Chords for MB Padfield playing a 1963 Fender Stratocaster Candy Apple Red at Norman's Rare Guitars

_ _ Hey guys, Michael Lemo here.
I'm the new guy at Norman's Rare Guitars.
Today we're here with MB
Patfield.
She's playing a 1963 Fender [E] Strat, refinished in Candy Apple [D#] Red.
You're gonna be playing an original song for us?
Yeah.
What's this one called?
This one's called
Full Throttle Baby.
Cool, let's hear it and we'll [Bm] talk a little bit after.
Sure.
_ [Em] _ _ [G] _ _ _ [F#] _
_ [Bm] _ _ _ [G] _ _ _ [F#] _
_ [Bm] _ [Em] Don't smile, great time, [G] long miles.
I'm [Em] overthinking again.
Cause I [A] live in yellow lights.
You love the red [E] light.
And we [Bm] ignore white lights.
And [Em] baby, that's fine.
[A] I don't mind.
As long as I'm [Bm] on the passenger side.
You can drive.
[A] You can drive.
[D]
When [Bm] we ride, we ride.
[A] _ _ _ _
[Bm] _ _ _ I'm [Em] reckless in a [G] black dress.
Ooh, [F#] you reach for my [Bm] hand.
And I'm a [E] mess, train wreck.
But you don't [G] gotta know that yet.
[F#] _ _ [B] _ [Am] I live in yellow lights.
[D] You love the red light.
And [Bm] we ignore white lights.
And baby, that's fine.
[A] I don't mind.
As long as [Bm] I'm on the passenger [E] side.
You can drive.
[A] You can drive.
[D] _
[Bm] When we ride, we [E] ride.
_ [Am] _ _ _
_ [Bm] _ [B] But the red light's [A] running and the blue light's [D] coming.
And the white light's nothing.
Cause we [E] ride red lights [A] running with the blue light's coming.
And the white light's [Bm] nothing.
Cause I'm [Em] alive.
_ [A] _ _ [D] _
_ [Bm] _ _ [Em] I'm reckless in a [G] black dress.
[F#] _ Takes the bitch to tame a player.
But I heard that's what you [Em]
like.
Cause I [A] live in yellow lights.
You love the red light.
And we [Bm] ignore white lights.
And [E] baby, that's fine.
[A] I don't mind.
As long as I'm [Bm] on the passenger side.
[F#] You can drive.
You [A] can drive.
_ [Bm] When we ride, we [Em] ride.
_ [A] _ _ _ [Bm] _ I'll be in full throttle, baby, [Em] when you're ready to ride.
[G] You're dead of the [F#] fog.
And I'm just waiting for a green light.
Steel [Em] eyes, stone smile, [G] gray tie and long miles.
[F#] I'm [B] overthinking again.
Woo!
[F#] _ _ Sounds great.
So your main thing is songwriting?
Yeah.
And so you went to Berkeley, you said, in Boston, right?
Secretly, yeah.
Secretly.
Me too.
I didn't last too long.
Yeah, no.
How many semesters?
I did two, but I remember one of them.
I did two and I remember zero of them.
What year [N] did you go?
I think 2008 was my first year and then I was gone.
2008, alright.
Cool.
And then you work with Tim Pierce, right?
Yeah, Tim's cool.
So Tim is one of our favorites around here.
I've heard of her.
Heard of her?
That's different.
So what are you doing with Tim?
Tim has been awesome.
He was doing some guitar work for me.
On your original music?
Yeah.
There you go.
Well, if you have that, a guy like that playing on your music, must be approved.
He's rad.
No, I dug Tim a ton.
Awesome.
It's a really good match.
Any shows coming up in LA?
I'm doing a songwriter's night at the end of the month.
It's pretty low key.
I'm at Fox and Hounds for Songwriter Sundays.
So I'm getting out of being an artist and I'm getting into writing for others,
which I'm super excited about.
Is there anybody you've written for that you kind of_
No, not yet.
Who would you like to write for?
Oh, I want to write really shitty pop tunes.
Shitty?
Yeah.
People love that.
I'm a pop writer, so I want to write for the Demi Lovato's, Camila Cabello's.
That's great.
Awesome.
Well, thanks for coming by.
Of course.
I love it.
It's my first time being here.
It's rad.
Awesome.
Michael Lemma at Norman's Rare Guitars.
This is MB, like the Mercedes Benz.
Take care.
You nailed it.
_ _ _ _ _ _ _ [N] _