Chords for Lucia Micarelli
Tempo:
133.1 bpm
Chords used:
Db
F
B
Ab
Bbm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Ab]
I was born in New York, in Queens, and I started playing [Ebm] the violin when I was 3.
When I was [F] 6, I played with orchestra for the first time.
When I was like 11, I moved [C] back to New York [Db] to go to Juilliard [Bbm] Pre-College.
When I was [Gb] 15, 16, I felt like I was beginning to come into my own as a violinist and as [F] a musician.
Hi, I'm Lucia.
I [Bbm] play the violin.
I
[Gb] [Ebm]
[Ab] left school.
[Db] I left [Ab] school because [Bb] I'm a drama queen.
Stop [E] it!
Because I had to, [F] I knew that I would [B] have to kind of have it be [Bb] all or nothing.
So I was like, okay Lucia, you know, you're living in New York, you have rent to pay, you have to buy food, you have to live, how are you going to do this?
And I took every gig.
I [G] was playing weddings and bar mitzvahs and, you know, I wanted to play with rock bands and I wanted to play with jazz bands.
And I had never really been allowed to do that when I was at Juilliard.
I auditioned for a spot on the Trans-Siberian Orchestra Tour.
So I get the job.
And I'm, all of a sudden, I'm on this tour.
I've never been on tour before.
[F] [B]
[B] I feel like in the six weeks on that tour, I really learned how to be a [E] stage performer in addition to [B] just, you know, a violinist.
[G]
[Dm] [Db]
Toward the end of the Trans-Siberian Orchestra [B] Tour, I get this phone call.
[D] Hi, [A] this is Josh Groban.
[Bbm] Lucia Miccarelli.
She's rock and roll to [Db] the core with [D] intensive classical training.
And [B]
she's exactly what we were looking for in terms of somebody who was [Cm] not only, you know, young and beautiful, which was a plus, but, [G] you know, she could just play.
[Fm] [Eb] [Db] I [Ab]
was really excited to be a part of [Bbm] Josh's tour because, you know, Josh's music and the kind of music [F] that he does is, draws a lot from classical foundation [Dm] and classical elements.
And he's really like at the [Bb] forefront of this whole sort of classical [F] crossover movement.
And he [Em] kind of let me be really [Dm] featured in [N] his show.
So, you know, we came off the tour and we had a break and I had this meeting with some people at Warner Brothers and they basically sat me down and they're like, you know, we'd like for you to make a record.
One, two, [Dbm] one.
[Am]
They [G] really gave me a lot of freedom as far as, you know, the repertoire [E] on the record and [Gm] really making the kind of record I wanted to make.
[D]
[Gm] My record [G] is called Music from a Farther Room, [Cm] which is from a poem by T [Bb].S. Eliot that my dad used to read to me, recite to me when I was little.
I've tried to have it be not [E] that I'm ever, you know, just, I'm going to play classical music now, but that [Db] I want it to say something about me [Ebm] and to have a lot of my personality [Gb] in it.
Oh, man!
Oh, I'm just [Db] vibing, man!
And so the [Ab] classical repertoire that I've chosen is all very close [B] to my heart and I'm hoping, you know, I'm hoping that a non-classical audience will sort of see what I see when I listen to [A] classical music and love it the way that [Am] I do.
Oh, the photo shoot was awesome.
My first [Dm] photo shoot, we had Frank Ockenfell's three.
[G] He's so cool that he calls himself Frank [N] Ockenfell's three.
He takes pictures.
I go kick.
He's just amazing and it was like, walk into this place and there's all these racks of clothes everywhere and they're doing my makeup and there's food everywhere and there's all these people and I was totally just tripping out.
It was awesome.
We shot at a mansion in Yonkers.
[Eb] The whole concept of the record [Gb] is kind of like old and new and that sort of [Db]
juxtaposition in [Ebm] the music and so we wanted the art to reflect that and it was this beautiful sort of old [Ab] mansion, you know, and I guess I was [C] supposed to represent what was new.
