Chords for Mac Demarco performs "Freaking Out the Neighborhood" - Primavera Sound 2013

Tempo:
78.35 bpm
Chords used:

E

D#m

F#

C#m

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Mac Demarco performs "Freaking Out the Neighborhood" - Primavera Sound 2013 chords
Start Jamming...
She's freaking out.
It's okay.
It's okay.
Well cool, she gave me a little teethy grin.
[F#] Really nice.
[D#m]
[D] [D#m]
[D]
Boss boy, [A]
early in the morning
Yeah, this is [F#] like day 36 of Europe, but [F#m] like of touring,
like [C#] month 8, [C#m] I think, with a couple breaks.
[G] I'm going nuts.
The big shows are fun, but we also went to like [F#] Eastern Europe.
That was like really weird, like rolling up to the Serbian [G] border
and there's like bombed out cars [G#] and like stray dogs
and like gypsy kids [G] asking for change.
It's like wow, this is very different [Am] than entering the States,
but it was kind of cool, you know.
[A] [G#m]
Oh, let me [F#] see you crying
[D] [E]
[G#] So [A] honey, I'll smoke you till [F#m] I'm dying
[E] Playing in London was sweet, playing in Paris was sweet.
There were like big weird [C#m] shows.
Like when we played Paris the first time, our booking agent was like,
oh, Magic is very good, Phoenix is here [E] to see you.
I was like, oh, [A] I can't remember that band.
And then they [E] emailed me later, or emailed somebody,
and was like, yo, we'd like to take Mac on tour.
It was cool, I mean, the guys were [A] like super-duper nice,
but it was like we were [E] playing in giant opera halls
to like 3 [A],000 people that had like no idea who we were.
A lot of the times we were just like, get the hell off the stage.
But I mean, it was worth it, because [D] we got to hang with those guys
and got to meet like Sofia Coppola, which is kind of crazy.
So [F#m] there you go.
[F#] [G#m]
We screw around like a [G] lot more now.
What have we been hitting on?
We added a couple [F#m] songs.
[E] [C#] [F#m]
[E] [D#] [G#] We've been doing some [F#] BTO, taking care [E] of business.
The old standards, a little Backman Turner.
[G#m] There you go.
[A] [B]
[E]
[Bm] [B] [A] [E]
[Bm] [A] [E]
[B] [A] [E]
[B] I'm in [A] the moment with a fuckin' sucker, [E] got [B] 815 to the city.
Dog [A] shit, horse shit, donkey [E] dick, suck my dick.
[Bm] Yeah, it's too crazy.
Maybe I'll be like an old songwriter, [B] poet, pimp someday,
but right now I'm just like essentially a frat boy or [G] something like that.
I don't know.
I got to get [E] like a Neil Young-style ranch or something.
That's what I need, yeah.
[Bm] That'd be sick.
Drink like 500 beers [D] and relax.
[B] We got some very special news this morning.
[E] Turns out in a couple months, nine to be exact, Pierce will be a dad.
A very good one at that.
Is he [F#] ready for it?
I don't know.
Probably not.
[B] But he's having a kid, so what can you really do about that?
[E] Listen guys, I'm only 18.
I shouldn't have fucked that girl.
I made a big mistake, but I'm going to pay for it.
I'm going to love my child like it was something I asked for.
[A] [F#m]
[C#m] [D#m] [G#m]
[C#m] [D#m] [G#]
[C#m] [D#m] [G#m]
[C#m] [D#m] [G#]
[B] Sorry, [Fm] Mama.
[G#m] [C#m] There are times [A] I get carried [F#] away.
[B] Freeze, [Fm] don't worry.
[G#m] Next [B] time I'm home, [E] I'll still be the [F#] same.
[C#m] I know, [D#m] so fun.
[G#m]
When [C#m] your [D#m] first son, [G#m]
[C#m] he's so, [D#m] so no good.
[G#]
[C#m] Stop [D#m] searching out the neighborhood.
[C#m]
[B] Really, [F] I'm fine.
[G#m] Never [C#m] been better, got [A] the job on the [F#] line.
[B] Cheer up, baby.
Don't [F] worry.
[G#m] Say, oh boy, [E] did you hope to [F#] find?
[C#m] I know, [D#m] so fun.
[G#]
[C#] When your [D#m] first son, [G#m]
[C#m] he's so, so [D#m] no good.
[G#]
[C#m] Stop searching out [D#m] the neighborhood.
[G#] [C#] [D#m]
[C#] [F#] [G#m]
[C#] [D#m] [G#]
[C#] [D#m] [G#m]
[F#] [Bm]
[F#] [Bm] [F#]
[F#m] [F#]
Key:  
E
2311
D#m
13421116
F#
134211112
C#m
13421114
A
1231
E
2311
D#m
13421116
F#
134211112
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_ _ _ _ _ _ _ _
_ She's freaking out.
It's okay.
It's okay.
