Chords for Margaret Glaspy on Guitars & Amps | Reverb Interview
Tempo:
130.95 bpm
Chords used:
A
Bm
G
D
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [E] [A]
[Bm]
[E] [A] [B]
[A] [C#m]
[E] Wake [Bm] up, it's [A] early morning, [Bm]
[Em] fall in love
[Bm] This guitar is special, it's [A] actually on loan from my boyfriend, [C#m] who's a very [B] wonderful guitar player himself.
[Bm] It's a Danicaster, it's served [A] me well, it's been great.
[F#m] I actually [B] played [Em] a shell pink Strat [A] on Emotions in Math, the record that I [F#m] just put out,
[D] and I fell in love with that guitar, it was too [C#m] expensive [Em] for me, and it also wasn't for sale.
And [Bm] I love that guitar and it served the record [A] well.
I think [C#m] now it's kind of become a [D] thing, that [G] it's my dream guitar.
It is a wonderful, [A] I don't know, the combination [G] of shell pink and a [Bm] great Stratocaster.
I think [D] more than anything, that [G] guitar itself just grabbed me, [A] and now I've [G] kind of been on this quest to [Bm] find it again.
I also played a silver tone [Gm] that was lent to me [G] by my good friend Nels Klein.
I think that that is on [F] [D] the song You and I, the rest of it is with the Strat.
And yeah, it doesn't really matter to me in terms of the guitar I'm using.
It feels [B] like, too, a lot of the intention that went into writing the [A] record was that it could be played.
[D]
[A#] The kind of things that I was ticking off in [B] my boxes and, you know, making the record,
was [F#] that the song should be able to be [B] played in different ways [E] and still sound good.
Well, the first [B] electric guitar that I got [A] was a Harmony [C#m] Stratatone Jupiter,
[D] which I think [C#] was, [A]
[Bm] [F#m] I think the year on it [A] was maybe 68, I'm pretty sure.
[B] I kind of [Em] grew out of it in a certain way and kind of leaned toward the [B] solid body direction after a little while.
[Em] But that guitar was really special when I got it.
It was the first guitar [Bm] that I ever really, you know, was my [A] own guitar.
[C#m] That was played on [A] If and [G] When, but everything was rather clean [A] and [G] kind of, [Bm] yeah,
it definitely got a little more [D] distorted and overdriven [G] with this record.
[A] And I [D] think a lot [Bm] of that has just been kind of learning, honestly, [G] about the way the amps work.
And, [A] I mean, I'm such [G] a novice still, but [Bm] then it was kind of, it was my first kind [D] of attempt at making a record with [A] electric guitar on it.
And I wasn't going after a guitar sound.
It was [B] just guitar.
And now [D] I have a lot more acute preferences than I used to, I think.
[E] [Bm]
[A] [D] [C#m]
[Em] In terms of amps, I mean, I think [A#] it's an ever, it's a never-ending journey [F#] in terms of finding the, [Em] you know, what you like to play through.
And I think it's always going to be evolving [E] for me.
[A#] Overdriving an amp kind of naturally [E] is my, I [A#] like doing that a lot.
Meaning that you're [F#m] just, you know, kind of just turning [E] the amp up to the [F#m] point that it [B] just crumbles in that [Em] nice way.
[A] And that said, you don't always want to be [A#] blasting out your ear.
I mean, this is like the classic kind of conundrum.
And so I [Em] think I've, [A#] you know, kind of gravitated toward [E] lower wattage amps because of [A#] that.
The fact that [Gm] you can just turn them up and it's still [A] listenable and it also is [G] crumbling all at the same [D] time.
And for the record, I essentially had my guitar going through bigger amps and then re-amped most of the guitar sounds with a five watt champ.
[G] So definitely kind of, [Dm] that's been a [Gm] presence in my [Bm] scene for a while.
And now I've been playing [D] a [E] reissue of the [A] Deluxe Reverb Fender for traveling, which has been great.
[D] And I like that amp a lot.
I [E] have so many [B]
amazing guitar players in my [A] life for sure that have quite a bit [D] of gear for sure.
And I don't have [C] that much really.
[C#m] I'm pretty minimal.
Right now there's a tuning pedal and a boost [A] pedal on [Bm] my entire pedal board.
So [A] for me, I think that there [F#m] are certain kind of [G] attachments.
You write certain [A] songs and certain [G] guitars or something [Bm] like that, that do feel kind of slightly [D] nostalgic.
But [G] I don't have a [A] huge [G] attachment, I don't think.
[Bm] It feels like a [D] means to get from A to B [G] essentially, which I know isn't [A] romantic, but [G] it is kind of how I [Bm] feel for sure.
