Chords for Motley Crue Donnington 1984 interview
Tempo:
119.2 bpm
Chords used:
E
D
G
B
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] Sharing a beer in the jungle.
We have some people telling me, Nicky, Vince [Gm] and Mink.
To go to the [D] Auckland Actors' [E] Tennis Festival.
I had to get to [G] Donington with a lot to prove.
How do you think your first British [D] appearance went?
[E] What?
How do you think your first British appearance went?
[C#] How'd it go?
It was [B] great.
Because we like [G] to play, we like to play [A] early.
Just get out there and rock and roll.
[G] We played a short set, [N] Blood Guts Rock and Roll.
There were a few [E] missiles flying around.
We were [D] singing about Guinea's.
Why do you [C] think that was going on?
We don't [D] think there was enough.
[Em] At our [Dm] concerts we headline, we ask our [C] audience to throw shit at us.
[B] Did I see raw meat being [F#] thrown at us?
That was great.
[Em] That's great.
Somebody had the imagination [E] to come with some liver packed in [Dm] some case.
To whip it [E] out onto the liver.
Everybody told us, they go, when you guys go on stage you're [F] going to get pelted with all this stuff.
And we went, [Gm] that's good, and they go, it's good.
And we go, [D] that's great, that's what our audience [F#] does to us.
So you see it as affectionate rather than aggressive.
[Gm] Yeah, we love it.
Because that means they want to get [D] close to you.
Whether they [E] want to get close to you to beat your face in, or they want to get close to you [B] to get to know you.
It leaves us like, close.
[G] What does your mother think about all this?
She loved it.
She loved it, you know.
Now, [A] my [D] mother and [C] father come to the shows, [D] you know, out in the Los [E] Angeles area.
[D] They're up there, banging their [C] heads with a vest on.
[B] It could be [N] argued that heavy [C#m] metal is a rather simplistic [E] model of exaggerated masculinity [C#] for us.
[D#] Do you think you're too vast a male to adopt in the set?
Is it really [E] all about, I mean, a big willy?
Yeah, [F#m] we're flexed, you know, we don't care.
[C#m] You know, we love it.
And if you [N] don't have one, you've always got your extra slacks and your pants.
You've hardly been discreet about your liking of drugs in a sounds interview.
You said that the more records you sell, the [F#] more drugs you get.
[N]
[F#m] Well, he cleared that one.
How [Em] do dollar bills [F#] for putting in the bank are up the [B] nose?
We have some people telling me, Nicky, Vince [Gm] and Mink.
To go to the [D] Auckland Actors' [E] Tennis Festival.
I had to get to [G] Donington with a lot to prove.
How do you think your first British [D] appearance went?
[E] What?
How do you think your first British appearance went?
[C#] How'd it go?
It was [B] great.
Because we like [G] to play, we like to play [A] early.
Just get out there and rock and roll.
[G] We played a short set, [N] Blood Guts Rock and Roll.
There were a few [E] missiles flying around.
We were [D] singing about Guinea's.
Why do you [C] think that was going on?
We don't [D] think there was enough.
[Em] At our [Dm] concerts we headline, we ask our [C] audience to throw shit at us.
[B] Did I see raw meat being [F#] thrown at us?
That was great.
[Em] That's great.
Somebody had the imagination [E] to come with some liver packed in [Dm] some case.
To whip it [E] out onto the liver.
Everybody told us, they go, when you guys go on stage you're [F] going to get pelted with all this stuff.
And we went, [Gm] that's good, and they go, it's good.
And we go, [D] that's great, that's what our audience [F#] does to us.
So you see it as affectionate rather than aggressive.
[Gm] Yeah, we love it.
Because that means they want to get [D] close to you.
Whether they [E] want to get close to you to beat your face in, or they want to get close to you [B] to get to know you.
It leaves us like, close.
[G] What does your mother think about all this?
She loved it.
She loved it, you know.
Now, [A] my [D] mother and [C] father come to the shows, [D] you know, out in the Los [E] Angeles area.
[D] They're up there, banging their [C] heads with a vest on.
[B] It could be [N] argued that heavy [C#m] metal is a rather simplistic [E] model of exaggerated masculinity [C#] for us.
[D#] Do you think you're too vast a male to adopt in the set?
Is it really [E] all about, I mean, a big willy?
Yeah, [F#m] we're flexed, you know, we don't care.
[C#m] You know, we love it.
And if you [N] don't have one, you've always got your extra slacks and your pants.
You've hardly been discreet about your liking of drugs in a sounds interview.
You said that the more records you sell, the [F#] more drugs you get.
[N]
[F#m] Well, he cleared that one.
How [Em] do dollar bills [F#] for putting in the bank are up the [B] nose?
Key:
E
D
G
B
F#
E
D
G
[E] Sharing a beer in the jungle.
