#] _ _ [A] _ _ [F#m] _ _
[A] _ [E] _ [F#m] _ [A] _ _ [E] _ [F#] _
[A] So, the big fat [F#m] heart was the name of the [A] place that [F#] I call home.
[A] And when I get [F#m] lost, even got [A] a nickel, there's a piece of it, [F#m] I call my home.
[D] God said, why?
[Bm] Two, [D] three [Bm] more things [F#m] before I'm gone. _ _ _ _ _ _
[A] _ You [F#m] can't run, [F#] hide and hide [A] away.
Here it [F#m] comes, comes another [A] day.
You can't [F#] run, hide and hide [A] away.
Here it [F#m] comes, comes another [A] day.
Where you are, [F#m] _ never really [A] far away.
_ _ [F#m] _ _ Good [A] morning, fine.
_ [F#] _ _ [A] _ _ [F#] _ _
[A] _ _ [F#m] _ _ [A] _ _ [F#m] _ _
[A] _ _ _ _ _ _ _ _
_ _ [B] _ [C] _ _ _ _ [D] _
_ [F#m] _ _ _ [Am] _ _ [F#m] _ _
[A] _ _ [F#m] _ _ _ _ _ _
[A] _ _ [F#m] _ _ [A] _ [Em] _ [D] _ _
[A] _ _ [F#m] _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
_ [Em] _ [F#m] _ [Am] _ _ _ [F#m] _ _
[A] _ _ _ _ _ _ _ _
_ [B] _ [Am] _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ [N] Thank _ _ _ you.
_ Thank you so much.
_ How are y'all doing? _ _
It's good to be back here on E-Town.
It's always a [A] pleasure. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Hi, _ _ _ _ _
_ [Em] _ _ _ [G] _ [Gm] this is Nick Forrester from [C] E-Town.
If you want to [G] stay up to date with all the performances, interviews and behind the scenes footage,
[Gm] click the [G] subscribe button.
Thanks. _

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