[Bm]
[E] [A] [B]
[A] [C#m]
[E] Wake [Bm] up, it's [A] early morning, [Bm]
[Em] fall in love
[Bm] This guitar is special, it's [A] actually on loan from my boyfriend, [C#m] who's a very [B] wonderful guitar player himself.
[Bm] It's a Danicaster, it's served [A] me well, it's been great.
[F#m] I actually [B] played [Em] a shell pink Strat [A] on Emotions in Math, the record that I [F#m] just put out,
[D] and I fell in love with that guitar, it was too [C#m] expensive [Em] for me, and it also wasn't for sale.
And [Bm] I love that guitar and it served the record [A] well.
I think [C#m] now it's kind of become a [D] thing, that [G] it's my dream guitar.
It is a wonderful, [A] I don't know, the combination [G] of shell pink and a [Bm] great Stratocaster.
I think [D] more than anything, that [G] guitar itself just grabbed me, [A] and now I've [G] kind of been on this quest to [Bm] find it again.
I also played a silver tone [Gm] that was lent to me [G] by my good friend Nels Klein.
I think that that is on [F] [D] the song You and I, the rest of it is with the Strat.
And yeah, it doesn't really matter to me in terms of the guitar I'm using.
It feels [B] like, too, a lot of the intention that went into writing the [A] record was that it could be played.
[D]
[A#] The kind of things that I was ticking off in [B] my boxes and, you know, making the record,
was [F#] that the song should be able to be [B] played in different ways [E] and still sound good.
Well, the first [B] electric guitar that I got [A] was a Harmony [C#m] Stratatone Jupiter,
[D] which I think [C#] was, [A]
[Bm] [F#m] I think the year on it [A] was maybe 68, I'm pretty sure.
[B] I kind of [Em] grew out of it in a certain way and kind of leaned toward the [B] solid body direction after a little while.
[Em] But that guitar was really special when I got it.
It was the first guitar [Bm] that I ever really, you know, was my [A] own guitar.
[C#m] That was played on [A] If and [G] When, but everything was rather clean [A] and [G] kind of, [Bm] yeah,
it definitely got a little more [D] distorted and overdriven [G] with this record.
[A] And I [D] think a lot [Bm] of that has just been kind of learning, honestly, [G] about the way the amps work.
And, [A] I mean, I'm such [G] a novice still, but [Bm] then it was kind of, it was my first kind [D] of attempt at making a record with [A] electric guitar on it.
And I wasn't going after a guitar sound.
It was [B] just guitar.
And now [D] I have a lot more acute preferences than I used to, I think.
[E] [Bm]
[A] [D] [C#m]
[Em] In terms of amps, I mean, I think [A#] it's an ever, it's a never-ending journey [F#] in terms of finding the, [Em] you know, what you like to play through.
And I think it's always going to be evolving [E] for me.
[A#] Overdriving an amp kind of naturally [E] is my, I [A#] like doing that a lot.
Meaning that you're [F#m] just, you know, kind of just turning [E] the amp up to the [F#m] point that it [B] just crumbles in that [Em] nice way.
[A] And that said, you don't always want to be [A#] blasting out your ear.
I mean, this is like the classic kind of conundrum.
And so I [Em] think I've, [A#] you know, kind of gravitated toward [E] lower wattage amps because of [A#] that.
The fact that [Gm] you can just turn them up and it's still [A] listenable and it also is [G] crumbling all at the same [D] time.
And for the record, I essentially had my guitar going through bigger amps and then re-amped most of the guitar sounds with a five watt champ.
[G] So definitely kind of, [Dm] that's been a [Gm] presence in my [Bm] scene for a while.
And now I've been playing [D] a [E] reissue of the [A] Deluxe Reverb Fender for traveling, which has been great.
[D] And I like that amp a lot.
I [E] have so many [B]
amazing guitar players in my [A] life for sure that have quite a bit [D] of gear for sure.
And I don't have [C] that much really.
[C#m] I'm pretty minimal.
Right now there's a tuning pedal and a boost [A] pedal on [Bm] my entire pedal board.
So [A] for me, I think that there [F#m] are certain kind of [G] attachments.
You write certain [A] songs and certain [G] guitars or something [Bm] like that, that do feel kind of slightly [D] nostalgic.
But [G] I don't have a [A] huge [G] attachment, I don't think.
[Bm] It feels like a [D] means to get from A to B [G] essentially, which I know isn't [A] romantic, but [G] it is kind of how I [Bm] feel for sure.
Key:
A
Bm
G
D
B
A
Bm
G
[A] _ [E] _ _ _ [A] _ _ _ _
_ _ _ _ _ [Bm] _ _ _
_ [E] _ _ _ [A] _ [B] _ _ _
_ [A] _ _ _ [C#m] _ _ _ _
_ [E] _ _ _ Wake [Bm] up, it's [A] early morning, _ _ [Bm] _ _
[Em] fall in love
[Bm] This guitar is special, it's [A] actually on loan from my boyfriend, [C#m] who's a very [B] wonderful guitar player himself.
[Bm] It's a Danicaster, it's served [A] me well, it's been great.
[F#m] I actually [B] played [Em] a shell pink Strat [A] on Emotions in Math, the record that I [F#m] just put out,
[D] and I fell in love with that guitar, it was too [C#m] expensive [Em] for me, and it also wasn't for sale.
And [Bm] I love that guitar and it served the record [A] well.
I think [C#m] now it's kind of become a [D] thing, that [G] it's my dream guitar.
It is a wonderful, [A] I don't know, the combination [G] of shell pink and a [Bm] great Stratocaster.
I think [D] more than anything, that [G] guitar itself just grabbed me, [A] and now I've [G] kind of been on this quest to [Bm] find it again.
I also played a silver tone [Gm] that was lent to me [G] by my good friend Nels Klein.
I think that that is on [F] [D] the song You and I, the rest of it is with the Strat. _ _
And yeah, it doesn't really matter to me in terms of the guitar I'm using.
It feels [B] like, too, a lot of the intention that went into writing the [A] record was that it could be played.
_ [D]
[A#] The kind of things that I was ticking off in [B] my boxes and, you know, making the record,
was [F#] that the song should be able to be [B] played in different ways _ [E] and still sound good.
Well, the first [B] electric guitar that I got [A] was a Harmony [C#m] Stratatone Jupiter,
_ [D] which I think [C#] was, _ [A] _
_ [Bm] [F#m] I think the year on it [A] was maybe 68, I'm pretty sure.
[B] I kind of [Em] grew out of it in a certain way and kind of leaned toward the [B] solid body direction after a little while.
[Em] But that guitar was really special when I got it.
It was the first guitar [Bm] that I ever really, you know, was my [A] own guitar. _
[C#m] That was played on [A] If and [G] When, but everything was rather clean [A] and [G] kind of, _ [Bm] yeah,
it definitely got a little more [D] distorted and overdriven [G] with this record.
[A] And I [D] think a lot [Bm] of that has just been kind of learning, honestly, [G] about the way the amps work.
And, [A] I mean, I'm such [G] a novice still, but [Bm] then it was kind of, it was my first kind [D] of attempt at making a record with [A] electric guitar on it.
And I wasn't going after a guitar sound.
It was [B] just guitar.
And now [D] I have a lot more acute preferences than I used to, I think. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ [Bm] _ _ _
_ [A] _ _ _ [D] _ [C#m] _ _ _
[Em] In terms of amps, I mean, I think [A#] it's an ever, it's a never-ending journey [F#] in terms of finding the, [Em] you know, what you like to play through.
And I think it's always going to be evolving [E] for me.
[A#] Overdriving an amp kind of naturally [E] _ _ is my, I [A#] like doing that a lot.
Meaning that you're [F#m] just, you know, kind of just turning [E] the amp up to the [F#m] point that it [B] just crumbles in that [Em] nice way.
[A] And that said, you don't always want to be [A#] blasting out your ear.
I mean, this is like the classic kind of conundrum.
And so I [Em] think I've, [A#] you know, kind of gravitated toward [E] lower wattage amps because of [A#] that.
The fact that [Gm] you can just turn them up and it's still [A] listenable and it also is [G] crumbling all at the same [D] time.
And for the record, I _ essentially had my guitar going through bigger amps and then re-amped _ most of the guitar sounds with a five watt champ.
[G] So definitely kind of, [Dm] that's been a [Gm] presence in my [Bm] scene for a while.
And now I've been playing [D] a [E] reissue of the [A] Deluxe Reverb Fender for traveling, which has been great.
[D] And I like that amp a lot.
I [E] have so many [B] _ _
amazing guitar players in my [A] life for sure that have quite a bit [D] of gear for sure.
And I don't have [C] that much really.
[C#m] I'm pretty minimal.
Right now there's a tuning pedal and a boost [A] pedal on [Bm] my entire pedal board.
So [A] for me, I think that there [F#m] are certain kind of [G] attachments.
You write certain [A] songs and certain [G] guitars or something [Bm] like that, that do feel kind of slightly [D] nostalgic.
But [G] I don't have a [A] huge [G] attachment, I don't think.
[Bm] It feels like a [D] means to get from A to B [G] essentially, which I know isn't [A] romantic, but [G] it is kind of how I [Bm] feel for sure. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ _
_ [E] _ _ _ [A] _ [B] _ _ _
_ [A] _ _ _ [C#m] _ _ _ _
_ [E] _ _ _ Wake [Bm] up, it's [A] early morning, _ _ [Bm] _ _
[Em] fall in love
[Bm] This guitar is special, it's [A] actually on loan from my boyfriend, [C#m] who's a very [B] wonderful guitar player himself.
[Bm] It's a Danicaster, it's served [A] me well, it's been great.
[F#m] I actually [B] played [Em] a shell pink Strat [A] on Emotions in Math, the record that I [F#m] just put out,
[D] and I fell in love with that guitar, it was too [C#m] expensive [Em] for me, and it also wasn't for sale.
And [Bm] I love that guitar and it served the record [A] well.
I think [C#m] now it's kind of become a [D] thing, that [G] it's my dream guitar.
It is a wonderful, [A] I don't know, the combination [G] of shell pink and a [Bm] great Stratocaster.
I think [D] more than anything, that [G] guitar itself just grabbed me, [A] and now I've [G] kind of been on this quest to [Bm] find it again.
I also played a silver tone [Gm] that was lent to me [G] by my good friend Nels Klein.
I think that that is on [F] [D] the song You and I, the rest of it is with the Strat. _ _
And yeah, it doesn't really matter to me in terms of the guitar I'm using.
It feels [B] like, too, a lot of the intention that went into writing the [A] record was that it could be played.
_ [D]
[A#] The kind of things that I was ticking off in [B] my boxes and, you know, making the record,
was [F#] that the song should be able to be [B] played in different ways _ [E] and still sound good.
Well, the first [B] electric guitar that I got [A] was a Harmony [C#m] Stratatone Jupiter,
_ [D] which I think [C#] was, _ [A] _
_ [Bm] [F#m] I think the year on it [A] was maybe 68, I'm pretty sure.
[B] I kind of [Em] grew out of it in a certain way and kind of leaned toward the [B] solid body direction after a little while.
[Em] But that guitar was really special when I got it.
It was the first guitar [Bm] that I ever really, you know, was my [A] own guitar. _
[C#m] That was played on [A] If and [G] When, but everything was rather clean [A] and [G] kind of, _ [Bm] yeah,
it definitely got a little more [D] distorted and overdriven [G] with this record.
[A] And I [D] think a lot [Bm] of that has just been kind of learning, honestly, [G] about the way the amps work.
And, [A] I mean, I'm such [G] a novice still, but [Bm] then it was kind of, it was my first kind [D] of attempt at making a record with [A] electric guitar on it.
And I wasn't going after a guitar sound.
It was [B] just guitar.
And now [D] I have a lot more acute preferences than I used to, I think. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ [Bm] _ _ _
_ [A] _ _ _ [D] _ [C#m] _ _ _
[Em] In terms of amps, I mean, I think [A#] it's an ever, it's a never-ending journey [F#] in terms of finding the, [Em] you know, what you like to play through.
And I think it's always going to be evolving [E] for me.
[A#] Overdriving an amp kind of naturally [E] _ _ is my, I [A#] like doing that a lot.
Meaning that you're [F#m] just, you know, kind of just turning [E] the amp up to the [F#m] point that it [B] just crumbles in that [Em] nice way.
[A] And that said, you don't always want to be [A#] blasting out your ear.
I mean, this is like the classic kind of conundrum.
And so I [Em] think I've, [A#] you know, kind of gravitated toward [E] lower wattage amps because of [A#] that.
The fact that [Gm] you can just turn them up and it's still [A] listenable and it also is [G] crumbling all at the same [D] time.
And for the record, I _ essentially had my guitar going through bigger amps and then re-amped _ most of the guitar sounds with a five watt champ.
[G] So definitely kind of, [Dm] that's been a [Gm] presence in my [Bm] scene for a while.
And now I've been playing [D] a [E] reissue of the [A] Deluxe Reverb Fender for traveling, which has been great.
[D] And I like that amp a lot.
I [E] have so many [B] _ _
amazing guitar players in my [A] life for sure that have quite a bit [D] of gear for sure.
And I don't have [C] that much really.
[C#m] I'm pretty minimal.
Right now there's a tuning pedal and a boost [A] pedal on [Bm] my entire pedal board.
So [A] for me, I think that there [F#m] are certain kind of [G] attachments.
You write certain [A] songs and certain [G] guitars or something [Bm] like that, that do feel kind of slightly [D] nostalgic.
But [G] I don't have a [A] huge [G] attachment, I don't think.
[Bm] It feels like a [D] means to get from A to B [G] essentially, which I know isn't [A] romantic, but [G] it is kind of how I [Bm] feel for sure. _ _ _ _ _
_ _ _ _ _ _ _ _