So there's old wallpaper and new Lucia.
I don't know.
I can't believe that that's work.
That's fun.
Give me action, yes.
Sexy, sexy, okay.
[Bbm]
I wanted the record to be very emotional, cinematic, maybe a little dramatic, maybe a lot dramatic.
Just [Bb] to feel very honest [Bbm] and sort of exposed [C] and [A] just human.
[D] I just want to play the violin.
I just want [Db] to play the violin [F] and play for people.
I just want to spread [D] the love, you know.
Just like get out there and play for people and see, [Eb] you know, see if they take to it and if they do and they want to know more, then I'm happy to show them this whole sort of world of classical music and instrumental music.
I just want to play.
I just want to play all kinds of music and play the violin.
I was born in New York, in Queens, and I started playing [Ebm] the violin when I was 3.
When I was [F] 6, I played with orchestra for the first time.
When I was like 11, I moved [C] back to New York [Db] to go to Juilliard [Bbm] Pre-College.
When I was [Gb] 15, 16, I felt like I was beginning to come into my own as a violinist and as [F] a musician.
Hi, I'm Lucia.
I [Bbm] play the violin.
I
[Gb] [Ebm]
[Ab] left school.
[Db] I left [Ab] school because [Bb] I'm a drama queen.
Stop [E] it!
Because I had to, [F] I knew that I would [B] have to kind of have it be [Bb] all or nothing.
So I was like, okay Lucia, you know, you're living in New York, you have rent to pay, you have to buy food, you have to live, how are you going to do this?
And I took every gig.
I [G] was playing weddings and bar mitzvahs and, you know, I wanted to play with rock bands and I wanted to play with jazz bands.
And I had never really been allowed to do that when I was at Juilliard.
I auditioned for a spot on the Trans-Siberian Orchestra Tour.
So I get the job.
And I'm, all of a sudden, I'm on this tour.
I've never been on tour before.
[F] [B]
[B] I feel like in the six weeks on that tour, I really learned how to be a [E] stage performer in addition to [B] just, you know, a violinist.
[G]
[Dm] [Db]
Toward the end of the Trans-Siberian Orchestra [B] Tour, I get this phone call.
[D] Hi, [A] this is Josh Groban.
[Bbm] Lucia Miccarelli.
She's rock and roll to [Db] the core with [D] intensive classical training.
And [B]
she's exactly what we were looking for in terms of somebody who was [Cm] not only, you know, young and beautiful, which was a plus, but, [G] you know, she could just play.
[Fm] [Eb] [Db] I [Ab]
was really excited to be a part of [Bbm] Josh's tour because, you know, Josh's music and the kind of music [F] that he does is, draws a lot from classical foundation [Dm] and classical elements.
And he's really like at the [Bb] forefront of this whole sort of classical [F] crossover movement.
And he [Em] kind of let me be really [Dm] featured in [N] his show.
So, you know, we came off the tour and we had a break and I had this meeting with some people at Warner Brothers and they basically sat me down and they're like, you know, we'd like for you to make a record.
One, two, [Dbm] one.
[Am]
They [G] really gave me a lot of freedom as far as, you know, the repertoire [E] on the record and [Gm] really making the kind of record I wanted to make.
[D]
[Gm] My record [G] is called Music from a Farther Room, [Cm] which is from a poem by T [Bb].S. Eliot that my dad used to read to me, recite to me when I was little.
I've tried to have it be not [E] that I'm ever, you know, just, I'm going to play classical music now, but that [Db] I want it to say something about me [Ebm] and to have a lot of my personality [Gb] in it.
Oh, man!
Oh, I'm just [Db] vibing, man!
And so the [Ab] classical repertoire that I've chosen is all very close [B] to my heart and I'm hoping, you know, I'm hoping that a non-classical audience will sort of see what I see when I listen to [A] classical music and love it the way that [Am] I do.
Oh, the photo shoot was awesome.
