Chords for Louis Theroux “Jiggle Jiggle” Official Lyrics & Meaning | Verified

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Louis Theroux “Jiggle Jiggle” Official Lyrics & Meaning | Verified chords
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I sat down with a couple of rappers who were in Jackson at that time called recent Bigelow.
They'd had a hit called Never Scared that they recorded with Bone Crusher.
And they [G#] were two nice guys and they were very approachable.
And they gave the, you know,
I clicked with them [F] and they agreed to help me write my rap.
And I thought it would be better
if I arrived with a few lyrics.
I thought I better have something that I'm bringing to them.
In the shower, a [G#] little jingle came into my [G] mind and the jingle, such as it was, was
Jiggle Jiggle, I like to see you wiggle.
It makes me want to dribble, fancy a fiddle.
And I was like, well, that's pretty [Em] inane, but it gives us something, the seed of something.
[C] [Em]
[F#] The story behind the song Jiggle Jiggle takes me [G] back to 2000.
I was on a TV show called Weird
[F#] Weekends, Louis Theroux's Weird Weekends to give it [F] its full name.
And it would follow me as I
investigated worlds that were different to my normal one.
And one of the episodes was about
gangster rap in the dirty [N] South.
Now, I've been a rap fan going back to my teenage years.
So it was
a, it was kind of a little bit of a childhood dream come true for me to be doing a story about
rap.
Anyway, the premise of the program was that I would go and try to immerse myself in the world,
almost like as a participant, as well as a journalist.
So as a way of understanding the rap
scene, I thought it would be interesting to write and perform my own rap.
So then earlier this year,
I had some shows going out and I went on a YouTube show called Chicken Shop Date [D#] with
Amelia de Moldenberg.
And she said, do you still remember the rap you did?
And I was like, of
course.
And I did the first verse of the rap.
And they [D] put that in the episode.
There were a couple
of producers in Manchester called Duke and Jones.
So fun.
They did a little remix [F] on TikTok.
And
then a couple of young women in South London decided to do a dance based on [G] the TikTok.
The dance is amazing.
It just seemed to catch on.
My money [F] don't jiggle, jiggle, it folds.
I like
to see you wiggle, wiggle for sure.
[N] It makes me want to dribble, dribble, you know.
So my money
don't jiggle, jiggle, it folds is clearly referring to the jiggling of coins in your pocket.
They're
two meanings.
I'm making it sound like it's Shakespeare, but [G] they're two meanings mixed
together because jingle, jingle, which is obviously pocket jingle is a term for loose change.
But it
folds is folding money, paper money, [D#] which is obviously higher denominations.
It means I'm
basically saying I've got a lot of money.
[E] Write it in my fiat.
You really have to see it.
Six feet,
two in a [G] compact, no slack.
But luckily the seats [F#] go back.
It's obviously a thing [F] in rap to talk
about the car you drive.
I thought it would be amusing to be real and not pretend to have a car
that I didn't [N] have.
And, you know, just to sort of be honest about having a Fiat, which is not
a car you would typically maybe boast about.
I do remember Bigelow said, write it in my Fiat,
looking for a Fiat.
[E] And I said, like, I don't think I can say Fiat.
I can groove with it
in other people's lyrics, but [D#] I sort of wanted to be true to my own code about, you know, I'm not in
the habit of calling women [F] Fiat.
And also why don't really say Fiat?
Like because I was raised
in England, I say Fiat, which [D] is a different pronunciation, which rise with see it.
And I
thought, well, what about writing in my Fiat?
You really have to see it like that.
Maybe that's
a more, that feels more natural to me.
So we went with that.
[G] Having come up with the Fiat line,
[C] Reese said, aren't you kind of scrunched up in that Fiat?
[F#] Like, isn't it kind of small?
And I said, not really because the seats go back.
And one of [Fm] us said, hey, maybe that's a lyric [G] too.
I've got a night to relax in my mind, sipping some red, [C] red wine.
Then we had the idea [G] of
mentioning hobbies or things [F#] that I'm into.
I was not a connoisseur exactly, but in [D] order to relax
or as part of my relaxation program, I'd sometimes [D#] have a sip of red wine.
So it's like, oh, we'll
mention the red wine.
And then Reese was like, oh, why don't you say red, red wine?
You know,
referencing the global UB40 here.
Shepherd's Bush, my [G] compact push, Notting Hill Gate,
my Fiat skates with a crate of Cabernet, but not today because I've got to drive.
