Chords for Michael.Jackson.And.The.Jacksons._.Jackson.5.Tribute.To.Groups The.Carol.Burnett.Show
Tempo:
85.75 bpm
Chords used:
F
C
G
Bb
Fm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Every vocal group is made up of individuals and tonight I'd like you to meet each member of the Jackson 5.
Jermaine, Tito, Marlon, Michael, and the newest member of the group, Randy.
I guess you're pretty happy to be working with your brothers, huh?
Heck no!
Without them, I could have been rotting out on Red Bee.
You know, I'm on television and I've made a couple movies and I have been on Broadway, but there's one thing I have never wanted to do that I'm dying to do.
What's that?
Well, be part of a vocal group.
Would you like to be?
Yeah, more than anything.
Do you have any experience, Carol?
Experience?
Yeah.
Well, yeah.
Let me see.
I used to sing [Bm] with a group when I was a [N] brownie.
A what?
I'm sorry.
A Girl Scout.
That's right.
So what do you say, huh?
I don't know.
To do it, you have to start real young.
Well
No, I mean, real young.
Oh.
Well, I tell you, why don't you do it and I'll just listen.
[C]
[A] [C] Well, we finally go to the [E] 30s where the Mills Brothers made the scene.
[Bb] Put the top voice high.
[Ab] And the low voice lower.
[G] Mills in the in-between.
[D] Oh, baby, I'm a rockin' my brain.
[Cm]
[G]
[C] [Cm] [A]
I'm [C] [Eb]
a rockin' [F] [Db]
[Gb] [Em] [F]
my brain.
[Dm] [C] It's all but one.
One.
[N]
[Fm] [E] [Am] Three young ladies [A] found a good sound back around World War II.
Oh, they were heavy, heavy, heavy.
[Gm] And we like to do for [C] you.
The Andrews Sisters.
Why?
I don't want to [Db] be an Andrews Sister.
Am I?
Come on.
And I don't want to be a Carol.
[D] Not me.
Okay, [Eb] since those were the warriors, [E] we'll do it like in the army.
Alright.
[F] Like some volunteers.
[Ab] All I want to be in Andrews is to take one step [N] forward.
Hit it [Fm] girls!
[Ab]
[Ebm] [Ab] [Fm] [Bbm]
[Bb] [Gb]
[Bb] [Ebm] Give those girls a hand.
How about it?
Yeah, come on and sing.
[N] [D] After the Andrews game, we sort of set the stage.
Hey, hard rap!
For what was known in the Rolling Stones [E] as the musical golden age.
Groots, like the [C] coaster.
They [F] got the peoples in the trash.
Boy, you gon' get your [Bb] spitting cash.
[G] And when you [C] get through doing that, [Bb]
call in the dogs and put out the gas.
[D] Don't talk back.
Once [Eb] again, the group gained a lot of attention.
And among those magical musical teams, [C] there were three young ladies [Ab] who were called the Supremes.
That's right.
It was Diana Ross, Mary, Florence.
The Supremes!
There ain't gonna be no Supreme, Mike.
Come on, man.
And I don't want to be another girl, Michael.
I'm not gonna [G] be no Supreme either.
I tell you what.
We'll ask for volunteers.
All who want to be a Supreme, take one [N]
step
backwards.
Hit it, [Am] girls!
[G] In the [F] name
Before [G] you break my [Am] heart.
In [G] the name
[F] [G] Before you break my heart.
[C] It's an old world of ours.
[N]
[G] In [B] the [C] box, Diana Ross.
Five young boys who made a lot of noise.
I [F] sing around the piano in Gary, Indiana.
She said this is a slow [E] town.
Come up with me one more time.
[F] Think a song you'd like.
Grab yourself a [C] mic, shake a little.
Make [D] yourself a hit.
Do it, do it, do it.
It [G] feels good.
And we did it.
[N]
Hi,
[G] [Bb] [Gm]
baby.
Movie, baby.
Automatic, systematic.
Free for the second time.
Do the channel, do your part.
Got a little stimulant.
She said you're sexy, lady.
It was best safe design.
She's moving, [Eb] she's grooving.
Dancing, dancing.
[G] Views, spotlight.
Yeah.
[Bb]
She's dancing, dancing, [Bm] dancing.
She's watching it down, watching [F] it down.
And she'll do, do, do everything.
[Gm] Wanna see?
She's dancing, dancing, [Em] dancing.
She's watching it down, watching it down.
And she'll do, do, do everything. Wanna see?
[Gm] Hey!
[N] Thank you.
[F]
Hey, Randy.
Yeah.
Listen to what they're playing.
I know that.
Sonny and Cher used to do that.
Right.
This is my chance.
I'll be Cher and you be Sonny.
Okay?
Uh-uh, that's my part.
[Bb]
Go [F] home, Cher.
I want you to go home.
Go home.
Not until I see.
[Bb] What's your name?
Janet.
You sing with the group?
[Fm] In the Jackson 5 [F] family, everybody works.
Okay.
Ladies [Bb] and gentlemen, Sonny [F] and Cher.
And the beat goes on.
The beat goes on.
And the beat [Fm] goes [Bb] on.
Jump, keep on down to the [F] [Fm]
radio.
[Db] [Bb] Sing [Ab] words, wonder, and try to die.
[Bb]
The beat's alive.
[F] [Bb] And it's [Fm] crystallizing.
[Ab] [Fm] [F] And the beat [Fm] goes on.
The beat goes on.
[F] And the beat goes on.
And the beat goes on.
And the beat goes on.
[Fm] [B]
Yes, the beat goes [Eb] on.
[Ab] [Bb]
[N]
Be sure and be with us next week when our guests will be Jack Weston and Michelle Lee.
And remember, the fight against pollution begins with you and with me, so let's do something [D] about it.
I'm so [Am] glad we had this [D] time together.
[Am] Just to have a laugh [Fm] or sing a [G] song.
Seems we just get [A] started.
And [B] before you know it, [E]
comes the [A] time we have [Fm] to [D] say so [G] long.
Good night.
[E] [Dm]
[C] [A] [C]
[F] [E]
[Dm] [G]
[A] Stan Laurel was played by Bill Richmond.
[C] The part of the milkman was played by [D] Tony Young.
Life of the Party was [C] previously recorded.
[F] [Fm] [Em]
[Dm] [Gm] The [A] preceding program was recorded before a live audience.
[D] [Cm] [A] [G]
Jermaine, Tito, Marlon, Michael, and the newest member of the group, Randy.
I guess you're pretty happy to be working with your brothers, huh?
Heck no!
Without them, I could have been rotting out on Red Bee.
You know, I'm on television and I've made a couple movies and I have been on Broadway, but there's one thing I have never wanted to do that I'm dying to do.
What's that?
Well, be part of a vocal group.
Would you like to be?
Yeah, more than anything.
Do you have any experience, Carol?
Experience?
Yeah.
Well, yeah.
Let me see.
I used to sing [Bm] with a group when I was a [N] brownie.
A what?
I'm sorry.
A Girl Scout.
That's right.
So what do you say, huh?
I don't know.
To do it, you have to start real young.
Well
No, I mean, real young.
Oh.
Well, I tell you, why don't you do it and I'll just listen.
[C]
[A] [C] Well, we finally go to the [E] 30s where the Mills Brothers made the scene.
[Bb] Put the top voice high.
[Ab] And the low voice lower.
[G] Mills in the in-between.
[D] Oh, baby, I'm a rockin' my brain.
[Cm]
[G]
[C] [Cm] [A]
I'm [C] [Eb]
a rockin' [F] [Db]
[Gb] [Em] [F]
my brain.
[Dm] [C] It's all but one.
One.
[N]
[Fm] [E] [Am] Three young ladies [A] found a good sound back around World War II.
Oh, they were heavy, heavy, heavy.
[Gm] And we like to do for [C] you.
The Andrews Sisters.
Why?
I don't want to [Db] be an Andrews Sister.
Am I?
Come on.
And I don't want to be a Carol.
[D] Not me.
Okay, [Eb] since those were the warriors, [E] we'll do it like in the army.
Alright.
[F] Like some volunteers.
[Ab] All I want to be in Andrews is to take one step [N] forward.
Hit it [Fm] girls!
[Ab]
[Ebm] [Ab] [Fm] [Bbm]
[Bb] [Gb]
[Bb] [Ebm] Give those girls a hand.
How about it?
Yeah, come on and sing.
[N] [D] After the Andrews game, we sort of set the stage.
Hey, hard rap!
For what was known in the Rolling Stones [E] as the musical golden age.
Groots, like the [C] coaster.
They [F] got the peoples in the trash.
Boy, you gon' get your [Bb] spitting cash.
[G] And when you [C] get through doing that, [Bb]
call in the dogs and put out the gas.
[D] Don't talk back.
Once [Eb] again, the group gained a lot of attention.
And among those magical musical teams, [C] there were three young ladies [Ab] who were called the Supremes.
That's right.
It was Diana Ross, Mary, Florence.
The Supremes!
There ain't gonna be no Supreme, Mike.
Come on, man.
And I don't want to be another girl, Michael.
I'm not gonna [G] be no Supreme either.
I tell you what.
We'll ask for volunteers.
All who want to be a Supreme, take one [N]
step
backwards.
Hit it, [Am] girls!
[G] In the [F] name
Before [G] you break my [Am] heart.
In [G] the name
[F] [G] Before you break my heart.
[C] It's an old world of ours.
[N]
[G] In [B] the [C] box, Diana Ross.
Five young boys who made a lot of noise.
I [F] sing around the piano in Gary, Indiana.
She said this is a slow [E] town.
Come up with me one more time.
[F] Think a song you'd like.
Grab yourself a [C] mic, shake a little.
Make [D] yourself a hit.
Do it, do it, do it.
It [G] feels good.
And we did it.
[N]
Hi,
[G] [Bb] [Gm]
baby.
Movie, baby.
Automatic, systematic.
Free for the second time.
Do the channel, do your part.
Got a little stimulant.
She said you're sexy, lady.
It was best safe design.
She's moving, [Eb] she's grooving.
Dancing, dancing.
[G] Views, spotlight.
Yeah.
[Bb]
She's dancing, dancing, [Bm] dancing.
She's watching it down, watching [F] it down.
And she'll do, do, do everything.
[Gm] Wanna see?
She's dancing, dancing, [Em] dancing.
She's watching it down, watching it down.
And she'll do, do, do everything. Wanna see?
[Gm] Hey!
[N] Thank you.
[F]
Hey, Randy.
Yeah.
Listen to what they're playing.
I know that.
Sonny and Cher used to do that.
Right.
This is my chance.
I'll be Cher and you be Sonny.
Okay?
Uh-uh, that's my part.
[Bb]
Go [F] home, Cher.
I want you to go home.
Go home.
Not until I see.
[Bb] What's your name?
Janet.
You sing with the group?
[Fm] In the Jackson 5 [F] family, everybody works.
Okay.
Ladies [Bb] and gentlemen, Sonny [F] and Cher.
And the beat goes on.
The beat goes on.
And the beat [Fm] goes [Bb] on.
Jump, keep on down to the [F] [Fm]
radio.
[Db] [Bb] Sing [Ab] words, wonder, and try to die.
[Bb]
The beat's alive.
[F] [Bb] And it's [Fm] crystallizing.
[Ab] [Fm] [F] And the beat [Fm] goes on.
The beat goes on.
[F] And the beat goes on.
And the beat goes on.
And the beat goes on.
[Fm] [B]
Yes, the beat goes [Eb] on.
[Ab] [Bb]
[N]
Be sure and be with us next week when our guests will be Jack Weston and Michelle Lee.
And remember, the fight against pollution begins with you and with me, so let's do something [D] about it.
I'm so [Am] glad we had this [D] time together.
[Am] Just to have a laugh [Fm] or sing a [G] song.
Seems we just get [A] started.
And [B] before you know it, [E]
comes the [A] time we have [Fm] to [D] say so [G] long.
Good night.
[E] [Dm]
[C] [A] [C]
[F] [E]
[Dm] [G]
[A] Stan Laurel was played by Bill Richmond.
[C] The part of the milkman was played by [D] Tony Young.
Life of the Party was [C] previously recorded.
[F] [Fm] [Em]
[Dm] [Gm] The [A] preceding program was recorded before a live audience.
[D] [Cm] [A] [G]
Key:
F
C
G
Bb
Fm
F
C
G
_ _ Every vocal group is made up of individuals and tonight I'd like you to meet each member of the Jackson 5. _ _ _ _
_ _ _ _ _ _ Jermaine, Tito, Marlon, Michael, and the newest member of the group, Randy.
I guess _ _ you're _ _ _ pretty happy to be working with your brothers, huh?
Heck no!
Without them, I could have been rotting out on Red Bee.
_ You know, I'm on television and I've made a couple movies and I have been on Broadway, but there's one thing I have never wanted to do that I'm dying to do.
What's that?
Well, be part of a vocal group.
Would you like to be?
Yeah, more than anything.
Do you have any experience, Carol?
Experience?
Yeah.
Well, yeah.
Let me see.
I used to sing [Bm] with a group when I was a [N] brownie.
A what?
I'm sorry.
A _ _ Girl Scout.
That's right.
So what do you say, huh?
I don't know.
To do it, you have to start real young.
Well_
No, I mean, real young.
_ _ Oh.
Well, I tell you, why don't you do it and I'll just listen.
_ _ [C] _ _
_ _ [A] _ [C] Well, we finally go to the [E] 30s where the Mills Brothers made the scene.
[Bb] Put the top voice high.
[Ab] And the low voice lower.
[G] Mills in the in-between.
_ _ [D] Oh, baby, I'm a rockin' my brain.
[Cm] _
_ _ _ _ [G] _ _ _ _
_ [C] _ _ _ [Cm] _ _ _ [A]
I'm _ _ [C] _ _ _ [Eb] _
a rockin' [F] _ _ _ _ [Db] _
[Gb] _ _ _ [Em] _ _ _ [F] _ _
my brain.
_ [Dm] _ [C] It's all but one.
One.
_ _ _ [N] _ _ _ _
_ [Fm] _ _ [E] _ [Am] Three young ladies [A] found a good sound back around World War II.
Oh, they were heavy, heavy, heavy.
[Gm] And we like to do for [C] you.
The Andrews Sisters.
Why?
I don't want to [Db] be an Andrews Sister.
Am I?
Come on.
And I don't want to be a Carol.
[D] Not me.
_ _ Okay, [Eb] since those were the warriors, [E] we'll do it like in the army.
Alright.
[F] Like some volunteers.
[Ab] All I want to be in Andrews is to take one step [N] forward. _ _ _ _ _ _
_ Hit it [Fm] girls!
_ _ _ [Ab] _
[Ebm] _ _ [Ab] _ _ [Fm] _ _ [Bbm] _ _
_ _ _ _ _ [Bb] _ _ [Gb] _
_ _ [Bb] _ _ [Ebm] Give those girls a hand.
How about it?
Yeah, come on and sing.
[N] _ _ _ _ [D] After the Andrews game, we sort of set the stage.
Hey, hard rap!
For what was known in the Rolling Stones [E] as the musical golden age.
Groots, like the [C] coaster. _
They [F] got the peoples in the trash.
Boy, you gon' get your [Bb] spitting cash.
_ [G] And when you [C] get through doing that, _ [Bb]
call in the dogs and put out the gas.
[D] Don't talk back. _ _
Once [Eb] again, the group gained a lot of attention.
_ And among those magical musical teams, [C] there were three young ladies [Ab] who were called the Supremes.
That's right.
It was Diana Ross, Mary, Florence.
The Supremes!
There ain't gonna be no Supreme, Mike.
Come on, man.
And I don't want to be another girl, Michael.
I'm not gonna [G] be no Supreme either.
I tell you what.
We'll ask for volunteers.
All who want to be a Supreme, take one [N] _
step_
backwards.
_ _ Hit it, [Am] girls!
_ _ _ [G] In the _ [F] name_
Before [G] you break my [Am] heart.
In [G] the name_
[F] _ [G] Before you break my heart.
[C] It's an old world of ours.
_ _ _ _ [N] _ _ _
_ _ _ [G] _ _ In [B] the [C] box, Diana Ross.
Five young boys who made a lot of noise.
I [F] sing around the piano in Gary, Indiana.
She said this is a slow [E] town.
Come up with me one more time.
[F] Think a song you'd like.
Grab yourself a [C] mic, shake a little.
Make [D] yourself a hit.
Do it, do it, do it.
It [G] feels good.
And we did it.
_ [N] _
_ _ _ _ Hi, _ _
[G] _ _ _ [Bb] _ _ _ [Gm] _
baby.
Movie, baby.
Automatic, systematic.
Free for the second time.
Do the channel, do your part.
_ Got a little stimulant.
She said you're sexy, lady.
It was best safe design.
She's moving, [Eb] she's grooving.
Dancing, dancing.
[G] Views, spotlight. _
Yeah.
_ [Bb] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ She's dancing, dancing, [Bm] dancing.
She's watching it down, watching [F] it down.
And she'll do, do, do everything.
[Gm] Wanna see? _
She's dancing, dancing, [Em] dancing.
She's watching it down, watching it down.
And she'll do, do, do everything. Wanna see?
[Gm] Hey!
_ _ _ [N] Thank you.
_ _ _ [F] _ _ _ _ _
_ _ _ Hey, Randy.
Yeah.
Listen to what they're playing.
I know that.
Sonny and Cher used to do that.
Right.
This is my chance.
I'll be Cher and you be Sonny.
Okay?
Uh-uh, that's my part.
_ [Bb] _
_ _ _ Go [F] home, Cher.
I want you to go home.
Go home.
Not until I see.
_ _ [Bb] _ What's your name?
Janet.
You sing with the group?
[Fm] In the Jackson 5 [F] family, everybody works. _
Okay.
Ladies [Bb] and gentlemen, Sonny [F] and Cher. _ _
_ _ _ And the beat goes on.
The beat goes on.
And the beat _ [Fm] goes [Bb] on.
Jump, keep on down to the [F] _ _ [Fm] _ _ _
radio.
_ _ [Db] _ _ _ [Bb] Sing [Ab] words, wonder, and try to die.
[Bb] _ _ _ _ _
The beat's alive.
[F] _ _ _ [Bb] And it's [Fm] crystallizing. _ _ _ _ _ _
[Ab] _ _ [Fm] _ _ [F] And the beat [Fm] goes on.
The beat goes on.
[F] _ And the beat goes _ on.
And the beat _ goes on.
And the beat goes on. _ _
_ _ _ _ [Fm] _ _ _ [B]
Yes, the beat goes [Eb] on.
[Ab] _ _ _ [Bb] _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ Be sure and be with us next week when our guests will be Jack Weston and Michelle Lee.
And remember, the fight against pollution begins with you and with me, so let's do something [D] about it. _
I'm so [Am] glad we had this [D] time together. _
[Am] Just to have a laugh [Fm] or sing a [G] song.
Seems we just get [A] started.
And [B] before you know it, [E]
comes the [A] time we have [Fm] to [D] say so [G] long.
Good night.
_ [E] _ _ [Dm] _ _ _ _
[C] _ _ [A] _ _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [E] _
_ _ _ [Dm] _ _ _ _ [G] _
_ _ [A] Stan Laurel was played by Bill Richmond.
[C] The part of the milkman was played by [D] Tony Young.
Life of the Party was [C] previously recorded. _
_ _ [F] _ _ [Fm] _ _ [Em] _ _
_ [Dm] _ _ [Gm] The [A] preceding program was recorded before a live audience.
[D] _ _ _ [Cm] _ _ _ [A] _ _ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ Jermaine, Tito, Marlon, Michael, and the newest member of the group, Randy.
I guess _ _ you're _ _ _ pretty happy to be working with your brothers, huh?
Heck no!
Without them, I could have been rotting out on Red Bee.
_ You know, I'm on television and I've made a couple movies and I have been on Broadway, but there's one thing I have never wanted to do that I'm dying to do.
What's that?
Well, be part of a vocal group.
Would you like to be?
Yeah, more than anything.
Do you have any experience, Carol?
Experience?
Yeah.
Well, yeah.
Let me see.
I used to sing [Bm] with a group when I was a [N] brownie.
A what?
I'm sorry.
A _ _ Girl Scout.
That's right.
So what do you say, huh?
I don't know.
To do it, you have to start real young.
Well_
No, I mean, real young.
_ _ Oh.
Well, I tell you, why don't you do it and I'll just listen.
_ _ [C] _ _
_ _ [A] _ [C] Well, we finally go to the [E] 30s where the Mills Brothers made the scene.
[Bb] Put the top voice high.
[Ab] And the low voice lower.
[G] Mills in the in-between.
_ _ [D] Oh, baby, I'm a rockin' my brain.
[Cm] _
_ _ _ _ [G] _ _ _ _
_ [C] _ _ _ [Cm] _ _ _ [A]
I'm _ _ [C] _ _ _ [Eb] _
a rockin' [F] _ _ _ _ [Db] _
[Gb] _ _ _ [Em] _ _ _ [F] _ _
my brain.
_ [Dm] _ [C] It's all but one.
One.
_ _ _ [N] _ _ _ _
_ [Fm] _ _ [E] _ [Am] Three young ladies [A] found a good sound back around World War II.
Oh, they were heavy, heavy, heavy.
[Gm] And we like to do for [C] you.
The Andrews Sisters.
Why?
I don't want to [Db] be an Andrews Sister.
Am I?
Come on.
And I don't want to be a Carol.
[D] Not me.
_ _ Okay, [Eb] since those were the warriors, [E] we'll do it like in the army.
Alright.
[F] Like some volunteers.
[Ab] All I want to be in Andrews is to take one step [N] forward. _ _ _ _ _ _
_ Hit it [Fm] girls!
_ _ _ [Ab] _
[Ebm] _ _ [Ab] _ _ [Fm] _ _ [Bbm] _ _
_ _ _ _ _ [Bb] _ _ [Gb] _
_ _ [Bb] _ _ [Ebm] Give those girls a hand.
How about it?
Yeah, come on and sing.
[N] _ _ _ _ [D] After the Andrews game, we sort of set the stage.
Hey, hard rap!
For what was known in the Rolling Stones [E] as the musical golden age.
Groots, like the [C] coaster. _
They [F] got the peoples in the trash.
Boy, you gon' get your [Bb] spitting cash.
_ [G] And when you [C] get through doing that, _ [Bb]
call in the dogs and put out the gas.
[D] Don't talk back. _ _
Once [Eb] again, the group gained a lot of attention.
_ And among those magical musical teams, [C] there were three young ladies [Ab] who were called the Supremes.
That's right.
It was Diana Ross, Mary, Florence.
The Supremes!
There ain't gonna be no Supreme, Mike.
Come on, man.
And I don't want to be another girl, Michael.
I'm not gonna [G] be no Supreme either.
I tell you what.
We'll ask for volunteers.
All who want to be a Supreme, take one [N] _
step_
backwards.
_ _ Hit it, [Am] girls!
_ _ _ [G] In the _ [F] name_
Before [G] you break my [Am] heart.
In [G] the name_
[F] _ [G] Before you break my heart.
[C] It's an old world of ours.
_ _ _ _ [N] _ _ _
_ _ _ [G] _ _ In [B] the [C] box, Diana Ross.
Five young boys who made a lot of noise.
I [F] sing around the piano in Gary, Indiana.
She said this is a slow [E] town.
Come up with me one more time.
[F] Think a song you'd like.
Grab yourself a [C] mic, shake a little.
Make [D] yourself a hit.
Do it, do it, do it.
It [G] feels good.
And we did it.
_ [N] _
_ _ _ _ Hi, _ _
[G] _ _ _ [Bb] _ _ _ [Gm] _
baby.
Movie, baby.
Automatic, systematic.
Free for the second time.
Do the channel, do your part.
_ Got a little stimulant.
She said you're sexy, lady.
It was best safe design.
She's moving, [Eb] she's grooving.
Dancing, dancing.
[G] Views, spotlight. _
Yeah.
_ [Bb] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ She's dancing, dancing, [Bm] dancing.
She's watching it down, watching [F] it down.
And she'll do, do, do everything.
[Gm] Wanna see? _
She's dancing, dancing, [Em] dancing.
She's watching it down, watching it down.
And she'll do, do, do everything. Wanna see?
[Gm] Hey!
_ _ _ [N] Thank you.
_ _ _ [F] _ _ _ _ _
_ _ _ Hey, Randy.
Yeah.
Listen to what they're playing.
I know that.
Sonny and Cher used to do that.
Right.
This is my chance.
I'll be Cher and you be Sonny.
Okay?
Uh-uh, that's my part.
_ [Bb] _
_ _ _ Go [F] home, Cher.
I want you to go home.
Go home.
Not until I see.
_ _ [Bb] _ What's your name?
Janet.
You sing with the group?
[Fm] In the Jackson 5 [F] family, everybody works. _
Okay.
Ladies [Bb] and gentlemen, Sonny [F] and Cher. _ _
_ _ _ And the beat goes on.
The beat goes on.
And the beat _ [Fm] goes [Bb] on.
Jump, keep on down to the [F] _ _ [Fm] _ _ _
radio.
_ _ [Db] _ _ _ [Bb] Sing [Ab] words, wonder, and try to die.
[Bb] _ _ _ _ _
The beat's alive.
[F] _ _ _ [Bb] And it's [Fm] crystallizing. _ _ _ _ _ _
[Ab] _ _ [Fm] _ _ [F] And the beat [Fm] goes on.
The beat goes on.
[F] _ And the beat goes _ on.
And the beat _ goes on.
And the beat goes on. _ _
_ _ _ _ [Fm] _ _ _ [B]
Yes, the beat goes [Eb] on.
[Ab] _ _ _ [Bb] _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ Be sure and be with us next week when our guests will be Jack Weston and Michelle Lee.
And remember, the fight against pollution begins with you and with me, so let's do something [D] about it. _
I'm so [Am] glad we had this [D] time together. _
[Am] Just to have a laugh [Fm] or sing a [G] song.
Seems we just get [A] started.
And [B] before you know it, [E]
comes the [A] time we have [Fm] to [D] say so [G] long.
Good night.
_ [E] _ _ [Dm] _ _ _ _
[C] _ _ [A] _ _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [E] _
_ _ _ [Dm] _ _ _ _ [G] _
_ _ [A] Stan Laurel was played by Bill Richmond.
[C] The part of the milkman was played by [D] Tony Young.
Life of the Party was [C] previously recorded. _
_ _ [F] _ _ [Fm] _ _ [Em] _ _
_ [Dm] _ _ [Gm] The [A] preceding program was recorded before a live audience.
[D] _ _ _ [Cm] _ _ _ [A] _ _ [G] _ _ _ _ _ _ _