Motionless In White - Behind the Scenes of "Break The Cycle" Chords

_ _ [F#m] _ _ _ _ [Am] _ _
_ _ [F#m] _ _ _ _ [Am] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A#] So what are you doing today?
[Cm] I don't [D] know.
_ I never know what I'm doing any [A] day. _ _
_ _ _ _ _ _ Hello, _ _ _ _ _ _ [E] what's up everybody?
[A] Chris from Motionless and White here.
We are [C] on set for our new [F] music video for our song Break the Cycle.
This is actually, [E] without a doubt, my [Am] favorite set that we've ever filmed a video [E] on.
It's the first time that we actually got to help customize it and [F] make it look like the way we really, really wanted it to look.
[B] _ _ [F] _ _
I'm honestly shocked we [C] haven't burned down the fucking [F] building yet.
One, two, three, [A] break the cycle, _ _ _ go! _ _ _ _ _ _
[Am] _ Edit [B] that last _ [A] thing out, because that was the first take.
[G] We'll just delete that one.
_ [F] So right now we are setting up for [Em] what I'm calling in my mind [B] the portrait shots of the [F] music video.
It's sort of a gray area in between [A] live performance [E] and storyline.
It's something that we've never done before.
[C] We are [F] experimenting with different lighting, different [B] backgrounds,
and trying to achieve what I see visually.
[E] A lot of moving parts [F] to make it all work.
_ _ _ [Am] _ _ _ [F] _ _
_ [G] _ _ [E] _ _ _ [F] _
I'm here with [G] one of my favorite people to ever exist in [C] the whole world,
[G] my very good friend [F] and co-writer, Mick Kenney,
and special effects artist Sue Sinclair,
two very [A#] old friends that I'm [B] very happy to have be a part of the video.
[F] Mick is the only actor that we [D] have really featured in the entire _ video,
which is cool, [C#] making him look all_
I don't know. _
[F] _ _ _ _ Demonish?
Yeah, I _
[G] figured there would be [Em] a better word to call it.
_ _ [F] _ _
_ _ [G] _ _ _ _ [F] _ _
[G] _ _ [A] _ _ _ _ [Am] _
I'm standing here with my [B] two very good friends,
[Bm] the directors that [F] I chose to work on this video, [F#] Michael and [A] Michael,
who make up what is [E] called the Widow Brothers.
[A] I chose these guys because I [Am] absolutely love,
based on their past [B] material, their vision for accomplishing
[A] very cinematic visual elements [D] that I absolutely love.
Yeah, [E] everything that you will see in the [A] video is built from hand.
We walked [Am] into an empty warehouse and [A] everything is created,
all the props, the [D] decor is [Am] everything that we did.
It's really cool to have [E] that much of your hand in creating what's happening
[Am] rather than renting some [A] place that's already _ sort of there,
but not really, [E] like you'd have to alter it,
like you get to build it from the ground up.
It's more [D#] personal.
Yeah, it's incredibly personal.
We put [B] ourselves into the set.
[G#m] I'm incredibly happy with what [F#] we have been working with so far.
_ [B] _ _ _ _ [E] _ _
_ [A] All right, you guys ready [E] to roll? _ _
_ [Am] _ And_
And_ _ _
And_
_ _ _ [F] _ _ _
_ We are filming the final scenes of the video, [B] the haunted scene.
_ At the very end, we have the doorway to the unknown,
so tune [A] into the music video and find out what's behind it. _
_ _ _ _ _ _ _ _
[A] _ _ [F] _ [E] _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _