Chords for Mackie 1642VLZ3
Tempo:
159.55 bpm
Chords used:
E
D
A
C
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[B]
[E] [A]
[Em] This is the [A] 1642 VLZ3 mixer.
generation [C] of 1642 mixer from Mackie.
features 8 [F] mic-free amplifiers, 2 of [Bm] which are hybrid with stereo inputs and then [E] 2 dedicated stereo [C] inputs.
4 subgroups for bussing purposes and [Am] 4 [D] auxiliary sends, as well as [F] 3-band sweepable EQ [Am] and 4-band EQs [Gm] on the stereo channels.
[Dm] The new VLZ mixer features [F#m] a couple of things.
circuitry, the new XDR [D]-2 mic preamp [F]
[E] [A]
[Em] This is the [A] 1642 VLZ3 mixer.
generation [C] of 1642 mixer from Mackie.
features 8 [F] mic-free amplifiers, 2 of [Bm] which are hybrid with stereo inputs and then [E] 2 dedicated stereo [C] inputs.
4 subgroups for bussing purposes and [Am] 4 [D] auxiliary sends, as well as [F] 3-band sweepable EQ [Am] and 4-band EQs [Gm] on the stereo channels.
[Dm] The new VLZ mixer features [F#m] a couple of things.
circuitry, the new XDR [D]-2 mic preamp [F]
100% ➙ 160BPM
E
D
A
C
F
E
D
A
_ _ _ _ _ [B] _ _ _
_ [E] _ _ _ _ _ _ [A] _
_ _ _ _ [Em] This is the [A] 1642 _ VLZ3 mixer.
It is the next generation [C] of 1642 mixer from Mackie.
It features _ _ 8 [F] mic-free amplifiers, _ _ 2 of [Bm] which are hybrid with stereo inputs and then [E] 2 dedicated stereo [C] inputs.
_ 4 subgroups for bussing purposes and [Am] _ 4 [D] auxiliary sends, as well as _ [F] 3-band sweepable EQ [Am] and 4-band EQs [Gm] on the stereo channels. _
_ _ [Dm] _ The new VLZ mixer features [F#m] a couple of things.
On the internal circuitry, the new XDR [D]-2 mic preamp [F]
is the fullest bandwidth, _ highest gain setting mic pre that [G] we've come out with in the XDR family.
It kind of _ [E] gives you all the transparency of the original [Em] XDR, but [A] can just perform that way at basically any level set.
[E] _ Next, you have _ [D#] upgraded EQs on the VLZ3 [E] mixers.
The EQs have been _ redesigned to remove all of the [D] _ odd interaction that you get [F#] between bands.
It performs much more like a [E] very high-end recording console, where if you're [Fm] using a high and a [E] high-mid, you won't see any odd [F] _ _ _
interactions [D#] between those bands.
So, a very [D] pure, very clean musical EQ.
[C] _ And then, we also have improved [G] our negative gain [C#m] summing buss.
Summing busses are [D] real important in getting an analog [E] sound to your digital recordings today.
The [Dm] VLZ3 features [D#]
a [G] newly designed negative gain summing buss that gives you more headroom than anything [Dm] in its class.
So, those are the [C#m] three major improvements on the inside of the VLZ3.
[E] And then, when you look at the outside of the VLZ3, we've [A] kind of modernized [D#] the mechanical, built-like-a-tank feature [E] that Mackie's always been known for.
You'll see [Bm] a thicker gauge of steel chassis that has nice, radius edges.
No sharp corners that are going to [E] scratch other gear that you throw in the bag.
[A] And a much _ [Dm] heavier-duty build quality.
In addition, it has a built-in [Em] handle, so it's easy to [E] transport.
_ And it has a new _ [C] standardization in our silk [Cm] screening, where _ _ [D] high-contrast color schemes make everything easy to read.
Colored [B] functional knobs make everything easy to find.
And basically, it updates the [C] whole industrial design of the mixer to be the next step, the next [F] generation in Mackie [E] _ mixers. _ _ _ _
_ [E] _ _ _ _ _ _ [A] _
_ _ _ _ [Em] This is the [A] 1642 _ VLZ3 mixer.
It is the next generation [C] of 1642 mixer from Mackie.
It features _ _ 8 [F] mic-free amplifiers, _ _ 2 of [Bm] which are hybrid with stereo inputs and then [E] 2 dedicated stereo [C] inputs.
_ 4 subgroups for bussing purposes and [Am] _ 4 [D] auxiliary sends, as well as _ [F] 3-band sweepable EQ [Am] and 4-band EQs [Gm] on the stereo channels. _
_ _ [Dm] _ The new VLZ mixer features [F#m] a couple of things.
On the internal circuitry, the new XDR [D]-2 mic preamp [F]
is the fullest bandwidth, _ highest gain setting mic pre that [G] we've come out with in the XDR family.
It kind of _ [E] gives you all the transparency of the original [Em] XDR, but [A] can just perform that way at basically any level set.
[E] _ Next, you have _ [D#] upgraded EQs on the VLZ3 [E] mixers.
The EQs have been _ redesigned to remove all of the [D] _ odd interaction that you get [F#] between bands.
It performs much more like a [E] very high-end recording console, where if you're [Fm] using a high and a [E] high-mid, you won't see any odd [F] _ _ _
interactions [D#] between those bands.
So, a very [D] pure, very clean musical EQ.
[C] _ And then, we also have improved [G] our negative gain [C#m] summing buss.
Summing busses are [D] real important in getting an analog [E] sound to your digital recordings today.
The [Dm] VLZ3 features [D#]
a [G] newly designed negative gain summing buss that gives you more headroom than anything [Dm] in its class.
So, those are the [C#m] three major improvements on the inside of the VLZ3.
[E] And then, when you look at the outside of the VLZ3, we've [A] kind of modernized [D#] the mechanical, built-like-a-tank feature [E] that Mackie's always been known for.
You'll see [Bm] a thicker gauge of steel chassis that has nice, radius edges.
No sharp corners that are going to [E] scratch other gear that you throw in the bag.
[A] And a much _ [Dm] heavier-duty build quality.
In addition, it has a built-in [Em] handle, so it's easy to [E] transport.
_ And it has a new _ [C] standardization in our silk [Cm] screening, where _ _ [D] high-contrast color schemes make everything easy to read.
Colored [B] functional knobs make everything easy to find.
And basically, it updates the [C] whole industrial design of the mixer to be the next step, the next [F] generation in Mackie [E] _ mixers. _ _ _ _
