Chords for My JJ Cale x Luke Doucet (Whitehorse)
Tempo:
95.85 bpm
Chords used:
E
G
C
A
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Stay around, [C] stay around [G] girl.
When I was four, I remember I would [C] go sit behind my mom's couch and I would [G] pull out
records that I thought looked like children's music.
And the thing that's amazing about Naturally is that there's a raccoon [Bb] wearing a red waistcoat
[C] to a four-year-old.
That's kids' [G] music.
And so I'd put it on, thinking, well, this is probably good.
And it was a sort of like desert stoner [C] blues.
So [G] there was never a time when it wasn't a part of my [C] life.
It's not so much that I would hear it, I would hear it every [G] day.
The music he was making at the end of his life [F] sounded [C] like it was coming from the same
person who made music at the [G] beginning.
And I wouldn't fault anybody for [C] feeling like, no, we don't need to repeat ourselves.
I mean, I get frustrated [G] listening to the New Stones every time the Stones make new
music because I'm like, why can't you do it like you did in 1974?
[C] And I'm sure that the [G] answer is, why would we want to [Dm] do the things we were doing [C] half
a lifetime ago?
I think he was the first [G] American songwriter to employ a drum machine.
I don't know if I could have that wrong.
I mean, the Beatles were using loops in Tomorrow Never Knows, but actually, [A] drum machine.
[C] And to do it in a genre [G] of music that is generally thought of as being so organic and rootsy
and of the soil, and you think about wood and [C] leather and wires and humans, and [G] he's
like, yeah, yeah, all that's going to be really [Bb] important, but we're not going to
start [C] with this.
[G] What I would give to sit down with J.J.
Kale for an hour and ask him, did [F] you intend to change the [C] landscape of American music?
And I wouldn't be [G] surprised if he was like, what?
No, man, I was [F] just playing the thing that was [C] obvious to me.
What kind of debt does [G] Ed Sheeran owe [D] to [G] J.J.
Kale?
Most people who are massively inspired by him wouldn't even [C] necessarily know it.
[D] I mean, Dire Straits sold 150 [Bb] million records.
How [G] many of those people know who J.J.
Kale is?
But every single one of [Bb] them is deeply, deeply [C] inspired by J.J.
Kale.
That [Bbm] first Dire Straits [C] record, half of that record could not have existed if it hadn't
been for J.J. Kale.
[G]
[A] [E]
[A]
[E]
[E] [B] [E]
[Bm] [E] [Em]
[A] [Em] [E] [Bm]
[E] I know that's true.
[Em] Crazy mama, [E] I sure need [A] you.
Crazy mama, where you been so long?
[E]
[A]
[Bm] [D] [Dbm]
[E]
[Em] [E] [A]
[E] Standing on the corner, looking for you, baby.
[A] [E] Standing on the corner, looking for you, [A] baby.
[E] Lord, have mercy, why can't I see?
Crazy mama, coming back to [A] me.
[E] Crazy mama, where you been so long?
[Em] [A]
[E] [D]
[G] [E] [D]
[A] [E]
[A] [G] [E] [A]
[E]
Crazy mama, where you been so long?
Crazy mama, where you been so [A] long?
You been hiding out.
I know that's true.
Crazy mama, I sure need you.
[E] Crazy mama, where you been so long?
[A]
[Em]
[D] [Em]
[E] [D] [A] [E]
[A]
[E] [Em]
[Ab] [E] [Em]
[E] [B] [Em] [E]
[G] Stay around,
When I was four, I remember I would [C] go sit behind my mom's couch and I would [G] pull out
records that I thought looked like children's music.
And the thing that's amazing about Naturally is that there's a raccoon [Bb] wearing a red waistcoat
[C] to a four-year-old.
That's kids' [G] music.
And so I'd put it on, thinking, well, this is probably good.
And it was a sort of like desert stoner [C] blues.
So [G] there was never a time when it wasn't a part of my [C] life.
It's not so much that I would hear it, I would hear it every [G] day.
The music he was making at the end of his life [F] sounded [C] like it was coming from the same
person who made music at the [G] beginning.
And I wouldn't fault anybody for [C] feeling like, no, we don't need to repeat ourselves.
I mean, I get frustrated [G] listening to the New Stones every time the Stones make new
music because I'm like, why can't you do it like you did in 1974?
[C] And I'm sure that the [G] answer is, why would we want to [Dm] do the things we were doing [C] half
a lifetime ago?
I think he was the first [G] American songwriter to employ a drum machine.
I don't know if I could have that wrong.
I mean, the Beatles were using loops in Tomorrow Never Knows, but actually, [A] drum machine.
[C] And to do it in a genre [G] of music that is generally thought of as being so organic and rootsy
and of the soil, and you think about wood and [C] leather and wires and humans, and [G] he's
like, yeah, yeah, all that's going to be really [Bb] important, but we're not going to
start [C] with this.
[G] What I would give to sit down with J.J.
Kale for an hour and ask him, did [F] you intend to change the [C] landscape of American music?
And I wouldn't be [G] surprised if he was like, what?
No, man, I was [F] just playing the thing that was [C] obvious to me.
What kind of debt does [G] Ed Sheeran owe [D] to [G] J.J.
Kale?
Most people who are massively inspired by him wouldn't even [C] necessarily know it.
[D] I mean, Dire Straits sold 150 [Bb] million records.
How [G] many of those people know who J.J.
Kale is?
But every single one of [Bb] them is deeply, deeply [C] inspired by J.J.
Kale.
That [Bbm] first Dire Straits [C] record, half of that record could not have existed if it hadn't
been for J.J. Kale.
[G]
[A] [E]
[A]
[E]
[E] [B] [E]
[Bm] [E] [Em]
[A] [Em] [E] [Bm]
[E] I know that's true.
[Em] Crazy mama, [E] I sure need [A] you.
Crazy mama, where you been so long?
[E]
[A]
[Bm] [D] [Dbm]
[E]
[Em] [E] [A]
[E] Standing on the corner, looking for you, baby.
[A] [E] Standing on the corner, looking for you, [A] baby.
[E] Lord, have mercy, why can't I see?
Crazy mama, coming back to [A] me.
[E] Crazy mama, where you been so long?
[Em] [A]
[E] [D]
[G] [E] [D]
[A] [E]
[A] [G] [E] [A]
[E]
Crazy mama, where you been so long?
Crazy mama, where you been so [A] long?
You been hiding out.
I know that's true.
Crazy mama, I sure need you.
[E] Crazy mama, where you been so long?
[A]
[Em]
[D] [Em]
[E] [D] [A] [E]
[A]
[E] [Em]
[Ab] [E] [Em]
[E] [B] [Em] [E]
[G] Stay around,
Key:
E
G
C
A
Em
E
G
C
Stay around, _ _ _ [C] stay around [G] girl.
When I was four, I remember I would [C] go sit behind my mom's couch and I would [G] pull out
records that I thought looked like children's music.
And the thing that's amazing about Naturally is that there's a raccoon [Bb] wearing a red waistcoat
[C] to a four-year-old.
That's kids' [G] music.
And so I'd put it on, thinking, well, this is probably good.
And it was a sort of like desert stoner [C] blues.
So [G] there was never a time when it wasn't a part of my [C] life.
It's not so much that I would hear it, I would hear it every [G] day.
The music he was making at the end of his life [F] sounded [C] like it was coming from the same
person who made music at the [G] beginning.
And I wouldn't fault anybody for [C] feeling like, no, we don't need to repeat ourselves.
I mean, I get frustrated [G] listening to the New Stones every time the Stones make new
music because I'm like, why can't you do it like you did in 1974?
[C] And I'm sure that the [G] answer is, why would we want to [Dm] do the things we were doing [C] half
a lifetime ago?
I think he was the first [G] American songwriter to employ a drum machine.
I don't know if I could have that wrong.
I mean, the Beatles were using loops in Tomorrow Never Knows, but actually, _ [A] drum machine.
[C] And to do it in a genre [G] of music that is generally thought of as being so organic and rootsy
and of the soil, and you think about wood and [C] leather and wires and humans, and [G] he's
like, yeah, yeah, all that's going to be really [Bb] important, but we're not going to
start [C] with this. _
[G] What I would give to sit down with J.J.
Kale for an hour and ask him, did [F] you intend to change the [C] landscape of American music?
And I wouldn't be [G] surprised if he was like, what?
No, man, I was [F] just playing the thing that was [C] obvious to me.
What kind of debt does [G] Ed Sheeran owe [D] to [G] J.J.
Kale?
Most people who are massively inspired by him wouldn't even [C] necessarily know it.
[D] I mean, Dire Straits sold 150 [Bb] million records.
How [G] many of those people know who J.J.
Kale is?
But every single one of [Bb] them is deeply, deeply [C] inspired by J.J.
Kale.
That [Bbm] first Dire Straits [C] record, half of that record could not have existed if it hadn't
been for J.J. Kale.
_ _ [G] _ _ _ _ _ _
[A] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
[E] _ _ [B] _ _ _ _ [E] _ _
[Bm] _ _ _ [E] _ _ [Em] _ _ _
[A] _ [Em] _ _ _ [E] _ _ [Bm] _ _
[E] I know that's true. _ _ _
[Em] Crazy mama, [E] I sure need [A] you. _
_ Crazy mama, _ where you been so long?
_ _ _ [E] _ _
_ _ _ [A] _ _ _ _ _
_ _ [Bm] _ _ [D] _ _ [Dbm] _ _
[E] _ _ _ _ _ _ _ _
[Em] _ _ [E] _ _ _ _ [A] _ _
_ _ [E] Standing on the corner, _ _ _ looking for you, baby. _ _ _
[A] _ _ [E] _ _ Standing on the corner, _ _ looking for you, [A] baby.
[E] _ _ _ _ _ _ Lord, have mercy, why can't I see? _
_ Crazy mama, _ coming back to [A] me.
_ [E] _ Crazy mama, _ where you been so long? _ _ _
_ _ [Em] _ [A] _ _ _ _ _
[E] _ _ _ _ _ [D] _ _ _
[G] _ [E] _ _ _ _ [D] _ _ _
[A] _ _ [E] _ _ _ _ _ _
[A] _ _ [G] _ [E] _ _ _ [A] _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ Crazy mama, _ where you been so long? _
_ _ _ _ _ _ _
Crazy mama, _ where you been so [A] long?
_ _ _ _ _ You been hiding out.
I know that's true.
_ Crazy mama, I sure need you.
_ [E] Crazy mama, where you been so long?
[A] _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ [Em] _ _
[E] _ _ [D] _ _ _ [A] _ _ [E] _
_ _ _ _ _ [A] _ _ _
[E] _ _ [Em] _ _ _ _ _ _
[Ab] _ [E] _ _ _ _ _ [Em] _ _
[E] _ _ [B] _ _ _ [Em] _ _ [E] _
_ _ [G] Stay around, _ _
When I was four, I remember I would [C] go sit behind my mom's couch and I would [G] pull out
records that I thought looked like children's music.
And the thing that's amazing about Naturally is that there's a raccoon [Bb] wearing a red waistcoat
[C] to a four-year-old.
That's kids' [G] music.
And so I'd put it on, thinking, well, this is probably good.
And it was a sort of like desert stoner [C] blues.
So [G] there was never a time when it wasn't a part of my [C] life.
It's not so much that I would hear it, I would hear it every [G] day.
The music he was making at the end of his life [F] sounded [C] like it was coming from the same
person who made music at the [G] beginning.
And I wouldn't fault anybody for [C] feeling like, no, we don't need to repeat ourselves.
I mean, I get frustrated [G] listening to the New Stones every time the Stones make new
music because I'm like, why can't you do it like you did in 1974?
[C] And I'm sure that the [G] answer is, why would we want to [Dm] do the things we were doing [C] half
a lifetime ago?
I think he was the first [G] American songwriter to employ a drum machine.
I don't know if I could have that wrong.
I mean, the Beatles were using loops in Tomorrow Never Knows, but actually, _ [A] drum machine.
[C] And to do it in a genre [G] of music that is generally thought of as being so organic and rootsy
and of the soil, and you think about wood and [C] leather and wires and humans, and [G] he's
like, yeah, yeah, all that's going to be really [Bb] important, but we're not going to
start [C] with this. _
[G] What I would give to sit down with J.J.
Kale for an hour and ask him, did [F] you intend to change the [C] landscape of American music?
And I wouldn't be [G] surprised if he was like, what?
No, man, I was [F] just playing the thing that was [C] obvious to me.
What kind of debt does [G] Ed Sheeran owe [D] to [G] J.J.
Kale?
Most people who are massively inspired by him wouldn't even [C] necessarily know it.
[D] I mean, Dire Straits sold 150 [Bb] million records.
How [G] many of those people know who J.J.
Kale is?
But every single one of [Bb] them is deeply, deeply [C] inspired by J.J.
Kale.
That [Bbm] first Dire Straits [C] record, half of that record could not have existed if it hadn't
been for J.J. Kale.
_ _ [G] _ _ _ _ _ _
[A] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
[E] _ _ [B] _ _ _ _ [E] _ _
[Bm] _ _ _ [E] _ _ [Em] _ _ _
[A] _ [Em] _ _ _ [E] _ _ [Bm] _ _
[E] I know that's true. _ _ _
[Em] Crazy mama, [E] I sure need [A] you. _
_ Crazy mama, _ where you been so long?
_ _ _ [E] _ _
_ _ _ [A] _ _ _ _ _
_ _ [Bm] _ _ [D] _ _ [Dbm] _ _
[E] _ _ _ _ _ _ _ _
[Em] _ _ [E] _ _ _ _ [A] _ _
_ _ [E] Standing on the corner, _ _ _ looking for you, baby. _ _ _
[A] _ _ [E] _ _ Standing on the corner, _ _ looking for you, [A] baby.
[E] _ _ _ _ _ _ Lord, have mercy, why can't I see? _
_ Crazy mama, _ coming back to [A] me.
_ [E] _ Crazy mama, _ where you been so long? _ _ _
_ _ [Em] _ [A] _ _ _ _ _
[E] _ _ _ _ _ [D] _ _ _
[G] _ [E] _ _ _ _ [D] _ _ _
[A] _ _ [E] _ _ _ _ _ _
[A] _ _ [G] _ [E] _ _ _ [A] _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ Crazy mama, _ where you been so long? _
_ _ _ _ _ _ _
Crazy mama, _ where you been so [A] long?
_ _ _ _ _ You been hiding out.
I know that's true.
_ Crazy mama, I sure need you.
_ [E] Crazy mama, where you been so long?
[A] _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ [Em] _ _
[E] _ _ [D] _ _ _ [A] _ _ [E] _
_ _ _ _ _ [A] _ _ _
[E] _ _ [Em] _ _ _ _ _ _
[Ab] _ [E] _ _ _ _ _ [Em] _ _
[E] _ _ [B] _ _ _ [Em] _ _ [E] _
_ _ [G] Stay around, _ _