I want to stay
alive, not because [F#] it's illicit.
Do I have to get explicit?
So then I thought, well, maybe we should
[E] mention wine again with a crate of Cabernet, Cabernet Sauvignon being a nice wine, nice red
wine.
And then I remember having a panic because I thought, does it sound like I'm driving around
West London getting snockered, you know, drinking and driving like, you know, driving under the
influence is not a good look for a rapper or anyone else.
[N] So I was like, how do we make it
clear that I mean, you know, I like to drive and I like to drink red wine, but I don't do them at
the same time.
I also didn't want to be super square and be like, because I'm obeying the law.
So that's why I said, not because it's illicit.
Do I have to get explicit?
So really I'm just
saying like, yeah, I'm not [G] like I don't want to kill people or be drinking and driving, but I also,
it's not because it's illegal.
It's just that I'm a responsible guy with his own moral code.
As a matter of fact, I sip on the yak with big and Reese 200 diamonds in that piece.
[N] I'm trying to
get mine so I can shine.
I thought it was only fair to give Reese and Big a shout out.
And in fact,
you know, they were keen to give themselves a shout out, which is fair enough.
And so at this
point we were like, well, let's bring them into it.
And I said, as a matter of fact, I sip on the
yak yak being short for cognac.
[G] And I hadn't actually drunk cognac with them as far as I can
recall.
But, you know, in theory [Em] it was something I would have enjoyed doing.
[Em]
I [F] thought about
learning the dance, of course.
And I guess two things happened.
But one was I saw that the dance
is [F#] quite hard to do.
Like, it's not like, oh, you can learn that in 15 minutes.
It would have been
an hour or so.
Nevertheless, I was tempted.
My wife, [G] who's, believe it or not, a bit cooler than
I am.
I know you're thinking, is that possible?
She was like, I think she's like, the more you
try and spam out this craze, the more [F] you're likely to kill it.
That's probably a good approach.
So
99% of interviews I turned down and there were two exceptions, the New York Times.
[E] And the second one was this, because I've often used Genius over the years.
And it kind of,
I felt like it gave me some kinship to the rappers who I grew up admiring, who I've admired
ever since.
You know, every now and then when
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134211112
Em
121
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12341116
G
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F
134211111
F#
134211112
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I sat down with a couple of rappers who were in Jackson at that time called recent Bigelow.
They'd had a hit called Never Scared that they recorded with Bone Crusher.
And they [G#] were two nice guys and they were very approachable.
And they gave the, you know,
I clicked with them [F] and they agreed to help me write my rap.
And I thought it would be better
if I arrived with a few lyrics.
I thought I better have something that I'm bringing to them.
In the shower, a [G#] little jingle came into my [G] mind and the jingle, such as it was, was
Jiggle Jiggle, I like to see you wiggle.
It makes me want to dribble, fancy a fiddle.
And I was like, well, that's pretty [Em] inane, but it gives us something, the seed of something.
_ _ [C] _ _ [Em] _
[F#] The story behind the song Jiggle Jiggle takes me [G] back to 2000.
I was on a TV show called Weird
[F#] Weekends, Louis Theroux's Weird Weekends to give it [F] its full name.
And it would follow me as I
investigated worlds that were different to my normal one.
And one of the episodes was about
gangster rap in the dirty [N] South.
Now, I've been a rap fan going back to my teenage years.
So it was
a, it was kind of a little bit of a childhood dream come true for me to be doing a story about
rap.
Anyway, the premise of the program was that I would go and try to immerse myself in the world,
almost like as a participant, as well as a journalist.
So as a way of understanding the rap
scene, I thought it would be interesting to write and perform my own rap.
So then earlier this year,
I had some shows going out and I went on a YouTube show called Chicken Shop Date [D#] with
Amelia de Moldenberg.
And she said, do you still remember the rap you did?
And I was like, of
course.
And I did the first verse of the rap.
And they [D] put that in the episode.
There were a couple
of producers in Manchester called Duke and Jones.
So fun.
They did a little remix [F] on TikTok.
And
then a couple of young women in South London decided to do a dance based on [G] the TikTok.
The dance is amazing.
It just seemed to catch on.
My money [F] don't jiggle, jiggle, it folds.
I like
to see you wiggle, wiggle for sure.
[N] It makes me want to dribble, dribble, you know.
