Chords for Mike Barson over de begindagen van Madness | Top 2000
Tempo:
148.55 bpm
Chords used:
C
Fm
G
C#m
D#
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[Fm]
[Cm]
[Cm]
[Fm]
[G]
[D#] [Cm]
[Fm] [Cm]
Yeah, I used to live here when [G] I was a young man, 17 years old, 18 years old.
I moved out here from [D#] Kentish Town, I used to live in Kentish Town, and at a certain
point my mum sold the house and we had to move out here, which I wasn't very mad on.
[G] All my mates were living in Kentish Town, so I [B] was suddenly out [G] in Crouch End, which
is in [Fm] the middle of nowhere as you can [Cm] see.
[Fm]
[Cm]
[G]
[F] [D#]
[G] That's the one it started [G#] with, yeah.
[D#]
Anyway, that's [F] our first album, yeah, One [G#] Step Beyond, [D#] yeah.
[Fm] [D#]
[Fm] [C] There you go.
That's our first album, yeah.
That was quite a long time ago, yeah.
So the first single was One Step Beyond, [C#] what was the second single then?
Night Boat To Cairo, I think came after that.
[B] Possibly.
See in the old days you used to put all your singles, one, two, three, on the front end
of the album, yeah.
I mean I wrote Night Boat To Cairo, for example, it was supposed to be an instrumental, you
know, we were sort of quite into instrumentals in those days.
[G#] We used to do a version of Hawaii Five-O, for example, I don't know if you remember
that, the da da da, that was a nice little tune.
I mean we used to watch a lot of those American series on the telly.
[N] So we did a version of that, [A] and then we had that One [Em] Step Beyond song, which was a Prince
Buster B [E]-side,
[A] which somebody dug up, which was a great melody, which we did a version
of that, yeah.
[A#] And then I wrote Night Boat [Am] To Cairo, which was the [C#] same sort of thing.
[C]
[C#] [C]
[C#] [C] [C#]
[C] [A#m]
[C] [C#]
[C] [A#]
[A#m]
[C] When I was young, that was a great time for music.
I mean maybe I'm [Em] just an old silly old fart, [A#m] and you think, [C] oh when I was a kid it was
[A#] great, you know.
[G#] I mean, yeah, the 70s for me was a great time for music, yeah.
Especially the 70s when we were growing up.
[A] And the 80s where you had madness, you know.
[G]
[G] [Dm]
[G] [D]
[Am] [Em] [G]
[D] [Am] [Em]
[Gm] [C]
[Gm] [Dm]
[Fm] [D] [C]
Is this house important [Gm] for you?
I don't know, [Dm] well yeah, because we started the [Fm] band here, you know, and I mean it's still
a bit well [D] known.
I was putting stickers on [G] Christmas learning the guitar, and I was putting all, because
I played the piano, so I wrote on each little sticker, C, D, the [C] notes, the names of the
notes, [Gm] so that he could sort of go, [Dm] mmm, that's E flat, and he could learn the [Fm] chords, you know.
[D] And that's where it all sort of took [C] place, in me [D#] brother's bedroom there, yeah.
So it's [Am] sort of memorable for that reason, [Dm] yeah, yeah.
I [Fm] mean they could have a little plot, couldn't they, one of [Am] them little blue things.
[Gm] [D]
[Am] [Em]
[B] [C#] [C#m] In the [E] middle of [B] our street, [F#] our house, [C#m]
in the middle [C] of our, [D] our
Morning, come in.
Hello, I used to live here, my name's Mike.
I should have brought my mum, she would have loved to have had a look.
I mean would it be alright to have a little look around, it'd be nice to sort of have
a little look around.
Let's take you down the back first.
Hello mum.
We're just in Park Avenue South, the gentleman was in and he's kindly shown us around the house.
Yeah, same, yeah, you would have, we had a piano in here.
Anyway, I don't know if you could get here.
It's my wife's study, it's an absolute tip.
Anyway, but hang on, I'm just talking to the guy, bye mum.
And I remember John Aslow going into [G#] that room, we had in here and we were auditioning
a saxophone player as well, and John Aslow wrote Mistakes in that room there, and I was
playing the piano in here and he was going in there, that was the first lyrics we ever wrote.
Yeah.
We had a piano in this room, I remember, it is where I wrote my go [G#m] in here, do you
know what I mean?
[A] We had a piano on the left here, yeah, that's [B] where I was writing [G#m] that song, [B] yes.
[C#m] Yeah, [A] I
[F#m] [C#m] didn't want to [F#m] see the film tonight, I found it hard [A] to say, [C#m] she thought I'd had
enough of her.
[D] [D#] Really took off, [F#] yeah, and all of a sudden you couldn't do any wrong, I mean, from [C#m] just
sort of playing in my bedroom, [F#m] just rehearsing, you know, pretty [C#m] amateurishly, suddenly we
were thrown into this really [F] getting popular and everything and we started recording, and
we [D#] were just about competent enough to be able to play in time and complete a song from
the beginning to the end, you know.
[B] One must change with the times.
[C#m] My girls [A] met at noon, [F#m] [C#m]
I didn't [F#m] want to see the film tonight,
[C#m] I found it hard to [A] say.
[E] [E]
[Cm]
[Cm]
[Fm]
[G]
[D#] [Cm]
[Fm] [Cm]
Yeah, I used to live here when [G] I was a young man, 17 years old, 18 years old.
I moved out here from [D#] Kentish Town, I used to live in Kentish Town, and at a certain
point my mum sold the house and we had to move out here, which I wasn't very mad on.
[G] All my mates were living in Kentish Town, so I [B] was suddenly out [G] in Crouch End, which
is in [Fm] the middle of nowhere as you can [Cm] see.
[Fm]
[Cm]
[G]
[F] [D#]
[G] That's the one it started [G#] with, yeah.
[D#]
Anyway, that's [F] our first album, yeah, One [G#] Step Beyond, [D#] yeah.
[Fm] [D#]
[Fm] [C] There you go.
That's our first album, yeah.
That was quite a long time ago, yeah.
So the first single was One Step Beyond, [C#] what was the second single then?
Night Boat To Cairo, I think came after that.
[B] Possibly.
See in the old days you used to put all your singles, one, two, three, on the front end
of the album, yeah.
I mean I wrote Night Boat To Cairo, for example, it was supposed to be an instrumental, you
know, we were sort of quite into instrumentals in those days.
[G#] We used to do a version of Hawaii Five-O, for example, I don't know if you remember
that, the da da da, that was a nice little tune.
I mean we used to watch a lot of those American series on the telly.
[N] So we did a version of that, [A] and then we had that One [Em] Step Beyond song, which was a Prince
Buster B [E]-side,
[A] which somebody dug up, which was a great melody, which we did a version
of that, yeah.
[A#] And then I wrote Night Boat [Am] To Cairo, which was the [C#] same sort of thing.
[C]
[C#] [C]
[C#] [C] [C#]
[C] [A#m]
[C] [C#]
[C] [A#]
[A#m]
[C] When I was young, that was a great time for music.
I mean maybe I'm [Em] just an old silly old fart, [A#m] and you think, [C] oh when I was a kid it was
[A#] great, you know.
[G#] I mean, yeah, the 70s for me was a great time for music, yeah.
Especially the 70s when we were growing up.
[A] And the 80s where you had madness, you know.
[G]
[G] [Dm]
[G] [D]
[Am] [Em] [G]
[D] [Am] [Em]
[Gm] [C]
[Gm] [Dm]
[Fm] [D] [C]
Is this house important [Gm] for you?
I don't know, [Dm] well yeah, because we started the [Fm] band here, you know, and I mean it's still
a bit well [D] known.
I was putting stickers on [G] Christmas learning the guitar, and I was putting all, because
I played the piano, so I wrote on each little sticker, C, D, the [C] notes, the names of the
notes, [Gm] so that he could sort of go, [Dm] mmm, that's E flat, and he could learn the [Fm] chords, you know.
[D] And that's where it all sort of took [C] place, in me [D#] brother's bedroom there, yeah.
So it's [Am] sort of memorable for that reason, [Dm] yeah, yeah.
I [Fm] mean they could have a little plot, couldn't they, one of [Am] them little blue things.
[Gm] [D]
[Am] [Em]
[B] [C#] [C#m] In the [E] middle of [B] our street, [F#] our house, [C#m]
in the middle [C] of our, [D] our
Morning, come in.
Hello, I used to live here, my name's Mike.
I should have brought my mum, she would have loved to have had a look.
I mean would it be alright to have a little look around, it'd be nice to sort of have
a little look around.
Let's take you down the back first.
Hello mum.
We're just in Park Avenue South, the gentleman was in and he's kindly shown us around the house.
Yeah, same, yeah, you would have, we had a piano in here.
Anyway, I don't know if you could get here.
It's my wife's study, it's an absolute tip.
Anyway, but hang on, I'm just talking to the guy, bye mum.
And I remember John Aslow going into [G#] that room, we had in here and we were auditioning
a saxophone player as well, and John Aslow wrote Mistakes in that room there, and I was
playing the piano in here and he was going in there, that was the first lyrics we ever wrote.
Yeah.
We had a piano in this room, I remember, it is where I wrote my go [G#m] in here, do you
know what I mean?
[A] We had a piano on the left here, yeah, that's [B] where I was writing [G#m] that song, [B] yes.
[C#m] Yeah, [A] I
[F#m] [C#m] didn't want to [F#m] see the film tonight, I found it hard [A] to say, [C#m] she thought I'd had
enough of her.
[D] [D#] Really took off, [F#] yeah, and all of a sudden you couldn't do any wrong, I mean, from [C#m] just
sort of playing in my bedroom, [F#m] just rehearsing, you know, pretty [C#m] amateurishly, suddenly we
were thrown into this really [F] getting popular and everything and we started recording, and
we [D#] were just about competent enough to be able to play in time and complete a song from
the beginning to the end, you know.
[B] One must change with the times.
[C#m] My girls [A] met at noon, [F#m] [C#m]
I didn't [F#m] want to see the film tonight,
[C#m] I found it hard to [A] say.
[E] [E]
Key:
C
Fm
G
C#m
D#
C
Fm
G
_ _ _ [Fm] _ _ _ _ _
[Cm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ _ _ _
_ _ _ [Fm] _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ [Cm] _ _ _
_ [Fm] _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Yeah, I used to live here when [G] I was a young man, 17 years old, 18 years old.
_ I moved out here from [D#] Kentish Town, I used to live in Kentish Town, _ and _ _ _ _ at a certain
point my mum sold the house and we had to move out here, which I wasn't very mad on.
[G] All my mates were living in Kentish Town, so I [B] was suddenly out [G] in Crouch End, which
is in [Fm] the middle of nowhere as you can [Cm] see. _ _ _ _ _ _
_ _ _ _ _ [Fm] _ _ _
_ [Cm] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ [D#] _ _
[G] That's the one it started [G#] with, yeah.
_ _ [D#] _ _
_ Anyway, that's [F] our first album, yeah, One [G#] Step Beyond, [D#] yeah.
_ [Fm] _ _ _ _ [D#] _ _
_ _ [Fm] _ _ _ _ [C] There you go.
_ That's our first album, yeah. _
That was quite a long time ago, yeah.
So the first single was One Step Beyond, [C#] what was the second single then?
Night Boat To Cairo, I think came after that.
_ _ _ _ [B] Possibly.
_ See in the old days you used to put all your singles, one, two, three, on the front end
of the album, yeah.
I mean I wrote Night Boat To Cairo, for example, _ it was supposed to be an instrumental, you
know, we were sort of quite into instrumentals in those days.
[G#] _ We used to do a version of Hawaii Five-O, _ for example, I don't know if you remember
that, the da da da, that was a nice little tune.
I mean we used to watch a lot of those American series on the _ telly.
[N] So we did a version of that, [A] and then we had that One [Em] Step Beyond song, which was _ _ a _ _ _ Prince
Buster B [E]-side, _
_ [A] which somebody dug up, which was a great melody, which we did a version
of that, yeah.
[A#] And then I wrote Night Boat [Am] To Cairo, which was the [C#] same sort of thing.
[C] _
_ _ [C#] _ _ _ [C] _ _ _
_ [C#] _ _ [C] _ _ _ [C#] _ _
_ _ [C] _ _ _ _ [A#m] _ _
_ _ _ [C] _ _ _ [C#] _ _
_ _ _ [C] _ _ _ _ [A#] _
_ _ _ _ _ _ [A#m] _ _
_ _ [C] When I was young, that was a great time for music.
I mean maybe I'm [Em] just an old silly old fart, [A#m] and you think, [C] oh when I was a kid it was
[A#] great, you know.
_ _ [G#] I mean, yeah, the 70s for me was _ a great time for music, yeah.
Especially the 70s when we were growing up.
[A] And the 80s where you had madness, you know.
[G] _ _ _ _ _
[G] _ _ _ _ _ _ [Dm] _ _
_ _ _ [G] _ _ _ [D] _ _
_ [Am] _ _ _ [Em] _ _ [G] _ _
_ [D] _ _ [Am] _ _ _ [Em] _ _
_ [Gm] _ _ [C] _ _ _ _ _
[Gm] _ _ _ [Dm] _ _ _ _ _
_ [Fm] _ _ _ [D] _ _ [C] _
Is this house important [Gm] for you?
I don't know, [Dm] well yeah, because we started the [Fm] band here, you know, and I mean it's still
a bit well [D] known.
I was putting stickers on [G] Christmas learning the guitar, and I was putting all, because
I played the piano, so I wrote on each little sticker, C, D, the [C] notes, the names of the
notes, [Gm] so that he could sort of go, [Dm] mmm, that's E flat, and he could learn the [Fm] chords, you know.
[D] And that's where it all sort of took [C] place, in _ me [D#] brother's bedroom there, yeah.
So it's [Am] sort of memorable for that reason, [Dm] yeah, yeah.
I [Fm] mean they could have a little plot, couldn't they, one of [Am] them little blue things.
_ _ [Gm] _ _ _ [D] _ _
_ [Am] _ _ [Em] _ _ _ _ _
[B] _ _ _ [C#] _ _ _ [C#m] In the [E] middle of [B] our street, [F#] our house, [C#m] _ _
in the middle [C] of our, _ [D] our_
Morning, come in.
Hello, I used to live here, my name's Mike. _
I should have brought my mum, she would have loved to have had a look.
I mean would it be alright to have a little look around, it'd be nice to sort of have
a little look around.
Let's take you down the back first.
Hello mum.
_ _ _ We're just in Park Avenue South, _ the gentleman was in and he's kindly shown us around the house.
_ Yeah, same, yeah, you would have, we had a piano in here.
Anyway, I don't know if you could get here.
It's my wife's study, _ it's an absolute tip.
Anyway, but hang on, I'm just talking to the guy, bye mum.
_ And I remember John Aslow going into [G#] that room, we had in here and we were auditioning
a saxophone player as well, _ and John Aslow wrote Mistakes in that room there, and I was
playing the piano in here and he was going in there, that was the first lyrics we ever wrote.
Yeah.
We had a piano in _ this room, I remember, _ _ it is where I wrote my go [G#m] in here, do you
know what I mean?
[A] We had a piano on the left here, yeah, _ that's [B] where I was writing [G#m] that song, [B] yes.
_ [C#m] _ _ _ Yeah, [A] I _
_ [F#m] _ _ [C#m] _ _ _ didn't want to [F#m] see the film tonight, _ I found it hard [A] to say, _ _ _ [C#m] she _ thought I'd had
enough of her.
_ [D] _ _ [D#] Really took off, [F#] yeah, and all of a sudden you couldn't do any wrong, I mean, from [C#m] just
sort of playing in my bedroom, [F#m] just rehearsing, you know, pretty [C#m] amateurishly, suddenly we
were _ thrown into this really [F] getting popular and everything and we started recording, and
we [D#] were just about competent enough to be able to play in time and complete a song from
the beginning to the end, you know.
[B] One must change with the times.
_ [C#m] _ My girls [A] met at noon, _ _ _ [F#m] _ [C#m] _
I didn't [F#m] want to see the film tonight, _
_ [C#m] _ I found it hard to [A] say. _
_ _ [E] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
[Cm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ _ _ _
_ _ _ [Fm] _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ [Cm] _ _ _
_ [Fm] _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Yeah, I used to live here when [G] I was a young man, 17 years old, 18 years old.
_ I moved out here from [D#] Kentish Town, I used to live in Kentish Town, _ and _ _ _ _ at a certain
point my mum sold the house and we had to move out here, which I wasn't very mad on.
[G] All my mates were living in Kentish Town, so I [B] was suddenly out [G] in Crouch End, which
is in [Fm] the middle of nowhere as you can [Cm] see. _ _ _ _ _ _
_ _ _ _ _ [Fm] _ _ _
_ [Cm] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ [D#] _ _
[G] That's the one it started [G#] with, yeah.
_ _ [D#] _ _
_ Anyway, that's [F] our first album, yeah, One [G#] Step Beyond, [D#] yeah.
_ [Fm] _ _ _ _ [D#] _ _
_ _ [Fm] _ _ _ _ [C] There you go.
_ That's our first album, yeah. _
That was quite a long time ago, yeah.
So the first single was One Step Beyond, [C#] what was the second single then?
Night Boat To Cairo, I think came after that.
_ _ _ _ [B] Possibly.
_ See in the old days you used to put all your singles, one, two, three, on the front end
of the album, yeah.
I mean I wrote Night Boat To Cairo, for example, _ it was supposed to be an instrumental, you
know, we were sort of quite into instrumentals in those days.
[G#] _ We used to do a version of Hawaii Five-O, _ for example, I don't know if you remember
that, the da da da, that was a nice little tune.
I mean we used to watch a lot of those American series on the _ telly.
[N] So we did a version of that, [A] and then we had that One [Em] Step Beyond song, which was _ _ a _ _ _ Prince
Buster B [E]-side, _
_ [A] which somebody dug up, which was a great melody, which we did a version
of that, yeah.
[A#] And then I wrote Night Boat [Am] To Cairo, which was the [C#] same sort of thing.
[C] _
_ _ [C#] _ _ _ [C] _ _ _
_ [C#] _ _ [C] _ _ _ [C#] _ _
_ _ [C] _ _ _ _ [A#m] _ _
_ _ _ [C] _ _ _ [C#] _ _
_ _ _ [C] _ _ _ _ [A#] _
_ _ _ _ _ _ [A#m] _ _
_ _ [C] When I was young, that was a great time for music.
I mean maybe I'm [Em] just an old silly old fart, [A#m] and you think, [C] oh when I was a kid it was
[A#] great, you know.
_ _ [G#] I mean, yeah, the 70s for me was _ a great time for music, yeah.
Especially the 70s when we were growing up.
[A] And the 80s where you had madness, you know.
[G] _ _ _ _ _
[G] _ _ _ _ _ _ [Dm] _ _
_ _ _ [G] _ _ _ [D] _ _
_ [Am] _ _ _ [Em] _ _ [G] _ _
_ [D] _ _ [Am] _ _ _ [Em] _ _
_ [Gm] _ _ [C] _ _ _ _ _
[Gm] _ _ _ [Dm] _ _ _ _ _
_ [Fm] _ _ _ [D] _ _ [C] _
Is this house important [Gm] for you?
I don't know, [Dm] well yeah, because we started the [Fm] band here, you know, and I mean it's still
a bit well [D] known.
I was putting stickers on [G] Christmas learning the guitar, and I was putting all, because
I played the piano, so I wrote on each little sticker, C, D, the [C] notes, the names of the
notes, [Gm] so that he could sort of go, [Dm] mmm, that's E flat, and he could learn the [Fm] chords, you know.
[D] And that's where it all sort of took [C] place, in _ me [D#] brother's bedroom there, yeah.
So it's [Am] sort of memorable for that reason, [Dm] yeah, yeah.
I [Fm] mean they could have a little plot, couldn't they, one of [Am] them little blue things.
_ _ [Gm] _ _ _ [D] _ _
_ [Am] _ _ [Em] _ _ _ _ _
[B] _ _ _ [C#] _ _ _ [C#m] In the [E] middle of [B] our street, [F#] our house, [C#m] _ _
in the middle [C] of our, _ [D] our_
Morning, come in.
Hello, I used to live here, my name's Mike. _
I should have brought my mum, she would have loved to have had a look.
I mean would it be alright to have a little look around, it'd be nice to sort of have
a little look around.
Let's take you down the back first.
Hello mum.
_ _ _ We're just in Park Avenue South, _ the gentleman was in and he's kindly shown us around the house.
_ Yeah, same, yeah, you would have, we had a piano in here.
Anyway, I don't know if you could get here.
It's my wife's study, _ it's an absolute tip.
Anyway, but hang on, I'm just talking to the guy, bye mum.
_ And I remember John Aslow going into [G#] that room, we had in here and we were auditioning
a saxophone player as well, _ and John Aslow wrote Mistakes in that room there, and I was
playing the piano in here and he was going in there, that was the first lyrics we ever wrote.
Yeah.
We had a piano in _ this room, I remember, _ _ it is where I wrote my go [G#m] in here, do you
know what I mean?
[A] We had a piano on the left here, yeah, _ that's [B] where I was writing [G#m] that song, [B] yes.
_ [C#m] _ _ _ Yeah, [A] I _
_ [F#m] _ _ [C#m] _ _ _ didn't want to [F#m] see the film tonight, _ I found it hard [A] to say, _ _ _ [C#m] she _ thought I'd had
enough of her.
_ [D] _ _ [D#] Really took off, [F#] yeah, and all of a sudden you couldn't do any wrong, I mean, from [C#m] just
sort of playing in my bedroom, [F#m] just rehearsing, you know, pretty [C#m] amateurishly, suddenly we
were _ thrown into this really [F] getting popular and everything and we started recording, and
we [D#] were just about competent enough to be able to play in time and complete a song from
the beginning to the end, you know.
[B] One must change with the times.
_ [C#m] _ My girls [A] met at noon, _ _ _ [F#m] _ [C#m] _
I didn't [F#m] want to see the film tonight, _
_ [C#m] _ I found it hard to [A] say. _
_ _ [E] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _