Chords for María Artés & Rubén Martín 2015 QTTF
Tempo:
132.2 bpm
Chords used:
E
C
F
F#m
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
I want you to look [Am] at the stage because there are two people who [A#] claim to be the real Camilla.
they?
There she is.
[A] [F]
[C]
[D#] [C#m] [F#m]
[G#] She doesn't [C#m] pay attention to me and
for her.
they?
There she is.
[A] [F]
[C]
[D#] [C#m] [F#m]
[G#] She doesn't [C#m] pay attention to me and
for her.
100% ➙ 132BPM
E
C
F
F#m
G#
E
C
F
I want you to look [Am] at the stage because there are two people who [A#] claim to be the real Camilla.
I mean, who are they?
[G] Yes.
No.
No.
[Cm] Let's see.
There she is.
_ _ [Em] _ _ _ _ _
_ [A] _ _ _ [F] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ [D#] _ _ [C#m] _ _ _ _ [F#m] _
_ _ [G#] _ _ _ She doesn't [C#m] pay attention to me _ _ and_
I'm [F#] dying for her.
_ _ _ _ You feel [B] her blood?
_ _ _ _ _ [E] Oh my heart.
_ _ _ You think you're [F#m] impossible?
I can make [G#] it.
I _ [C#m] _
_ _ _ _ _ _ _ [F#m]
will show you that I will [G#] fight and I know that one day I [C#m] will be home.
_ _ _ _ _ Look at me.
Understand?
_ _ _ Our [F#m] problem is not time.
[B] It's the time.
_ _ [E] My life.
_ _ _ [A] _ _ [D] _ _ _
[F#m] _ _ [G#] _ _ _ _ _ [C#m] _
_ Her death.
_ _ _ [F#m]
It's our_
_ _ [B] _ _ _ _ [E] _
_ _ _ [A] _ _ _ _ [F#m] _
_ _ [G#] _ _ _ _ _ [C#m] _
_ _ _ _ _ _ [F#m] _body.
_ _ _ _ And the thing is that I [B]
can't_
_ _ _ _ _leave
my [E] wife to her.
_ _ _ I will settle [F#m] and she_
_ _ [G#] _ _ _ _ [C#m] _
_ _ _ _ _ I will [F#m] settle and she_
_will
be [G#] back.
_ Oh [C#m] my God.
I'm so _ _ _ proud of her. _ _ _ _ _ _ _
[F#m] _ _ _ [B] _ _ _ _ [E] _
_ _ _ [A] _ _ _ _ [F#m] _
_ _ _ [G#] _ _ _ _ [C#m] _
_ _ _ _ _ _ _ _
[F#m] _ _ _ [B] _ _ _ _ _
[E] _ _ _ [A] _ _ _ _ _
[F#m] _ _ _ [G#] _ _ _ [C#m] _ _
_ _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Of course, that's why tomorrow, right?
_ [C] That's why tomorrow.
I didn't know.
That's what [F] _ _ _ _ _ _ _
_ _ _ [E] _ _ [C] _ _ [G#] _
_ _ [C] _ _ _ _ _ _
[Fm] _ _ _ _ _ I_
You're our artistic godfather.
[G] _ [D] _ _ _ [C]
And your father, Ruben.
_ _ How beautiful, right?
_ _ _ [G] _ _ _ _ _
I_
I could have suspected something more or less about our_
Wow, you've [Em] left a_
_DD mark. _
Of course, we always _ _ _ _ _ _
_ [G#] _ _ _ _ _ _ _
_ [E] _ _ [F] _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [Am] _ _ [D] _ _
_ _ _ _ _ sing [G] our song.
What more [F#] could an artist ask [E] for than that? _
Because you also see regeneration, right?
In [C] the audience, I imagine [F] that you see that there will be younger people, and you see it, right?
That they continue singing and they are young people [C] among them.
The children, the children who [E] were our fans before, when they were 14 years old.
Now imagine that they have [F] their children and everything.
And the children come up with better songs than the parents.
I mean_
[G#] And the styles, because 20 years ago, we were all much worse off than we are now.
Right?
[Gm] We have all improved a lot.
[A] Of course.
[G] Oh, wow.
_ _ _ [C] True, true.
If you allow [E] me, now that Terrelú is here to share,
the images [F] that came out of everyone that was in Santiago, Chile, the first time we went.
[D] And, well, we may not be like Alejandro San or Bibi or anything like that,
but let them know that Camila in Latin America also does that stuff.
And the only major television station,
the only television station [B] that _ broadcasts that back then,
_ [G#m] was_
_telemated
[G] on a program with Celarda and Terrelú.
And that was so that it wouldn't have [C] been_
_ _ _ _ [E] _
_ _ _ _ [F] Very specific, because I have always been [B] a very committed person to music,
both in front of and [C] behind cameras and_
Well, that was [F] impressive.
What's it say?
_ That we could make known what your American [E] journey [N] meant.
That was the reason_
ETT.
For writing a Telu novel.
One day we have to come back.
We have to tell you about it.
That was truly incredible.
We send greetings to all our followers in Latin America
who are looking forward to you [Em] coming back.
You have to come back.
I [N] can't stand it.
We want them to take us_
Because I'm carrying a little weight.
I put you to sleep and nothing happens, man.
No.
Well, all this and this.
As I knew that my Rubén was Rubén, I sing it there, huh?
[F] No, look, Rubén.
I want to make a request to Rubén,
because Rubén has managed to make one of [E] his dreams come true,
which is to compose for his father and his aunts, right?
For Camila, [A#] the song that you recorded with your [A#m] father under your wing,
[C] how about today we dedicate it to Angelus, who is part of your family?
Do you do them a little bit?
[Em] Yes, of course.
She says,
_ [F] I will always be grateful that you [D] trusted me
[C] and put your faith
under [E] your wing
_ [C] that has been able to grow.
Oh, the _ _ _ _ _ [F] composer.
Here [Dm] is_
_ [D#] One who [B] writes my songs like you do.
You have the magic.
You have the light.
The light of harmony. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ You never [N] cease to surprise us.
Really?
_ _ It's true.
Whenever we come here,
we think of you being our home.
We are.
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ It's true. _
_ [A#] Could more or less imagine it with Rubén,
because this morning your mother told me that you were going to eat or I don't know what.
I said, well, that's it.
But from Maria, _ they_
_ [E] When I [F]
received the call telling me if I wanted to have a concert,
[C#] especially with Rubén,
you know that you are like [F#] family to me and [F] I love [C] Rubén very much.
And [Em] today it was like singing to my family
and I came more [C#] excited than when I was here the other day.
[Fm] You did beautiful, Maria.
[D] _
Thank you, my dear.
Once again, a little [G] gift for you and for all the people who are watching us.
Hey, normally when _ _ that news [C] really_ _
[N] Not the case for the artist who's on our stage because_ Mariela Morena.
_ _ _ _ Maria? She's there.
She's there, Mariela [C] Morena?
Yes.
Maria, can you come in for a [Em] moment?
Maria was already leaving.
_ [F] Don't go, Maria.
Don't go yet.
[A#] _ _ _ _ _
[C] _ _ [Cm] _ _ _ _ _ [E] _
He's bringing the_
A [F] little something of that thing.
Wait, wait, wait, wait, wait.
The microphone can't do anything.
[Dm]
Let's see.
He says, your colorful [N] smile draws my chest beating for me.
_ _ _ Your colorful smile for blue, a gray sky. _
_ Your colorful smile in the butterfly that makes me feel your colorful smile
makes me fall in love with you. _ _ _
_ _ _ For you that I didn't bring the other day, [F] M15.
_ _ _ _ Thank you very much, everyone.
[A] Maria, [D] I _ _ _ _
_ _ [Gm] _ _ _ _ can't_
Oh, where were we going?
Well, here.
Like [N] exactly, like in_
I mean, who are they?
[G] Yes.
No.
No.
[Cm] Let's see.
There she is.
_ _ [Em] _ _ _ _ _
_ [A] _ _ _ [F] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ [D#] _ _ [C#m] _ _ _ _ [F#m] _
_ _ [G#] _ _ _ She doesn't [C#m] pay attention to me _ _ and_
I'm [F#] dying for her.
_ _ _ _ You feel [B] her blood?
_ _ _ _ _ [E] Oh my heart.
_ _ _ You think you're [F#m] impossible?
I can make [G#] it.
I _ [C#m] _
_ _ _ _ _ _ _ [F#m]
will show you that I will [G#] fight and I know that one day I [C#m] will be home.
_ _ _ _ _ Look at me.
Understand?
_ _ _ Our [F#m] problem is not time.
[B] It's the time.
_ _ [E] My life.
_ _ _ [A] _ _ [D] _ _ _
[F#m] _ _ [G#] _ _ _ _ _ [C#m] _
_ Her death.
_ _ _ [F#m]
It's our_
_ _ [B] _ _ _ _ [E] _
_ _ _ [A] _ _ _ _ [F#m] _
_ _ [G#] _ _ _ _ _ [C#m] _
_ _ _ _ _ _ [F#m] _body.
_ _ _ _ And the thing is that I [B]
can't_
_ _ _ _ _leave
my [E] wife to her.
_ _ _ I will settle [F#m] and she_
_ _ [G#] _ _ _ _ [C#m] _
_ _ _ _ _ I will [F#m] settle and she_
_will
be [G#] back.
_ Oh [C#m] my God.
I'm so _ _ _ proud of her. _ _ _ _ _ _ _
[F#m] _ _ _ [B] _ _ _ _ [E] _
_ _ _ [A] _ _ _ _ [F#m] _
_ _ _ [G#] _ _ _ _ [C#m] _
_ _ _ _ _ _ _ _
[F#m] _ _ _ [B] _ _ _ _ _
[E] _ _ _ [A] _ _ _ _ _
[F#m] _ _ _ [G#] _ _ _ [C#m] _ _
_ _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Of course, that's why tomorrow, right?
_ [C] That's why tomorrow.
I didn't know.
That's what [F] _ _ _ _ _ _ _
_ _ _ [E] _ _ [C] _ _ [G#] _
_ _ [C] _ _ _ _ _ _
[Fm] _ _ _ _ _ I_
You're our artistic godfather.
[G] _ [D] _ _ _ [C]
And your father, Ruben.
_ _ How beautiful, right?
_ _ _ [G] _ _ _ _ _
I_
I could have suspected something more or less about our_
Wow, you've [Em] left a_
_DD mark. _
Of course, we always _ _ _ _ _ _
_ [G#] _ _ _ _ _ _ _
_ [E] _ _ [F] _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [Am] _ _ [D] _ _
_ _ _ _ _ sing [G] our song.
What more [F#] could an artist ask [E] for than that? _
Because you also see regeneration, right?
In [C] the audience, I imagine [F] that you see that there will be younger people, and you see it, right?
That they continue singing and they are young people [C] among them.
The children, the children who [E] were our fans before, when they were 14 years old.
Now imagine that they have [F] their children and everything.
And the children come up with better songs than the parents.
I mean_
[G#] And the styles, because 20 years ago, we were all much worse off than we are now.
Right?
[Gm] We have all improved a lot.
[A] Of course.
[G] Oh, wow.
_ _ _ [C] True, true.
If you allow [E] me, now that Terrelú is here to share,
the images [F] that came out of everyone that was in Santiago, Chile, the first time we went.
[D] And, well, we may not be like Alejandro San or Bibi or anything like that,
but let them know that Camila in Latin America also does that stuff.
And the only major television station,
the only television station [B] that _ broadcasts that back then,
_ [G#m] was_
_telemated
[G] on a program with Celarda and Terrelú.
And that was so that it wouldn't have [C] been_
_ _ _ _ [E] _
_ _ _ _ [F] Very specific, because I have always been [B] a very committed person to music,
both in front of and [C] behind cameras and_
Well, that was [F] impressive.
What's it say?
_ That we could make known what your American [E] journey [N] meant.
That was the reason_
ETT.
For writing a Telu novel.
One day we have to come back.
We have to tell you about it.
That was truly incredible.
We send greetings to all our followers in Latin America
who are looking forward to you [Em] coming back.
You have to come back.
I [N] can't stand it.
We want them to take us_
Because I'm carrying a little weight.
I put you to sleep and nothing happens, man.
No.
Well, all this and this.
As I knew that my Rubén was Rubén, I sing it there, huh?
[F] No, look, Rubén.
I want to make a request to Rubén,
because Rubén has managed to make one of [E] his dreams come true,
which is to compose for his father and his aunts, right?
For Camila, [A#] the song that you recorded with your [A#m] father under your wing,
[C] how about today we dedicate it to Angelus, who is part of your family?
Do you do them a little bit?
[Em] Yes, of course.
She says,
_ [F] I will always be grateful that you [D] trusted me
[C] and put your faith
under [E] your wing
_ [C] that has been able to grow.
Oh, the _ _ _ _ _ [F] composer.
Here [Dm] is_
_ [D#] One who [B] writes my songs like you do.
You have the magic.
You have the light.
The light of harmony. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ You never [N] cease to surprise us.
Really?
_ _ It's true.
Whenever we come here,
we think of you being our home.
We are.
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ It's true. _
_ [A#] Could more or less imagine it with Rubén,
because this morning your mother told me that you were going to eat or I don't know what.
I said, well, that's it.
But from Maria, _ they_
_ [E] When I [F]
received the call telling me if I wanted to have a concert,
[C#] especially with Rubén,
you know that you are like [F#] family to me and [F] I love [C] Rubén very much.
And [Em] today it was like singing to my family
and I came more [C#] excited than when I was here the other day.
[Fm] You did beautiful, Maria.
[D] _
Thank you, my dear.
Once again, a little [G] gift for you and for all the people who are watching us.
Hey, normally when _ _ that news [C] really_ _
[N] Not the case for the artist who's on our stage because_ Mariela Morena.
_ _ _ _ Maria? She's there.
She's there, Mariela [C] Morena?
Yes.
Maria, can you come in for a [Em] moment?
Maria was already leaving.
_ [F] Don't go, Maria.
Don't go yet.
[A#] _ _ _ _ _
[C] _ _ [Cm] _ _ _ _ _ [E] _
He's bringing the_
A [F] little something of that thing.
Wait, wait, wait, wait, wait.
The microphone can't do anything.
[Dm]
Let's see.
He says, your colorful [N] smile draws my chest beating for me.
_ _ _ Your colorful smile for blue, a gray sky. _
_ Your colorful smile in the butterfly that makes me feel your colorful smile
makes me fall in love with you. _ _ _
_ _ _ For you that I didn't bring the other day, [F] M15.
_ _ _ _ Thank you very much, everyone.
[A] Maria, [D] I _ _ _ _
_ _ [Gm] _ _ _ _ can't_
Oh, where were we going?
Well, here.
Like [N] exactly, like in_