We have some people telling me, Nicky, Vince [Gm] and Mink.
_ To go to the [D] Auckland Actors' [E] Tennis Festival.
I had to get to [G] Donington with a lot to prove.
How do you think your first British [D] appearance went?
_ [E] _ What?
How do you think your first British appearance went?
[C#] _ How'd it go?
It was [B] great.
Because we like [G] to play, we like to play [A] early.
Just get out there and rock and roll.
[G] We played a short set, [N] Blood Guts Rock and Roll.
There were a few [E] missiles flying around.
We were [D] singing about Guinea's.
Why do you [C] think that was going on?
We don't [D] think there was enough.
[Em] At our [Dm] concerts we headline, we ask our [C] audience to throw shit at us.
[B] Did I see raw meat being [F#] thrown at us?
That was great.
[Em] That's great.
Somebody had the imagination [E] to come with some liver packed in [Dm] some case.
To whip it [E] out onto the liver.
_ Everybody told us, they go, when you guys go on stage you're [F] going to get pelted with all this stuff.
And we went, [Gm] that's good, and they go, it's good.
And we go, [D] that's great, that's what our audience [F#] does to us.
So you see it as affectionate rather than aggressive.
[Gm] Yeah, we love it.
Because that means they want to get [D] close to you.
Whether they [E] want to get close to you to beat your face in, or they want to get close to you [B] to get to know you.
It leaves us like, close.
[G] What does your mother think about all this?
She loved it.
She loved it, you know.
Now, [A] my [D] mother and [C] father come to the shows, [D] you know, out in the Los [E] Angeles area.
[D] _ They're up there, banging their [C] heads with a vest on.
[B] It could be [N] argued that heavy [C#m] metal is a rather simplistic [E] model of exaggerated masculinity [C#] for us.
[D#] Do you think you're too vast a male to adopt in the set?
Is it really [E] all about, I mean, a big willy?
Yeah, [F#m] we're flexed, you know, we don't care.
[C#m] You know, we love it.
And if you [N] don't have one, you've always got your extra slacks and your pants. _
You've hardly been discreet about your liking of drugs in a sounds interview.
_ You said that the more records you sell, the [F#] more drugs you get.
_ _ [N] _ _ _ _ _ _
_ _ _ _ [F#m] _ _ Well, he cleared that one.
How [Em] do dollar bills [F#] for putting in the bank are up the [B] nose? _
We have some people telling me, Nicky, Vince [Gm] and Mink.
_ To go to the [D] Auckland Actors' [E] Tennis Festival.
I had to get to [G] Donington with a lot to prove.
How do you think your first British [D] appearance went?
_ [E] _ What?
How do you think your first British appearance went?
[C#] _ How'd it go?
It was [B] great.
Because we like [G] to play, we like to play [A] early.
Just get out there and rock and roll.
[G] We played a short set, [N] Blood Guts Rock and Roll.
There were a few [E] missiles flying around.
We were [D] singing about Guinea's.
Why do you [C] think that was going on?
We don't [D] think there was enough.
[Em] At our [Dm] concerts we headline, we ask our [C] audience to throw shit at us.
[B] Did I see raw meat being [F#] thrown at us?
That was great.
[Em] That's great.
Somebody had the imagination [E] to come with some liver packed in [Dm] some case.
To whip it [E] out onto the liver.
_ Everybody told us, they go, when you guys go on stage you're [F] going to get pelted with all this stuff.
And we went, [Gm] that's good, and they go, it's good.
And we go, [D] that's great, that's what our audience [F#] does to us.
So you see it as affectionate rather than aggressive.
[Gm] Yeah, we love it.
Because that means they want to get [D] close to you.
Whether they [E] want to get close to you to beat your face in, or they want to get close to you [B] to get to know you.
It leaves us like, close.
[G] What does your mother think about all this?
She loved it.
She loved it, you know.
Now, [A] my [D] mother and [C] father come to the shows, [D] you know, out in the Los [E] Angeles area.
[D] _ They're up there, banging their [C] heads with a vest on.
[B] It could be [N] argued that heavy [C#m] metal is a rather simplistic [E] model of exaggerated masculinity [C#] for us.
[D#] Do you think you're too vast a male to adopt in the set?
Is it really [E] all about, I mean, a big willy?
Yeah, [F#m] we're flexed, you know, we don't care.
[C#m] You know, we love it.
And if you [N] don't have one, you've always got your extra slacks and your pants. _
You've hardly been discreet about your liking of drugs in a sounds interview.
_ You said that the more records you sell, the [F#] more drugs you get.
_ _ [N] _ _ _ _ _ _
_ _ _ _ [F#m] _ _ Well, he cleared that one.
How [Em] do dollar bills [F#] for putting in the bank are up the [B] nose? _