Chords for MorphWiz Video Manual 1 - The Main Screen
Tempo:
75.925 bpm
Chords used:
F#
B
Am
E
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Here we're looking at a MorphWiz screen that basically shows you all the different controls that you can have on screen.
And one of the cool things about MorphWiz is that you can choose what you want to see on the screen.
For this purpose, I put a lot of things on the screen and I want to tell you what it all is.
So, let's start at the top.
I think it's probably pretty clear that the menu is just a little slider that you can move up and then it takes you into all the editing pages.
To close up MorphWiz, to get back to the playing screen, you simply hit close and you're back.
Looking down, this is what we call the magic slider.
This right now is assigned to the FM modulation depth, but it will be able to be assigned in the future to other things as well.
Below that, we have the record into the delay buffer.
So right now you can hear that we have sounds going into the digital delay.
We've got a nice little echo thing going on.
If I take that out, it's dry as a bone.
Below that, if it's going back to the delay buffer, we have the infinity button.
I love this button because you can have everything go into infinity.
And if you turn it off, notice [B] how gracefully the sounds just decay.
So that's pretty cool.
Below that is a button called round new notes.
One of the things that's very magical about MorphWiz is its ability to tune the pitch.
Right now in this patch, if I play anywhere on the screen, even if I close my eyes, you're going to get a pure diatonic pitch.
[D#] And if you slide, when I stop at my ending point, let's say I [Am] go from here to here.
[B] If I stop, I'll take lock pitch off and slide.
As soon as my finger stops its motion, it's automatically going to tune exactly to the pitch where I stopped.
So the combination of being able to tune your pitch on my initial hit of a grid point,
and also when my finger stops, is really one of the fundamental magic points about MorphWiz.
So it'll tune [F#] you when your finger first lands, and it [C#] will tune you when your finger stops.
And as soon as you move your finger again, after the stop, [F#]
it will start [B] to bend the pitch.
And all that is [G] adjustable, as you'll see as we move along.
Below that is this very important little button, a performance button, called lock pitch.
Sometimes you might want to have something where you slide and you hear the pure diatonic [F#] pitches.
[E]
And other times you might want to
[B] [E]
So if you know you just want to deal with notes that are snapping to our grid, just [D] lock the pitch.
And again, these things can be on the screen or off the screen.
Underneath that, you'll see the two little wizards on either side, and in the middle is the name of the patch.
And this is where you change patches.
You can go through all the different presets that come with MorphWiz.
I had a great time making a lot of these sounds.
And I hope that you'll enjoy them as well.
They're all very different.
And you'll notice also that the display is different, and the controls that come on the screen are different for each thing too.
And we'll get into that as we move along.
So let's go back to the MorphWiz All patch that I made to show you what else is on the screen.
Up top, it's very important to have an octave switch.
When I started working with this technology, I realized it was one of the most important things.
It basically lets you do something
Let's just [C#] play
[F#] [C#m] So I can hop around [F#] octaves very quickly, or even if I lock the pitch and slide
[G#m]
[E] [N] So I can move around my range very, very quickly.
The octave will be a good friend of yours for sure.
And then, this is a handy little thing.
At the top, you can literally slide this keyboard around.
And what that's showing you is the bottom note of the grid and the top note of the grid.
So you can easily move around your range.
Like right now, my lowest note is D, and I go from D to D.
And you can set the number of octaves that is on your playing surface as well.
Everything from one octave to six octaves.
And we'll get to that.
The other thing that's on the screen right now are the record controls.
What's pretty cool is that this little area here shows you your counter for when you're in the sequencer.
And it will show you every beat.
And it's nice and visual.
I'll do a sequence and not even need the metronome turned on.
I'll just watch the little counter go by.
And you can touch anywhere in this area, and it will bring your counter exactly to that spot, which is very convenient.
If you hit the record button, which is this button, it will actually wait until you strike a note to start recording, which is a nice little feature.
And right next to that is the play button.
[Am] [Em]
Next to that is the undo button.
And if you hit undo, you can undo your last track.
And if you hit it again, notice the arrow turned around.
That will be a redo.
So you have some nice flexibility there.
So if you're recording along and you decide, oh, I made a mistake, you can undo that.
And it will undo everything since the last time you pressed record.
Next to that is our metronome.
And that's kind of an important feature as well.
When you're recording, you might want to have that on.
And finally on the screen is a little arrow.
I love this because Kevin was able to make this happen for me.
I decided that I really wanted the ability to play sequences backwards as well as forwards.
So with that in reverse, when you play
[Am] [Em]
[Am] [Gm] The whole thing is going in reverse.
And you can change that up as you're recording, a little bit backwards, a little bit forwards.
It's really quite fun.
And one of the cool things about MorphWiz is that you can choose what you want to see on the screen.
