Chords for Maggie Rose - "Smooth" (Documentary Clip 5)

_ [B] _ _ _ _ _ _ [A] _
_ [G] _ _ [F#] _ _ _ _ [C] _
_ _ [G] _ _ [C#m] Smooth is just, the groove just feels so [Em] good.
_ [C] _ _ _ _
[A] _ _ _ [Em] _ _ _ [A] _
It sort of [Em] feels like a bit of a throwback, you know, and it's, [A] it just has [G] all those
[A] really fun qualities that I really enjoy in music.
_ [E] _ _ _ _ [Am] _
_ We [F#] recorded that on the first [F] day and the emotion just comes through so well [F#m] in that song.
I just [D] love it.
It makes me feel good inside.
It's fun.
It's [F] light.
It's just fantastic.
[Em] That was [E] thrown in like at the very last minute in the rehearsal and it just felt so good
and they [Em] wrote something that was [A] like the right mixture [D] of pop and funk and just [Em] positive feel good.
_ _ [E] _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [A] _ _
_ _ _ [E] _ _ _ [A] _ _
_ _ _ [Em] _ _ _ _ _
[D] _ _ _ _ _ [F#] _ _ _
[D] _ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ [F#m] _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ [Em] _ _ _ _ _
[A] _ _ _ [Em] _ [A] Smooth [D] was wild because we had kind of two heavier [B] songs.
They didn't really highlight my fun, [A] _ spunky [E] side of my personality and [G] of course that
[B] of my collaborators.
So we wrote it because we were [D] together that [Em] afternoon [A] before we all knew we were going
into rehearsal the following day [Em] and we just [A] kind of balls to the [D] wall and wrote this song
Smooth _ that was full of attitude.
It was the other [D#m] end of the spectrum as far [A] as energy that you can hear and feel on this
record _ and we brought it into rehearsal the [D] next day.
We were going in to pre-pro _ [F#] that night.
[B] So that [F#m] afternoon we had a [E] writing session and so the song that we came up with was [G] Smooth
[F#] which was just a real [E] funky soulful track that's just got all [D] the stank that you want
[E] and _ wrote it top to bottom.
Felt [B] great [E] and when we got [B] in there, we threw it to the band.
Four hours later, you just heard [A] it.
The magic just exploded.
The band clicked.
You could see that everyone [Am] was just into it immediately and I swear that _ [A] _
totally guided
the rest [Am] of this record. _ _ _
[F#m] _ _ _ _ _ _ [Am] _ _
Ooh. _ _ _ _ _ _
_ [F#] Ooh.
_ _ [F#m] _ _ _
[G] _ Whoa. _ _ _ _ _
_ [D] Give me some _ _ information.
[C] I can be your _ amputation.
_ [A] Hoo, yeah.
Hoo, yeah.
Hoo, yeah.
[C] Hoo, [D] yeah.
Well [E] your mama said it right. _
_ You can't talk [G#] to your mama tonight.
[E] _ _ _ _ _ _ _ _
[B] _ _ _ _ Kyle Whalen came in _ and he's so [Am] _ dirty.
[G] He's a [A] bad man and he played, [C] I think, one of the more difficult songs.
like the best bass I've ever [A] heard him play in my life.
[E] Smooth as a bass player, come on,
that was just so much fun.
The groove, [Am] me and Sarah.
So I [F#m] think that [A] definitely is an indication to you
[B] as a front [E] person in a group
that this is the band for this project.
That song, in fact, was a [B] real, real ember [Am] and spark
for what this record was [C#] about,
which was about [Em] showcasing her vocals
and [B] just like the soul side of her.
It throws back [A] to a time that is [B] never gone.
When we recorded that,
it really cemented the band
and [A] cemented where this was going. _ _
[E] _ _ _ _ _ [A] _ _ _
[D] _ [C] _ _ _ _ _ _ _
[E] _ _ _ _ _ [A] _ _ _
_ _ _ [C] _ _ _ [E] _ _