Chords for Metronomy perform The Bay
Tempo:
121.6 bpm
Chords used:
F#m
D
B
A
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, we're Metronomy and I'm going to tell you a little bit about how I wrote The Bay.
And the story of The Bay began in 2008 on this computer here.
In fact it was the 4th of November 2008 when I recorded this [C#] sound.
And it went on like this for a little while.
[F#] It goes like this.
And then it gets like this.
[F#m] [D]
[F#m] And then, this bit which you might recognise.
[D] [F#m]
[C#] [D]
[F#m] [C#] [F#m]
[C#] Anyway, a lot has happened since 2008 and the song has developed in many ways.
And now we will perform the version of [D#] The Bay that exists [Dm] [F#m] today.
[B]
[D] [A] [F#m]
[B]
[D] [A] [F#m]
You may have the money, but you've got to go.
It's sensible, it's sensible.
Those endless seasons go on and on.
Incredible.
I'm just gonna get out.
Remember where we went last year.
[D] You said [A] everything [F#m] about it, but not Korea.
If [B] you
[F#m] want to [D] go, [A] I'll take [F#m] you back one day.
This isn't [B] Paris, [F#m] this isn't [D] London, this isn't [F#m] Berlin, this isn't Hong Kong, this isn't Tokyo.
If you want [D] to go, I'll take you back one day.
It feels so good.
[B] It feels so good.
[C#]
It's [D] good, baby.
[B]
[C#]
It [D] feels so good.
[B]
[F#m] [A]
[D] It's good, baby.
[B]
[F#m] [A]
[F#m]
[D] [F#m]
You have the party.
You have [D] the song.
[F#m] Let's make this happen.
Let's make this happen.
I'm gonna send the speeches, you don't wanna [D] know, [F#m] it's magical.
[C#] Just let me get out, [F#m] [B] and wonder where we were last.
[D] [A] Still everything [F#m] about it, we've got no career, and you said,
there's few, yeah few, ones [D] about you, [A] I'll take [F#m] you that way.
This isn't Paris, and this isn't [D] London, [A] and it's not [F#m] Berlin, and it's not half-half,
not [F#] Tokyo, there are few, ones [D] about, [A] I'll take [F#m] you back one day.
You [D] feel so good, [B]
[C#] you [D] feel [B]
[C#]
[D] so [F#m] good,
[A]
[D] [B]
[F#m] [F#] you [C#m] feel [D] [F#] so [C#] good.
[D] [F#m] [B]
[C#]
[D] [B]
[F#m] [E]
[D] [F#m]
[F#] [A]
[D] I'm gonna send the speeches, you don't wanna know, [F#m] it's magical.
[D] [F#]
[N]
And the story of The Bay began in 2008 on this computer here.
In fact it was the 4th of November 2008 when I recorded this [C#] sound.
And it went on like this for a little while.
[F#] It goes like this.
And then it gets like this.
[F#m] [D]
[F#m] And then, this bit which you might recognise.
[D] [F#m]
[C#] [D]
[F#m] [C#] [F#m]
[C#] Anyway, a lot has happened since 2008 and the song has developed in many ways.
And now we will perform the version of [D#] The Bay that exists [Dm] [F#m] today.
[B]
[D] [A] [F#m]
[B]
[D] [A] [F#m]
You may have the money, but you've got to go.
It's sensible, it's sensible.
Those endless seasons go on and on.
Incredible.
I'm just gonna get out.
Remember where we went last year.
[D] You said [A] everything [F#m] about it, but not Korea.
If [B] you
[F#m] want to [D] go, [A] I'll take [F#m] you back one day.
This isn't [B] Paris, [F#m] this isn't [D] London, this isn't [F#m] Berlin, this isn't Hong Kong, this isn't Tokyo.
If you want [D] to go, I'll take you back one day.
It feels so good.
[B] It feels so good.
[C#]
It's [D] good, baby.
[B]
[C#]
It [D] feels so good.
[B]
[F#m] [A]
[D] It's good, baby.
[B]
[F#m] [A]
[F#m]
[D] [F#m]
You have the party.
You have [D] the song.
[F#m] Let's make this happen.
Let's make this happen.
I'm gonna send the speeches, you don't wanna [D] know, [F#m] it's magical.
[C#] Just let me get out, [F#m] [B] and wonder where we were last.
[D] [A] Still everything [F#m] about it, we've got no career, and you said,
there's few, yeah few, ones [D] about you, [A] I'll take [F#m] you that way.
This isn't Paris, and this isn't [D] London, [A] and it's not [F#m] Berlin, and it's not half-half,
not [F#] Tokyo, there are few, ones [D] about, [A] I'll take [F#m] you back one day.
You [D] feel so good, [B]
[C#] you [D] feel [B]
[C#]
[D] so [F#m] good,
[A]
[D] [B]
[F#m] [F#] you [C#m] feel [D] [F#] so [C#] good.
[D] [F#m] [B]
[C#]
[D] [B]
[F#m] [E]
[D] [F#m]
[F#] [A]
[D] I'm gonna send the speeches, you don't wanna know, [F#m] it's magical.
[D] [F#]
[N]
Key:
F#m
D
B
A
C#
F#m
D
B
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Hi, we're Metronomy and I'm going to tell you a little bit about how I wrote The Bay.
And the story of The Bay began in 2008 on this computer here.
_ _ In fact it was the 4th of November 2008 when I recorded this [C#] sound. _ _ _ _ _
_ _ And it went on like this for a little while. _
[F#] It goes like this. _ _ _
And then it gets like this. _ _
[F#m] _ _ _ _ [D] _ _ _ _
[F#m] _ _ And then, this bit which you might recognise.
[D] _ _ _ _ [F#m] _ _
_ _ [C#] _ _ _ _ [D] _ _
_ _ [F#m] _ _ [C#] _ _ [F#m] _ _
_ _ [C#] _ _ _ Anyway, a lot has happened since 2008 and the song has developed in many ways.
And now we will perform the version of [D#] The Bay that exists [Dm] [F#m] today.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ [D] _ _ [A] _ _ [F#m] _ _
_ _ _ _ _ _ [B] _ _
_ [D] _ _ _ [A] _ _ [F#m] _ _
_ _ _ You may have the money, but you've got to go.
It's sensible, _ it's sensible.
Those endless seasons go on and on.
_ Incredible. _ _
I'm just gonna get out.
_ Remember where we went last year.
[D] You said [A] everything [F#m] about it, but not Korea.
_ _ If [B] you _
[F#m] want to [D] go, [A] I'll take [F#m] you back one day.
_ This isn't [B] Paris, [F#m] this isn't [D] London, this isn't [F#m] Berlin, this isn't Hong Kong, this isn't Tokyo.
If you want [D] to go, I'll take you back one day.
It feels so good.
[B] It feels so good.
[C#] _ _ _ _ _ _ _
It's [D] good, baby.
_ _ [B] _ _
_ [C#] _ _ _ _ _ _ _
It [D] feels so good.
[B] _ _
[F#m] _ _ _ _ _ _ [A] _ _
[D] It's good, _ baby.
[B] _ _
_ [F#m] _ _ _ _ _ [A] _ _
_ [F#m] _ _ _ _ _ _ _
_ _ [D] _ _ [F#m] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You have the party.
You have [D] the song.
[F#m] Let's make this happen.
Let's make this happen.
I'm gonna send the speeches, you don't wanna [D] know, [F#m] it's magical. _
_ [C#] Just let me get out, [F#m] _ [B] and wonder where we were last.
[D] _ [A] Still everything [F#m] about it, we've got no career, and you said,
there's few, yeah few, ones [D] about you, _ [A] I'll take [F#m] you that way.
_ _ This isn't Paris, and this isn't [D] London, [A] and it's not [F#m] Berlin, and it's not half-half,
not [F#] Tokyo, there are few, ones [D] about, _ [A] I'll take [F#m] you back one day.
You [D] feel so good, [B] _ _
_ _ [C#] _ _ _ you _ _ [D] feel _ _ _ [B] _ _
_ [C#] _ _ _ _ _ _ _
_ _ [D] so _ [F#m] good, _
_ _ _ _ _ _ [A] _ _
_ _ [D] _ _ _ _ [B] _ _
_ [F#m] _ _ [F#] you _ [C#m] feel _ _ _ [D] _ _ _ [F#] so _ _ [C#] _ _ _ _ good.
_ _ [D] _ _ [F#m] _ _ [B] _ _
_ _ [C#] _ _ _ _ _ _
[D] _ _ _ _ _ [B] _ _ _
_ _ _ _ [F#m] _ [E] _ _ _
_ [D] _ _ _ _ [F#m] _ _ _
_ [F#] _ _ _ _ [A] _ _
[D] I'm gonna send the speeches, you don't wanna know, [F#m] it's magical. _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _
Hi, we're Metronomy and I'm going to tell you a little bit about how I wrote The Bay.
And the story of The Bay began in 2008 on this computer here.
_ _ In fact it was the 4th of November 2008 when I recorded this [C#] sound. _ _ _ _ _
_ _ And it went on like this for a little while. _
[F#] It goes like this. _ _ _
And then it gets like this. _ _
[F#m] _ _ _ _ [D] _ _ _ _
[F#m] _ _ And then, this bit which you might recognise.
[D] _ _ _ _ [F#m] _ _
_ _ [C#] _ _ _ _ [D] _ _
_ _ [F#m] _ _ [C#] _ _ [F#m] _ _
_ _ [C#] _ _ _ Anyway, a lot has happened since 2008 and the song has developed in many ways.
And now we will perform the version of [D#] The Bay that exists [Dm] [F#m] today.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ [D] _ _ [A] _ _ [F#m] _ _
_ _ _ _ _ _ [B] _ _
_ [D] _ _ _ [A] _ _ [F#m] _ _
_ _ _ You may have the money, but you've got to go.
It's sensible, _ it's sensible.
Those endless seasons go on and on.
_ Incredible. _ _
I'm just gonna get out.
_ Remember where we went last year.
[D] You said [A] everything [F#m] about it, but not Korea.
_ _ If [B] you _
[F#m] want to [D] go, [A] I'll take [F#m] you back one day.
_ This isn't [B] Paris, [F#m] this isn't [D] London, this isn't [F#m] Berlin, this isn't Hong Kong, this isn't Tokyo.
If you want [D] to go, I'll take you back one day.
It feels so good.
[B] It feels so good.
[C#] _ _ _ _ _ _ _
It's [D] good, baby.
_ _ [B] _ _
_ [C#] _ _ _ _ _ _ _
It [D] feels so good.
[B] _ _
[F#m] _ _ _ _ _ _ [A] _ _
[D] It's good, _ baby.
[B] _ _
_ [F#m] _ _ _ _ _ [A] _ _
_ [F#m] _ _ _ _ _ _ _
_ _ [D] _ _ [F#m] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You have the party.
You have [D] the song.
[F#m] Let's make this happen.
Let's make this happen.
I'm gonna send the speeches, you don't wanna [D] know, [F#m] it's magical. _
_ [C#] Just let me get out, [F#m] _ [B] and wonder where we were last.
[D] _ [A] Still everything [F#m] about it, we've got no career, and you said,
there's few, yeah few, ones [D] about you, _ [A] I'll take [F#m] you that way.
_ _ This isn't Paris, and this isn't [D] London, [A] and it's not [F#m] Berlin, and it's not half-half,
not [F#] Tokyo, there are few, ones [D] about, _ [A] I'll take [F#m] you back one day.
You [D] feel so good, [B] _ _
_ _ [C#] _ _ _ you _ _ [D] feel _ _ _ [B] _ _
_ [C#] _ _ _ _ _ _ _
_ _ [D] so _ [F#m] good, _
_ _ _ _ _ _ [A] _ _
_ _ [D] _ _ _ _ [B] _ _
_ [F#m] _ _ [F#] you _ [C#m] feel _ _ _ [D] _ _ _ [F#] so _ _ [C#] _ _ _ _ good.
_ _ [D] _ _ [F#m] _ _ [B] _ _
_ _ [C#] _ _ _ _ _ _
[D] _ _ _ _ _ [B] _ _ _
_ _ _ _ [F#m] _ [E] _ _ _
_ [D] _ _ _ _ [F#m] _ _ _
_ [F#] _ _ _ _ [A] _ _
[D] I'm gonna send the speeches, you don't wanna know, [F#m] it's magical. _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _