Chords for Making Of | Mike Stern e Nelson Faria

_ _ _ _ Yes, here. _
[Eb] Oh, [G] it _ [F] _ [C] is? _
_ Yeah.
_ [Fm] Hello.
Hello, how are you?
Hey, Matt, [C] how are you?
Oh, thanks for [D] coming, man.
My [Cm] pleasure.
Oh, hi.
[C] _ Uh [Gb]-oh.
[Eb] How are you?
_ [C] _ How's it going?
[Ab] _ _
[D] _ _ _ _ [Cm] _ _ _ [Eb]
Oh, this is good.
I didn't eat yet. _ _
I'm good, man.
I'm good.
Can I have a coffee now?
[Bbm] _ _ [C] _ _ _ _ [G] _ _
_ _ _ _ _ _ [Eb] _ [G] _
_ _ [D] Yeah, man.
I'm good. Thank you.
You sound beautiful, man.
Your time is nice, too.
Thank you.
You know, [F] that's the main thing.
The flow is [Dm] nice.
_ _ [Eb] _ And [Gm] you sound, nice lines, nice [G] sound.
Is that with, you're playing with a pick and your [Cm] fingers?
Yeah, [G] basically, the pick, the pen, I [Gb] comb, it's fingers.
Yeah, they're beautiful.
And the [G] walking bass [C] lines, fucking smoking.
So you've [E] been playing your whole life?
Huh?
You have to have been playing your whole life.
Yeah, yeah, [A] yeah.
Obviously.
_ [Eb] _ [Cm] _
_ _ [C] _ _ _ _ _ _
_ _ [G] _ _ [Eb] _ _ [Db] _ _
_ _ [Eb] _ Ready, go. _ _ _
_ [F] _ _ Oops.
_ Ready, go.
_ [G] _ _ _ _ [Cm] _ _
[Ebm] _ _ [F] _ _ _ _ _ [Cm] _
_ _ _ [G] _ _ _ [Cm] _ _
_ _ [C] _ _ Hi, [F] this is Mike Stern.
_ _ _ _ _ [B] _ _
[E] _ Perfect timing.
_ That was like, [F] that was a, [Eb] time's up.
No, no, there's one more thing.
[E] Okay, I know.
[Ab] _ _ _ [G] _ _ _
[Ab] _ _ [D] _ _ _ [Eb] _ _ _
[Bb] _ _ _ _ [C] _ _ _ _
_ [G] You know what it is?
It's wig glue. _
Wig, what?
Wig.
Like Donald Trump's hair.
_ _ And so, so, _ [Gb] so, so, you know, it's wig glue.
So it's sticky, but it's not bad for your fingers.
So this is what I had to do because I had this [Em] nerve damage.
Otherwise you can miss your pick.
I can't hold on [Am] tight enough.
[F] That's the strongest I can do.
[Ab] So I have to enforce, reinforce it.
But I can, [Abm] because of tendon transfers, [Ab] I had to get [D] transfers like from here and here.
[N] They take tendons and they loop them around so you can _ invigorate other [Bb] muscles.
That's amazing.
And the main thing is you get your heart out.
You know, that's what music's about anyways.
You don't have to be.
Django Haynard.
[Ab] Yeah, Django.
In [A] the left hand.
With the left hand with two fingers.
[D] _ _ [Dm] _ _
[A] _ _ _ [D] _ _ _ [G] _ _
_ _ _ _ [Eb] _ _ _ _
_ _ [F] _ _ _ [Ab] _ _ _
_ [G] _ _ _ _ [A] _ _ _
_ _ [Bb] _ _ _ _ [G] _ _
[F] _ _ _ _ [Gbm] _ _ [Dm] _ _
[F] _ _ [C] And my uncle did it [D] like that.
He used to do this lick all the [Cm] time and smile at me like it was the first [F] time he played it.
He played it five times every gig. _ _ _ _
_ _ _ You [D] know that lick? _
You heard it.
_ [F] _ _ _ _
_ _ _ _ _ _ _ _
[Ab] _ _ _ _ _ [B] _ _ _
[A] _ _ [Gbm] _ _ _ [F] _ _ _
_ _ _ _ _ _ [B] _
Sterns.
He used to call me Sterns.
Say Sterns man.
Check this shit out.
[Fm] _ _ _ _ [Bm] _ _ _ [B] _
Mike, you don't remember this one.
Come on.
[E] _ _
[Am] I don't remember.
[G] Well you got it [F] down. _
_ _ _ _ _ [D] _ _ _
[A] You know what [E] that is?
That's kind of based on this sound.
_ [F] _ _ [E] _ _ [E] _ _ _
_ [F] F triad _ [E] _ and _ _ E triad.
It's kind of, it's a major [F] 7 with a sharp 9 and a sharp 11.
[E] _
_ Yeah, wow.
But [Bb] let's move on.
Let's play something.
[Ab] What do we know?
_ _ _ [Bb] _ _ _
[Ab] _ [Gm] _ _ _ [Em] _ _ [Ab] _ [D] _
_ _ _ _ _ _ [Em] You know, [Bb] we were talking about Miles [Dm] and we [Gm] played Stella [C] in the opening [Am] here.
And _ [Bbm] that cut [F] in My Funny Valentine.
[Cm] My, what's that?
[Fm] I know the [G] whole solos there by heart.
[Ab] Every solo.
I mean I can sing Miles' solos.
[Eb] And there's, [C] _ [F] in one of the choruses [Eb] there, because they play like [G] totally free.
Free time.
[Gm] Roboto.
[Ab] Yeah, Roboto.
[F] It's much slower.
We were swinging it.
Yeah, much slower.
[F] And then Miles hit [G] this F sharp here in the E minor [D] 7.
_ [E] And [Gb] then there's a guy _ screaming on the audience.
Have you [G] heard this?
Yeah, yeah, yeah.
He's like, yeah!
_ I said, [Eb] wow.
It's a _ concert in Paris, [A] live in Paris.
Yeah.
Wow, what a record.
I think [Dm] this is one of my favorites.
_ [D] _ _ _ _ [G] _ _
_ _ [B] _ _ _ _ [F] _ _
[Abm] _ _ [D] _ _ _ [Em] _ _ _
_ _ [G] _ _ _ [Gm] _ _ _
[G] _ _ [F] _ _ _ _ [B] See you at Can't Slay [Bb] tomorrow.
_ [Bb] Tomorrow early, man.
[G] Yeah.
[D] Oh man, you're an [Gb] ass kicker.
You're all bad asses, man.
Holy [Dm] shit. _
Wow.
[D] _ _ _ [G] Another.
So, [Bb] say bye bye to the people there.
[E] _ Bye bye!
[E] Thank you very [Eb] much.
This guy's a double motherfucker. _
[E] _ See?
[F] _ You have [Eb] to write some [C] words sometimes.
[F] _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ [F] _ _ _ [C] _ _ _
_ _ _ _ [E] _ _ [C] _ [Gm] _
_ _ [Am] _ _ _ [C] _ It's beautiful, too.
I mean, [A] what is that one?
[F] _ _ _ _ _ [A] It's like_
[Dm] _ _ [C] _ _ [Gm] So I got his [A] book.
It's _ [F] fifths.
But instead of [G] keep it [D] going _ [C] on the scale, he makes like octaves dispersal.
[Bb] _ _ _ [Am] Oh yeah. _
[C] _ _ [F] _ [A] And then, hold on [Bb] one second. _
[E] And then?
_ _ _ _ Sorry.
[C] _ _ _ Here.
[E] So _ _
[F] the next one would be D [D] to A.
No, no.
The next one [Bb] would be [C] C [A] and G.
Oh, oh, oh.
So we're in the B.
F major scale.
Okay, so.
_ _ _ [F] And so he goes_
And then he goes C and G, but _ here like_
_ [A] Okay.
[Bb] _
Is [C] this in his book, the interval?
It's in his book, Intervallic [A] Design.
I got it.
[Bb] Yeah.
Intervall. _ _ _ _
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