Chords for Michael Mulcahy plays Leopold Mozart (part 1)
Tempo:
96.6 bpm
Chords used:
G
D
C
Bm
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[D] [G]
I'm originally from [F#] Australia.
I've been with the Chicago Symphony for 10 years and this
evening I'll be making my solo debut with the [Cm] Chicago Symphony playing the Leopold Mozart
Concerto for Alto [Fm] Trombone.
This [E] concerto that I'm playing this evening was only discovered
25 years ago in a Benedictine Abbey in Lower Austria [N] in the town of Seidenstedt.
A few
years ago on tour with the Chicago Symphony in Salzburg I was walking around [Fm] town and
I [G] came upon this beautiful Baroque church and I walked through the church and in the
back I saw a beautiful secluded courtyard.
And as [N] I was wandering around there I saw
some graves there and I looked down and suddenly I saw the name Leopold Mozart on the gravestone
and I was taken aback and I looked down there and I thought, thank you, you wrote the most
beautiful tune for my instrument.
Michael Malky is one of those musicians that is very
curious.
He's curious about different styles, about different music and he's curious about
playing outside the orchestra.
He likes to play chamber music, he likes to teach.
He's
very much a modern musician in that respect and it's wonderful to have somebody so alive
and curious in the orchestra.
When I perform what I'm simply trying to do is to sing with
my instrument.
The trombone is my voice and I try to convey my thoughts through my trombone
voice in exactly the same way a singer would with their voice.
And I hope the audience
can enjoy the lyricism of this piece.
The work starts with no introduction, the trombone
just launches straight away into a beautiful melody and shows an expressive side that
maybe people don't automatically associate with the trombone.
[G]
[C]
[D] [F#] [D]
[C] [G]
[C] [G]
[D] [G]
[C] [G]
[D] [Am] [D]
[G] [Bm] [C]
[Bm] [D] [D#]
[D] [D#]
[D]
[C] [G] [E]
[G#] [D] [A] [G]
[C#] [D] [Bm] [Em] [G]
[A] [D] [G]
[A] [D]
[G] [C#] [Bm]
[Em] [A]
[D] [A]
[D] [A]
[D]
[G] [D]
[G]
[C]
[G]
[Am] [D]
[C] [G] [C]
[G] [D] [Am]
[G] [D] [G]
[Bm] [D]
[F#] [G] [Em]
[Am] [D]
[Bm] [D] [G] [D]
[G] [D]
[G]
[C] [G]
[Am] [B]
[C] [D]
[G] [C]
[D] [G] [C]
[D] [G] [Em] [C]
[D] [G]
[D] [G]
I'm originally from [F#] Australia.
I've been with the Chicago Symphony for 10 years and this
evening I'll be making my solo debut with the [Cm] Chicago Symphony playing the Leopold Mozart
Concerto for Alto [Fm] Trombone.
This [E] concerto that I'm playing this evening was only discovered
25 years ago in a Benedictine Abbey in Lower Austria [N] in the town of Seidenstedt.
A few
years ago on tour with the Chicago Symphony in Salzburg I was walking around [Fm] town and
I [G] came upon this beautiful Baroque church and I walked through the church and in the
back I saw a beautiful secluded courtyard.
And as [N] I was wandering around there I saw
some graves there and I looked down and suddenly I saw the name Leopold Mozart on the gravestone
and I was taken aback and I looked down there and I thought, thank you, you wrote the most
beautiful tune for my instrument.
Michael Malky is one of those musicians that is very
curious.
He's curious about different styles, about different music and he's curious about
playing outside the orchestra.
He likes to play chamber music, he likes to teach.
He's
very much a modern musician in that respect and it's wonderful to have somebody so alive
and curious in the orchestra.
When I perform what I'm simply trying to do is to sing with
my instrument.
The trombone is my voice and I try to convey my thoughts through my trombone
voice in exactly the same way a singer would with their voice.
And I hope the audience
can enjoy the lyricism of this piece.
The work starts with no introduction, the trombone
just launches straight away into a beautiful melody and shows an expressive side that
maybe people don't automatically associate with the trombone.
[G]
[C]
[D] [F#] [D]
[C] [G]
[C] [G]
[D] [G]
[C] [G]
[D] [Am] [D]
[G] [Bm] [C]
[Bm] [D] [D#]
[D] [D#]
[D]
[C] [G] [E]
[G#] [D] [A] [G]
[C#] [D] [Bm] [Em] [G]
[A] [D] [G]
[A] [D]
[G] [C#] [Bm]
[Em] [A]
[D] [A]
[D] [A]
[D]
[G] [D]
[G]
[C]
[G]
[Am] [D]
[C] [G] [C]
[G] [D] [Am]
[G] [D] [G]
[Bm] [D]
[F#] [G] [Em]
[Am] [D]
[Bm] [D] [G] [D]
[G] [D]
[G]
[C] [G]
[Am] [B]
[C] [D]
[G] [C]
[D] [G] [C]
[D] [G] [Em] [C]
[D] [G]
Key:
G
D
C
Bm
A
G
D
C
_ _ _ _ _ _ [G] _ _
_ _ _ _ [D] _ [G] _ _
I'm originally from [F#] Australia.
I've been with the Chicago Symphony for 10 years and this
evening I'll be making my solo debut with the [Cm] Chicago Symphony playing the Leopold Mozart
Concerto for Alto [Fm] Trombone.
This [E] concerto that I'm playing this evening was only discovered
25 years ago in a Benedictine Abbey in Lower Austria [N] in the town of Seidenstedt.
A few
years ago on tour with the Chicago Symphony in Salzburg I was walking around [Fm] town and
I [G] came upon this beautiful Baroque church and I walked through the church and in the
back I saw a beautiful secluded courtyard.
And as [N] I was wandering around there I saw
some graves there and I looked down and suddenly I saw the name Leopold Mozart on the gravestone
and I was taken aback and I looked down there and I thought, thank you, you wrote the most
beautiful tune for my instrument.
Michael Malky is one of those musicians that is very
curious.
He's curious about different styles, about different music and he's curious about
playing outside the orchestra.
He likes to play chamber music, he likes to teach.
He's
very much a modern musician in that respect and it's wonderful to have somebody so alive
_ and curious in the orchestra.
When I perform what I'm simply trying to do is to sing with
my instrument.
The trombone is my voice and I try to convey my thoughts through my trombone
voice in exactly the same way a singer would with their voice.
And I hope the audience
can enjoy the lyricism of this piece.
The work starts with no introduction, the trombone
just launches straight away into a beautiful melody and shows an expressive side that
maybe people don't automatically associate with the trombone. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
[D] _ _ _ [F#] _ _ [D] _ _ _
[C] _ _ [G] _ _ _ _ _ _
[C] _ _ _ _ [G] _ _ _ _
[D] _ _ _ _ [G] _ _ _ _
[C] _ _ _ _ [G] _ _ _ _
[D] _ [Am] _ _ _ [D] _ _ _ _
[G] _ _ _ _ _ [Bm] _ [C] _ _
[Bm] _ _ [D] _ _ [D#] _ _ _ _
_ [D] _ _ _ _ [D#] _ _ _
_ [D] _ _ _ _ _ _ _
_ [C] _ _ _ [G] _ [E] _ _ _
[G#] _ [D] _ _ _ [A] _ _ [G] _ _
[C#] _ _ [D] _ _ [Bm] _ _ [Em] _ [G] _
[A] _ _ [D] _ _ _ _ [G] _ _
[A] _ _ [D] _ _ _ _ _ _
_ _ [G] _ _ [C#] _ _ _ [Bm] _
_ _ _ [Em] _ _ _ [A] _ _
_ _ [D] _ _ _ _ [A] _ _
_ _ [D] _ _ _ _ [A] _ _
_ _ [D] _ _ _ _ _ _
_ _ [G] _ _ _ [D] _ _ _
_ _ [G] _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ [Am] _ _ [D] _ _ _ _
_ [C] _ _ [G] _ _ _ _ [C] _
_ _ [G] _ [D] _ _ _ _ [Am] _
[G] _ [D] _ [G] _ _ _ _ _ _
_ _ [Bm] _ _ _ _ [D] _ _
[F#] _ _ [G] _ _ _ _ [Em] _ _
_ _ [Am] _ _ _ _ [D] _ _
[Bm] _ [D] _ [G] _ _ _ _ _ [D] _
_ _ [G] _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ [C] _ _ _ _ [G] _ _
_ _ [Am] _ _ _ _ [B] _ _
[C] _ _ [D] _ _ _ _ _ _
_ _ [G] _ _ _ _ [C] _ _
[D] _ _ [G] _ _ _ _ [C] _ _
[D] _ _ [G] _ _ _ [Em] _ [C] _ _
[D] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ [G] _ _
I'm originally from [F#] Australia.