My first [Dm] photo shoot, we had Frank Ockenfell's three.
[G] He's so cool that he calls himself Frank [N] Ockenfell's three.
He takes pictures.
I go kick.
He's just amazing and it was like, walk into this place and there's all these racks of clothes everywhere and they're doing my makeup and there's food everywhere and there's all these people and I was totally just tripping out.
It was awesome.
We shot at a mansion in Yonkers.
[Eb] The whole concept of the record [Gb] is kind of like old and new and that sort of [Db]
juxtaposition in [Ebm] the music and so we wanted the art to reflect that and it was this beautiful sort of old [Ab] mansion, you know, and I guess I was [C] supposed to represent what was new.
So there's old wallpaper and new Lucia.
I don't know.
I can't believe that that's work.
That's fun.
Give me action, yes.
Sexy, sexy, okay.
[Bbm]
I wanted the record to be very emotional, cinematic, maybe a little dramatic, maybe a lot dramatic.
Just [Bb] to feel very honest [Bbm] and sort of exposed [C] and [A] just human.
[D] I just want to play the violin.
I just want [Db] to play the violin [F] and play for people.
I just want to spread [D] the love, you know.
Just like get out there and play for people and see, [Eb] you know, see if they take to it and if they do and they want to know more, then I'm happy to show them this whole sort of world of classical music and instrumental music.
I just want to play.
I just want to play all kinds of music and play the violin.
Key:
Db
F
B
Ab
Bbm
Db
F
B
_ _ _ _ _ _ _ [Ab]
I was born in New York, in Queens, and I started playing [Ebm] the violin when I was 3.
_ When I was [F] 6, I played with orchestra for the first time.
When I was like 11, I moved [C] back to New York [Db] to go to Juilliard [Bbm] Pre-College.
When I was [Gb] 15, 16, I felt like I was beginning to come into my own as a violinist and as [F] a musician.
Hi, I'm Lucia.
I [Bbm] play the violin.
I _ _
[Gb] _ _ _ _ _ _ _ [Ebm] _
_ _ _ _ [Ab] _ left school. _
_ _ [Db] _ _ _ I left [Ab] school _ _ because [Bb] _ I'm a drama queen.
_ Stop [E] it!
Because I had to, [F] _ I knew that I would [B] have to kind of have it be [Bb] all or nothing. _ _ _ _ _ _
_ So I was like, okay Lucia, you know, you're living in New York, you have rent to pay, you have to buy food, you have to live, how are you going to do this?
And _ I took every gig.
I [G] was playing weddings and bar mitzvahs and, you know, I wanted to play with rock bands and I wanted to play with jazz bands.
And I had never really been allowed to do that when I was at Juilliard.
I auditioned for a spot on the Trans-Siberian Orchestra Tour.
So I get the job.
And I'm, all of a sudden, I'm on this tour.
I've never been on tour before.
[F] _ _ _ _ [B] _ _
_ [B] I feel like in the six weeks on that tour, I really learned how to be a [E] stage performer in addition to [B] just, you know, a violinist.
[G] _
_ _ _ _ _ [Dm] _ _ [Db]
Toward the end of the Trans-Siberian Orchestra [B] Tour, I get this phone call.
[D] Hi, [A] this is Josh Groban.
[Bbm] Lucia Miccarelli.
She's rock and roll to [Db] the core with [D] intensive classical training.
And _ [B]
she's exactly what we were looking for in terms of somebody who was [Cm] not only, you know, young and beautiful, which was a plus, but, [G] you know, she could just play.
_ [Fm] _ _ [Eb] _ _ [Db] I _ _ _ _ [Ab] _ _ _
was really excited to be a part of [Bbm] Josh's tour because, you know, Josh's music and the kind of music [F] that he does is, draws a lot from classical _ foundation [Dm] and classical elements.
And he's really like at the [Bb] forefront of this whole sort of classical [F] crossover movement.
And he [Em] kind of _ let me be really [Dm] featured in [N] his show. _ _
_ _ _ So, you know, we came off the tour and we had a break and I had this meeting with some people at Warner Brothers and they basically sat me down and they're like, you know, we'd like for you to make a record.
_ _ _ _ _ _ One, two, [Dbm] one.
_ _ _ [Am] _ _
_ _ _ _ _ _ _ _
_ _ _ They [G] really gave me a lot of freedom as far as, you know, the repertoire [E] on the record and [Gm] really making the kind of record I wanted to make.
[D] _ _ _ _
_ _ [Gm] _ _ My record [G] is called Music from a Farther Room, [Cm] _ which is from a poem by T [Bb].S. Eliot that my dad used to read to me, recite to me when I was little.
I've tried to have it be not [E] that I'm ever, you know, just, I'm going to play classical music now, but that [Db] I want it to say something about me [Ebm] and to have a lot of my personality [Gb] in it.
Oh, man!
Oh, I'm just [Db] vibing, man!
And so the [Ab] classical repertoire that I've chosen is all very close [B] _ to my heart and I'm hoping, you know, I'm hoping that a non-classical audience will sort of see what I see when I listen to [A] classical music and love it the way that [Am] I do.
Oh, the photo shoot was awesome.
My first [Dm] photo shoot, we had Frank Ockenfell's three. _
[G] He's so cool that he calls himself Frank [N] Ockenfell's three.
He takes pictures.
_ _ I go kick.
He's just amazing and it was like, walk into this place and there's all these racks of clothes everywhere and they're doing my makeup and there's food everywhere and there's all these people and I was totally just tripping out.
It was awesome.
We shot at a mansion in Yonkers.
[Eb] The whole concept of the record [Gb] is kind of like old and new and that sort of [Db]
juxtaposition in [Ebm] the music and so we wanted the art to reflect that and it was this beautiful sort of old [Ab] mansion, you know, and I guess I was [C] supposed to represent what was new.
_ _ _ So there's old wallpaper and new Lucia.
I don't know.
I can't believe that that's work.
That's fun.
Give me action, yes.
Sexy, sexy, okay.
_ [Bbm] _ _ _
I wanted the record to be very emotional, _ cinematic, _ maybe a little dramatic, maybe a lot dramatic.
Just _ [Bb] to feel very honest [Bbm] and sort of _ exposed [C] and _ [A] just human. _ _ _ _
_ _ _ [D] _ _ I just want to play the violin.
_ I just want [Db] to play the violin [F] and play for people.
I just want to spread [D] the love, you know.
Just like get out there and play for people and see, [Eb] you know, see if they take to it and if they do and they want to know more, then I'm happy to show them this whole sort of world of classical music and instrumental music.
I just want to play.
I just want to play all kinds of music and play the violin. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
I was born in New York, in Queens, and I started playing [Ebm] the violin when I was 3.
_ When I was [F] 6, I played with orchestra for the first time.
When I was like 11, I moved [C] back to New York [Db] to go to Juilliard [Bbm] Pre-College.
When I was [Gb] 15, 16, I felt like I was beginning to come into my own as a violinist and as [F] a musician.
Hi, I'm Lucia.
I [Bbm] play the violin.
I _ _
[Gb] _ _ _ _ _ _ _ [Ebm] _
_ _ _ _ [Ab] _ left school. _
_ _ [Db] _ _ _ I left [Ab] school _ _ because [Bb] _ I'm a drama queen.
_ Stop [E] it!
Because I had to, [F] _ I knew that I would [B] have to kind of have it be [Bb] all or nothing. _ _ _ _ _ _
_ So I was like, okay Lucia, you know, you're living in New York, you have rent to pay, you have to buy food, you have to live, how are you going to do this?
And _ I took every gig.
I [G] was playing weddings and bar mitzvahs and, you know, I wanted to play with rock bands and I wanted to play with jazz bands.
And I had never really been allowed to do that when I was at Juilliard.
I auditioned for a spot on the Trans-Siberian Orchestra Tour.
So I get the job.
And I'm, all of a sudden, I'm on this tour.
I've never been on tour before.
[F] _ _ _ _ [B] _ _
_ [B] I feel like in the six weeks on that tour, I really learned how to be a [E] stage performer in addition to [B] just, you know, a violinist.
[G] _
_ _ _ _ _ [Dm] _ _ [Db]
Toward the end of the Trans-Siberian Orchestra [B] Tour, I get this phone call.
[D] Hi, [A] this is Josh Groban.
[Bbm] Lucia Miccarelli.
She's rock and roll to [Db] the core with [D] intensive classical training.
And _ [B]
she's exactly what we were looking for in terms of somebody who was [Cm] not only, you know, young and beautiful, which was a plus, but, [G] you know, she could just play.
_ [Fm] _ _ [Eb] _ _ [Db] I _ _ _ _ [Ab] _ _ _
was really excited to be a part of [Bbm] Josh's tour because, you know, Josh's music and the kind of music [F] that he does is, draws a lot from classical _ foundation [Dm] and classical elements.
And he's really like at the [Bb] forefront of this whole sort of classical [F] crossover movement.
And he [Em] kind of _ let me be really [Dm] featured in [N] his show. _ _
_ _ _ So, you know, we came off the tour and we had a break and I had this meeting with some people at Warner Brothers and they basically sat me down and they're like, you know, we'd like for you to make a record.
_ _ _ _ _ _ One, two, [Dbm] one.
_ _ _ [Am] _ _
_ _ _ _ _ _ _ _
_ _ _ They [G] really gave me a lot of freedom as far as, you know, the repertoire [E] on the record and [Gm] really making the kind of record I wanted to make.
[D] _ _ _ _
_ _ [Gm] _ _ My record [G] is called Music from a Farther Room, [Cm] _ which is from a poem by T [Bb].S. Eliot that my dad used to read to me, recite to me when I was little.
I've tried to have it be not [E] that I'm ever, you know, just, I'm going to play classical music now, but that [Db] I want it to say something about me [Ebm] and to have a lot of my personality [Gb] in it.
Oh, man!
Oh, I'm just [Db] vibing, man!
And so the [Ab] classical repertoire that I've chosen is all very close [B] _ to my heart and I'm hoping, you know, I'm hoping that a non-classical audience will sort of see what I see when I listen to [A] classical music and love it the way that [Am] I do.
Oh, the photo shoot was awesome.
My first [Dm] photo shoot, we had Frank Ockenfell's three. _
[G] He's so cool that he calls himself Frank [N] Ockenfell's three.
He takes pictures.
_ _ I go kick.
He's just amazing and it was like, walk into this place and there's all these racks of clothes everywhere and they're doing my makeup and there's food everywhere and there's all these people and I was totally just tripping out.
It was awesome.
We shot at a mansion in Yonkers.
[Eb] The whole concept of the record [Gb] is kind of like old and new and that sort of [Db]
juxtaposition in [Ebm] the music and so we wanted the art to reflect that and it was this beautiful sort of old [Ab] mansion, you know, and I guess I was [C] supposed to represent what was new.
_ _ _ So there's old wallpaper and new Lucia.
I don't know.
I can't believe that that's work.
That's fun.
Give me action, yes.
Sexy, sexy, okay.
_ [Bbm] _ _ _
I wanted the record to be very emotional, _ cinematic, _ maybe a little dramatic, maybe a lot dramatic.
Just _ [Bb] to feel very honest [Bbm] and sort of _ exposed [C] and _ [A] just human. _ _ _ _
_ _ _ [D] _ _ I just want to play the violin.
_ I just want [Db] to play the violin [F] and play for people.
I just want to spread [D] the love, you know.
Just like get out there and play for people and see, [Eb] you know, see if they take to it and if they do and they want to know more, then I'm happy to show them this whole sort of world of classical music and instrumental music.
I just want to play.
I just want to play all kinds of music and play the violin. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _