Chords for Michael Brecker memorial video
Tempo:
136.65 bpm
Chords used:
G
C
F
Eb
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [Eb] [D] [Gm] [Abm]
[Gbm] [Em] Jazz [Dm] is just sort of the music of the moment.
[Cm] [G]
You play in the [Gb] present time and [Abm] then that's it.
[Ab]
[Bb]
[F] [Bb]
[Ab]
[F] [Bbm]
[Ab]
[Gb] [Eb]
[Fm]
[Eb] [C] [Gb]
[Ab] [D] [Eb]
[F] [Bb] [F] Critics are saying that finally they are [Bb] seeing you lighten up a little bit and having fun
with [Eb] your music.
[F] Why did it take [Bb] you so [Abm] long?
[Cm] Well, I [C] thought I [Ebm] was always having fun.
I [Bb] thought I was having fun.
[F] [C]
[G] With saxophone [F] I've always been kind of a hard blower.
[G] I put [Ab] a lot of air [N] into it even when I try not to.
When I hit the stage I [D] get into it and I expend [F] a lot of wind.
[Db] [Ab]
When I was about 14 years old I was pretty convinced that I was going to go into [Gb] medicine.
[Fm]
[Eb] And that [Bbm] was until I heard the music of John Coltrane.
[Dbm] I didn't understand it at first.
[Bm] It took a [Eb] while.
But once I [Ab] was able to hear it, everything changed.
[Cm] [Ebm] [Fm]
[Bb] [G] [Db]
[G] [E] [G]
[D] [G]
[Db] [E]
[Bb] [B] [N] I see music as a spiritual [Bb] endeavor.
[G]
[Bbm] [D] [Db] [Fm]
[Cm] [Fm] [Eb]
I was 19 years old.
[Fm] I had my brother Randy [Db] who has achieved some degree of success already.
So he just introduced me to everybody.
[Eb] [Db] We [A] played [Eb] together [Db]
like we were connected by umbilical cords.
[Ab]
[Eb] [Bbm] We can read [Ab] each other's minds.
There are things that go unsaid because we don't need to talk about them.
We just [Eb] know how to play together.
[Fm] [Eb]
[G] When [A]
I hit New York [G] back in 1970, it was a great time because the barriers between [Ab] [D] rock
and jazz were getting blurry.
[G] We walked [D] into this great [G] scene where we could start messing around.
[Ab] This sort of gave me a blank page to take what I had learned [Dm] from Coltrane and come
up with a different spin.
[F]
[Bm] We got popular among producers because we had a good horn section.
So they started bringing us [F] in to play [Dm] on rock records as a horn section.
Then I started playing solos on some of the records.
It was sort of a chain reaction.
[F] [Db]
[Eb] [G] [C]
[G]
[A]
[G] [A]
[D]
[A]
[G] [D]
[A] [D] Still crazy [A] after all [Db] [Gbm] these years.
[C]
Crazy.
[A]
[Gm] [F] [C]
[G] [Dm] [Bb]
[Gm] Gonna get in [B] contact.
[E] Gonna make [Fm] me clap now.
[F]
[Eb] I [Am] attempted for years to find ways to [Gm] [F] electrify the saxophone.
[Bb] Right around that time the EWI [C] appeared.
[Am] [Gm] [D]
[Db] It's [Fm] become almost as important to me as [N] the saxophone.
[Fm] [Eb] [Fm]
[Gb]
[Eb] [Db] [Ebm] [Eb]
[Gb] [Dbm]
I'm certainly [C] a conversationalist [Abm] type player.
I need to be constantly bouncing [Ebm] musical ideas off of the musicians [Bbm] that I'm playing [D] with.
[Dm] [C]
[G] [C] [G]
[C] [Gm] [C] [G]
[Cm] [C] [G]
[D] [Bb]
[D] [Bb]
[D] [Bb]
[G]
[C]
This [F] might sound strange, but [C] I believe [Dm] strongly in [E] commitment.
[C]
[Db] [Bm] [C] [Em]
[E] [A]
[D] [E]
[G] [Am] [Gb]
[Bb] [E] [Bb]
[E] [A] [D]
[E]
[G] [C]
[Bb] [F] [Gm]
[Db]
[E] [G]
[Ab]
[Abm] [G] [F] [E]
[F] [Dm] [E]
[C]
[F] [G]
[C]
[N] Thank you.
[Gbm] [Em] Jazz [Dm] is just sort of the music of the moment.
[Cm] [G]
You play in the [Gb] present time and [Abm] then that's it.
[Ab]
[Bb]
[F] [Bb]
[Ab]
[F] [Bbm]
[Ab]
[Gb] [Eb]
[Fm]
[Eb] [C] [Gb]
[Ab] [D] [Eb]
[F] [Bb] [F] Critics are saying that finally they are [Bb] seeing you lighten up a little bit and having fun
with [Eb] your music.
[F] Why did it take [Bb] you so [Abm] long?
[Cm] Well, I [C] thought I [Ebm] was always having fun.
I [Bb] thought I was having fun.
[F] [C]
[G] With saxophone [F] I've always been kind of a hard blower.
[G] I put [Ab] a lot of air [N] into it even when I try not to.
When I hit the stage I [D] get into it and I expend [F] a lot of wind.
[Db] [Ab]
When I was about 14 years old I was pretty convinced that I was going to go into [Gb] medicine.
[Fm]
[Eb] And that [Bbm] was until I heard the music of John Coltrane.
[Dbm] I didn't understand it at first.
[Bm] It took a [Eb] while.
But once I [Ab] was able to hear it, everything changed.
[Cm] [Ebm] [Fm]
[Bb] [G] [Db]
[G] [E] [G]
[D] [G]
[Db] [E]
[Bb] [B] [N] I see music as a spiritual [Bb] endeavor.
[G]
[Bbm] [D] [Db] [Fm]
[Cm] [Fm] [Eb]
I was 19 years old.
[Fm] I had my brother Randy [Db] who has achieved some degree of success already.
So he just introduced me to everybody.
[Eb] [Db] We [A] played [Eb] together [Db]
like we were connected by umbilical cords.
[Ab]
[Eb] [Bbm] We can read [Ab] each other's minds.
There are things that go unsaid because we don't need to talk about them.
We just [Eb] know how to play together.
[Fm] [Eb]
[G] When [A]
I hit New York [G] back in 1970, it was a great time because the barriers between [Ab] [D] rock
and jazz were getting blurry.
[G] We walked [D] into this great [G] scene where we could start messing around.
[Ab] This sort of gave me a blank page to take what I had learned [Dm] from Coltrane and come
up with a different spin.
[F]
[Bm] We got popular among producers because we had a good horn section.
So they started bringing us [F] in to play [Dm] on rock records as a horn section.
Then I started playing solos on some of the records.
It was sort of a chain reaction.
[F] [Db]
[Eb] [G] [C]
[G]
[A]
[G] [A]
[D]
[A]
[G] [D]
[A] [D] Still crazy [A] after all [Db] [Gbm] these years.
[C]
Crazy.
[A]
[Gm] [F] [C]
[G] [Dm] [Bb]
[Gm] Gonna get in [B] contact.
[E] Gonna make [Fm] me clap now.
[F]
[Eb] I [Am] attempted for years to find ways to [Gm] [F] electrify the saxophone.
[Bb] Right around that time the EWI [C] appeared.
[Am] [Gm] [D]
[Db] It's [Fm] become almost as important to me as [N] the saxophone.
[Fm] [Eb] [Fm]
[Gb]
[Eb] [Db] [Ebm] [Eb]
[Gb] [Dbm]
I'm certainly [C] a conversationalist [Abm] type player.
I need to be constantly bouncing [Ebm] musical ideas off of the musicians [Bbm] that I'm playing [D] with.
[Dm] [C]
[G] [C] [G]
[C] [Gm] [C] [G]
[Cm] [C] [G]
[D] [Bb]
[D] [Bb]
[D] [Bb]
[G]
[C]
This [F] might sound strange, but [C] I believe [Dm] strongly in [E] commitment.
[C]
[Db] [Bm] [C] [Em]
[E] [A]
[D] [E]
[G] [Am] [Gb]
[Bb] [E] [Bb]
[E] [A] [D]
[E]
[G] [C]
[Bb] [F] [Gm]
[Db]
[E] [G]
[Ab]
[Abm] [G] [F] [E]
[F] [Dm] [E]
[C]
[F] [G]
[C]
[N] Thank you.
Key:
G
C
F
Eb
D
G
C
F
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [Eb] _ [D] _ _ [Gm] _ [Abm] _ _
_ _ _ _ _ [Gbm] [Em] Jazz [Dm] is just sort of the music of the moment.
[Cm] _ _ _ _ [G]
You play in the [Gb] present time and [Abm] then that's it.
[Ab] _ _
_ _ _ _ _ _ _ [Bb] _
_ _ _ _ _ _ [F] _ [Bb] _
_ _ _ _ _ _ _ [Ab] _
_ _ _ _ _ [F] _ _ [Bbm] _
_ _ _ _ _ _ [Ab] _ _
_ [Gb] _ _ _ _ _ [Eb] _ _
_ [Fm] _ _ _ _ _ _ _
_ _ _ [Eb] _ _ [C] _ _ [Gb] _
_ _ _ _ _ [Ab] _ [D] _ [Eb] _
_ [F] _ [Bb] _ _ [F] Critics are saying that finally they are [Bb] seeing you lighten up a little bit and having fun
with [Eb] your music.
[F] Why did it take [Bb] you so [Abm] long?
[Cm] _ Well, I [C] thought I [Ebm] was always having fun.
I [Bb] thought I was having fun.
_ _ [F] _ _ _ [C] _ _ _
_ [G] _ _ _ With saxophone [F] I've always been kind of a hard blower.
_ [G] I put [Ab] a lot of air [N] into it even when I try not to.
When I hit the stage I [D] get into it and I expend [F] a lot of wind. _
_ _ [Db] _ _ _ [Ab] _ _ _
When I was about 14 years old I was pretty convinced that I was going to go into [Gb] medicine.
[Fm] _ _
_ _ _ _ _ [Eb] And that [Bbm] was until I heard the music of John Coltrane.
[Dbm] I didn't understand it at first.
_ [Bm] It took a [Eb] while.
But once I [Ab] was able to hear it, _ _ everything changed. _ _ _ _ _ _
_ [Cm] _ _ [Ebm] _ _ [Fm] _ _ _
[Bb] _ [G] _ _ _ _ _ _ [Db] _
_ _ _ _ _ [G] _ [E] _ [G] _
[D] _ _ _ [G] _ _ _ _ _
_ _ _ [Db] _ _ [E] _ _ _
_ _ _ [Bb] _ _ [B] _ [N] I see music as a _ spiritual [Bb] endeavor.
[G] _
_ [Bbm] _ [D] _ [Db] _ _ _ _ [Fm] _
_ _ [Cm] _ _ [Fm] _ _ _ [Eb] _
I was 19 years old.
[Fm] I had my brother Randy [Db] who has achieved some degree of success already.
So he just introduced me to everybody.
[Eb] [Db] We [A] played [Eb] together [Db]
like we were connected by umbilical cords.
_ [Ab] _ _
_ _ [Eb] _ _ [Bbm] We can read [Ab] each other's minds.
There are things that go unsaid because we don't need to talk about them.
We just [Eb] know how to play together.
[Fm] _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ When _ [A]
I hit New York [G] back in 1970, _ it was a great time because the barriers between [Ab] [D] rock
and jazz were getting blurry.
_ [G] We walked [D] into this great [G] scene where we could start messing around.
[Ab] _ This sort of gave me a blank page to take what I had learned [Dm] from Coltrane and come
up with a different spin.
_ _ [F] _ _ _
[Bm] _ We got popular among producers because we had a good horn section.
So they started bringing us [F] in to play [Dm] on rock records as a horn section.
Then I started playing solos on some of the records.
It was sort of a chain reaction.
[F] _ _ _ [Db] _
_ [Eb] _ _ _ [G] _ [C] _ _ _
_ _ _ _ [G] _ _ _ _
_ [A] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [A] _ _ _
_ [G] _ _ _ _ [D] _ _ _
[A] _ _ _ _ _ [D] Still crazy [A] after all [Db] [Gbm] these _ years.
[C] _
Crazy.
_ [A] _ _ _ _ _
[Gm] _ _ [F] _ _ _ [C] _ _ _
_ [G] _ _ [Dm] _ _ [Bb] _ _ _
[Gm] _ Gonna get in [B] contact.
_ [E] Gonna make [Fm] me clap now.
_ _ _ [F] _ _ _
_ _ _ [Eb] _ _ I [Am] attempted for years to find ways to _ [Gm] _ [F] electrify the saxophone.
[Bb] Right around that time the EWI [C] appeared. _ _
_ [Am] _ _ [Gm] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Db] It's [Fm] become almost as important to me as [N] the saxophone. _
_ [Fm] _ _ _ _ [Eb] _ _ [Fm] _
_ _ _ _ _ _ _ [Gb] _
[Eb] _ _ _ _ _ [Db] _ [Ebm] _ [Eb] _
_ _ _ [Gb] _ _ _ [Dbm] _
I'm certainly [C] a conversationalist [Abm] type player.
I need to be constantly bouncing [Ebm] musical ideas off of the musicians [Bbm] that I'm playing [D] with.
_ _ _ _ [Dm] _ _ _ [C] _
[G] _ _ _ _ [C] _ [G] _ _ _
[C] _ [Gm] _ _ _ [C] _ _ [G] _ _
_ _ [Cm] _ [C] _ _ [G] _ _ _
_ [D] _ _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ [Bb] _ _ _ _
_ [D] _ _ _ _ _ _ [Bb] _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _
This [F] might sound strange, but [C] I believe [Dm] strongly in [E] commitment.
_ [C] _ _ _ _ _
[Db] _ _ [Bm] _ [C] _ _ _ _ [Em] _
_ [E] _ _ _ _ _ [A] _ _
_ _ _ [D] _ _ _ _ [E] _
_ [G] _ _ _ [Am] _ _ _ [Gb] _
_ [Bb] _ _ [E] _ _ _ [Bb] _ _
_ _ _ [E] _ _ [A] _ _ [D] _
_ _ _ _ [E] _ _ _ _
_ [G] _ _ _ _ _ [C] _ _
_ _ _ [Bb] _ _ [F] _ _ [Gm] _
_ _ _ _ _ [Db] _ _ _
_ [E] _ _ _ [G] _ _ _ _
_ _ _ _ _ _ [Ab] _ _
[Abm] _ [G] _ _ _ _ [F] _ [E] _ _
[F] _ _ _ [Dm] _ _ [E] _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F] _ _ [G] _ _ _
[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [N] Thank you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [Eb] _ [D] _ _ [Gm] _ [Abm] _ _
_ _ _ _ _ [Gbm] [Em] Jazz [Dm] is just sort of the music of the moment.
[Cm] _ _ _ _ [G]
You play in the [Gb] present time and [Abm] then that's it.
[Ab] _ _
_ _ _ _ _ _ _ [Bb] _
_ _ _ _ _ _ [F] _ [Bb] _
_ _ _ _ _ _ _ [Ab] _
_ _ _ _ _ [F] _ _ [Bbm] _
_ _ _ _ _ _ [Ab] _ _
_ [Gb] _ _ _ _ _ [Eb] _ _
_ [Fm] _ _ _ _ _ _ _
_ _ _ [Eb] _ _ [C] _ _ [Gb] _
_ _ _ _ _ [Ab] _ [D] _ [Eb] _
_ [F] _ [Bb] _ _ [F] Critics are saying that finally they are [Bb] seeing you lighten up a little bit and having fun
with [Eb] your music.
[F] Why did it take [Bb] you so [Abm] long?
[Cm] _ Well, I [C] thought I [Ebm] was always having fun.
I [Bb] thought I was having fun.
_ _ [F] _ _ _ [C] _ _ _
_ [G] _ _ _ With saxophone [F] I've always been kind of a hard blower.
_ [G] I put [Ab] a lot of air [N] into it even when I try not to.
When I hit the stage I [D] get into it and I expend [F] a lot of wind. _
_ _ [Db] _ _ _ [Ab] _ _ _
When I was about 14 years old I was pretty convinced that I was going to go into [Gb] medicine.
[Fm] _ _
_ _ _ _ _ [Eb] And that [Bbm] was until I heard the music of John Coltrane.
[Dbm] I didn't understand it at first.
_ [Bm] It took a [Eb] while.
But once I [Ab] was able to hear it, _ _ everything changed. _ _ _ _ _ _
_ [Cm] _ _ [Ebm] _ _ [Fm] _ _ _
[Bb] _ [G] _ _ _ _ _ _ [Db] _
_ _ _ _ _ [G] _ [E] _ [G] _
[D] _ _ _ [G] _ _ _ _ _
_ _ _ [Db] _ _ [E] _ _ _
_ _ _ [Bb] _ _ [B] _ [N] I see music as a _ spiritual [Bb] endeavor.
[G] _
_ [Bbm] _ [D] _ [Db] _ _ _ _ [Fm] _
_ _ [Cm] _ _ [Fm] _ _ _ [Eb] _
I was 19 years old.
[Fm] I had my brother Randy [Db] who has achieved some degree of success already.
So he just introduced me to everybody.
[Eb] [Db] We [A] played [Eb] together [Db]
like we were connected by umbilical cords.
_ [Ab] _ _
_ _ [Eb] _ _ [Bbm] We can read [Ab] each other's minds.
There are things that go unsaid because we don't need to talk about them.
We just [Eb] know how to play together.
[Fm] _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ When _ [A]
I hit New York [G] back in 1970, _ it was a great time because the barriers between [Ab] [D] rock
and jazz were getting blurry.
_ [G] We walked [D] into this great [G] scene where we could start messing around.
[Ab] _ This sort of gave me a blank page to take what I had learned [Dm] from Coltrane and come
up with a different spin.
_ _ [F] _ _ _
[Bm] _ We got popular among producers because we had a good horn section.
So they started bringing us [F] in to play [Dm] on rock records as a horn section.
Then I started playing solos on some of the records.
It was sort of a chain reaction.
[F] _ _ _ [Db] _
_ [Eb] _ _ _ [G] _ [C] _ _ _
_ _ _ _ [G] _ _ _ _
_ [A] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [A] _ _ _
_ [G] _ _ _ _ [D] _ _ _
[A] _ _ _ _ _ [D] Still crazy [A] after all [Db] [Gbm] these _ years.
[C] _
Crazy.
_ [A] _ _ _ _ _
[Gm] _ _ [F] _ _ _ [C] _ _ _
_ [G] _ _ [Dm] _ _ [Bb] _ _ _
[Gm] _ Gonna get in [B] contact.
_ [E] Gonna make [Fm] me clap now.
_ _ _ [F] _ _ _
_ _ _ [Eb] _ _ I [Am] attempted for years to find ways to _ [Gm] _ [F] electrify the saxophone.
[Bb] Right around that time the EWI [C] appeared. _ _
_ [Am] _ _ [Gm] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Db] It's [Fm] become almost as important to me as [N] the saxophone. _
_ [Fm] _ _ _ _ [Eb] _ _ [Fm] _
_ _ _ _ _ _ _ [Gb] _
[Eb] _ _ _ _ _ [Db] _ [Ebm] _ [Eb] _
_ _ _ [Gb] _ _ _ [Dbm] _
I'm certainly [C] a conversationalist [Abm] type player.
I need to be constantly bouncing [Ebm] musical ideas off of the musicians [Bbm] that I'm playing [D] with.
_ _ _ _ [Dm] _ _ _ [C] _
[G] _ _ _ _ [C] _ [G] _ _ _
[C] _ [Gm] _ _ _ [C] _ _ [G] _ _
_ _ [Cm] _ [C] _ _ [G] _ _ _
_ [D] _ _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ [Bb] _ _ _ _
_ [D] _ _ _ _ _ _ [Bb] _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _
This [F] might sound strange, but [C] I believe [Dm] strongly in [E] commitment.
_ [C] _ _ _ _ _
[Db] _ _ [Bm] _ [C] _ _ _ _ [Em] _
_ [E] _ _ _ _ _ [A] _ _
_ _ _ [D] _ _ _ _ [E] _
_ [G] _ _ _ [Am] _ _ _ [Gb] _
_ [Bb] _ _ [E] _ _ _ [Bb] _ _
_ _ _ [E] _ _ [A] _ _ [D] _
_ _ _ _ [E] _ _ _ _
_ [G] _ _ _ _ _ [C] _ _
_ _ _ [Bb] _ _ [F] _ _ [Gm] _
_ _ _ _ _ [Db] _ _ _
_ [E] _ _ _ [G] _ _ _ _
_ _ _ _ _ _ [Ab] _ _
[Abm] _ [G] _ _ _ _ [F] _ [E] _ _
[F] _ _ _ [Dm] _ _ [E] _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F] _ _ [G] _ _ _
[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [N] Thank you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _