Chords for Musician KD Lang talks about music and being butch

I [F] _ _ _ _ [A] _ [C] _
_ _ _ _ _ love [D] _
_ _ _ _ _ that [G] you said that you changed your name to K-Daddy.
That's right, K [E]-Daddy.
What [C] struck me about that was your delivery was perfect.
It was deadpan.
No, I'm [G] serious.
There's no delivery there.
Oh, I'm sorry.
This is authentic.
It's K-Daddy, yeah.
[Ab]
Okay, so if it's like_
In fact, give me your CD and I'll just scratch that out and write K-Daddy on it.
Do you have a Sharpie?
My manager said we can sticker the record.
No, here.
I'll just fix it here for you right now.
Okay, Daddy.
_ Yeah, my son calls me Poppy, so this will be even another layer of confusion.
Daddy?
But I thought I had two mommies.
One was [D] called Poppy.
All right.
_ [G] Hold me in your _ arms and [E] love me night and [C] day.
You come [D] across as someone who's really got their shit together.
I find that hard to believe.
Oh, me too.
But you do.
Your answers are always_
You're searching for balance and you're so thoughtful.
Even when someone [Bb] asks you a ridiculous question.
Please tell me therapy works.
That's the answer [C] I'm going for.
No, I don't go to therapy.
Anymore?
No.
No, I stopped.
What made you stop?
Buddhism.
[Bb] [Eb] What made you start?
_ [A] Therapy?
Buddhism.
Buddhism?
I found my teacher. _
But you know what I think it is?
I think it's really just being honest [D] with yourself and not trying to be_
I know, but there's so much pressure and noise.
Does being content sort of affect your creativity?
It does, but not in a negative way.
It changes your relationship to creativity.
I think that sometimes creativity, there's this _ _ neediness sometimes for the outcome,
for the expectation.
I think that you eradicate the perfection just by even projecting an outcome on it.
If you just _ celebrate the fact that you get to be creative, it's a totally different ballgame
than if you look at it as a means to an end, as a vehicle to success.
It just ruins it.
But how do you block out all the expectations?
Are you not waging a war in yourself?
No, I was.
Have you left the realm of suffering?
[Cm] _ _
_ _ [Cm] _ _ _ [Ab] _ _ _
_ [Db] When [Fm] you _ look at the [Eb] world and you really try to see yourself in equanimity [Fm] with everyone,
from the people in Japan [Cm] to the people in Libya to _ Obama to Lady Gaga,
that what we do in our daily life is _ important in how we are interacting
and the independence that we cause and effect,
and the cause and effect of that interdependence.
But really what we do is not hugely important.
It's how we do it.
But we're just these fragile little beings jumping around on the earth.
[Bb] I don't know.
It's true.
So how does someone like that, someone who's able to be so unguarded,
make their way in the music industry, which even for an outsider seems ruthless and difficult?
_ [G] I've been lucky and I've worked hard.
[E] Love me _ [C] madly _ _
Would you at least concede that you're an icon?
[F] I'm a daikon.
A daikon, I love it, because you're also a celesbian.
Look at you, coining all these.
Celesbian daikon.
You were the first, the greatest.
We could draw a line from you to [Bb] Bieber, just in all the famous _ [A] lesbians.
I can't explain [Gb] why I become _ [Gbm] _
a [B] chandelier
There is a website, Top 100 Butches, you're number 31.
Does that sound right to you?
No.
I didn't think so either.
Fuck no.
Who's number one?
Rachel Maddow.
Oh, yeah, well she's really famous right now. Glasses.
I mean, she's famous right now.
31 is a big slight.
I'm going to have to butch it up.
Get back on top.
Could you? _
Well, who's butcher?
That's what we should put a, [D] who's more butch?
I think I'm definitely more butch.
Thank you so much for talking to me.
I really appreciate it.
This was great.
I didn't want to say it before.
[C] Huge fan. _
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