Chords for Mike Ness Interview
Tempo:
55.35 bpm
Chords used:
G#
F#
C#m
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
I [F#] think it's [N] now close to 25 years of social distortion of your career.
Well, [G#] you know, [C#m] there's been all, you know, it's like we had just
hungry.
because if I would have had any more
popular than ever and no explanation why, you know,
thing that I can come up with is that we were maybe a little
it is possible for time to catch up with you, with
as well as the new
Well, [G#] you know, [C#m] there's been all, you know, it's like we had just
hungry.
because if I would have had any more
popular than ever and no explanation why, you know,
thing that I can come up with is that we were maybe a little
it is possible for time to catch up with you, with
as well as the new
100% ➙ 55BPM
G#
F#
C#m
C#
G#
F#
C#m
C#
I _ [F#] think it's [N] now close to 25 years of social distortion of your career.
Can you
tell us about your very important point in your career, musical wise or for you
personally? _
Well, _ [G#] you know, [C#m] there's been all, you know, it's like we had just
gradual [N] levels of success and I think that that's good for us because, you know,
it's kept us hungry.
I mean, I was glad that I, you know, got through all the
drugs and stuff before I had any success because if I would have had any more
money it might have killed me.
I'd have to say that right now is the best time,
you know.
It's more _ popular than ever and no explanation why, you know,
except the only thing that I can come up with is that we were maybe a little
bit ahead of our time and it is possible for time to catch up with you, with
another generation, keep the old generation with you as well as the new
generation and that's what's happening.
But how much, let's say, rebellion is in
in your body still [G#] left after all those years or is it important for the music
to have rebellion in it to cross the border a little bit?
Well, both.
I mean, you
know, I was a punk rocker when I was 17 years old, you know, I'm a grown man now
_ but to me that spirit of rebellion, by the time you're 17 years old, it's a part
of your personality, you know, it's not going to go away.
If anything, you know,
maybe when I'm 70 years old with a cane, you know, I'll be louder than ever and,
you know, more boisterous and more, you know, I don't know but I feel like it
never goes away and in the music it can't go away, [C#] you know.
It's just the
spirit of rebellion is social
Can you
tell us about your very important point in your career, musical wise or for you
personally? _
Well, _ [G#] you know, [C#m] there's been all, you know, it's like we had just
gradual [N] levels of success and I think that that's good for us because, you know,
it's kept us hungry.
I mean, I was glad that I, you know, got through all the
drugs and stuff before I had any success because if I would have had any more
money it might have killed me.
I'd have to say that right now is the best time,
you know.
It's more _ popular than ever and no explanation why, you know,
except the only thing that I can come up with is that we were maybe a little
bit ahead of our time and it is possible for time to catch up with you, with
another generation, keep the old generation with you as well as the new
generation and that's what's happening.
But how much, let's say, rebellion is in
in your body still [G#] left after all those years or is it important for the music
to have rebellion in it to cross the border a little bit?
Well, both.
I mean, you
know, I was a punk rocker when I was 17 years old, you know, I'm a grown man now
_ but to me that spirit of rebellion, by the time you're 17 years old, it's a part
of your personality, you know, it's not going to go away.
If anything, you know,
maybe when I'm 70 years old with a cane, you know, I'll be louder than ever and,
you know, more boisterous and more, you know, I don't know but I feel like it
never goes away and in the music it can't go away, [C#] you know.
It's just the
spirit of rebellion is social