For this purpose, I put a lot of things on the screen and I want to tell you what it all is.
So, let's start at the top.
I think it's probably pretty clear that the menu is just a little slider that you can move up and then it takes you into all the editing pages.
To close up MorphWiz, to get back to the playing screen, you simply hit close and you're back.
Looking down, this is what we call the magic slider.
This right now is assigned to the FM modulation depth, but it will be able to be assigned in the future to other things as well.
Below that, we have the record into the delay buffer.
So right now you can hear that we have sounds going into the digital delay.
We've got a nice little echo thing going on.
If I take that out, it's dry as a bone.
Below that, if it's going back to the delay buffer, we have the infinity button.
I love this button because you can have everything go into infinity.
And if you turn it off, notice [B] how gracefully the sounds just decay.
So that's pretty cool.
Below that is a button called round new notes.
One of the things that's very magical about MorphWiz is its ability to tune the pitch.
Right now in this patch, if I play anywhere on the screen, even if I close my eyes, you're going to get a pure diatonic pitch.
[D#] And if you slide, when I stop at my ending point, let's say I [Am] go from here to here.
[B] If I stop, I'll take lock pitch off and slide.
As soon as my finger stops its motion, it's automatically going to tune exactly to the pitch where I stopped.
So the combination of being able to tune your pitch on my initial hit of a grid point,
and also when my finger stops, is really one of the fundamental magic points about MorphWiz.
So it'll tune [F#] you when your finger first lands, and it [C#] will tune you when your finger stops.
And as soon as you move your finger again, after the stop, [F#]
it will start [B] to bend the pitch.
And all that is [G] adjustable, as you'll see as we move along.
Below that is this very important little button, a performance button, called lock pitch.
Sometimes you might want to have something where you slide and you hear the pure diatonic [F#] pitches.
[E]
And other times you might want to
[B] [E]
So if you know you just want to deal with notes that are snapping to our grid, just [D] lock the pitch.
And again, these things can be on the screen or off the screen.
Underneath that, you'll see the two little wizards on either side, and in the middle is the name of the patch.
And this is where you change patches.
You can go through all the different presets that come with MorphWiz.
I had a great time making a lot of these sounds.
And I hope that you'll enjoy them as well.
They're all very different.
And you'll notice also that the display is different, and the controls that come on the screen are different for each thing too.
And we'll get into that as we move along.
So let's go back to the MorphWiz All patch that I made to show you what else is on the screen.
Up top, it's very important to have an octave switch.
When I started working with this technology, I realized it was one of the most important things.
It basically lets you do something
Let's just [C#] play
[F#] [C#m] So I can hop around [F#] octaves very quickly, or even if I lock the pitch and slide
[G#m]
[E] [N] So I can move around my range very, very quickly.
The octave will be a good friend of yours for sure.
And then, this is a handy little thing.
At the top, you can literally slide this keyboard around.
And what that's showing you is the bottom note of the grid and the top note of the grid.
So you can easily move around your range.
Like right now, my lowest note is D, and I go from D to D.
And you can set the number of octaves that is on your playing surface as well.
Everything from one octave to six octaves.
And we'll get to that.
The other thing that's on the screen right now are the record controls.
What's pretty cool is that this little area here shows you your counter for when you're in the sequencer.
And it will show you every beat.
And it's nice and visual.
I'll do a sequence and not even need the metronome turned on.
I'll just watch the little counter go by.
And you can touch anywhere in this area, and it will bring your counter exactly to that spot, which is very convenient.
If you hit the record button, which is this button, it will actually wait until you strike a note to start recording, which is a nice little feature.
And right next to that is the play button.
[Am] [Em]
Next to that is the undo button.
And if you hit undo, you can undo your last track.
And if you hit it again, notice the arrow turned around.
That will be a redo.
So you have some nice flexibility there.
So if you're recording along and you decide, oh, I made a mistake, you can undo that.
And it will undo everything since the last time you pressed record.
Next to that is our metronome.
And that's kind of an important feature as well.
When you're recording, you might want to have that on.
And finally on the screen is a little arrow.
I love this because Kevin was able to make this happen for me.
I decided that I really wanted the ability to play sequences backwards as well as forwards.
So with that in reverse, when you play
[Am] [Em]
[Am] [Gm] The whole thing is going in reverse.
And you can change that up as you're recording, a little bit backwards, a little bit forwards.
It's really quite fun.
Key:
F#
B
Am
E
C#
F#
B
Am
_ _ _ _ _ _ _ _
_ _ _ _ Here we're looking at a MorphWiz screen that basically shows you all the different controls that you can have on screen.
And one of the cool things about MorphWiz is that you can choose what you want to see on the screen.
For this purpose, I put a lot of things on the screen and I want to tell you what it all is.
So, let's start at the top.
I think it's probably pretty clear that the menu is just a little slider that you can move up and then it takes you into all the editing pages.
To close up MorphWiz, to get back to the playing screen, you simply hit close and you're back.
Looking down, this is what we call the magic slider.
This right now is assigned to the FM modulation depth, but it will be able to be assigned in the future to other things as well.
Below that, we have the record into the delay buffer.
So right now you can hear that we have sounds going into the digital delay.
We've _ got a nice little echo thing going on.
If I take that out, it's dry as a bone.
Below that, if it's going back to the delay buffer, we have the infinity button.
I love this button because you can have everything go _ _ _ _ into infinity.
And if you turn it off, notice [B] how gracefully the sounds just decay.
So that's pretty cool.
Below that is a button called round new notes.
One of the things that's very magical about MorphWiz is its ability to tune the pitch.
Right now in this patch, if I play anywhere on the screen, even if I close my eyes, _ you're going to get a pure diatonic pitch.
[D#] And if you slide, when I stop at my ending point, let's say I [Am] go from here to here.
[B] If I stop, I'll take lock pitch off and slide.
_ _ As soon as my finger stops its motion, it's automatically going to tune exactly to the pitch where I stopped.
So the combination of being able to tune your pitch on my initial hit of a grid point,
and also when my finger stops, is really one of the fundamental magic points about MorphWiz.
So it'll tune [F#] you when your finger first lands, and it [C#] will tune you when your finger stops.
And as soon as you move your finger again, after the stop, _ [F#]
it will start [B] to bend the pitch.
_ _ And all that is [G] adjustable, as you'll see as we move along.
Below that is this very important little button, a performance button, called lock pitch.
Sometimes you might want to have something where you slide and you hear the pure diatonic [F#] pitches.
_ _ _ _ _ _ _ [E]
And other times you might want to_
[B] _ _ _ [E] _
So if you know you just want to deal with notes that are snapping to our grid, just [D] lock the pitch.
And again, these things can be on the screen or off the screen.
Underneath that, you'll see the two little wizards on either side, and in the middle is the name of the patch.
And this is where you change patches.
You can go through all the different presets that come with MorphWiz.
I had a great time making a lot of these sounds.
And I hope that you'll enjoy them as well.
They're all very different.
And you'll notice also that the display is different, and the controls that come on the screen are different for each thing too.
And we'll get into that as we move along.
So let's go back to the MorphWiz All patch that I made to show you what else is on the screen.
Up top, it's very important to have an octave switch.
When I started working with this technology, I realized it was one of the most important things.
It basically lets you do something_
Let's just [C#] play_ _
_ [F#] _ _ _ _ [C#m] So I can hop around [F#] octaves very quickly, or even if I lock the pitch and slide_
_ [G#m] _ _
_ [E] _ _ _ _ [N] So I can move around my range very, very quickly.
The octave will be a good friend of yours for sure.
And then, this is a handy little thing.
At the top, you can literally slide this keyboard around.
And what that's showing you is the bottom note of the grid and the top note of the grid.
So you can easily move around your range.
Like right now, my lowest note is D, and I go from D to D.
And you can set the number of octaves that is on your playing surface as well.
Everything from one octave to six octaves.
And we'll get to that.
The other thing that's on the screen right now are the record controls.
What's pretty cool is that this little area here shows you your counter for when you're in the sequencer.
And it will show you every beat.
And it's nice and visual.
I'll do a sequence and not even need the metronome turned on.
I'll just watch the little counter go by.
And you can touch anywhere in this area, and it will bring your counter exactly to that spot, which is very convenient.
If you hit the record button, _ which is this button, it will actually wait until you strike a note to start recording, which is a nice little feature.
And right next to that is the play button.
[Am] _ _ _ [Em] _
Next to that is the undo button.
And if you hit undo, you can undo your last track.
And if you hit it again, notice the arrow turned around.
That will be a redo.
So you have some nice flexibility there.
So if you're recording along and you decide, oh, I made a mistake, you can undo that.
And it will undo everything since the last time you pressed record.
Next to that is our metronome.
And that's kind of an important feature as well.
When you're recording, you might want to have that on.
And finally on the screen is a little arrow.
I love this because Kevin was able to make this happen for me.
I decided that I really wanted the ability to play sequences backwards as well as forwards.
So with that in reverse, when you play_
[Am] _ _ _ _ [Em] _ _ _
[Am] _ _ [Gm] The whole thing is going in reverse.
And you can change that up as you're recording, a little bit backwards, a little bit forwards.
It's really quite fun. _ _
_ _ _ _ _ _ _ _
_ _ _ _ Here we're looking at a MorphWiz screen that basically shows you all the different controls that you can have on screen.
And one of the cool things about MorphWiz is that you can choose what you want to see on the screen.
For this purpose, I put a lot of things on the screen and I want to tell you what it all is.
So, let's start at the top.
I think it's probably pretty clear that the menu is just a little slider that you can move up and then it takes you into all the editing pages.
To close up MorphWiz, to get back to the playing screen, you simply hit close and you're back.
Looking down, this is what we call the magic slider.
This right now is assigned to the FM modulation depth, but it will be able to be assigned in the future to other things as well.
Below that, we have the record into the delay buffer.
So right now you can hear that we have sounds going into the digital delay.
We've _ got a nice little echo thing going on.
If I take that out, it's dry as a bone.
Below that, if it's going back to the delay buffer, we have the infinity button.
I love this button because you can have everything go _ _ _ _ into infinity.
And if you turn it off, notice [B] how gracefully the sounds just decay.
So that's pretty cool.
Below that is a button called round new notes.
One of the things that's very magical about MorphWiz is its ability to tune the pitch.
Right now in this patch, if I play anywhere on the screen, even if I close my eyes, _ you're going to get a pure diatonic pitch.
[D#] And if you slide, when I stop at my ending point, let's say I [Am] go from here to here.
[B] If I stop, I'll take lock pitch off and slide.
_ _ As soon as my finger stops its motion, it's automatically going to tune exactly to the pitch where I stopped.
So the combination of being able to tune your pitch on my initial hit of a grid point,
and also when my finger stops, is really one of the fundamental magic points about MorphWiz.
So it'll tune [F#] you when your finger first lands, and it [C#] will tune you when your finger stops.
And as soon as you move your finger again, after the stop, _ [F#]
it will start [B] to bend the pitch.
_ _ And all that is [G] adjustable, as you'll see as we move along.
Below that is this very important little button, a performance button, called lock pitch.
Sometimes you might want to have something where you slide and you hear the pure diatonic [F#] pitches.
_ _ _ _ _ _ _ [E]
And other times you might want to_
[B] _ _ _ [E] _
So if you know you just want to deal with notes that are snapping to our grid, just [D] lock the pitch.
And again, these things can be on the screen or off the screen.
Underneath that, you'll see the two little wizards on either side, and in the middle is the name of the patch.
And this is where you change patches.
You can go through all the different presets that come with MorphWiz.
I had a great time making a lot of these sounds.
And I hope that you'll enjoy them as well.
They're all very different.
And you'll notice also that the display is different, and the controls that come on the screen are different for each thing too.
And we'll get into that as we move along.
So let's go back to the MorphWiz All patch that I made to show you what else is on the screen.
Up top, it's very important to have an octave switch.
When I started working with this technology, I realized it was one of the most important things.
It basically lets you do something_
Let's just [C#] play_ _
_ [F#] _ _ _ _ [C#m] So I can hop around [F#] octaves very quickly, or even if I lock the pitch and slide_
_ [G#m] _ _
_ [E] _ _ _ _ [N] So I can move around my range very, very quickly.
The octave will be a good friend of yours for sure.
And then, this is a handy little thing.
At the top, you can literally slide this keyboard around.
And what that's showing you is the bottom note of the grid and the top note of the grid.
So you can easily move around your range.
Like right now, my lowest note is D, and I go from D to D.
And you can set the number of octaves that is on your playing surface as well.
Everything from one octave to six octaves.
And we'll get to that.
The other thing that's on the screen right now are the record controls.
What's pretty cool is that this little area here shows you your counter for when you're in the sequencer.
And it will show you every beat.
And it's nice and visual.
I'll do a sequence and not even need the metronome turned on.
I'll just watch the little counter go by.
And you can touch anywhere in this area, and it will bring your counter exactly to that spot, which is very convenient.
If you hit the record button, _ which is this button, it will actually wait until you strike a note to start recording, which is a nice little feature.
And right next to that is the play button.
[Am] _ _ _ [Em] _
Next to that is the undo button.
And if you hit undo, you can undo your last track.
And if you hit it again, notice the arrow turned around.
That will be a redo.
So you have some nice flexibility there.
So if you're recording along and you decide, oh, I made a mistake, you can undo that.
And it will undo everything since the last time you pressed record.
Next to that is our metronome.
And that's kind of an important feature as well.
When you're recording, you might want to have that on.
And finally on the screen is a little arrow.
I love this because Kevin was able to make this happen for me.
I decided that I really wanted the ability to play sequences backwards as well as forwards.
So with that in reverse, when you play_
[Am] _ _ _ _ [Em] _ _ _
[Am] _ _ [Gm] The whole thing is going in reverse.
And you can change that up as you're recording, a little bit backwards, a little bit forwards.
It's really quite fun. _ _
_ _ _ _ _ _ _ _