So my money
don't jiggle, jiggle, it folds is clearly referring to the jiggling of coins in your pocket.
They're
two meanings.
I'm making it sound like it's Shakespeare, but [G] they're two meanings mixed
together because jingle, jingle, which is obviously pocket jingle is a term for loose change.
But it
folds is folding money, paper money, [D#] which is obviously higher denominations.
It means I'm
basically saying I've got a lot of money.
[E] Write it in my fiat.
You really have to see it.
Six feet,
two in a [G] compact, no slack.
But luckily the seats [F#] go back.
It's obviously a thing [F] in rap to talk
about the car you drive.
I thought it would be amusing to be real and not pretend to have a car
that I didn't [N] have.
And, you know, just to sort of be honest about having a Fiat, which is not
a car you would typically maybe boast about.
I do remember Bigelow said, write it in my Fiat,
looking for a Fiat.
[E] And I said, like, I don't think I can say Fiat.
I can groove with it
in other people's lyrics, but [D#] I sort of wanted to be true to my own code about, you know, I'm not in
the habit of calling women [F] Fiat.
And also why don't really say Fiat?
Like because I was raised
in England, I say Fiat, which [D] is a different pronunciation, which rise with see it.
And I
thought, well, what about writing in my Fiat?
You really have to see it like that.
Maybe that's
a more, that feels more natural to me.
So we went with that.
[G] Having come up with the Fiat line,
[C] Reese said, aren't you kind of scrunched up in that Fiat?
[F#] Like, isn't it kind of small?
And I said, not really because the seats go back.
And one of [Fm] us said, hey, maybe that's a lyric [G] too.
I've got a night to relax in my mind, sipping some red, [C] red wine.
Then we had the idea [G] of
mentioning hobbies or things [F#] that I'm into.
I was not a connoisseur exactly, but in [D] order to relax
or as part of my relaxation program, I'd sometimes [D#] have a sip of red wine.
So it's like, oh, we'll
mention the red wine.
And then Reese was like, oh, why don't you say red, red wine?
You know,
referencing the global UB40 here.
Shepherd's Bush, my [G] compact push, Notting Hill Gate,
my Fiat skates with a crate of Cabernet, but not today because I've got to drive.
I want to stay
alive, not because [F#] it's illicit.
Do I have to get explicit?
So then I thought, well, maybe we should
[E] mention wine again with a crate of Cabernet, Cabernet Sauvignon being a nice wine, nice red
wine.
And then I remember having a panic because I thought, does it sound like I'm driving around
West London getting snockered, you know, drinking and driving like, you know, driving under the
influence is not a good look for a rapper or anyone else.
[N] So I was like, how do we make it
clear that I mean, you know, I like to drive and I like to drink red wine, but I don't do them at
the same time.
I also didn't want to be super square and be like, because I'm obeying the law.
So that's why I said, not because it's illicit.
Do I have to get explicit?
So really I'm just
saying like, yeah, I'm not [G] like I don't want to kill people or be drinking and driving, but I also,
it's not because it's illegal.
It's just that I'm a responsible guy with his own moral code.
As a matter of fact, I sip on the yak with big and Reese 200 diamonds in that piece.
[N] I'm trying to
get mine so I can shine.
I thought it was only fair to give Reese and Big a shout out.
And in fact,
you know, they were keen to give themselves a shout out, which is fair enough.
And so at this
point we were like, well, let's bring them into it.
And I said, as a matter of fact, I sip on the
yak yak being short for cognac.
[G] And I hadn't actually drunk cognac with them as far as I can
recall.
But, you know, in theory [Em] it was something I would have enjoyed doing.
_ [Em]
I [F] thought about
learning the dance, of course.
And I guess two things happened.
But one was I saw that the dance
is [F#] quite hard to do.
Like, it's not like, oh, you can learn that in 15 minutes.
It would have been
an hour or so.
Nevertheless, I was tempted.
My wife, [G] who's, believe it or not, a bit cooler than
I am.
I know you're thinking, is that possible?
She was like, I think she's like, the more you
try and spam out this craze, the more [F] you're likely to kill it.
That's probably a good approach.
So
99% of interviews I turned down and there were two exceptions, the New York Times.
[E] And the second one was this, because I've often used Genius over the years.
And it kind of,
I felt like it gave me some kinship to the rappers who I grew up admiring, who I've admired
ever since.
You know, every now and then when