Chords for Mark Knopfler - Postcards From Paraguay - Málaga 2013 - HQ Audio (Multicam)

Tempo:
128.25 bpm
Chords used:

C#

A#m

F

G#

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Mark Knopfler - Postcards From Paraguay - Málaga 2013 - HQ Audio (Multicam) chords
Start Jamming...
I want to introduce these beautiful guys that it's just an honor for me to be playing with them.
They are the best in the world, these guys.
And this guy is a magician.
Just a fool of the drums.
From Wales, Ian Thomas.
And this guy, been in my life since 95, just got strings, no problem.
Guitar master, Richard Bennett.
From Newport Hill.
[C#]
[F]
[A#m] [C#]
[F] [C#]
[F] Richard, [F#] guy been in my life [C#] since 83, my co-producer, plays everything.
[G#] Brilliant, [F]
engineer, you name it, he can do it.
[A#m] Guy Fletcher.
[C#]
[F] [A#m]
[C#] [F] You've [A#m] [C#] [F]
[A#m] [C#]
[F] heard this guy playing [A#m] already, been in my [C#] life since 95.
[F] And [A#m] it just makes no difference what it is.
[C#] Comes off the top of his head, always [F] new, always different.
Genius, [A#m] Jim Cox.
[C#]
[F] [A#m]
[C#] [F]
[A#m] [C#] [F]
[A#m] [C#]
[F] Also in my life since the same time [A#m] as Richard and [C#] Jim,
this guy [F] is a master of the bass [A#m] guitar and also the upright bass, which I [C#] need in so many songs.
[F] Completely brilliant, dedicated [A#m] musician, Glenn War.
[C#]
[F] [A#m]
[C#] [F]
[A#m] [C#] [F]
[A#m] [C#]
[F] And [A#m] these two, [C#] they've been in my life a long [F] time also now.
[A#m] And we've done an awful lot together and they are the best in the [C#] world.
I don't know which [F] one, but they are the best in the world. John [A#m] McCaskill.
[C#] Mike [F] McGoldrick.
[A#m] GG.
[C#] [F] 1, 2, 3, 4.
[A#m] [C#] [F]
[A#m] [C#]
[F] [A#m]
[C#] [F] [A#m]
[C#] [A] [A#m]
[Fm] [A#m]
[C#] [A#m]
[C#] [F#] [C#]
[G#] [C#]
[Fm] [A#m] [C#]
[G] [G#]
[Fm] [A#m]
[F#] [C#] [G#]
[F] [A#m]
[F#] From [C#] Paraguay, [G#] from Paraguay, [A#m]
from Paraguay.
[C#] [F]
[A#m] [G#]
[A#m] [F] [C#]
[A#m]
There [C#] was a bank full [A#m] of dinero, [C#] [F#]
a [C#] big mountain of dough.
[G#]
[C#] So [G#] it was goodbye, [A#m]
compañero, [C#] [G] [G#]
cheerio.
I couldn't [D#m] stay, [Fm] face music, [A#m] [F#] so [C#] many [G#] reasons why.
I won't [F] descend in [A#m] postcard.
[F#]
From [C#] Paraguay, [G#] from Paraguay, [F] [A#m] from [C#] Paraguay.
[F] [A#m]
[C#] [F]
[A#m] [C#] [F]
[A#m] [C#]
[F] [F#]
[C#]
[F#]
[C#] Never [F]
[A#m]
[F] [A#m]
[C#]
met [D#] a beer [A#m] cheater, [C#]
[F#] but there [C#] was blood [G#] on the wall.
[C#m] [G#] [C#] You [G#] see, I had to [A#m] steal from Peter, [C#] [D#]
pay what I owed [G#] to Paul.
I couldn't stay and [Fm] face the [A#m] music, [F#]
so [C#] many [G#] reasons why.
I won't descend [F] in [A#m] postcard.
[F#]
From [C#] Paraguay, [G#] from Paraguay, [A#m] from Paraguay.
[C#] [F] [A#m]
[C#] [F]
[A#m] [C#]
[F] [A#m]
[C#] [F]
[F#]
[C#]
[F#]
[C#]
[F] [A#m]
[F] [A#m]
From Paraguay.
[N]
Key:  
C#
12341114
A#m
13421111
F
134211111
G#
134211114
F#
134211112
C#
12341114
A#m
13421111
F
134211111
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Chords
NotesBeta

To learn Mark Knopfler - Postcards From Paraguay - 2013 Málaga Live_Ugc chords, these are the chords to practise in sequence: A#m, F, A#m, C#, F and C#. A strategic approach would be to train at 64 BPM initially, and then accelerate to the song's tempo of 128. For a balanced pitch, adjust the capo with respect to your voice and the song's key: C# Major.

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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ I want to introduce these beautiful guys that _ it's just an honor for me to be playing with them.
They are the best in the world, these guys.
And this guy is a magician.
Just a fool of the drums.
From Wales, Ian Thomas.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ And this guy, been in my life since 95, just got strings, no problem.
Guitar master, Richard Bennett. _ _ _ _ _
_ _ _ _ From Newport Hill.
[C#] _
_ _ _ _ _ _ [F] _ _
_ [A#m] _ _ _ _ _ [C#] _ _
[F] _ _ _ _ _ _ [C#] _ _
_ _ _ [F] Richard, [F#] guy been in my life [C#] since 83, my co-producer, plays everything.
[G#] Brilliant, [F]
engineer, you name it, he can do it.
[A#m] Guy Fletcher.
_ [C#] _ _
[F] _ _ _ [A#m] _ _ _ _ _
[C#] _ _ _ [F] _ _ _ You've _ [A#m] _ _ [C#] _ _ _ [F] _ _
_ [A#m] _ _ _ _ _ [C#] _ _
_ [F] _ _ heard this guy playing [A#m] already, been in my [C#] life since 95.
_ [F] _ And [A#m] it just makes no difference what it is.
[C#] Comes off the top of his head, always [F] new, always different.
Genius, [A#m] Jim Cox.
_ [C#] _ _
_ [F] _ _ [A#m] _ _ _ _ _
_ [C#] _ _ [F] _ _ _ _ _
_ [A#m] _ _ [C#] _ _ _ [F] _ _
_ [A#m] _ _ _ _ _ [C#] _ _
_ [F] Also in my life since the same time [A#m] as Richard and [C#] Jim,
this guy [F] is a master of the bass [A#m] guitar and also the upright bass, which I [C#] need in so many songs.
[F] Completely brilliant, dedicated [A#m] musician, Glenn War.
_ [C#] _ _
_ [F] _ _ _ [A#m] _ _ _ _
[C#] _ _ _ _ [F] _ _ _ _
_ [A#m] _ _ [C#] _ _ _ [F] _ _
_ [A#m] _ _ _ _ _ [C#] _ _
[F] And _ _ _ _ [A#m] these two, [C#] they've been in my life a long [F] time also now.
[A#m] And we've done an awful lot together and they are the best in the [C#] world.
I don't know which [F] one, but they are the best in the world. John [A#m] McCaskill.
_ [C#] Mike [F] McGoldrick.
_ _ [A#m] _ GG. _ _
_ [C#] _ _ [F] 1, 2, 3, 4.
[A#m] _ _ _ [C#] _ _ _ [F] _ _
[A#m] _ _ _ _ _ _ [C#] _ _
_ [F] _ _ _ _ _ [A#m] _ _
[C#] _ _ _ [F] _ _ _ [A#m] _ _
_ _ _ [C#] _ _ _ [A] _ [A#m] _
_ _ _ [Fm] _ _ _ [A#m] _ _
_ _ _ _ _ _ _ _
[C#] _ _ _ _ _ _ [A#m] _ _
[C#] _ _ _ [F#] _ _ [C#] _ _ _
[G#] _ _ _ _ _ _ [C#] _ _
_ [Fm] _ _ [A#m] _ _ _ [C#] _ _
_ [G] _ _ _ _ _ [G#] _ _
_ _ _ [Fm] _ _ _ [A#m] _ _
_ [F#] _ _ _ [C#] _ _ [G#] _ _
_ _ _ [F] _ _ _ [A#m] _ _
_ [F#] _ _ _ From [C#] Paraguay, _ _ [G#] from Paraguay, _ [A#m]
from _ Paraguay.
[C#] _ _ [F] _ _
_ [A#m] _ _ _ _ _ _ [G#] _
_ _ _ _ [A#m] _ _ [F] _ [C#] _
_ [A#m] _ _ _ _ _ _ _
There _ [C#] _ _ was a bank full [A#m] of dinero, _ _ [C#] _ _ [F#]
a [C#] big mountain of dough.
[G#] _ _ _ _
_ [C#] _ So [G#] it was goodbye, [A#m] _
compañero, [C#] _ _ _ [G] _ _ _ [G#] _
cheerio.
I couldn't [D#m] stay, [Fm] face music, _ [A#m] _ _ _ [F#] _ so [C#] many [G#] reasons why.
I won't [F] descend in _ [A#m] _ postcard.
[F#] _ _ _
From [C#] Paraguay, _ _ [G#] from Paraguay, [F] _ [A#m] from _ [C#] Paraguay. _
_ [F] _ _ _ [A#m] _ _ _ _
_ [C#] _ _ _ [F] _ _ _ _
_ [A#m] _ _ [C#] _ _ _ [F] _ _
_ [A#m] _ _ _ _ _ [C#] _ _
_ [F] _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ [C#] _ _
_ _ _ _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ [C#] Never _ _ [F] _ _
_ _ _ _ _ _ [A#m] _ _
_ [F] _ [A#m] _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ _
met [D#] a beer [A#m] cheater, _ _ [C#] _ _
_ [F#] but there [C#] was blood [G#] on the wall. _
[C#m] _ _ [G#] _ [C#] _ You [G#] see, I had to [A#m] steal from Peter, _ [C#] _ _ _ [D#] _ _
pay what I owed [G#] to Paul.
I couldn't stay and [Fm] face the _ [A#m] music, _ _ [F#] _
so [C#] many [G#] reasons why.
I won't descend [F] in _ [A#m] _ postcard.
[F#] _ _
_ From [C#] Paraguay, _ _ [G#] from Paraguay, [A#m] _ from Paraguay.
[C#] _ _ _ [F] _ _ _ [A#m] _ _
_ _ _ [C#] _ _ _ [F] _ _
_ _ _ [A#m] _ _ _ [C#] _ _
_ [F] _ _ [A#m] _ _ _ _ _
[C#] _ _ _ [F] _ _ _ _ _
[F#] _ _ _ _ _ _ _ _
[C#] _ _ _ _ _ _ _ _
_ _ _ [F#] _ _ _ _ _
_ _ _ _ _ [C#] _ _ _
[F] _ _ _ _ _ _ [A#m] _ _
_ _ [F] _ _ _ [A#m] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ From _ _ Paraguay.
[N] _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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