Chords for Melissa Etheridge, "Take My Number" - Nashville, 15 April 2014
Tempo:
79.425 bpm
Chords used:
A
E
F#
D
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Probably no, yeah they do.
Oh, it's black.
[Em] But I did, I went through so many changes, the [E] professional and everything, and so I'm making a new album of course, because that's what you do.
[C] So, [E] a bunch of songs I've been writing, it's really been an amazing experience working with different producers and musicians and writers.
It's [G] really cool, I haven't been so collaborative in my work, and it's funny because [B] it brings out the best in me, and I appreciate it.
[Bm] So here's a little song, [E]
I've never played this for anyone before.
It's by the first, bless you, the first, this is called Take My Number.
Alright?
Do [A] you mind [F#] if I sit down and sing?
[Em] Well I don't [A] need a folk school, [D] you've seen a lot of [E] good bars.
Well, hey, back there, [A]
you were born ready.
[F#] It's [A] divorce now, with a couple kings.
The [D] pretty lights of [E] these cars.
[A]
Well everybody stumbles, everybody hits the ground.
[D] No use for the scared when [F#] those changes come along.
[B] [A] And you don't know what might be [C#] [E] waiting for you [A] tonight.
[E] You really shouldn't cry and act too [C#m] strange, cause you know you're always there.
[A] So take my number, [E] right and take it [A] home with you.
And
[F#] if you still ain't talking, cause the diner hall is open, [F#m] just turn the lights.
[D] So take my number, right [E] and take it home with you.
All [F#] those dreams, now they're gonna send us home.
What you never [A] know, when it's all you said to me.
I'm gonna put it [E] in the morning, too.
[B] Everybody's got a fire, [A] that's always gonna burn.
The windows are gonna burn, [Bm] the windows are gonna burn.
All the air that goes by.
[A] And you don't know what might be [E] waiting for you [A] tonight.
[E] You really shouldn't cry and act too strange, you [C#m] shouldn't be alone, for all I've got to do is pay.
[A] So take my number, [E] right and take it home with you.
And if you still ain't talking, cause the diner hall is open, just turn the lights.
[A] So take my number, [E] right and take it home with you.
Take [A] it home, take [F#m] it [F#] home, [A] take it home, [F#] take it home.
Do you mind if I sit down next to you?
[A] I love you too.
You seem to [E] have a real good heart.
You really shouldn't cry and act too strange, [C#m] you shouldn't be alone, for all I've got to do is pay.
[A] So take my number, right and take it [E] home with you.
And if you still ain't talking, cause the diner hall is open, just turn the lights.
So [A] take my number, right and [E] take it home with you.
Oh, [A] take my number, right and [E] take it home with you.
[A]
Oh, it's black.
[Em] But I did, I went through so many changes, the [E] professional and everything, and so I'm making a new album of course, because that's what you do.
[C] So, [E] a bunch of songs I've been writing, it's really been an amazing experience working with different producers and musicians and writers.
It's [G] really cool, I haven't been so collaborative in my work, and it's funny because [B] it brings out the best in me, and I appreciate it.
[Bm] So here's a little song, [E]
I've never played this for anyone before.
It's by the first, bless you, the first, this is called Take My Number.
Alright?
Do [A] you mind [F#] if I sit down and sing?
[Em] Well I don't [A] need a folk school, [D] you've seen a lot of [E] good bars.
Well, hey, back there, [A]
you were born ready.
[F#] It's [A] divorce now, with a couple kings.
The [D] pretty lights of [E] these cars.
[A]
Well everybody stumbles, everybody hits the ground.
[D] No use for the scared when [F#] those changes come along.
[B] [A] And you don't know what might be [C#] [E] waiting for you [A] tonight.
[E] You really shouldn't cry and act too [C#m] strange, cause you know you're always there.
[A] So take my number, [E] right and take it [A] home with you.
And
[F#] if you still ain't talking, cause the diner hall is open, [F#m] just turn the lights.
[D] So take my number, right [E] and take it home with you.
All [F#] those dreams, now they're gonna send us home.
What you never [A] know, when it's all you said to me.
I'm gonna put it [E] in the morning, too.
[B] Everybody's got a fire, [A] that's always gonna burn.
The windows are gonna burn, [Bm] the windows are gonna burn.
All the air that goes by.
[A] And you don't know what might be [E] waiting for you [A] tonight.
[E] You really shouldn't cry and act too strange, you [C#m] shouldn't be alone, for all I've got to do is pay.
[A] So take my number, [E] right and take it home with you.
And if you still ain't talking, cause the diner hall is open, just turn the lights.
[A] So take my number, [E] right and take it home with you.
Take [A] it home, take [F#m] it [F#] home, [A] take it home, [F#] take it home.
Do you mind if I sit down next to you?
[A] I love you too.
You seem to [E] have a real good heart.
You really shouldn't cry and act too strange, [C#m] you shouldn't be alone, for all I've got to do is pay.
[A] So take my number, right and take it [E] home with you.
And if you still ain't talking, cause the diner hall is open, just turn the lights.
So [A] take my number, right and [E] take it home with you.
Oh, [A] take my number, right and [E] take it home with you.
[A]
Key:
A
E
F#
D
B
A
E
F#
Probably no, yeah they do. _ _ _ _
Oh, it's black. _ _ _
[Em] But I did, I went through so many changes, the [E] professional and everything, and so I'm making a new album of course, because that's what you do.
_ _ [C] So, [E] a bunch of songs I've been writing, it's really been an amazing experience working with different producers and musicians and writers.
It's [G] really cool, I haven't been so collaborative in my work, and it's funny because [B] it brings out the best in me, and I appreciate it.
[Bm] So here's a little song, _ _ [E] _
I've never played this for anyone before.
It's by the first, bless you, the first, this is called Take My Number.
Alright? _ _ _ _
_ _ _ _ _ _
Do [A] you mind [F#] if I sit down and sing?
_ [Em] Well I don't [A] need a folk school, _ [D] you've seen a lot of [E] good bars. _ _ _
Well, hey, back there, [A]
you were born ready.
[F#] _ _ It's [A] divorce now, with a couple kings.
The [D] pretty lights of [E] these cars.
_ [A] _ _
Well everybody stumbles, everybody hits the ground.
[D] No use for the scared when [F#] those changes come along.
[B] [A] And you don't know what might be [C#] [E] waiting for you [A] tonight. _
[E] You really shouldn't cry and act too [C#m] strange, cause you know you're always there.
[A] So take my number, _ [E] right and take it [A] home with you.
And _
_ _ [F#] if you still ain't talking, cause the diner hall is open, [F#m] just turn the lights.
[D] So take my number, right [E] and take it home with you. _ _ _ _
All [F#] those dreams, now they're gonna send us home.
_ What you never [A] know, when it's all you said to me.
_ I'm gonna put it [E] in the morning, too. _ _ _ _
[B] Everybody's got a fire, [A] that's always gonna burn.
The windows are gonna burn, [Bm] the windows are gonna burn.
All the air that goes by.
[A] And you don't know what might be [E] waiting for you [A] tonight.
[E] You really shouldn't cry and act too strange, you [C#m] shouldn't be alone, for all I've got to do is pay.
[A] So take my number, [E] right and take it home with you.
And if _ _ _ _ _ you still ain't talking, cause the diner hall is open, just turn the lights.
[A] So take my number, _ [E] right and take it home with you.
_ _ Take [A] it home, _ _ take [F#m] it [F#] home, _ _ _ [A] take it home, _ _ [F#] take it _ home. _ _
Do you mind if I sit down next to you? _ _
[A] I love you too.
_ You seem to [E] have a real good heart.
You really shouldn't cry and act too strange, [C#m] you shouldn't be alone, for all I've got to do is pay.
[A] So take my number, _ right and take it [E] home with _ _ _ _ _ you.
And if you still ain't talking, cause the diner hall is open, just turn the lights.
So [A] take my number, _ right and [E] take it home with you.
Oh, _ [A] take my number, right and [E] take it home with you. _ _ _
[A] _ _ _ _ _ _
Oh, it's black. _ _ _
[Em] But I did, I went through so many changes, the [E] professional and everything, and so I'm making a new album of course, because that's what you do.
_ _ [C] So, [E] a bunch of songs I've been writing, it's really been an amazing experience working with different producers and musicians and writers.
It's [G] really cool, I haven't been so collaborative in my work, and it's funny because [B] it brings out the best in me, and I appreciate it.
[Bm] So here's a little song, _ _ [E] _
I've never played this for anyone before.
It's by the first, bless you, the first, this is called Take My Number.
Alright? _ _ _ _
_ _ _ _ _ _
Do [A] you mind [F#] if I sit down and sing?
_ [Em] Well I don't [A] need a folk school, _ [D] you've seen a lot of [E] good bars. _ _ _
Well, hey, back there, [A]
you were born ready.
[F#] _ _ It's [A] divorce now, with a couple kings.
The [D] pretty lights of [E] these cars.
_ [A] _ _
Well everybody stumbles, everybody hits the ground.
[D] No use for the scared when [F#] those changes come along.
[B] [A] And you don't know what might be [C#] [E] waiting for you [A] tonight. _
[E] You really shouldn't cry and act too [C#m] strange, cause you know you're always there.
[A] So take my number, _ [E] right and take it [A] home with you.
And _
_ _ [F#] if you still ain't talking, cause the diner hall is open, [F#m] just turn the lights.
[D] So take my number, right [E] and take it home with you. _ _ _ _
All [F#] those dreams, now they're gonna send us home.
_ What you never [A] know, when it's all you said to me.
_ I'm gonna put it [E] in the morning, too. _ _ _ _
[B] Everybody's got a fire, [A] that's always gonna burn.
The windows are gonna burn, [Bm] the windows are gonna burn.
All the air that goes by.
[A] And you don't know what might be [E] waiting for you [A] tonight.
[E] You really shouldn't cry and act too strange, you [C#m] shouldn't be alone, for all I've got to do is pay.
[A] So take my number, [E] right and take it home with you.
And if _ _ _ _ _ you still ain't talking, cause the diner hall is open, just turn the lights.
[A] So take my number, _ [E] right and take it home with you.
_ _ Take [A] it home, _ _ take [F#m] it [F#] home, _ _ _ [A] take it home, _ _ [F#] take it _ home. _ _
Do you mind if I sit down next to you? _ _
[A] I love you too.
_ You seem to [E] have a real good heart.
You really shouldn't cry and act too strange, [C#m] you shouldn't be alone, for all I've got to do is pay.
[A] So take my number, _ right and take it [E] home with _ _ _ _ _ you.
And if you still ain't talking, cause the diner hall is open, just turn the lights.
So [A] take my number, _ right and [E] take it home with you.
Oh, _ [A] take my number, right and [E] take it home with you. _ _ _
[A] _ _ _ _ _ _