Chords for Lynden David Hall - Don't make me over (Live at A Tribute to Burt Bacharach & Hal David) (July 2000)
Tempo:
150 bpm
Chords used:
G
Em
D
C
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#m] [D]
[G] [Bm]
[F#m]
[C] [D]
[G]
Don't [Bm] make me older [F#m]
now that I [C] do [D] anything for you.
[G]
Don't make me [Bm] older now [F#m]
that you [C] know how I [D] adore the [G]
[Em] things I say, the things I do.
Just love [C] me with all my faults, the way I [D] love you.
I'm in you.
[G]
Don't [Bm] make me older [F#m]
now that [C] I can't take it [D] without you.
[G]
Don't make [Bm] me older.
[F#m]
I would [C] change one thing [D] about you.
[G]
Just [Em] hold me inside your arms and hold me tight.
Always [C] be by my side if [D] I am all right.
I'm in [G] you.
Don't make me older.
[C]
Don't make me older.
[G] [Em]
[C] Don't make me [D]
[G]
[Em]
[G] [Em]
[G]
[Em] [G] older
[Em] now that I can't take it [G]
[Bm] [F#m]
without [C]
[D] [G] you.
[Bm] [F#m]
[C] I would change one thing [D]
about you.
[G]
Just [Em] take me in your arms and hold me tight.
[C] Always be by my side if I [D] am all right.
[G] I'm in you.
Don't [Bm] make me older.
[C]
Don't make me [C#] older.
[G]
Now [Em] that you got me, [C]
you're the [D] man.
[G]
Accept me [Em] for what I am.
[G]
Accept me for [Em] the things that I [G] do.
Accept me for [Em] what I am.
[G] Accept me [Am] for the things that [G] I do.
[Em] [G] Oh, baby, [Em] baby, baby, [G] baby.
Accept me for [Em] what I am.
[G] Could you make, accept me for the [Em] things that I [G] do?
[Em]
[G] Hey, hey, [Em]
[A] [G]
oh.
[D]
[C#] [D]
[Dm]
[D]
Of course, one of the remarkable [C#] things about Backpackin' David
is the way their songs have been covered by [G#] so many different artists.
It's a true test of a song's quality.
What the World Needs Now, for example,
had well over 150 different versions recorded over the years.
[C] And our next song is an example [D] of that.
[A] It was a big hit for Dionne Warwick in 1964,
but it had already been a success for Lou [G] Johnson in the year before.
It's also a [C#] great example of how much emotion [A] can be packed into three [F#] minutes of music.
The song is called Reach Out For [E] Me, and here to sing it,
an Irish artist presently enjoying great success [A#] on Broadway
in the New York [G#] production of Riverdance.
He's flown in on Concord, especially to be here tonight.
Please welcome Brian Kennedy.
[G] [Bm]
[F#m]
[C] [D]
[G]
Don't [Bm] make me older [F#m]
now that I [C] do [D] anything for you.
[G]
Don't make me [Bm] older now [F#m]
that you [C] know how I [D] adore the [G]
[Em] things I say, the things I do.
Just love [C] me with all my faults, the way I [D] love you.
I'm in you.
[G]
Don't [Bm] make me older [F#m]
now that [C] I can't take it [D] without you.
[G]
Don't make [Bm] me older.
[F#m]
I would [C] change one thing [D] about you.
[G]
Just [Em] hold me inside your arms and hold me tight.
Always [C] be by my side if [D] I am all right.
I'm in [G] you.
Don't make me older.
[C]
Don't make me older.
[G] [Em]
[C] Don't make me [D]
[G]
[Em]
[G] [Em]
[G]
[Em] [G] older
[Em] now that I can't take it [G]
[Bm] [F#m]
without [C]
[D] [G] you.
[Bm] [F#m]
[C] I would change one thing [D]
about you.
[G]
Just [Em] take me in your arms and hold me tight.
[C] Always be by my side if I [D] am all right.
[G] I'm in you.
Don't [Bm] make me older.
[C]
Don't make me [C#] older.
[G]
Now [Em] that you got me, [C]
you're the [D] man.
[G]
Accept me [Em] for what I am.
[G]
Accept me for [Em] the things that I [G] do.
Accept me for [Em] what I am.
[G] Accept me [Am] for the things that [G] I do.
[Em] [G] Oh, baby, [Em] baby, baby, [G] baby.
Accept me for [Em] what I am.
[G] Could you make, accept me for the [Em] things that I [G] do?
[Em]
[G] Hey, hey, [Em]
[A] [G]
oh.
[D]
[C#] [D]
[Dm]
[D]
Of course, one of the remarkable [C#] things about Backpackin' David
is the way their songs have been covered by [G#] so many different artists.
It's a true test of a song's quality.
What the World Needs Now, for example,
had well over 150 different versions recorded over the years.
[C] And our next song is an example [D] of that.
[A] It was a big hit for Dionne Warwick in 1964,
but it had already been a success for Lou [G] Johnson in the year before.
It's also a [C#] great example of how much emotion [A] can be packed into three [F#] minutes of music.
The song is called Reach Out For [E] Me, and here to sing it,
an Irish artist presently enjoying great success [A#] on Broadway
in the New York [G#] production of Riverdance.
He's flown in on Concord, especially to be here tonight.
Please welcome Brian Kennedy.
Key:
G
Em
D
C
F#m
G
Em
D
[F#m] _ _ _ [D] _ _ _ _ _
_ [G] _ _ _ _ _ [Bm] _ _
_ _ _ [F#m] _ _ _ _ _
[C] _ _ _ _ _ [D] _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Don't [Bm] make me older _ _ [F#m] _
_ now that I [C] do _ [D] anything for you.
[G] _ _ _
Don't make me [Bm] older now [F#m] _
_ _ that you [C] know how I [D] adore the _ _ [G] _ _
_ _ _ [Em] things I say, _ the things I do.
Just love [C] me with all my _ _ faults, the way I [D] _ love you.
I'm _ in you.
[G] _ _ _
Don't [Bm] make me older _ _ [F#m] _ _
now that [C] I can't take it [D] without _ you.
_ [G] _ _ _
Don't make [Bm] me older.
_ _ [F#m] _
I would [C] _ _ change one thing [D] _ about you.
[G] _ _ _
Just [Em] hold me inside your arms and hold me tight. _ _
Always [C] be by my side _ if [D] I am all right.
I'm in _ [G] you. _ _ _
Don't make me older.
_ _ _ [C] _ _
_ Don't make me older. _ _
[G] _ _ _ [Em] _ _ _ _
[C] Don't _ make me _ [D] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [Em] _ _ _ _
[G] _ _ _ _ _ _ [Em] _ _
_ [G] _ _ _ _ _ _ _
[Em] _ _ _ [G] older _ _ _
[Em] _ now that I can't take it [G] _ _ _
_ _ [Bm] _ _ _ _ [F#m] _ _
without _ [C] _ _ _ _ _
[D] _ _ _ [G] you. _ _ _
_ [Bm] _ _ _ _ _ [F#m] _ _
_ _ _ [C] I would change one thing [D] _
about you.
_ [G] _ _ _
Just [Em] take me in your arms and hold me tight.
_ [C] Always be by my _ side if I [D] am all right. _ _
_ _ [G] _ I'm in you.
Don't [Bm] make me older.
_ [C] _ _ _
Don't make me [C#] older.
_ _ [G] _ _
Now [Em] that you got me, [C]
you're the _ _ [D] man. _ _ _
_ _ _ _ [G] _ _ _
Accept me [Em] for what I _ am.
[G] _
_ Accept me for [Em] the things that I [G] do.
_ Accept me for [Em] what I am.
[G] _ _ Accept me [Am] for the things that [G] I _ _ _ do.
[Em] _ _ _ _ [G] Oh, baby, [Em] baby, baby, _ [G] baby. _
Accept me for [Em] what I am.
[G] Could you make, _ accept me for the [Em] things that I [G] do?
_ _ _ [Em] _ _ _
_ [G] _ Hey, hey, _ [Em] _
_ _ _ _ [A] _ _ [G] _ _
_ oh. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ [C#] _ _ _ _ [D] _
_ _ _ _ _ [Dm] _ _ _
_ [D] _ _ _ _ _ _
Of course, one of the remarkable [C#] things about Backpackin' David
is the way their songs have been covered by [G#] so many different artists. _
It's a true test of a song's quality.
What the World Needs Now, for example,
had well over 150 different versions recorded over the years.
[C] And our next song is an example [D] of that.
[A] It was a big hit for Dionne Warwick in 1964,
but it had already been a success for Lou [G] Johnson in the year before.
It's also a [C#] great example of how much emotion [A] can be packed into three [F#] minutes of music.
The song is called Reach Out For [E] Me, and here to sing it,
an Irish artist presently enjoying great success [A#] on Broadway
in the New York [G#] production of Riverdance.
He's flown in on Concord, especially to be here tonight.
Please welcome Brian Kennedy. _
_ [G] _ _ _ _ _ [Bm] _ _
_ _ _ [F#m] _ _ _ _ _
[C] _ _ _ _ _ [D] _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Don't [Bm] make me older _ _ [F#m] _
_ now that I [C] do _ [D] anything for you.
[G] _ _ _
Don't make me [Bm] older now [F#m] _
_ _ that you [C] know how I [D] adore the _ _ [G] _ _
_ _ _ [Em] things I say, _ the things I do.
Just love [C] me with all my _ _ faults, the way I [D] _ love you.
I'm _ in you.
[G] _ _ _
Don't [Bm] make me older _ _ [F#m] _ _
now that [C] I can't take it [D] without _ you.
_ [G] _ _ _
Don't make [Bm] me older.
_ _ [F#m] _
I would [C] _ _ change one thing [D] _ about you.
[G] _ _ _
Just [Em] hold me inside your arms and hold me tight. _ _
Always [C] be by my side _ if [D] I am all right.
I'm in _ [G] you. _ _ _
Don't make me older.
_ _ _ [C] _ _
_ Don't make me older. _ _
[G] _ _ _ [Em] _ _ _ _
[C] Don't _ make me _ [D] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [Em] _ _ _ _
[G] _ _ _ _ _ _ [Em] _ _
_ [G] _ _ _ _ _ _ _
[Em] _ _ _ [G] older _ _ _
[Em] _ now that I can't take it [G] _ _ _
_ _ [Bm] _ _ _ _ [F#m] _ _
without _ [C] _ _ _ _ _
[D] _ _ _ [G] you. _ _ _
_ [Bm] _ _ _ _ _ [F#m] _ _
_ _ _ [C] I would change one thing [D] _
about you.
_ [G] _ _ _
Just [Em] take me in your arms and hold me tight.
_ [C] Always be by my _ side if I [D] am all right. _ _
_ _ [G] _ I'm in you.
Don't [Bm] make me older.
_ [C] _ _ _
Don't make me [C#] older.
_ _ [G] _ _
Now [Em] that you got me, [C]
you're the _ _ [D] man. _ _ _
_ _ _ _ [G] _ _ _
Accept me [Em] for what I _ am.
[G] _
_ Accept me for [Em] the things that I [G] do.
_ Accept me for [Em] what I am.
[G] _ _ Accept me [Am] for the things that [G] I _ _ _ do.
[Em] _ _ _ _ [G] Oh, baby, [Em] baby, baby, _ [G] baby. _
Accept me for [Em] what I am.
[G] Could you make, _ accept me for the [Em] things that I [G] do?
_ _ _ [Em] _ _ _
_ [G] _ Hey, hey, _ [Em] _
_ _ _ _ [A] _ _ [G] _ _
_ oh. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ [C#] _ _ _ _ [D] _
_ _ _ _ _ [Dm] _ _ _
_ [D] _ _ _ _ _ _
Of course, one of the remarkable [C#] things about Backpackin' David
is the way their songs have been covered by [G#] so many different artists. _
It's a true test of a song's quality.
What the World Needs Now, for example,
had well over 150 different versions recorded over the years.
[C] And our next song is an example [D] of that.
[A] It was a big hit for Dionne Warwick in 1964,
but it had already been a success for Lou [G] Johnson in the year before.
It's also a [C#] great example of how much emotion [A] can be packed into three [F#] minutes of music.
The song is called Reach Out For [E] Me, and here to sing it,
an Irish artist presently enjoying great success [A#] on Broadway
in the New York [G#] production of Riverdance.
He's flown in on Concord, especially to be here tonight.
Please welcome Brian Kennedy. _