I've been with the Chicago Symphony for 10 years and this
evening I'll be making my solo debut with the [Cm] Chicago Symphony playing the Leopold Mozart
Concerto for Alto [Fm] Trombone.
This [E] concerto that I'm playing this evening was only discovered
25 years ago in a Benedictine Abbey in Lower Austria [N] in the town of Seidenstedt.
A few
years ago on tour with the Chicago Symphony in Salzburg I was walking around [Fm] town and
I [G] came upon this beautiful Baroque church and I walked through the church and in the
back I saw a beautiful secluded courtyard.
And as [N] I was wandering around there I saw
some graves there and I looked down and suddenly I saw the name Leopold Mozart on the gravestone
and I was taken aback and I looked down there and I thought, thank you, you wrote the most
beautiful tune for my instrument.
Michael Malky is one of those musicians that is very
curious.
He's curious about different styles, about different music and he's curious about
playing outside the orchestra.
He likes to play chamber music, he likes to teach.
He's
very much a modern musician in that respect and it's wonderful to have somebody so alive
_ and curious in the orchestra.
When I perform what I'm simply trying to do is to sing with
my instrument.
The trombone is my voice and I try to convey my thoughts through my trombone
voice in exactly the same way a singer would with their voice.
And I hope the audience
can enjoy the lyricism of this piece.
The work starts with no introduction, the trombone
just launches straight away into a beautiful melody and shows an expressive side that
maybe people don't automatically associate with the trombone. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
[D] _ _ _ [F#] _ _ [D] _ _ _
[C] _ _ [G] _ _ _ _ _ _
[C] _ _ _ _ [G] _ _ _ _
[D] _ _ _ _ [G] _ _ _ _
[C] _ _ _ _ [G] _ _ _ _
[D] _ [Am] _ _ _ [D] _ _ _ _
[G] _ _ _ _ _ [Bm] _ [C] _ _
[Bm] _ _ [D] _ _ [D#] _ _ _ _
_ [D] _ _ _ _ [D#] _ _ _
_ [D] _ _ _ _ _ _ _
_ [C] _ _ _ [G] _ [E] _ _ _
[G#] _ [D] _ _ _ [A] _ _ [G] _ _
[C#] _ _ [D] _ _ [Bm] _ _ [Em] _ [G] _
[A] _ _ [D] _ _ _ _ [G] _ _
[A] _ _ [D] _ _ _ _ _ _
_ _ [G] _ _ [C#] _ _ _ [Bm] _
_ _ _ [Em] _ _ _ [A] _ _
_ _ [D] _ _ _ _ [A] _ _
_ _ [D] _ _ _ _ [A] _ _
_ _ [D] _ _ _ _ _ _
_ _ [G] _ _ _ [D] _ _ _
_ _ [G] _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ [Am] _ _ [D] _ _ _ _
_ [C] _ _ [G] _ _ _ _ [C] _
_ _ [G] _ [D] _ _ _ _ [Am] _
[G] _ [D] _ [G] _ _ _ _ _ _
_ _ [Bm] _ _ _ _ [D] _ _
[F#] _ _ [G] _ _ _ _ [Em] _ _
_ _ [Am] _ _ _ _ [D] _ _
[Bm] _ [D] _ [G] _ _ _ _ _ [D] _
_ _ [G] _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ [C] _ _ _ _ [G] _ _
_ _ [Am] _ _ _ _ [B] _ _
[C] _ _ [D] _ _ _ _ _ _
_ _ [G] _ _ _ _ [C] _ _
[D] _ _ [G] _ _ _ _ [C] _ _
[D] _ _ [G] _ _ _ [Em] _ [C] _ _
[D] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _