Chords for Miki Howard - Interview/Ain't Nobody Like You - Arsenio
Tempo:
165.95 bpm
Chords used:
D
Bm
E
G
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
First of all, what was going on in your mind when you tore up that picture of the Pope?
No, I'm just kidding.
Let's talk about what's going on in your life.
The album, where did you get the title?
Femme Fatale?
Actually, Cassandra Mills, who's president of Giant Records, my record company,
came in while we were doing the photo session and she goes, Femme Fatale.
If you've seen the cover, you know it's like a Marlena Dietrich look.
Yeah, yeah.
It's not serious.
[D] Well, I don't know.
You're very serious.
I don't know.
And you're in this movie.
Now, what is Spike calling it, X or Malcolm?
Whatever he wants to.
Yeah, he's Spike.
Yeah, I'm in the movie, though.
Yeah, and tell them your involvement in it.
I get to play Billie Holiday, who's a person I've admired for quite a long time.
In fact, I've done a Billie Holiday song on every album that I've done.
So, when Spike was looking for somebody to be Billie, Robbie Reed, who cast Malcolm X,
remembered me because in my show I do a brief imitation of her.
Let's see.
One of the things I like about the album, along with the Billie Holiday thing,
is you do some other remakes of things we grew up on.
Yeah.
And there's a Sly thing in there.
Yeah, we did Thank You for Talking to Me, Africa, which is a takeoff for Thank You for Letting Me Be Myself,
which we wanted to thank you tonight, so we did it.
[G#] We also do
Oh, the Harold Melvin and the Blue Notes thing.
Right, Hope We Can Be Together Soon, a song I did with Christopher Williams, produced by Gamble and Hop.
Hello.
Okay.
Because they produced a lot of the music we grew up on, the OJ stuff and the Teddy Pendergrass stuff.
Yes, they did.
They are legends.
They are legends.
And I felt quite fortunate that they worked with me.
Let me button this [G] up.
I'm sorry.
Don't you dare.
[A#]
[N]
Oh, I'm sorry.
It's hard for me to think of questions.
Let me just button this thing up.
She has a wonderful song, which is my favorite on the album, and it's obviously caught on from coast to coast.
It's called Ain't Nobody
Huh?
Is it number one?
Hello.
It's number one.
It's called Ain't Nobody Like You.
It's coming later in the show.
She's going to go back there where we have all the lights and effects and stuff.
And we're going to turn you out, and you're going to, in return, turn us out.
All right.
Mickey Howard, Body Like You from our CD, Femme Fatale.
[E] This is Mickey [G] Howard.
Yo!
[D]
[A]
[Am]
[Bm]
[F#]
[D]
[B]
[G] [D]
[E] [F#]
[Bm] [B]
[A] [D]
[Bm]
[Gm]
[D] There are times when I [E] know I should, oh, darling.
[G] There are ones that I [Gm] want to do.
[F#m] But ain't nobody like [Bm] you.
I said nobody.
[A] [A#]
[Bm] I've been watching you [Gm] for so long, now, baby.
[D] In my heart, I'm feeling [E] so strong for you, [G] baby.
And I hope you [E] feel it, too.
Because ain't [Bm] nobody like you.
[D] I said nobody.
[G#]
[G] I've been up and I've been down.
[E] I've had my feet swept on [Bm] the ground.
But nobody will just pick me up and throw [Gm] me away.
[G] I've been rich and I've been poor.
[E] I've had all
[Bm] my joy.
You're really the [F#m] only one for [D]
[Bm] me.
There'll be times when you [D] want to go, now, baby.
And there'll be times when [E] I want to keep moving [F#m] on.
[D] But not this time, [B] gonna see [Gm] it through.
[F#m] Because ain't [Bm] nobody like you.
[D] And you know, baby.
[Bm] [Em] I've been around [Gm]
a few times, [D] baby.
I've had my share of bad times.
[E]
[G] I've always [B] been up [E] in the blues.
[F#] Because ain't nobody [Bm] like you.
I said nobody knows about you, baby.
[G] I've been up [E] and I've been down.
I've had my feet swept on [Bm] the ground.
But nobody will just pick me up and throw [E] me away.
[G] I've been rich and I've [C#] been poor.
I've [E] had all my joy.
You're
[Bm] really [F#m] the only [Bm] one for me.
[G] Ain't nobody, ain't [E] nobody, ain't nobody [D] like you.
Ain't nobody, ain't [E] nobody, [A] ain't
[G] nobody like [Em] you.
I've been around a few times, baby.
[F]
[F#]
[Bm] Ain't nobody, [Gm] ain't nobody, ain't nobody [D] like you.
Ain't nobody, ain't nobody, [E] ain't nobody [G]
like you.
Ain't nobody, ain't nobody like you, baby.
[G#]
[D] [B]
[Bm]
[G]
Baby!
[D] [N]
No, I'm just kidding.
Let's talk about what's going on in your life.
The album, where did you get the title?
Femme Fatale?
Actually, Cassandra Mills, who's president of Giant Records, my record company,
came in while we were doing the photo session and she goes, Femme Fatale.
If you've seen the cover, you know it's like a Marlena Dietrich look.
Yeah, yeah.
It's not serious.
[D] Well, I don't know.
You're very serious.
I don't know.
And you're in this movie.
Now, what is Spike calling it, X or Malcolm?
Whatever he wants to.
Yeah, he's Spike.
Yeah, I'm in the movie, though.
Yeah, and tell them your involvement in it.
I get to play Billie Holiday, who's a person I've admired for quite a long time.
In fact, I've done a Billie Holiday song on every album that I've done.
So, when Spike was looking for somebody to be Billie, Robbie Reed, who cast Malcolm X,
remembered me because in my show I do a brief imitation of her.
Let's see.
One of the things I like about the album, along with the Billie Holiday thing,
is you do some other remakes of things we grew up on.
Yeah.
And there's a Sly thing in there.
Yeah, we did Thank You for Talking to Me, Africa, which is a takeoff for Thank You for Letting Me Be Myself,
which we wanted to thank you tonight, so we did it.
[G#] We also do
Oh, the Harold Melvin and the Blue Notes thing.
Right, Hope We Can Be Together Soon, a song I did with Christopher Williams, produced by Gamble and Hop.
Hello.
Okay.
Because they produced a lot of the music we grew up on, the OJ stuff and the Teddy Pendergrass stuff.
Yes, they did.
They are legends.
They are legends.
And I felt quite fortunate that they worked with me.
Let me button this [G] up.
I'm sorry.
Don't you dare.
[A#]
[N]
Oh, I'm sorry.
It's hard for me to think of questions.
Let me just button this thing up.
She has a wonderful song, which is my favorite on the album, and it's obviously caught on from coast to coast.
It's called Ain't Nobody
Huh?
Is it number one?
Hello.
It's number one.
It's called Ain't Nobody Like You.
It's coming later in the show.
She's going to go back there where we have all the lights and effects and stuff.
And we're going to turn you out, and you're going to, in return, turn us out.
All right.
Mickey Howard, Body Like You from our CD, Femme Fatale.
[E] This is Mickey [G] Howard.
Yo!
[D]
[A]
[Am]
[Bm]
[F#]
[D]
[B]
[G] [D]
[E] [F#]
[Bm] [B]
[A] [D]
[Bm]
[Gm]
[D] There are times when I [E] know I should, oh, darling.
[G] There are ones that I [Gm] want to do.
[F#m] But ain't nobody like [Bm] you.
I said nobody.
[A] [A#]
[Bm] I've been watching you [Gm] for so long, now, baby.
[D] In my heart, I'm feeling [E] so strong for you, [G] baby.
And I hope you [E] feel it, too.
Because ain't [Bm] nobody like you.
[D] I said nobody.
[G#]
[G] I've been up and I've been down.
[E] I've had my feet swept on [Bm] the ground.
But nobody will just pick me up and throw [Gm] me away.
[G] I've been rich and I've been poor.
[E] I've had all
[Bm] my joy.
You're really the [F#m] only one for [D]
[Bm] me.
There'll be times when you [D] want to go, now, baby.
And there'll be times when [E] I want to keep moving [F#m] on.
[D] But not this time, [B] gonna see [Gm] it through.
[F#m] Because ain't [Bm] nobody like you.
[D] And you know, baby.
[Bm] [Em] I've been around [Gm]
a few times, [D] baby.
I've had my share of bad times.
[E]
[G] I've always [B] been up [E] in the blues.
[F#] Because ain't nobody [Bm] like you.
I said nobody knows about you, baby.
[G] I've been up [E] and I've been down.