Well cool, she gave me a little teethy grin.
_ _ [F#] Really nice.
_ _ [D#m] _ _ _ _ _ _
_ [D] _ _ _ _ _ _ [D#m] _
_ _ _ _ _ [D] _ _ _
_ _ _ Boss boy, [A] _ _
early in the morning
_ Yeah, this is [F#] like day 36 of Europe, but [F#m] like of touring,
like [C#] month 8, [C#m] I think, with a couple breaks.
[G] I'm going nuts.
The big shows are fun, but we also went to like [F#] Eastern Europe.
That was like really weird, like rolling up to the Serbian [G] border
and there's like bombed out cars [G#] and like stray dogs
and like gypsy kids [G] asking for change.
It's like wow, this is very different [Am] than entering the States,
but it was kind of cool, you know.
_ [A] _ _ _ _ _ [G#m]
Oh, let me [F#] see you crying
[D] _ _ _ [E] _
_ _ [G#] _ So [A] honey, I'll smoke you till [F#m] I'm dying
[E] Playing in London was sweet, playing in Paris was sweet.
There were like big weird [C#m] shows.
Like when we played Paris the first time, our booking agent was like,
oh, Magic is very good, Phoenix is here [E] to see you.
I was like, oh, [A] I can't remember that band.
And then they [E] emailed me later, or emailed somebody,
and was like, yo, we'd like to take Mac on tour.
It was cool, I mean, the guys were [A] like super-duper nice,
but it was like we were [E] playing in giant opera halls
to like 3 [A],000 people that had like no idea who we were.
A lot of the times we were just like, get the hell off the stage.
But I mean, it was worth it, because [D] we got to hang with those guys
and got to meet like Sofia Coppola, which is kind of crazy.
So [F#m] there you go.
_ _ [F#] _ _ _ [G#m]
We screw around like a [G] lot more now.
What have we been hitting on?
We added a couple [F#m] songs.
_ _ [E] _ _ _ [C#] _ _ [F#m] _
_ [E] _ _ [D#] _ _ [G#] _ We've been doing some [F#] BTO, taking care [E] of business.
The old standards, a little Backman Turner.
[G#m] There you go.
_ [A] _ _ _ [B] _ _
_ _ _ _ _ _ [E] _ _
_ [Bm] _ _ [B] _ _ [A] _ _ [E] _
_ [Bm] _ _ _ _ [A] _ _ [E] _
_ [B] _ _ _ _ [A] _ _ [E] _
_ [B] _ _ I'm in [A] the moment with a fuckin' sucker, [E] got [B] 815 to the city.
Dog [A] shit, horse shit, donkey [E] dick, suck my dick.
_ [Bm] _ Yeah, it's too crazy.
Maybe I'll be like an old songwriter, [B] poet, pimp someday,
but right now I'm just like essentially a frat boy or [G] something like that.
I don't know.
I got to get [E] like a Neil Young-style ranch or something.
That's what I need, yeah.
[Bm] That'd be sick.
Drink like 500 beers [D] and relax.
_ [B] We got some very special news this morning.
[E] Turns out in a couple months, nine to be exact, Pierce will be a dad. _ _ _ _ _
_ _ _ _ _ A very good one at that.
Is he [F#] ready for it?
I don't know.
Probably not.
[B] But he's having a kid, so what can you really do about that?
[E] Listen guys, I'm only 18.
I shouldn't have fucked that girl.
I made a big mistake, but I'm going to pay for it.
I'm going to love my child like it was something I asked for.
[A] _ _ [F#m] _ _ _
_ _ [C#m] _ _ [D#m] _ _ [G#m] _ _
_ [C#m] _ _ _ [D#m] _ _ [G#] _ _
_ _ [C#m] _ _ [D#m] _ _ [G#m] _ _
_ _ [C#m] _ _ [D#m] _ _ [G#] _ _
_ [B] Sorry, _ _ _ [Fm] Mama.
_ [G#m] _ [C#m] There are times [A] I get carried [F#] away.
_ [B] Freeze, _ [Fm] don't worry. _
_ [G#m] Next [B] time I'm home, [E] I'll still be the [F#] same.
_ _ [C#m] I know, [D#m] so fun.
[G#m] _
_ When [C#m] your [D#m] first son, _ [G#m] _
_ [C#m] he's so, [D#m] so no good.
[G#] _ _
_ _ [C#m] Stop [D#m] searching out the neighborhood.
_ [C#m] _
_ _ [B] Really, _ [F] I'm fine.
_ _ [G#m] Never [C#m] been better, got [A] the job on the [F#] line.
[B] Cheer up, baby.
Don't [F] worry. _
_ [G#m] Say, oh boy, [E] did you hope to [F#] find?
_ _ [C#m] I know, [D#m] so fun.
[G#] _
_ _ [C#] When your [D#m] first son, [G#m] _
_ _ [C#m] he's so, so [D#m] no good.
[G#] _
_ _ [C#m] _ Stop searching out [D#m] the neighborhood.
_ [G#] _ _ _ [C#] _ _ [D#m] _ _ _ _
_ _ [C#] _ _ _ [F#] _ [G#m] _ _
_ _ [C#] _ _ [D#m] _ _ _ [G#] _
_ _ [C#] _ _ [D#m] _ _ [G#m] _ _
_ [F#] _ _ _ _ _ _ [Bm] _
_ _ [F#] _ _ _ [Bm] _ _ [F#] _
_ _ [F#m] _ _ _ _ [F#] _ _

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