Chords for Mikael Wiehe & Björn Afzelius - Vem kan man lita på? (audio)
Tempo:
150.9 bpm
Chords used:
G
C
D
Em
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] [G]
[C] [G]
[C]
[G] When father and mother [C] are dead, and [D] our relatives [G] have gotten married,
[C] and all [G] our friends have been [D] themselves,
and [Em] our teachers [C] and nurses have [D] gone and forced themselves into [G] each other,
[C] and now the [G] sleeping pills have stopped [D] helping,
[C] and when we're pressed from the confirmation, [G] [C]
the [G] blue light is on,
and [C] no one understands if you show [G] the way, or feel [D] which direction the wind is blowing on,
then [G]
the cold wind will bring [C] him home to [G] me, with a voice full of [C] tears,
[G] and say who in the whole [C] world [D] can you trust?
[G]
[C] [G]
[C] [G]
[C] [G]
[C] [Em] John and Joe [C] Golden have [D] gone for
[G] psychoanalysis,
and [C] Robert Zimmerman has moved [G] to London with [D] millions of men,
[G] Marilyn Monroe has [C] gone for a talk, [D] Greta Garbo [Em] has become an [G] idiot,
and the power is [C] trying to mutate us [G] with pictures [E] and [D] visions,
[C] and when the prince and the [G] president, [G] the judges and the members of the council,
and [C] when they were to [G] tell the truth, the [D] people have returned and they have already said,
then [G] come little [C] brain, hide in [G] the ground, and get on [C] the train,
and [G] say who in the [C] whole world [D] can you [E] trust?
[G] [C]
[G] [C]
[G] [C]
[G] [C] [G]
The doors are creaking and the [C] [Em]
[D] war has [G] ended,
[C]
and the lonely one [G] sits on the floor [Em] by [D] the cannons,
[G] and over the sound of the full [C] graves, [D] the air is full [G] of smoke,
and [C] he fingers [Em] a little bit of the tank on the [D] cartridges,
and [G] when he looks at the mirror, [C] he has turned around,
[G] and between [C] the arms [G] of his face, [D] the rotten ones are shining in and out,
and then [G] comes the mother of [C] Mary, with [G] her eyes [C] so blue,
and she [G] says who in [C] the whole world can [D] you trust?
[G]
[C] [G]
[C] And she [G] says who in [C] the whole world [D] can you trust?
[G]
[N]
Thank you for giving us a planned extra number.
[G]
[N]
Thank you very much.
[E]
No, we don't.
Now we are together in a big fucking roaring family.
It's [A] wonderful.
[C]
It's like this, Mika, we are standing here and are quite so privileged.
We have a spotlight on us.
You pay money to listen to what we think is the most fun that exists,
to write songs and sing.
We have it too fucking good.
We are photographed, we come in the newspaper and we get to see our country.
And we decide our own working hours.
It's not like that for most of us, as we know.
For most of us, the rebellion goes at six o'clock.
You drag the children to kindergarten [E] in rain or snow.
You go into production and work eight hours for our common good.
[N] Build roads so we can say hello to each other.
Build houses so we don't freeze our asses over in the winter.
Build hospitals so we can get sick.
When we step off the stage, we are embraced, noticed and thanked.
When a mechanic comes home from his workshop after eight hours,
he doesn't give a fuck if he gets a hug from the foreman
and is photographed at the exit.
A medical operation that lifts sick old people
fourteen hours a day,
doesn't get a hug from the doctor.
Possibly, they get a new beer at the party,
but that's for another time.
Then it's home.
Pick up the children, feed them,
put them to sleep, wash them, read them stories,
and then sit down in front of the TV for two hours
and fall asleep and get up again, day in and day out.
It's not up here that you find the heroes.
It's not in the office building.
It's not in the inn.
It's you.
[C] It's the ones who work in [G] production
who are the real heroes.
[Bb] It's the ones who make [E] it possible for us.
[B]
[N]
Michael, I get strength, energy and inspiration
from these heroes' deaths every day in the silence.
Without you, we would have been [Dm] impossible.
It's for you we play.
If you give up, we give up.
Don't give up, we can't do anything else.
[G] This song is for you.
Thank you very much.
[C] [G]
[C]
[G] When father and mother [C] are dead, and [D] our relatives [G] have gotten married,
[C] and all [G] our friends have been [D] themselves,
and [Em] our teachers [C] and nurses have [D] gone and forced themselves into [G] each other,
[C] and now the [G] sleeping pills have stopped [D] helping,
[C] and when we're pressed from the confirmation, [G] [C]
the [G] blue light is on,
and [C] no one understands if you show [G] the way, or feel [D] which direction the wind is blowing on,
then [G]
the cold wind will bring [C] him home to [G] me, with a voice full of [C] tears,
[G] and say who in the whole [C] world [D] can you trust?
[G]
[C] [G]
[C] [G]
[C] [G]
[C] [Em] John and Joe [C] Golden have [D] gone for
[G] psychoanalysis,
and [C] Robert Zimmerman has moved [G] to London with [D] millions of men,
[G] Marilyn Monroe has [C] gone for a talk, [D] Greta Garbo [Em] has become an [G] idiot,
and the power is [C] trying to mutate us [G] with pictures [E] and [D] visions,
[C] and when the prince and the [G] president, [G] the judges and the members of the council,
and [C] when they were to [G] tell the truth, the [D] people have returned and they have already said,
then [G] come little [C] brain, hide in [G] the ground, and get on [C] the train,
and [G] say who in the [C] whole world [D] can you [E] trust?
[G] [C]
[G] [C]
[G] [C]
[G] [C] [G]
The doors are creaking and the [C] [Em]
[D] war has [G] ended,
[C]
and the lonely one [G] sits on the floor [Em] by [D] the cannons,
[G] and over the sound of the full [C] graves, [D] the air is full [G] of smoke,
and [C] he fingers [Em] a little bit of the tank on the [D] cartridges,
and [G] when he looks at the mirror, [C] he has turned around,
[G] and between [C] the arms [G] of his face, [D] the rotten ones are shining in and out,
and then [G] comes the mother of [C] Mary, with [G] her eyes [C] so blue,
and she [G] says who in [C] the whole world can [D] you trust?
[G]
[C] [G]
[C] And she [G] says who in [C] the whole world [D] can you trust?
[G]
[N]
Thank you for giving us a planned extra number.
[G]
[N]
Thank you very much.
[E]
No, we don't.
Now we are together in a big fucking roaring family.
It's [A] wonderful.
[C]
It's like this, Mika, we are standing here and are quite so privileged.
We have a spotlight on us.
You pay money to listen to what we think is the most fun that exists,
to write songs and sing.
We have it too fucking good.
We are photographed, we come in the newspaper and we get to see our country.
And we decide our own working hours.
It's not like that for most of us, as we know.
For most of us, the rebellion goes at six o'clock.
You drag the children to kindergarten [E] in rain or snow.
You go into production and work eight hours for our common good.
[N] Build roads so we can say hello to each other.
Build houses so we don't freeze our asses over in the winter.
Build hospitals so we can get sick.
When we step off the stage, we are embraced, noticed and thanked.
When a mechanic comes home from his workshop after eight hours,
he doesn't give a fuck if he gets a hug from the foreman
and is photographed at the exit.
A medical operation that lifts sick old people
fourteen hours a day,
doesn't get a hug from the doctor.
Possibly, they get a new beer at the party,
but that's for another time.
Then it's home.
Pick up the children, feed them,
put them to sleep, wash them, read them stories,
and then sit down in front of the TV for two hours
and fall asleep and get up again, day in and day out.
It's not up here that you find the heroes.
It's not in the office building.
It's not in the inn.
It's you.
[C] It's the ones who work in [G] production
who are the real heroes.
[Bb] It's the ones who make [E] it possible for us.
[B]
[N]
Michael, I get strength, energy and inspiration
from these heroes' deaths every day in the silence.
Without you, we would have been [Dm] impossible.
It's for you we play.
If you give up, we give up.
Don't give up, we can't do anything else.
[G] This song is for you.
Thank you very much.
Key:
G
C
D
Em
E
G
C
D
_ _ _ _ _ _ _ _
_ _ _ _ [C] _ _ _ [G] _
_ _ _ [C] _ _ _ _ [G] _
_ _ _ _ [C] _ _ _
[G] When father and mother [C] are dead, and [D] our relatives [G] have gotten married, _ _ _
[C] _ and all [G] our friends have been [D] themselves,
_ _ _ _ and [Em] our teachers [C] and nurses have [D] gone and forced themselves into [G] each other, _ _
[C] and now the [G] sleeping pills have stopped [D] helping,
_ _ _ _ [C] and when we're pressed from the confirmation, [G] _ _ _ [C]
the _ _ [G] blue light is on,
and [C] no one understands if you show [G] the way, or feel [D] which direction the wind is blowing on,
then [G]
the cold wind will bring [C] him home to [G] me, with a voice full of [C] tears,
[G] and say who in the whole [C] world [D] can you trust?
_ [G] _ _ _ _
[C] _ _ _ _ [G] _ _ _ _
[C] _ _ _ [G] _ _ _ _ _
[C] _ _ _ [G] _ _ _ _ _
[C] _ _ [Em] _ _ John and Joe [C] Golden _ have [D] gone for _ _ _
[G] _ _ psychoanalysis,
and [C] Robert Zimmerman has moved [G] to London with [D] millions of men,
_ _ _ [G] Marilyn Monroe has [C] gone for a talk, _ [D] Greta Garbo [Em] has become an [G] idiot,
and the power is [C] trying to mutate us [G] with pictures [E] and [D] visions, _ _
_ _ _ [C] and when the prince and the [G] president, _ [G] the judges and the members of the council,
_ and [C] when they were to [G] tell the truth, the [D] people have returned and they have already said,
then [G] come little [C] brain, hide in [G] the ground, and get on [C] the train,
and [G] say who in the [C] whole world [D] can you _ [E] trust?
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ [C] _ _ _ [G]
The doors are creaking and the [C] _ _ [Em] _
_ [D] war has [G] ended,
_ _ [C]
and the lonely one [G] sits on the floor [Em] by _ [D] the cannons, _ _ _ _
[G] and over the sound of the full [C] graves, _ [D] the air is full [G] of smoke,
_ and [C] he fingers [Em] a little bit of the tank on the [D] cartridges,
_ _ _ and [G] when he looks at the mirror, _ [C] he has turned around,
[G] and _ _ between [C] the arms [G] of his face, [D] the rotten ones are shining in and out,
and then [G] comes the mother of [C] Mary, with [G] her eyes [C] so blue,
and she [G] says who in [C] the whole world can [D] you _ trust?
[G] _ _ _ _
[C] _ _ _ [G] _ _ _ _ _
[C] _ _ And she [G] says who in [C] the whole world [D] can you trust?
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ Thank you for giving us a planned extra number.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _
Thank you very much. _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ No, we don't.
Now we are together in a big fucking roaring family.
It's [A] wonderful.
_ _ [C] _
_ It's like this, Mika, we are standing here and are quite so privileged.
We have a spotlight on us.
You pay money to listen to what we think is the most fun that exists,
to write songs and sing. _
We have it too fucking good.
We are photographed, we come in the newspaper and we get to see our country. _ _
And we decide our own working hours.
It's not like that for most of us, as we know.
For most of us, the rebellion goes at six o'clock.
_ You drag the children to kindergarten [E] in rain or snow.
You go into production and work eight hours for our common good. _
[N] Build roads so we can say hello to each other.
Build houses so we don't freeze our asses over in the winter.
_ Build hospitals so we can get sick. _ _ _ _ _
When we step off the stage, we are embraced, noticed and thanked.
When a mechanic comes home from his workshop after eight hours,
he doesn't give a fuck if he gets a hug from the foreman
_ and is photographed at the exit. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ A medical operation that lifts sick old people
fourteen hours a day,
doesn't get a hug from the doctor.
_ Possibly, _ they get a new beer at the party,
but that's for another time. _
_ _ _ _ _ _ _ _
_ _ _ _ Then it's home.
Pick up the children, feed them,
put them to sleep, wash them, read them stories,
and then sit down in front of the TV for two hours
and fall asleep and get up again, day in and day out. _
It's not up here that you find the heroes.
It's not in the office building.
It's not in the inn. _
It's you.
[C] It's the ones who work in [G] production
who are the real heroes.
[Bb] It's the ones who make [E] it possible for us.
_ _ [B] _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Michael, I get strength, energy and inspiration
from these heroes' deaths every day in the silence. _
Without you, we would have been [Dm] impossible.
It's for you we play.
If you give up, we give up.
Don't give up, we can't do anything else.
_ [G] _ _ This song is for you.
Thank you very much. _ _ _ _
_ _ _ _ [C] _ _ _ [G] _
_ _ _ [C] _ _ _ _ [G] _
_ _ _ _ [C] _ _ _
[G] When father and mother [C] are dead, and [D] our relatives [G] have gotten married, _ _ _
[C] _ and all [G] our friends have been [D] themselves,
_ _ _ _ and [Em] our teachers [C] and nurses have [D] gone and forced themselves into [G] each other, _ _
[C] and now the [G] sleeping pills have stopped [D] helping,
_ _ _ _ [C] and when we're pressed from the confirmation, [G] _ _ _ [C]
the _ _ [G] blue light is on,
and [C] no one understands if you show [G] the way, or feel [D] which direction the wind is blowing on,
then [G]
the cold wind will bring [C] him home to [G] me, with a voice full of [C] tears,
[G] and say who in the whole [C] world [D] can you trust?
_ [G] _ _ _ _
[C] _ _ _ _ [G] _ _ _ _
[C] _ _ _ [G] _ _ _ _ _
[C] _ _ _ [G] _ _ _ _ _
[C] _ _ [Em] _ _ John and Joe [C] Golden _ have [D] gone for _ _ _
[G] _ _ psychoanalysis,
and [C] Robert Zimmerman has moved [G] to London with [D] millions of men,
_ _ _ [G] Marilyn Monroe has [C] gone for a talk, _ [D] Greta Garbo [Em] has become an [G] idiot,
and the power is [C] trying to mutate us [G] with pictures [E] and [D] visions, _ _
_ _ _ [C] and when the prince and the [G] president, _ [G] the judges and the members of the council,
_ and [C] when they were to [G] tell the truth, the [D] people have returned and they have already said,
then [G] come little [C] brain, hide in [G] the ground, and get on [C] the train,
and [G] say who in the [C] whole world [D] can you _ [E] trust?
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ [C] _ _ _ [G]
The doors are creaking and the [C] _ _ [Em] _
_ [D] war has [G] ended,
_ _ [C]
and the lonely one [G] sits on the floor [Em] by _ [D] the cannons, _ _ _ _
[G] and over the sound of the full [C] graves, _ [D] the air is full [G] of smoke,
_ and [C] he fingers [Em] a little bit of the tank on the [D] cartridges,
_ _ _ and [G] when he looks at the mirror, _ [C] he has turned around,
[G] and _ _ between [C] the arms [G] of his face, [D] the rotten ones are shining in and out,
and then [G] comes the mother of [C] Mary, with [G] her eyes [C] so blue,
and she [G] says who in [C] the whole world can [D] you _ trust?
[G] _ _ _ _
[C] _ _ _ [G] _ _ _ _ _
[C] _ _ And she [G] says who in [C] the whole world [D] can you trust?
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ Thank you for giving us a planned extra number.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _
Thank you very much. _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ No, we don't.
Now we are together in a big fucking roaring family.
It's [A] wonderful.
_ _ [C] _
_ It's like this, Mika, we are standing here and are quite so privileged.
We have a spotlight on us.
You pay money to listen to what we think is the most fun that exists,
to write songs and sing. _
We have it too fucking good.
We are photographed, we come in the newspaper and we get to see our country. _ _
And we decide our own working hours.
It's not like that for most of us, as we know.
For most of us, the rebellion goes at six o'clock.
_ You drag the children to kindergarten [E] in rain or snow.
You go into production and work eight hours for our common good. _
[N] Build roads so we can say hello to each other.
Build houses so we don't freeze our asses over in the winter.
_ Build hospitals so we can get sick. _ _ _ _ _
When we step off the stage, we are embraced, noticed and thanked.
When a mechanic comes home from his workshop after eight hours,
he doesn't give a fuck if he gets a hug from the foreman
_ and is photographed at the exit. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ A medical operation that lifts sick old people
fourteen hours a day,
doesn't get a hug from the doctor.
_ Possibly, _ they get a new beer at the party,
but that's for another time. _
_ _ _ _ _ _ _ _
_ _ _ _ Then it's home.
Pick up the children, feed them,
put them to sleep, wash them, read them stories,
and then sit down in front of the TV for two hours
and fall asleep and get up again, day in and day out. _
It's not up here that you find the heroes.
It's not in the office building.
It's not in the inn. _
It's you.
[C] It's the ones who work in [G] production
who are the real heroes.
[Bb] It's the ones who make [E] it possible for us.
_ _ [B] _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Michael, I get strength, energy and inspiration
from these heroes' deaths every day in the silence. _
Without you, we would have been [Dm] impossible.
It's for you we play.
If you give up, we give up.
Don't give up, we can't do anything else.
_ [G] _ _ This song is for you.
Thank you very much. _ _ _ _