I've had my feet swept on [Bm] the ground.
But nobody will just pick me up and throw [E] me away.
[G] I've been rich and I've [C#] been poor.
I've [E] had all my joy.
You're
[Bm] really [F#m] the only [Bm] one for me.
[G] Ain't nobody, ain't [E] nobody, ain't nobody [D] like you.
Ain't nobody, ain't [E] nobody, [A] ain't
[G] nobody like [Em] you.
I've been around a few times, baby.
[F]
[F#]
[Bm] Ain't nobody, [Gm] ain't nobody, ain't nobody [D] like you.
Ain't nobody, ain't nobody, [E] ain't nobody [G]
like you.
Ain't nobody, ain't nobody like you, baby.
[G#]
[D] [B]
[Bm]
[G]
Baby!
[D] [N]
Key:
D
Bm
E
G
Gm
D
Bm
E
First of all, what was going on in your mind when you tore up that picture of the Pope?
No, I'm just kidding. _ _
_ _ _ _ _ _ _ _
_ _ Let's talk about what's going on in your life.
The album, where did you get the title?
Femme Fatale?
_ Actually, Cassandra Mills, who's president of Giant Records, my record company,
came in while we were _ doing the photo session and she goes, Femme Fatale.
If you've seen the cover, you know it's like a Marlena Dietrich look.
Yeah, _ yeah.
_ It's not serious.
_ [D] Well, I don't know. _
You're very serious.
_ I don't know.
And you're in this movie.
Now, what is Spike calling it, X or Malcolm?
_ Whatever he wants to.
_ Yeah, he's Spike.
Yeah, I'm in the movie, though.
Yeah, and tell them your involvement in it.
I get to play Billie Holiday, who's a person I've admired for quite a long time.
In fact, I've done a Billie Holiday song on every album that I've done.
So, when Spike was looking for somebody to be Billie, _ Robbie Reed, who cast Malcolm X,
remembered me because in my show I do a brief imitation of her. _ _ _ _ _
Let's see.
One of the things I like about the album, along with _ the Billie Holiday thing,
is you do some other remakes _ of things we grew up on.
Yeah.
And there's a Sly thing in there.
Yeah, we did Thank You for Talking to Me, Africa, which is a takeoff for Thank You for Letting Me Be Myself,
which we wanted to thank you tonight, so we did it.
[G#] We also do_
Oh, the Harold Melvin and the Blue Notes thing.
Right, Hope We Can Be Together Soon, a song I did with Christopher Williams, produced by Gamble and Hop.
Hello.
Okay.
Because they produced a lot of the music we grew up on, the OJ stuff and the Teddy Pendergrass stuff.
Yes, they did.
They are legends.
They are legends.
And I felt quite fortunate that they worked with me.
_ Let me button this [G] up.
I'm sorry.
Don't you dare. _ _ _ _
_ _ _ _ _ _ [A#] _ _
_ _ [N] _ _ _ _ _ _
Oh, _ _ I'm _ _ sorry.
It's hard for me to think of questions.
Let me just button this thing up.
She has a wonderful song, which is my favorite on the album, and it's obviously caught on from coast to coast.
It's called Ain't Nobody_
Huh?
_ _ _ Is it number one?
Hello. _ _ _ _ _ _ _
It's number one.
It's called Ain't Nobody Like You.
It's coming later in the show.
She's going to go back there where we have all the lights and effects and stuff.
And we're going to turn you out, and you're going to, in return, turn us out.
All right.
_ Mickey Howard, Body Like You from our CD, Femme Fatale.
[E] This is Mickey [G] Howard.
Yo!
_ [D] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ [Bm] _ _ _ _ _ _ _
_ _ _ [F#] _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ [G] _ _ [D] _ _ _
_ [E] _ _ _ _ [F#] _ _ _
_ [Bm] _ _ [B] _ _ _ _ _
_ _ _ _ [A] _ _ [D] _ _
_ [Bm] _ _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _ _
_ [D] _ _ There are times when I [E] know I should, oh, _ darling.
[G] _ _ _ There are ones that I [Gm] want to do.
_ [F#m] But ain't nobody like [Bm] you. _ _ _ _
I said nobody.
[A] _ _ [A#] _ _ _
_ [Bm] _ I've been watching you [Gm] for so _ long, now, baby.
_ [D] _ _ In my heart, I'm feeling [E] so _ strong for you, [G] baby.
_ And I hope you [E] feel it, too.
_ Because ain't [Bm] nobody like you. _ _ _
[D] I said nobody.
_ _ _ [G#] _ _
_ [G] _ _ _ I've been up and I've been down.
[E] I've had my feet swept on [Bm] the ground.
But nobody will just pick me up and throw [Gm] me away. _ _ _ _ _
_ [G] _ _ I've been rich and I've been poor.
[E] I've had all _ _
[Bm] my joy.
You're _ _ _ _ _ really the [F#m] only one for [D] _
[Bm] me.
_ _ There'll be times when you [D] want to go, now, baby.
_ _ And there'll be times when [E] I want to keep moving [F#m] on.
_ [D] _ _ But not this time, [B] gonna see [Gm] it through.
_ _ [F#m] Because ain't [Bm] nobody like _ you. _
[D] And you know, baby. _ _ _
_ [Bm] _ [Em] I've been around [Gm] _
a few times, _ _ _ _ [D] baby.
I've had my share of bad times. _ _ _ _
_ [E] _ _ _ _ _ _ _
_ [G] _ I've always [B] been up [E] in the _ blues.
[F#] Because ain't _ nobody [Bm] like you.
I said nobody knows about you, baby. _ _ _ _ _
_ [G] _ _ _ I've been up [E] and _ _ _ _ _ I've been down.
I've had my feet swept on [Bm] the ground.
_ _ But nobody will just pick me up and throw [E] me away. _ _ _ _ _
_ [G] _ _ _ I've been rich and I've [C#] been poor.
I've [E] had all my joy.
You're _
_ [Bm] _ _ _ _ really _ _ _ [F#m] the only [Bm] one for me.
_ _ [G] Ain't nobody, ain't [E] nobody, _ _ ain't nobody _ _ [D] like you.
Ain't nobody, ain't [E] nobody, _ _ _ _ [A] _ ain't _
_ [G] nobody like _ [Em] you. _
_ _ I've been around a few times, baby. _
_ _ _ _ _ _ [F] _ _
_ [F#] _ _ _ _ _ _ _
_ [Bm] _ _ Ain't _ nobody, _ [Gm] ain't nobody, ain't nobody _ [D] _ like you.
Ain't nobody, ain't nobody, _ [E] _ ain't nobody _ _ [G]
like you.
_ Ain't nobody, _ _ ain't nobody like you, baby. _ _ _
_ _ _ _ _ _ _ [G#] _
_ [D] _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ [G] _
_ Baby! _ _ _ _ _
_ [D] _ _ _ _ _ _ [N] _
No, I'm just kidding. _ _
_ _ _ _ _ _ _ _
_ _ Let's talk about what's going on in your life.
The album, where did you get the title?
Femme Fatale?
_ Actually, Cassandra Mills, who's president of Giant Records, my record company,
came in while we were _ doing the photo session and she goes, Femme Fatale.
If you've seen the cover, you know it's like a Marlena Dietrich look.
Yeah, _ yeah.
_ It's not serious.
_ [D] Well, I don't know. _
You're very serious.
_ I don't know.
And you're in this movie.
Now, what is Spike calling it, X or Malcolm?
_ Whatever he wants to.
_ Yeah, he's Spike.
Yeah, I'm in the movie, though.
Yeah, and tell them your involvement in it.
I get to play Billie Holiday, who's a person I've admired for quite a long time.
In fact, I've done a Billie Holiday song on every album that I've done.
So, when Spike was looking for somebody to be Billie, _ Robbie Reed, who cast Malcolm X,
remembered me because in my show I do a brief imitation of her. _ _ _ _ _
Let's see.
One of the things I like about the album, along with _ the Billie Holiday thing,
is you do some other remakes _ of things we grew up on.
Yeah.
And there's a Sly thing in there.
Yeah, we did Thank You for Talking to Me, Africa, which is a takeoff for Thank You for Letting Me Be Myself,
which we wanted to thank you tonight, so we did it.
[G#] We also do_
Oh, the Harold Melvin and the Blue Notes thing.
Right, Hope We Can Be Together Soon, a song I did with Christopher Williams, produced by Gamble and Hop.
Hello.
Okay.
Because they produced a lot of the music we grew up on, the OJ stuff and the Teddy Pendergrass stuff.
Yes, they did.
They are legends.
They are legends.
And I felt quite fortunate that they worked with me.
_ Let me button this [G] up.
I'm sorry.
Don't you dare. _ _ _ _
_ _ _ _ _ _ [A#] _ _
_ _ [N] _ _ _ _ _ _
Oh, _ _ I'm _ _ sorry.
It's hard for me to think of questions.
Let me just button this thing up.
She has a wonderful song, which is my favorite on the album, and it's obviously caught on from coast to coast.
It's called Ain't Nobody_
Huh?
_ _ _ Is it number one?
Hello. _ _ _ _ _ _ _
It's number one.
It's called Ain't Nobody Like You.
It's coming later in the show.
She's going to go back there where we have all the lights and effects and stuff.
And we're going to turn you out, and you're going to, in return, turn us out.
All right.
_ Mickey Howard, Body Like You from our CD, Femme Fatale.
[E] This is Mickey [G] Howard.
Yo!
_ [D] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ [Bm] _ _ _ _ _ _ _
_ _ _ [F#] _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ [G] _ _ [D] _ _ _
_ [E] _ _ _ _ [F#] _ _ _
_ [Bm] _ _ [B] _ _ _ _ _
_ _ _ _ [A] _ _ [D] _ _
_ [Bm] _ _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _ _
_ [D] _ _ There are times when I [E] know I should, oh, _ darling.
[G] _ _ _ There are ones that I [Gm] want to do.
_ [F#m] But ain't nobody like [Bm] you. _ _ _ _
I said nobody.
[A] _ _ [A#] _ _ _
_ [Bm] _ I've been watching you [Gm] for so _ long, now, baby.
_ [D] _ _ In my heart, I'm feeling [E] so _ strong for you, [G] baby.
_ And I hope you [E] feel it, too.
_ Because ain't [Bm] nobody like you. _ _ _
[D] I said nobody.
_ _ _ [G#] _ _
_ [G] _ _ _ I've been up and I've been down.
[E] I've had my feet swept on [Bm] the ground.
But nobody will just pick me up and throw [Gm] me away. _ _ _ _ _
_ [G] _ _ I've been rich and I've been poor.
[E] I've had all _ _
[Bm] my joy.
You're _ _ _ _ _ really the [F#m] only one for [D] _
[Bm] me.
_ _ There'll be times when you [D] want to go, now, baby.
_ _ And there'll be times when [E] I want to keep moving [F#m] on.
_ [D] _ _ But not this time, [B] gonna see [Gm] it through.
_ _ [F#m] Because ain't [Bm] nobody like _ you. _
[D] And you know, baby. _ _ _
_ [Bm] _ [Em] I've been around [Gm] _
a few times, _ _ _ _ [D] baby.
I've had my share of bad times. _ _ _ _
_ [E] _ _ _ _ _ _ _
_ [G] _ I've always [B] been up [E] in the _ blues.
[F#] Because ain't _ nobody [Bm] like you.
I said nobody knows about you, baby. _ _ _ _ _
_ [G] _ _ _ I've been up [E] and _ _ _ _ _ I've been down.
I've had my feet swept on [Bm] the ground.
_ _ But nobody will just pick me up and throw [E] me away. _ _ _ _ _
_ [G] _ _ _ I've been rich and I've [C#] been poor.
I've [E] had all my joy.
You're _
_ [Bm] _ _ _ _ really _ _ _ [F#m] the only [Bm] one for me.
_ _ [G] Ain't nobody, ain't [E] nobody, _ _ ain't nobody _ _ [D] like you.
Ain't nobody, ain't [E] nobody, _ _ _ _ [A] _ ain't _
_ [G] nobody like _ [Em] you. _
_ _ I've been around a few times, baby. _
_ _ _ _ _ _ [F] _ _
_ [F#] _ _ _ _ _ _ _
_ [Bm] _ _ Ain't _ nobody, _ [Gm] ain't nobody, ain't nobody _ [D] _ like you.
Ain't nobody, ain't nobody, _ [E] _ ain't nobody _ _ [G]
like you.
_ Ain't nobody, _ _ ain't nobody like you, baby. _ _ _
_ _ _ _ _ _ _ [G#] _
_ [D] _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ [G] _
_ Baby! _ _ _ _ _
_ [D] _ _ _ _ _ _ [N] _