Chords for Lyric Breakdown: The Home Team - She's Quiet

Tempo:
113.1 bpm
Chords used:

F

C

Bb

Dm

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Lyric Breakdown: The Home Team - She's Quiet chords
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It does feel pretty good that I can just Google
She's Quiet the home team now and I can find the lyrics.
I'm Brian from the home team and this is a lyric breakdown of She's Quiet.
[Dm] [Bb] [F]
[C] This song is about my current [Dm] girlfriend.
I'm better off saying nothing [Em] but I get so caught up in it, [F] so caught up in you.
[C] So here's to the first [F] time I've arrived with nothing left to lose.
When we first started going on dates I was very hesitant to open up again because I had
had a relationship that was very emotionally taxing and draining.
And [Bb] it had been about a year and a half and I [F] had told myself I wasn't going to get [D] another
relationship until college.
So [F] we're going on dates and I'm realizing I really love this person [Bb] and that's kind
of where the [F] idea of I'm better off saying [Dm] nothing, I'm better off not [Bb]
pursuing [Am] this at all.
But [Dm] it's true, I found [C] myself [Bb] kind of infatuated [F] at the time with the idea of somebody that
actually kind of got me.
So that's kind of where it comes from.
So here's to the first time I've [D] arrived with nothing left to lose.
[C] This is the first time [F] I've gone into something like this with having the context that I did.
You should see what I've become so obsessively lost in the way I love.
It isn't like me to just lose control.
I have never been the more emotional [Bb] person in my relationship and this is [C] one of those
instances where I was finding myself in a [F] lot of different feelings that I'm not used to having.
It was, I felt very exposed and pretty uncomfortable to be honest.
It was kind of like the relationship was drawing me in, I guess regardless of [Bb] all that.
Maybe I'll [F] stay this time, whether you would ask me [Em] to, I'm back into [Dm] it, ready your hand
in mine, I can only get so far [Bb] with you guys.
The maybe I'll [D] stay this time is [Dm] the idea of the fact that I had spent the [C] last few
years [F] not wanting to commit to a [Dm] relationship in fear [Bb] that [F] I would mess it up [D] or that I
would hurt [C] these people.
Whether you would ask me to, I'm back into it.
[F] That's kind of a statement of like, I feel good about this.
[C] I'm back into the idea of being in a relationship.
Ready [F] your hand in mine, I can only get so far [Dm] without your guy.
That's kind [G] of self-explanatory.
So here you [E] are again, too late [F] to fix what progress I've made, but [E] I've built this confident
charade I'll just use.
[C] This one's kind of [F] funny because it's a testament to the fact that this was the first time I
felt [C] nervous around a girl in [Dm] a very long [C] time.
And in that sense, to fix what progress I've made about my confidence, about my [Dm] ability
to [G] put on up front and talk to a girl.
And I know [Dm] inside it hurts you to see me so down on [Em] myself, but it's the thought [Bb] that
you deserve so much more than I could ever hope.
[F] I at the [C] time was [Dm] going through a [Bb] lot [F] of change when it came [Dm] to [C] the music.
I was [Bb] finally deciding [F] to stop [Dm] making my previous band music, [F] which I had been working on demos
for a [D] long time in conjunction [Em] with the home team.
[F] And [D] I was finding myself overworked [C] and unhappy [F] with just about everything that I was making.
And she was a big part of helping me through that.
But it's the thought that you deserve so much more than I could ever hope.
It's like I was realizing that she was doing so much more for me at the time than I was
doing for her.
That's why I [G] couldn't really help it, but I [C] felt like she was a lot more deserving.
[F] It's in my head I'm waking up again.
I'd [Bb] lost my way but now I'm home.
[F] Still standing under your doorframe [C] with a plan to leave alone.
[Dm] That one is funny.
[Bb]
[F] Tess and I have known each other [D] for a long time and we went to [Dm] the same college.
[C] She [F] lived in this house where they threw parties all the time.
And I distinctly remember going to these parties and [Dm] thinking, I really want to talk to [F] Tess.
The way that their house was set up was there was like a hallway and [C] my friends and I would
always be like one foot in one foot out to these parties because we would like go for
like 30 minutes [Bb] and then we'd like dip into the bus.
[F] There was a very specific doorframe in my head that I'd be standing under with my friends
thinking I guess I'll talk to her next time.
That's kind of where the plan to leave alone comes from.
Pretending I'm still with you time and time again, why don't you show me a real life with
your hand in mine?
That's kind of self explanatory.
[Bb] There were a couple of times [F] where her and I had to leave [C] the vicinity of each other
when [Dm] we first started dating for weeks [Bb] at a time.
I was going to her, [F] she had a couple trips that [D] she went on.
And it was like the worst time for us to be doing that [Bb] because this was like the [F] infatuation
stage of being in a relationship.
But why don't you show me a real life with your [Bb] hand in mine is [F] like
[D] make my imagination.
[C] [Bb]
[F]
[C] [F] And [Eb] that is the lyric breakdown to [C] She's Quiet.
[Dm] [D] [F]
Key:  
F
134211111
C
3211
Bb
12341111
Dm
2311
D
1321
F
134211111
C
3211
Bb
12341111
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It does feel pretty good that I can just Google
She's Quiet the home team now and I can find the lyrics.
I'm Brian from the home team and this is a lyric breakdown of She's Quiet. _ _
[Dm] _ _ _ [Bb] _ _ [F] _ _
[C] This song is about my current [Dm] girlfriend.
I'm better off saying nothing [Em] but I get so caught up in it, [F] so caught up in you.
[C] So here's to the first [F] time I've arrived with nothing left to lose.
When we first started going on dates I was very hesitant to open up again because I had
had a relationship that was very _ _ emotionally taxing and draining.
And [Bb] it had been about a year and a half and I [F] had told myself I wasn't going to get [D] another
relationship until college.
_ So [F] we're going on dates and I'm realizing I really love this person [Bb] and _ that's kind
of where the [F] idea of I'm better off saying [Dm] nothing, I'm better off not [Bb] _
pursuing [Am] this at all.
But [Dm] it's true, I found [C] myself [Bb] kind of infatuated [F] at the time with the idea of somebody that
actually kind of got me.
So that's kind of where it comes from.
So here's to the first time I've [D] arrived with nothing left to lose.
[C] This is the first time [F] I've gone into something like this with having the context that I did.
You should see what I've become so obsessively lost in the way I love.
It isn't like me to just lose control.
I have never been the more emotional [Bb] person in my relationship and this is [C] one of those
instances where I was finding myself in a [F] lot of different feelings that I'm not used to having.
It was, I felt very exposed and pretty uncomfortable to be honest.
It was kind of like the relationship was drawing me in, I guess regardless of [Bb] all that.
Maybe I'll [F] stay this time, whether you would ask me [Em] to, I'm back into [Dm] it, ready your hand
in mine, I can only get so far [Bb] with you guys.
The maybe I'll [D] stay this time is [Dm] the idea of the fact that I had spent the [C] last few
years [F] not wanting to commit to a [Dm] relationship in fear [Bb] that [F] I would mess it up [D] or that I
would hurt [C] these people.
Whether you would ask me to, I'm back into it.
[F] That's kind of a statement of like, _ _ I feel good about this.
[C] I'm back into the idea of being in a relationship.
Ready [F] your hand in mine, I can only get so far [Dm] without your guy.
That's kind [G] of self-explanatory.
So here you [E] are again, too late [F] to fix what progress I've made, but [E] I've built this confident
charade I'll just use.
_ [C] This one's kind of [F] funny because it's a testament to the fact that this was the first time I
felt [C] nervous around a girl in [Dm] a very long [C] time. _
And in that sense, to fix what progress I've made about my confidence, about my [Dm] _ ability
to [G] put on up front and talk to a girl.
And I know [Dm] inside it hurts you to see me so down on [Em] myself, but it's the thought [Bb] that
you deserve so much more than I could ever hope.
[F] I at the [C] time was [Dm] going through a [Bb] lot [F] of change when it came [Dm] to [C] the music.
I was [Bb] finally deciding [F] to _ stop [Dm] making my previous band music, [F] which I had been working on demos
for a [D] long time in conjunction [Em] with the home team.
[F] _ And [D] I was finding myself overworked [C] and unhappy [F] with just about everything that I was making.
And she was a big part of _ helping me through that.
But it's the thought that you deserve so much more than I could ever hope.
It's like I was realizing that she was doing so much more for me at the time than I was
doing for her.
That's why I [G] couldn't really help it, but I [C] felt like she was a lot more deserving.
_ _ _ _ [F] It's in my head I'm waking up again.
I'd [Bb] lost my way but now I'm home.
[F] Still standing under your doorframe [C] with a plan to leave alone.
[Dm] That one is funny.
[Bb] _ _
[F] Tess and I have known each other [D] for a long time and we went to [Dm] the same college.
[C] She _ [F] lived in this house where they threw parties all the time.
And I distinctly remember going to these parties and [Dm] thinking, I really want to talk to [F] Tess.
The way that their house was set up was there was like a hallway _ and [C] my friends and I would
always be like one foot in one foot out to these parties because we would like go for
like 30 minutes [Bb] and then we'd like dip into the bus.
[F] There was a very specific doorframe in my head that I'd be standing under with my friends
thinking I guess I'll talk to her next time.
That's kind of where the plan to leave alone comes from.
Pretending I'm still with you time and time again, why don't you show me a real life with
your hand in mine?
That's kind of self explanatory.
[Bb] There were a couple of times [F] where her and I had to leave [C] the vicinity of each other
when [Dm] we first started dating for weeks [Bb] at a time.
I was going to her, [F] she had a couple trips that [D] she went on.
And it was like the worst time for us to be doing that [Bb] because this was like the [F] infatuation
stage of being in a relationship.
But why don't you show me a real life with your [Bb] hand in mine is [F] like _ _
[D] make my imagination.
[C] _ _ [Bb] _ _
_ [F] _ _ _ _ _ _ _
[C] _ _ [F] _ And [Eb] that is the lyric breakdown to [C] She's Quiet.
_ _ _ _ _ _ [Dm] _ _ [D] _ _ _ _ _ [F] _ _