Chords for MILLIE JACKSON ( If Loving You Is Wrong) I Don't Want To Be Right.wmv

Tempo:
66.125 bpm
Chords used:

Em

C

Am

Bm

E

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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MILLIE JACKSON ( If Loving You Is Wrong) I Don't Want To Be Right.wmv chords
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[Em] [G]
[C] [Am] [Bm] [Em] [Bm]
[Em] [G]
[C] [Am] [Bm] [C] [Bm]
[B] [E] If loving you is [G] wrong, I don't want to be right.
[C] If being right means being without [Am] you,
[Bm] I'd [C] rather live alone [Bm] than lie.
[Em] Your mama and daddy say it's a [G] shame.
It's a downright disgrace.
[C] But long as I got you by [Am] my [Bm] side,
I [C] don't care what [Bm] your people [Am] say.
My friends tell me it's no [Em] future in love in a married man.
[Am] If I can't see you when I [Em] want, I'll
have to see you when I [Am] can't.
If loving you is wrong, [Em] I don't want to be right.
[Am] If loving you is so wrong, baby, [Em] I don't want to be right.
Am I wrong to fall [G] so deeply in love with [C] you?
Lord, you [Em] have a wife and two little [Am] children
[Bm] depending [C] on the two.
[Bm] [Em] Am I wrong to hunger [G] for the gentleness of your touch?
[C] Lord, when you have someone [Am] else at home
who [C] needs you just as [Bm] much, [Am] am I wrong to give
my [Em] love to a married man?
[Am] And am I wrong for trying to [Em] hold on to the best
thing I ever [Am] had?
If loving you is wrong, [Em] I don't want to be right.
[Am] If loving you is wrong, [Em] right me back.
Wow!
[G] [C] No, [Em] baby.
[Am] [Bm] [C] Tell [Bm] [Am] me now, [E] am I wrong to give my love to [Em] a married man?
[Am] Am I wrong for trying [Em] to hold on to the best thing I ever had?
[Am] If loving you is so wrong, [Em] I don't want to be right.
[Am] If loving you is [Em] wrong, baby, I just can't be right.
Wow!
I don't want to be right.
[C] No, baby.
[Em] I don't want to be right.
[C] Oh, baby.
Loving [Em] you a little bit too long,
[C] I can't give up on your love tonight.
[Em] I love you, want you, need you, got to have you.
[C] Got it, baby.
[Em] I love you.
[C] [Em] I need you.
[C] Let me have you.
[Em] You see, the terrible thing [C] about being in love with a married man
is the fact that you can't see him when you [Em] really want to.
And that can get to you [C] sometime.
[Em] Late in the midnight hour, [C] when you really feel like you need a little love
and the man ain't nowhere [Em] around, and that can get to you sometime.
[C] [Em]
[C] When you really feel like you need someone to hold on to,
[Em] the man ain't nowhere around, and that can really [C] get to you sometime.
[Em] But what gets to you most of all is when the [C] holidays roll around,
you got to always be by [Em] yourself.
Because that's the time when the [C] families get together,
[Em] all the in-laws come to visit.
[C] So he has to stay home and play the part of the good and [Em] faithful husband.
But I ain't worried about it.
[C] Because I found out that when a man [Em] starts slipping away from home,
[C] somebody at home is falling down on the home front.
[Em] That's because when these women marry these [C] men,
they have a tendency to take advantage of [Em] them.
They forget about all the sweet things they say to get them,
[C] that they have to keep on saying them to keep them.
[Em] Because you got a whole lot of women out there these days, just like me,
[C] who will tell a man anything in the world he [Em] feel like he might want to hear.
[C] I know.
[Em] Because from going with the married man, [C] and last New Year's Eve,
I was lonesome as a mickey.
[Em] But J1, the man came [C] on in like he was supposed to.
[Em] And I didn't mind waiting that one day,
[C] because anything worth having is worth waiting on.
[Em] [E] So when the man came in, J1, I was right there waiting on him,
to tell him [E] all them sweet things I know his wife hadn't told him over the [Em] holidays.
[E] And you can think of a whole lot [Em] of good stuff to tell a [E] nigga when you're by yourself.
[C] So the minute my [Em] man came in the door, J1,
[C] I started laying it on him.
[Em] [E] I said, ooh baby, [C] ooh baby,
[Em] ooh baby, [C] my baby,
[Em] you the sweetest thing I know.
[C] Yes you are.
[Em] You [B] dim the rainbow's [C] glow.
Yes you do, baby.
[Em] There ain't no power, no power, [C] no power on this earth.
[Em] [Eb] No, Lord.
[C] Separate us, baby,
because you [Em] are my sunshine.
[C] You're all I'm searching.
[Em] You are my sunshine.
[C] My sunshine.
[Em] I love you, baby.
I [C] can't help but love you, baby.
[Em] Love you, baby.
[C] I couldn't give up if I wanted to.
[Em]
You know, I don't want to leave you with one-sided conception over this.
Anyone out there in my [N] shoes this evening, I want you to know what I'm talking [C] about.
[E] I want you to know there's two sides.
There's a good side to being in love with a married man.
And I like it.
Because you see,
when you're going with a married man,
he can [Em] come over two or three times a week and give you a little bit.
[Gb]
[G] [F] That means you're two [E] up on the wife already,
because once you marry one, you can [Em] get it once a week.
[C] Another sweet thing is,
[Em] on payday, he can come over and give you a little bread, and I like that.
[C] [Em] But the sweetest thing about the whole situation is
[C] the fact that when you go to the [Em] laundromat,
you don't have to [A] wash [C] nobody's clunky clothes but your own.
[Em] And I like it like that.
[C] I want to keep my situation just the way it [Em] is.
And to make sure it stays like that,
[C] when my man comes over two or three times a week to give me my piece,
[Em] I set the clock so [C] he can get up and go home on time,
don't want him to be late.
[Em] Sometimes it be kind of hard for me to [C] do,
but I force myself anyway.
[Em] I tell him,
listen to the clock on the wall, [Ebm] hey, hey.
[C] [Em] Listen to the [C] clock on the wall right now, baby.
Keep on clock.
[Em] Listen to the clock on the [Bm] wall, [C] hey, hey.
[Em] Oh, forget about the clock on the wall.
[C] I don't want this [Em] moment.
[N]
Key:  
Em
121
C
3211
Am
2311
Bm
13421112
E
2311
Em
121
C
3211
Am
2311
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[Em] _ _ _ _ [G] _ _ _ _
[C] _ _ _ _ [Am] _ [Bm] _ [Em] _ [Bm] _
[Em] _ _ _ [G] _ _ _ _ _
[C] _ _ _ _ [Am] _ [Bm] _ [C] _ [Bm] _
[B] _ _ _ [E] If loving you is [G] wrong, I don't want to be right.
_ [C] If being right means being without [Am] you,
[Bm] I'd [C] rather live alone [Bm] than lie.
[Em] Your mama and daddy say it's a [G] shame.
It's a downright disgrace.
[C] But long as I got you by [Am] my [Bm] side,
I [C] don't care what [Bm] your people [Am] say.
My friends tell me it's no [Em] future in love in a married man.
[Am] If I can't see you when I [Em] want, I'll
have to see you when I [Am] can't.
If loving you is wrong, [Em] I don't want to be right.
_ [Am] If loving you is so wrong, baby, [Em] I don't want to be right.
_ Am I wrong to fall [G] so deeply in love with [C] you?
Lord, you [Em] have a wife and two little [Am] children
[Bm] depending [C] on the two.
[Bm] _ [Em] Am I wrong to hunger [G] for the gentleness of your touch?
_ [C] Lord, when you have someone [Am] else at home
who [C] needs you just as [Bm] much, [Am] am I wrong to give
my [Em] love to a married man?
[Am] And am I wrong for trying to [Em] hold on to the best
thing I ever [Am] had?
If loving you is wrong, [Em] I don't want to be right.
[Am] If loving you is wrong, [Em] _ right me back.
Wow! _ _
[G] _ _ _ _ [C] No, [Em] baby. _
[Am] _ [Bm] [C] Tell [Bm] [Am] me now, [E] am I wrong to give my love to [Em] a married man?
[Am] Am I wrong for trying [Em] to hold on to the best thing I ever had?
[Am] If loving you is so wrong, [Em] I don't want to be right.
[Am] _ If loving you is [Em] wrong, baby, I just can't be right.
Wow!
I don't want to be right. _
[C] No, baby.
_ [Em] I don't want to be right. _
[C] Oh, baby.
Loving [Em] _ you a little bit too long,
[C] I can't give up on your love tonight.
[Em] I love you, want you, need you, got to have you.
[C] _ _ Got it, baby.
[Em] I love you. _ _
[C] _ _ _ _ [Em] I need you. _
[C] Let me have you.
[Em] You see, the terrible thing [C] about being in love with a married man
is the fact that you can't see him when you [Em] really want to.
And that can get to you [C] sometime.
_ _ _ [Em] Late in the midnight hour, [C] when you really feel like you need a little love
and the man ain't nowhere [Em] around, and that can get to you sometime.
[C] _ _ _ _ [Em] _ _ _
[C] When you really feel like you need someone to hold on to,
[Em] the man ain't nowhere around, and that can really [C] get to you sometime.
_ _ [Em] But what gets to you most of all is when the [C] holidays roll around,
you got to always be by [Em] yourself.
Because that's the time when the [C] families get together,
_ _ [Em] all the in-laws come to visit.
[C] So he has to stay home and play the part of the good and [Em] faithful husband.
But I ain't worried about it.
[C] Because I found out that when a man [Em] starts slipping away from home, _
[C] somebody at home is falling down on the home front.
_ [Em] _ That's because when these women marry these [C] men,
they have a tendency to take advantage of [Em] them.
They forget about all the sweet things they say to get them,
[C] that they have to keep on saying them to keep them.
[Em] Because you got a whole lot of women out there these days, just like me,
[C] who will tell a man anything in the world he [Em] feel like he might want to hear. _
[C] I know.
_ _ [Em] Because from going with the married man, _ [C] and last New Year's Eve,
I was lonesome as a mickey.
[Em] _ But J1, the man came [C] on in like he was supposed to.
_ [Em] And I didn't mind waiting that one day,
[C] because anything worth having is worth waiting on.
[Em] [E] So when the man came in, J1, I was right there waiting on him,
to tell him [E] all them sweet things I know his wife hadn't told him over the [Em] holidays.
[E] And you can think of a whole lot [Em] of good stuff to tell a [E] nigga when you're by yourself.
[C] _ So the minute my [Em] man came in the door, J1, _
[C] I started laying it on him.
_ [Em] [E] I said, ooh baby, _ [C] ooh baby,
_ _ [Em] ooh baby, _ [C] my baby,
[Em] _ you the sweetest thing I know.
[C] Yes you are.
_ _ [Em] You [B] dim the rainbow's [C] glow.
Yes you do, baby.
_ [Em] _ There ain't no power, no power, [C] no power on this earth.
_ _ _ [Em] _ _ [Eb] No, Lord.
[C] Separate us, baby,
because you [Em] are my sunshine. _
[C] You're all I'm searching.
[Em] You are my sunshine. _
[C] My sunshine.
_ [Em] I love you, baby.
I [C] can't help but love you, baby.
_ [Em] Love you, baby. _
[C] I couldn't give up if I wanted to.
_ [Em] _ _ _
You know, I don't want to leave you with one-sided conception over this.
_ Anyone out there in my [N] shoes this evening, I want you to know what I'm talking [C] about.
[E] I want you to know there's two sides.
_ There's a good side to being in love with a married man. _ _
And I like it.
Because you see,
_ when you're going with a married man,
_ he can [Em] come over two or three times a week and give you a little bit.
[Gb] _
[G] [F] That means you're two [E] up on the wife already,
because once you marry one, you can [Em] get it once a week. _
[C] Another sweet thing is,
_ [Em] on payday, he can come over and give you a little bread, and I like that.
[C] _ _ _ [Em] But the sweetest thing about the whole situation is
[C] the fact that when you go to the [Em] laundromat,
_ you don't have to [A] wash [C] nobody's clunky clothes but your own.
[Em] And I like it like that. _
[C] I want to keep my situation just the way it [Em] is.
_ And to make sure it stays like that,
[C] when my man comes over two or three times a week to give me my piece,
[Em] I set the clock so [C] he can get up and go home on time,
don't want him to be late.
[Em] _ Sometimes it be kind of hard for me to [C] do,
but I force myself anyway.
[Em] I tell him,
listen to the clock on the wall, [Ebm] hey, hey.
[C] _ _ _ [Em] Listen to the [C] clock on the wall right now, baby.
Keep on clock.
[Em] Listen to the clock on the [Bm] wall, [C] hey, hey.
_ _ _ [Em] Oh, forget about the clock on the wall.
[C] I don't want this [Em] moment.
_ _ [N] _