Chords for Michael Bublé - Help Me Make It Through The Night (feat. Loren Allred) [ Track by Track]
Tempo:
78.7 bpm
Chords used:
D
A
G
Em
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![Michael Bublé - Help Me Make It Through The Night (feat. Loren Allred) [ Track by Track] chords](https://i.ytimg.com/vi/IQDkcpKPdZ4/mqdefault.jpg)
Start Jamming...
[Em] [A] [D] What a beautiful, sad, lonely song.
Take that ribbon from you here
Shake it [G] loose
My concept had always been so strong,
and in my head it was always a duet.
I'd never heard this as a [A] duet before,
but I had always seen it [Bm] as this incredibly sad
but [C#] beautiful story [E] of two [D] needy people
that just did not have the strength to be alone anymore.
Come lay down by my side
Till the early [G] morning light
I wasn't sure who would sing it with me.
I had been watching a movie called [A] The Greatest Showman,
and there was this song called Never [Em] Enough,
and the character, [A] there was this beautiful scene in this theater
where she [D] just, she sings this gorgeous song,
and I [G] realized the actress, it [D] wasn't her singing,
[G] so I frantically started to go to YouTube to find out who this was.
And since this is a live version of this,
[D] in Sherloff, I found Lauren Allred.
Let the devil [E] take tomorrow
Lord, tonight [A] I need a friend
Yesterday [D] is dead [A] [Bm] and gone
[D] And [G] tomorrow's out of sight
And tomorrow's out of sight
I had a serious voice crush.
And you [A] know what's funny is,
you never know who these people are
[Em] when they come into the studio.
[D] Many times, you know, you haven't met them.
And she walked in, and she was more than I would have ever hoped for.
Lauren?
Yes?
You know, I don't want to embarrass you,
because I'm [G] terrible with getting this kind [D] of stuff,
but [G] you are absolutely beautiful.
You have the most [Em] beautiful voice and [G] control.
You know that. Thank you.
[A] I don't want to embarrass you.
[Em] I can't take compliments very well, [A] so.
I have trouble, but you do well.
[D] I don't sing that well.
I don't need to take that many compliments.
We had way too much fun.
I [Am] don't [D] care who's [G] right or wrong
[C] I had [G] such joy with her as a person
[D] that I wanted the characters to fall in love at the end.
And so instead of [E] ending off in this melancholy way,
I changed the words, too.
Instead [Bm] of just saying, you know,
help me [A] make it through the night,
and I don't [D] want to be alone, [G] or it's sad to be alone,
I said…simply, I said, I'm just [D] saying you don't have to be alone.
I'll help you make it through the night.
And she said, I didn't want to be alone.
Help [G] me make it through the night.
And I said, you don't HAVE to be alone.
I'll help you make it through the night.
[D] And then, in harmony together, we ended the [A] song saying,
I [Bm]'ll help you make it [A] through the night.
And we're [Em] together.
I thought that was really [A] a nice way [D] of changing the [G] subtext a little bit in the story [A] without
[E] changing it too much.
It's still [A] melancholy, but they end up together in this movie.
Don't they make it through [D] the night?
[G] You don't have to [A] be alone.
I'll help you make it through the [G] night.
[A] [D]
[N]
Take that ribbon from you here
Shake it [G] loose
My concept had always been so strong,
and in my head it was always a duet.
I'd never heard this as a [A] duet before,
but I had always seen it [Bm] as this incredibly sad
but [C#] beautiful story [E] of two [D] needy people
that just did not have the strength to be alone anymore.
Come lay down by my side
Till the early [G] morning light
I wasn't sure who would sing it with me.
I had been watching a movie called [A] The Greatest Showman,
and there was this song called Never [Em] Enough,
and the character, [A] there was this beautiful scene in this theater
where she [D] just, she sings this gorgeous song,
and I [G] realized the actress, it [D] wasn't her singing,
[G] so I frantically started to go to YouTube to find out who this was.
And since this is a live version of this,
[D] in Sherloff, I found Lauren Allred.
Let the devil [E] take tomorrow
Lord, tonight [A] I need a friend
Yesterday [D] is dead [A] [Bm] and gone
[D] And [G] tomorrow's out of sight
And tomorrow's out of sight
I had a serious voice crush.
And you [A] know what's funny is,
you never know who these people are
[Em] when they come into the studio.
[D] Many times, you know, you haven't met them.
And she walked in, and she was more than I would have ever hoped for.
Lauren?
Yes?
You know, I don't want to embarrass you,
because I'm [G] terrible with getting this kind [D] of stuff,
but [G] you are absolutely beautiful.
You have the most [Em] beautiful voice and [G] control.
You know that. Thank you.
[A] I don't want to embarrass you.
[Em] I can't take compliments very well, [A] so.
I have trouble, but you do well.
[D] I don't sing that well.
I don't need to take that many compliments.
We had way too much fun.
I [Am] don't [D] care who's [G] right or wrong
[C] I had [G] such joy with her as a person
[D] that I wanted the characters to fall in love at the end.
And so instead of [E] ending off in this melancholy way,
I changed the words, too.
Instead [Bm] of just saying, you know,
help me [A] make it through the night,
and I don't [D] want to be alone, [G] or it's sad to be alone,
I said…simply, I said, I'm just [D] saying you don't have to be alone.
I'll help you make it through the night.
And she said, I didn't want to be alone.
Help [G] me make it through the night.
And I said, you don't HAVE to be alone.
I'll help you make it through the night.
[D] And then, in harmony together, we ended the [A] song saying,
I [Bm]'ll help you make it [A] through the night.
And we're [Em] together.
I thought that was really [A] a nice way [D] of changing the [G] subtext a little bit in the story [A] without
[E] changing it too much.
It's still [A] melancholy, but they end up together in this movie.
Don't they make it through [D] the night?
[G] You don't have to [A] be alone.
I'll help you make it through the [G] night.
[A] [D]
[N]
Key:
D
A
G
Em
Bm
D
A
G
[Em] _ [A] _ [D] What a beautiful, sad, lonely song.
Take that ribbon from you here
Shake _ _ it [G] loose
My concept had always been so strong,
and in my head it was always a duet.
I'd never heard this as a [A] duet before,
but I had always seen it [Bm] as this incredibly sad
but [C#] beautiful story [E] of two [D] needy people
that just did not have the strength to be alone anymore.
Come lay down by my side
Till the early [G] morning _ light
I wasn't sure who would sing it with me.
I had been watching a movie called [A] The Greatest Showman,
and there was this song called Never [Em] Enough,
and the character, [A] there was this beautiful scene in this theater
where she [D] just, she sings this gorgeous song,
and I [G] realized the actress, it [D] wasn't her singing,
[G] so I frantically started to go to YouTube to find out who this was.
And since this is a live version of this,
[D] in Sherloff, I found _ Lauren Allred.
Let the devil [E] take tomorrow
_ Lord, tonight [A] I need a friend
_ Yesterday [D] is dead _ [A] _ [Bm] and gone
[D] And [G] tomorrow's out of sight
_ And tomorrow's out of sight
I had a serious voice crush.
And you [A] know what's funny is,
you never know who these people are
[Em] when they come into the studio.
[D] Many times, you know, you haven't met them.
And she walked in, and she was more than I would have ever hoped for.
Lauren?
Yes?
You know, I don't want to embarrass you,
because I'm [G] terrible with getting this kind [D] of stuff,
but [G] you are absolutely beautiful.
You have the most [Em] beautiful voice and [G] control.
You know that. Thank you.
[A] I don't want to embarrass you.
[Em] I can't take compliments very well, [A] so.
I have trouble, but you do well.
[D] I don't sing that well.
I don't need to take that many compliments.
We had way too much fun.
I [Am] don't [D] care who's [G] right or wrong
[C] I had [G] such joy with her as a person
[D] that I wanted the characters to fall in love at the end.
And so instead of [E] ending off in this melancholy way,
I changed the words, too.
Instead [Bm] of just saying, you know,
help me [A] make it through the night,
and I don't [D] want to be alone, [G] or it's sad to be alone,
I said…simply, I said, I'm just [D] saying you don't have to be alone.
I'll help you make it through the night.
And she said, I didn't want to be alone.
Help [G] me make it through the night.
And I said, you don't HAVE to be alone.
I'll help you make it through the night.
[D] And then, in harmony together, we ended the [A] song saying,
I [Bm]'ll help you make it [A] through the night.
And we're [Em] together.
I thought that was really [A] a nice way [D] of changing the [G] _ subtext a little bit in the story [A] without
[E] changing it too much.
It's still [A] melancholy, but they end up together in this movie.
Don't they make it through [D] the night?
_ [G] _ You don't have to [A] be alone.
_ _ I'll help you make it through the [G] night.
[A] _ _ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
Take that ribbon from you here
Shake _ _ it [G] loose
My concept had always been so strong,
and in my head it was always a duet.
I'd never heard this as a [A] duet before,
but I had always seen it [Bm] as this incredibly sad
but [C#] beautiful story [E] of two [D] needy people
that just did not have the strength to be alone anymore.
Come lay down by my side
Till the early [G] morning _ light
I wasn't sure who would sing it with me.
I had been watching a movie called [A] The Greatest Showman,
and there was this song called Never [Em] Enough,
and the character, [A] there was this beautiful scene in this theater
where she [D] just, she sings this gorgeous song,
and I [G] realized the actress, it [D] wasn't her singing,
[G] so I frantically started to go to YouTube to find out who this was.
And since this is a live version of this,
[D] in Sherloff, I found _ Lauren Allred.
Let the devil [E] take tomorrow
_ Lord, tonight [A] I need a friend
_ Yesterday [D] is dead _ [A] _ [Bm] and gone
[D] And [G] tomorrow's out of sight
_ And tomorrow's out of sight
I had a serious voice crush.
And you [A] know what's funny is,
you never know who these people are
[Em] when they come into the studio.
[D] Many times, you know, you haven't met them.
And she walked in, and she was more than I would have ever hoped for.
Lauren?
Yes?
You know, I don't want to embarrass you,
because I'm [G] terrible with getting this kind [D] of stuff,
but [G] you are absolutely beautiful.
You have the most [Em] beautiful voice and [G] control.
You know that. Thank you.
[A] I don't want to embarrass you.
[Em] I can't take compliments very well, [A] so.
I have trouble, but you do well.
[D] I don't sing that well.
I don't need to take that many compliments.
We had way too much fun.
I [Am] don't [D] care who's [G] right or wrong
[C] I had [G] such joy with her as a person
[D] that I wanted the characters to fall in love at the end.
And so instead of [E] ending off in this melancholy way,
I changed the words, too.
Instead [Bm] of just saying, you know,
help me [A] make it through the night,
and I don't [D] want to be alone, [G] or it's sad to be alone,
I said…simply, I said, I'm just [D] saying you don't have to be alone.
I'll help you make it through the night.
And she said, I didn't want to be alone.
Help [G] me make it through the night.
And I said, you don't HAVE to be alone.
I'll help you make it through the night.
[D] And then, in harmony together, we ended the [A] song saying,
I [Bm]'ll help you make it [A] through the night.
And we're [Em] together.
I thought that was really [A] a nice way [D] of changing the [G] _ subtext a little bit in the story [A] without
[E] changing it too much.
It's still [A] melancholy, but they end up together in this movie.
Don't they make it through [D] the night?
_ [G] _ You don't have to [A] be alone.
_ _ I'll help you make it through the [G] night.
[A] _ _ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _