Chords for Michael jackson exposes sony

Tempo:
84.95 bpm
Chords used:

C

Em

E

G

D

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Michael jackson exposes sony chords
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[C] [D] [Em]
[A] [E] Anyway, first [C] let me say, [E] I [Em] really don't like to talk that [Cm] much.
[B] [Em] I really don't.
I prefer [C] to perform than talk.
[Am] [E]
[C] [Dm] [E] You [Em]
[C] [Cm] [Em]
[C] [Em] know, let me just [C] say this.
The [Am] tradition, [E] the [C] tradition of great performers [E] from, [Em] and I really want you to [C] hear what I have to say.
The [Em] tradition of great [E] performers from [G] Sammy Davis Jr.
[C] [Em] to James Brown to [C] [F#m] Jackie Wilson [Em] to Fred [C] Astaire, [E] Gene Kelly.
[Em] The story [F#] is usually the same though, you know, these guys [G] work really [Em] hard at their craft, [C] but the story ends the same.
[D] They usually are [Em] broken, torn, [G] and usually just sad, [A] and the story very sadly [Em] ends.
Because [C] the companies take advantage [D] of them.
[E] [A] They really do.
[Em]
[C] [A] [E] And Sony,
[C] [Em]
[C] [Cm] Sony, [E] being,
[C] you know, being the artist that [D] I am [Em] at Sony, I generated [C] several billion dollars for Sony.
Several [E] billion.
And [Em]
[C] they really thought that my mind is [D] always on [E] music and dancing.
[Em] And it usually [G] is, but they [D] never thought [Em] that this performer myself [C] would outperform.
[E] [Em]
[A] [E]
[C] [Bm] [Em]
[G] [Em]
[C] [D] [Em]
[C] [Em] So we [C] can't let them get away with [G] what they're trying to [D] do because [Em] now I'm a free agent.
[C] [E]
[C] I just owe Sony one [G] more album.
It's [Em] just a box set really.
And so, [C] with two new songs which I've written [E] ages ago.
[C] Because [Bm] [Em] every album that I record I write [C] like literally, I'm telling you the truth, I write at [Em] least 120 songs every [G] album I [C] do.
So [Em] I can do the box set and just give them any two [C] songs.
[Em] So I'm [G] leaving Sony, [C] a free agent, and [Em]
[C] [Em] [E]
[C] [Em] owning half of Sony.
[C] [E] So I [C] own half of Sony's publishing [Em] and I'm leaving them [C] and they're very [Cm] angry at me [E] because of it.
But I just [C] [Em] did good business, you know.
[C] Tell [E] him!
[Em] Tell him, [C] Michael!
Tell the story!
[D] [Em] But, so, [G] the way they get revenge is to [D] try and destroy [Em] my album.
[Cm] [E] But, [Em]
[G] I've always said, you know, art, good [Em] art never dies.
[C] Thank [Em]
[C] [E]
[C] you.
[D] I love [Em] Unbreakable.
And [C] [Em] Tommy Mottola is a devil. [C] Respect!
[Gm] [Em]
[C] [E]
[C] [E] [Em]
[G] Say it!
[Em]
[C] [Em]
[C] Yeah, [G] [Em]
[C] yeah, yeah, [Em] yeah.
[G] [C] [Em]
[C] [D] [Em]
[C] [E] She said to [Em] me [C] that this is an evil man.
[E] [Em] And Michael, this [C] man, follows me, she said.
He taps [E] her phones.
And he's [G] very, very evil [C] and she doesn't trust him.
[Em] And he is a horrible human being.
And we [C] have to continue [E] our drive until he's terminated.
[C]
Oh!
Here [D] we go!
[Em]
[C] [E]
[C] [E] We can't [Em] allow him to do this to great artistry.
We just [C] can't.
I just want you to know I appreciate [Em] everything you've done.
You've been amazing.
[C] You're so loyal, Diane, [E] everybody, Waldo, all the people here.
I [C] love you all.
You've been amazing.
Thank you!
[Em] Love you.
[C] But still, but still, I [Bm] promise you, [Em] the best is yet to come.
Key:  
C
3211
Em
121
E
2311
G
2131
D
1321
C
3211
Em
121
E
2311
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[C] _ _ _ [D] _ [Em] _ _ _ _
[A] _ _ _ _ [E] Anyway, first [C] let me say, _ _ _ [E] I [Em] really don't like to talk that [Cm] much.
_ _ [B] [Em] I really don't.
_ I prefer [C] to perform than talk.
[Am] _ _ [E] _ _ _ _
[C] _ _ [Dm] _ [E] You [Em] _ _ _
[C] _ _ [Cm] _ _ [Em] _ _ _ _
[C] _ _ _ _ [Em] _ know, let me just [C] say this.
The [Am] tradition, [E] _ the [C] tradition of great _ performers [E] _ _ from, [Em] and I really want you to [C] hear what I have to say.
The [Em] tradition of great [E] performers from [G] Sammy Davis Jr.
[C] _ [Em] to James Brown to [C] _ _ [F#m] Jackie Wilson [Em] _ to Fred [C] Astaire, _ _ [E] Gene Kelly.
[Em] _ The story [F#] is usually the same though, you know, these guys [G] work really [Em] hard at their craft, [C] but the story ends the same.
[D] They usually are [Em] broken, torn, [G] and usually just sad, [A] and the story very sadly [Em] ends.
Because [C] the companies take advantage [D] of them.
[E] [A] They really do.
[Em] _ _
[C] _ _ [A] _ _ [E] And Sony, _ _
[C] _ _ _ [Em] _ _ _ _ _
[C] _ _ [Cm] Sony, [E] being, _ _
[C] you know, being the artist that [D] I am [Em] at Sony, I generated [C] several billion dollars for Sony.
Several [E] billion.
And _ [Em]
[C] they really thought that my mind is [D] always on [E] music and dancing.
[Em] And it usually [G] is, but they [D] never thought [Em] that this performer myself [C] would outperform.
[E] _ _ [Em] _ _ _
[A] _ _ _ _ [E] _ _ _ _
[C] _ _ _ [Bm] _ [Em] _ _ _ _
[G] _ _ _ _ [Em] _ _ _ _
[C] _ _ _ [D] _ [Em] _ _ _ _
[C] _ _ _ [Em] So _ we [C] can't let them get away with [G] what they're trying to [D] do because [Em] now I'm a free agent. _ _
[C] _ _ _ _ [E] _ _ _
[C] I just owe Sony one [G] more album.
It's [Em] just a box set really.
And so, [C] with two new songs which I've written [E] ages ago. _
[C] Because _ [Bm] _ [Em] every album that I record I write [C] like literally, I'm telling you the truth, I write at [Em] least 120 songs every [G] album I [C] do.
So [Em] I can do the box set and just give them any two [C] songs.
_ _ _ [Em] _ _ So I'm [G] leaving Sony, [C] a free agent, and [Em] _ _ _ _
[C] _ _ _ _ [Em] _ [E] _ _ _
[C] _ _ _ _ [Em] owning half of Sony. _
[C] _ _ _ _ [E] _ So I [C] own half of Sony's publishing [Em] and _ I'm leaving them [C] and they're very [Cm] angry at me [E] because of it.
But I just [C] _ _ _ _ [Em] did good business, you know.
[C] _ _ Tell [E] him!
[Em] Tell him, [C] Michael!
Tell the story!
_ [D] [Em] But, so, [G] the way they get revenge is to [D] try and destroy [Em] my album. _ _ _
[Cm] _ _ [E] But, [Em] _ _ _
[G] I've always said, you know, art, good [Em] art never dies. _
[C] Thank _ _ _ [Em] _ _ _ _
[C] _ _ _ _ [E] _ _ _ _
[C] _ you.
[D] I love [Em] Unbreakable.
And [C] _ _ _ [Em] Tommy Mottola is a devil. _ [C] Respect!
_ [Gm] _ [Em] _ _ _ _
[C] _ _ _ _ [E] _ _ _ _
[C] _ _ _ _ [E] _ _ _ [Em] _
[G] Say it!
_ _ [Em] _ _ _
[C] _ _ _ _ [Em] _ _ _
[C] Yeah, _ [G] _ _ [Em] _ _ _ _
[C] _ _ yeah, yeah, [Em] yeah. _ _
[G] _ [C] _ _ _ [Em] _ _ _ _
[C] _ _ _ [D] _ [Em] _ _ _ _
_ [C] _ _ _ [E] She said to [Em] me [C] that this is an evil man.
[E] _ [Em] And Michael, this [C] man, follows me, she said.
He taps [E] her phones.
And he's [G] very, very evil [C] and she doesn't trust him.
[Em] And he is a horrible human being.
And we [C] have to continue [E] our drive until he's terminated.
[C]
Oh!
Here [D] we go!
[Em] _ _ _ _
[C] _ _ _ _ [E] _ _ _ _
[C] _ _ [E] We can't [Em] allow him to do this to great artistry.
We just [C] can't.
I just want you to know I appreciate [Em] everything you've done.
You've been amazing.
[C] You're so loyal, Diane, _ [E] everybody, Waldo, all the people here.
I [C] love you all.
You've been amazing.
Thank you!
[Em] Love you. _ _
[C] But still, but still, I [Bm] promise you, [Em] the best is yet to come. _