Chords for Maier Cseperke: Figurásan Netti Sanyi bácsi nyomán (Elődöntős produkció)
Tempo:
117.85 bpm
Chords used:
D
A
G
E
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E]
[B] [E]
[A] [D] [E]
[B] [Eb]
[D] [A] [Gb]
[Db] [E] [A]
[D] [G] [Bb]
[D] [Eb] [A]
[G]
[A] [D]
[G] [D]
[A] [D] [Dm]
[E] [A]
[Dm]
[E] [A]
[D]
[A]
[A]
[D] [G]
[D] [A]
[D] [Am] [D]
[A] [D]
[A]
[D]
[A] [D]
[G] [D] [A]
[D] [G]
[D] [A] [D]
[G]
[E] [A]
[D] [G] [Em]
[A] [D] [G]
[Em] [A]
[D] [G] [E]
[A] [D] [A]
[D] [N]
[E]
[B]
[D] [A] [Em]
[D] [E] [D]
[A] [Bb]
[D] [E] [A]
He was a very good friend of mine, my son was a master.
It is extremely difficult to understand his music,
his sensitivity, which you got, thank God,
[D]
[G] his [B] technique, his humor.
[N] It's about Sándor Neti, right?
[A] Yes, it's about Sándor Neti.
[G] And I see this [D] starting with you,
who, by the way, if [E] I'm feeling good,
in the film and the actors,
[A] you are a little bit, [Dm] maybe too much,
you are a little bit, maybe too much,
and you [E] still can see it in your hair,
that you don't dare to [A] show what you [Dm] really know.
[D] Your technique is amazing.
Believe it, you know everything.
And that
I should show it.
So when you put in 3, [G] 4, 5, 15 dissonances with your left hand,
you could do the same with your right hand.
It's not only for you, it's not enough for us.
[D] It's not enough to hide these things from others.
When those long notes are there,
maybe you could have made it easier
if you gave a little more to that.
For us.
Not for you, but for us.
Learn this, too, and it's [A] wonderful what you know.
[D]
[G] Zsuravsky, your turn.
I would have loved to see you dance,
you have such a rhythmic music.
You really have a double personality.
When [D] you are a musician, you are a [A] little bit more mature,
[D] when you are standing in front of me,
you are afraid of the big jury members,
but you will be able to combine the two when you are a great musician,
because I'm sure you have a great musician in you.
Everything is [D] there.
Eredics, Gábor.
You don't have to wait for it so long,
because I noticed that you understood all the musical phrases,
[B] and for us, who are not so familiar with the music of the Ottoszeg,
you help us to accept it.
And you sit on a very nice note,
and that's why you like long [G] notes,
and you warm it up nicely.
But technically you are fine,
so I can confirm what you said,
that you are already a master artist.
[Gm]
[N] Let's get to the points.
Kocsis, [B] Henikő.
Ten. Ten.
[D] Eredics, Gábor.
[Bm] Ten.
[B] Sebestyi, Márta.
Ten.
[D] Zsurawski, Zoltán.
[Bm] Nine.
[C]
Salomon, Bea.
[B]
Nine.
Csefer, Károly.
I don't know, whatever happens,
it is important to mention that this young Leánka
danced in the preliminary rounds.
She sang in one of the preliminary rounds.
[A] Now she plays on the violin.
If she was a member of the folk arts,
I'm sure she would have [D] started there too.
[B] Well, at the beginning we saw her dancing with the others,
so this is a very complex, special thing you [Ab] do.
You lean on the violin,
you are like a Gustav Klimt picture.
It's worth looking at,
he was an Austrian [Bm] fantastic painter.
The personality is very interesting,
[F] and for all this, 12 [B] Estonian ladies and gentlemen.
Table.
[N] And he took the lead, too.
With 48 points,
we congratulate the vocalists [Ab] and musicians in the category.
[B] [E]
[A] [D] [E]
[B] [Eb]
[D] [A] [Gb]
[Db] [E] [A]
[D] [G] [Bb]
[D] [Eb] [A]
[G]
[A] [D]
[G] [D]
[A] [D] [Dm]
[E] [A]
[Dm]
[E] [A]
[D]
[A]
[A]
[D] [G]
[D] [A]
[D] [Am] [D]
[A] [D]
[A]
[D]
[A] [D]
[G] [D] [A]
[D] [G]
[D] [A] [D]
[G]
[E] [A]
[D] [G] [Em]
[A] [D] [G]
[Em] [A]
[D] [G] [E]
[A] [D] [A]
[D] [N]
[E]
[B]
[D] [A] [Em]
[D] [E] [D]
[A] [Bb]
[D] [E] [A]
He was a very good friend of mine, my son was a master.
It is extremely difficult to understand his music,
his sensitivity, which you got, thank God,
[D]
[G] his [B] technique, his humor.
[N] It's about Sándor Neti, right?
[A] Yes, it's about Sándor Neti.
[G] And I see this [D] starting with you,
who, by the way, if [E] I'm feeling good,
in the film and the actors,
[A] you are a little bit, [Dm] maybe too much,
you are a little bit, maybe too much,
and you [E] still can see it in your hair,
that you don't dare to [A] show what you [Dm] really know.
[D] Your technique is amazing.
Believe it, you know everything.
And that
I should show it.
So when you put in 3, [G] 4, 5, 15 dissonances with your left hand,
you could do the same with your right hand.
It's not only for you, it's not enough for us.
[D] It's not enough to hide these things from others.
When those long notes are there,
maybe you could have made it easier
if you gave a little more to that.
For us.
Not for you, but for us.
Learn this, too, and it's [A] wonderful what you know.
[D]
[G] Zsuravsky, your turn.
I would have loved to see you dance,
you have such a rhythmic music.
You really have a double personality.
When [D] you are a musician, you are a [A] little bit more mature,
[D] when you are standing in front of me,
you are afraid of the big jury members,
but you will be able to combine the two when you are a great musician,
because I'm sure you have a great musician in you.
Everything is [D] there.
Eredics, Gábor.
You don't have to wait for it so long,
because I noticed that you understood all the musical phrases,
[B] and for us, who are not so familiar with the music of the Ottoszeg,
you help us to accept it.
And you sit on a very nice note,
and that's why you like long [G] notes,
and you warm it up nicely.
But technically you are fine,
so I can confirm what you said,
that you are already a master artist.
[Gm]
[N] Let's get to the points.
Kocsis, [B] Henikő.
Ten. Ten.
[D] Eredics, Gábor.
[Bm] Ten.
[B] Sebestyi, Márta.
Ten.
[D] Zsurawski, Zoltán.
[Bm] Nine.
[C]
Salomon, Bea.
[B]
Nine.
Csefer, Károly.
I don't know, whatever happens,
it is important to mention that this young Leánka
danced in the preliminary rounds.
She sang in one of the preliminary rounds.
[A] Now she plays on the violin.
If she was a member of the folk arts,
I'm sure she would have [D] started there too.
[B] Well, at the beginning we saw her dancing with the others,
so this is a very complex, special thing you [Ab] do.
You lean on the violin,
you are like a Gustav Klimt picture.
It's worth looking at,
he was an Austrian [Bm] fantastic painter.
The personality is very interesting,
[F] and for all this, 12 [B] Estonian ladies and gentlemen.
Table.
[N] And he took the lead, too.
With 48 points,
we congratulate the vocalists [Ab] and musicians in the category.
Key:
D
A
G
E
B
D
A
G
_ _ _ _ [E] _ _ _ _
_ [B] _ _ _ _ _ [E] _ _
[A] _ _ _ _ [D] _ [E] _ _ _
_ [B] _ _ _ _ [Eb] _ _ _
[D] _ _ _ _ [A] _ _ [Gb] _ _
_ [Db] _ _ _ [E] _ _ [A] _ _
[D] _ _ _ _ [G] _ _ [Bb] _ _
_ [D] _ _ [Eb] _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ [A] _ _ [D] _ _ _ _
[G] _ _ _ _ _ _ [D] _ _
_ [A] _ _ [D] _ _ [Dm] _ _ _
_ [E] _ _ _ _ [A] _ _ _
_ _ [Dm] _ _ _ _ _ _
[E] _ _ _ _ [A] _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ [D] _ _ _ [G] _ _
_ [D] _ _ _ [A] _ _ _ _
[D] _ _ _ _ [Am] _ _ [D] _ _
_ [A] _ _ _ [D] _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [D] _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ [G] _ _ _ [D] _ _ _ [A] _
_ _ _ [D] _ _ _ [G] _ _
_ [D] _ _ _ [A] _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [A] _
_ [D] _ _ _ [G] _ _ _ [Em] _
_ _ [A] _ _ [D] _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [A] _
_ [D] _ _ _ [G] _ _ _ [E] _
_ [A] _ _ _ [D] _ _ [A] _ _
_ [D] _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ [B] _ _ _ _ _
[D] _ _ _ _ [A] _ _ [Em] _ _
[D] _ _ _ [E] _ _ _ _ [D] _
_ _ _ _ [A] _ _ [Bb] _ _
_ [D] _ _ [E] _ _ [A] _ _ _
He was a very good friend of mine, my son was a master.
_ It is extremely _ _ difficult to understand his music,
_ his sensitivity, _ which you got, thank God,
[D] _
[G] his [B] technique, his humor. _
_ [N] _ _ _ It's about Sándor Neti, right?
[A] Yes, it's about Sándor Neti.
[G] And _ I see this [D] starting with you,
who, by the way, if [E] I'm feeling good,
in the film and the actors,
[A] you are a little bit, [Dm] maybe too much,
you are a little bit, maybe too much,
and you [E] still can see it in your hair,
_ that you don't dare to [A] show what you [Dm] really know.
[D] Your technique is amazing.
Believe it, you _ know everything.
And that_ _
_ _ _ I should show it.
So when you put in 3, [G] 4, 5, 15 dissonances with your left hand,
you could do the same with your right hand.
It's not only for you, it's not enough for us.
[D] It's not enough to hide these things from others.
When those long notes are there,
maybe you could have made it easier
if you gave a little more to that.
For us.
Not for you, but for us.
Learn this, too, and it's [A] wonderful what you know.
[D] _ _
_ [G] _ Zsuravsky, your turn.
I would have loved to see you dance,
you have such a rhythmic music.
You really have a double personality.
When [D] you are a musician, you are a [A] little bit more mature, _
[D] when you are standing in front of me,
you are afraid _ of the big jury members,
but you will be able to combine the two when you are a great musician,
because I'm sure you have a great musician in you.
Everything is [D] there. _
_ _ _ _ _ Eredics, Gábor.
You don't have to wait for it so long,
because I noticed that you understood all the musical phrases,
[B] _ and for us, who are not so familiar with the music of the Ottoszeg,
you help us to accept it.
And you sit on a very nice note,
and that's why you like long [G] notes,
and you warm it up nicely.
But technically you are fine,
so I can confirm what you said,
that you are already a master artist.
[Gm] _
_ _ _ _ [N] Let's get to the points.
Kocsis, [B] Henikő.
_ _ Ten. Ten. _
[D] Eredics, Gábor.
_ [Bm] _ _ Ten.
_ _ _ _ [B] Sebestyi, Márta. _
_ Ten.
_ _ _ [D] Zsurawski, Zoltán.
[Bm] _ Nine.
_ _ _ [C]
Salomon, Bea.
_ [B] _ _ _ _ _ _
_ _ _ Nine. _ _
Csefer, Károly.
I don't know, whatever happens,
it is important to mention that this young Leánka
danced in the preliminary rounds.
She sang in one of the preliminary rounds.
[A] Now she plays on the violin.
If she was a member of the folk arts,
I'm sure she would have [D] started there too.
[B] Well, at the beginning we saw her dancing with the others,
so this is a very complex, special thing you [Ab] do.
You lean on the violin,
you are like a Gustav Klimt picture.
It's worth looking at,
he was an Austrian [Bm] fantastic painter.
The personality is very interesting,
[F] and for all this, 12 [B] Estonian ladies and gentlemen.
Table. _
_ _ _ [N] And he took the lead, too.
With 48 points,
we congratulate the vocalists [Ab] and musicians in the category.
_ [B] _ _ _ _ _ [E] _ _
[A] _ _ _ _ [D] _ [E] _ _ _
_ [B] _ _ _ _ [Eb] _ _ _
[D] _ _ _ _ [A] _ _ [Gb] _ _
_ [Db] _ _ _ [E] _ _ [A] _ _
[D] _ _ _ _ [G] _ _ [Bb] _ _
_ [D] _ _ [Eb] _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ [A] _ _ [D] _ _ _ _
[G] _ _ _ _ _ _ [D] _ _
_ [A] _ _ [D] _ _ [Dm] _ _ _
_ [E] _ _ _ _ [A] _ _ _
_ _ [Dm] _ _ _ _ _ _
[E] _ _ _ _ [A] _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ [D] _ _ _ [G] _ _
_ [D] _ _ _ [A] _ _ _ _
[D] _ _ _ _ [Am] _ _ [D] _ _
_ [A] _ _ _ [D] _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [D] _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ [G] _ _ _ [D] _ _ _ [A] _
_ _ _ [D] _ _ _ [G] _ _
_ [D] _ _ _ [A] _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [A] _
_ [D] _ _ _ [G] _ _ _ [Em] _
_ _ [A] _ _ [D] _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [A] _
_ [D] _ _ _ [G] _ _ _ [E] _
_ [A] _ _ _ [D] _ _ [A] _ _
_ [D] _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ [B] _ _ _ _ _
[D] _ _ _ _ [A] _ _ [Em] _ _
[D] _ _ _ [E] _ _ _ _ [D] _
_ _ _ _ [A] _ _ [Bb] _ _
_ [D] _ _ [E] _ _ [A] _ _ _
He was a very good friend of mine, my son was a master.
_ It is extremely _ _ difficult to understand his music,
_ his sensitivity, _ which you got, thank God,
[D] _
[G] his [B] technique, his humor. _
_ [N] _ _ _ It's about Sándor Neti, right?
[A] Yes, it's about Sándor Neti.
[G] And _ I see this [D] starting with you,
who, by the way, if [E] I'm feeling good,
in the film and the actors,
[A] you are a little bit, [Dm] maybe too much,
you are a little bit, maybe too much,
and you [E] still can see it in your hair,
_ that you don't dare to [A] show what you [Dm] really know.
[D] Your technique is amazing.
Believe it, you _ know everything.
And that_ _
_ _ _ I should show it.
So when you put in 3, [G] 4, 5, 15 dissonances with your left hand,
you could do the same with your right hand.
It's not only for you, it's not enough for us.
[D] It's not enough to hide these things from others.
When those long notes are there,
maybe you could have made it easier
if you gave a little more to that.
For us.
Not for you, but for us.
Learn this, too, and it's [A] wonderful what you know.
[D] _ _
_ [G] _ Zsuravsky, your turn.
I would have loved to see you dance,
you have such a rhythmic music.
You really have a double personality.
When [D] you are a musician, you are a [A] little bit more mature, _
[D] when you are standing in front of me,
you are afraid _ of the big jury members,
but you will be able to combine the two when you are a great musician,
because I'm sure you have a great musician in you.
Everything is [D] there. _
_ _ _ _ _ Eredics, Gábor.
You don't have to wait for it so long,
because I noticed that you understood all the musical phrases,
[B] _ and for us, who are not so familiar with the music of the Ottoszeg,
you help us to accept it.
And you sit on a very nice note,
and that's why you like long [G] notes,
and you warm it up nicely.
But technically you are fine,
so I can confirm what you said,
that you are already a master artist.
[Gm] _
_ _ _ _ [N] Let's get to the points.
Kocsis, [B] Henikő.
_ _ Ten. Ten. _
[D] Eredics, Gábor.
_ [Bm] _ _ Ten.
_ _ _ _ [B] Sebestyi, Márta. _
_ Ten.
_ _ _ [D] Zsurawski, Zoltán.
[Bm] _ Nine.
_ _ _ [C]
Salomon, Bea.
_ [B] _ _ _ _ _ _
_ _ _ Nine. _ _
Csefer, Károly.
I don't know, whatever happens,
it is important to mention that this young Leánka
danced in the preliminary rounds.
She sang in one of the preliminary rounds.
[A] Now she plays on the violin.
If she was a member of the folk arts,
I'm sure she would have [D] started there too.
[B] Well, at the beginning we saw her dancing with the others,
so this is a very complex, special thing you [Ab] do.
You lean on the violin,
you are like a Gustav Klimt picture.
It's worth looking at,
he was an Austrian [Bm] fantastic painter.
The personality is very interesting,
[F] and for all this, 12 [B] Estonian ladies and gentlemen.
Table. _
_ _ _ [N] And he took the lead, too.
With 48 points,
we congratulate the vocalists [Ab] and musicians in the category.