Chords for Neil Finn (Crowded House) - Weather With You + Ten Guitars (Acoustic Live)

Tempo:
90.625 bpm
Chords used:

Em

A

G

D

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Neil Finn (Crowded House) - Weather With You + Ten Guitars (Acoustic Live) chords
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[Em] [D] This is a song that I normally sing with my brother and I haven't been able to sing on the whole tour because he's not here.
But because now I've got some good help, good vocal and instrumental help, I can attempt it.
[G] And it's from the Woodface record and I think we all know it, don't we, now?
Yeah!
[Em] Alright, got the big count in.
A one, two, three, four.
[A] [Em]
[A] Walking [Em] round the room singing [A] stormy weather
[Dm] At [Em] 57 Mount Pleasant [A] Street
Well [Em] it's the same room and [A] everything's different
You can fight [Em] the sleep but not the [A] dream
[G] [Dm] Things [C] ain't cooking [Dm] in [C] my kitchen
[Dm] [G] [C] Strange affliction [F] wash over [Dm] me
[C] Julius Caesar [Dm] and the [C] Roman Empire
[Dm] [C] Couldn't conquer [F] the blue [G] sky
[Em] [A]
[Em] [A] Well [Em] there's a small fog made of [A] china
[Em] It's going nowhere on the [A] mantelpiece
Well [Em] do I lie like a [A] loungy blue lizard
Or [Em] do I sing like a bird [A] released
[Em] Everywhere you go, you always take the [D] weather with you
[Em] Everywhere you go, you always take the [D] weather
Everywhere you [Em] go, you always [G] take the weather with you
Everywhere you [D] go, you [G] always take the weather, the [A] weather [Em] with you
[A] [Em]
Everywhere [A] [B]
[Em] [A]
you go, [Em] you [D] always take the weather with you
Everywhere you [Am] go, you always take [D] the weather Wherever [Am] you go, you always take [G] the weather with you
Everywhere [D] you go, you [E] always take the weather [G] Take the weather, [A] the weather with [D] you
[G] [D]
[G] Thank you.
Thank you Graham, thank you buddy.
That's a draw for me.
Thank you Mr Neil Finn.
[Dm]
[E] [C] I was explaining to Graham at the [Abm] sound check that that song was based on a, what they call in New Zealand a Maori strum.
Which is, you know, in every pub in New Zealand on a Saturday night you'll get a guy with a guitar in the corner and he's sort of [G] going
I have a band of men and all [D] they do is play for me.
They come from miles around to [G] hear them play a melody.
Beneath the stars my ten [D] guitars will play a song for you.
And if you're with the one you love, [C] this is [G] what you do.
[A] Woah, [G] dance, dance, dance to my ten [D] guitars.
Very soon you'll [G] notice where you are.
In the eyes of love you'll see a thousand [C] stars.
[G] When you dance, dance, dance to my ten guitars.
I love that song.
So [N] who wrote that one?
I'm shocked.
You didn't write that one as well, did you man?
No, no, no.
No, that was actually the B-side of a Engleburd Humperdinck single.
It was and it was a huge hit in New Zealand, I'm not sure, but you guys know it.
It was a big hit in Scotland as well.
Well there we go.
It was not a big hit in Manchester.
[G] No, no, but it's only three chords so you can join in, you know it by the second verse.
But that was, that is the song in New Zealand, that's the party favourite, it always comes out.
Nice bit of Scottish blood in there, yeah.
Well the thing that amazed me about the Scottish people is there's a lot of Scottish immigrants to New Zealand
and the thing that amazed me is they all ended up in Dunedin in the South Island of New Zealand
which is just as cold and just as miserable as Scotland.
It's like in the States.
But they spent six months in a boat man to get there, it's like you'd think they were heading for the tropics.
Let's go to a tropical island.
No, no.
It's like all the Scandinavians went to Minneapolis.
It's the same thing isn't it, yeah.
New Yeas and fall. I know.
We are who we are, we are where we come from.
[Gm] That's right.
Profane.
Key:  
Em
121
A
1231
G
2131
D
1321
C
3211
Em
121
A
1231
G
2131
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[Em] _ _ [D] This is a song that I normally sing with my brother and I haven't been able to sing on the whole tour because he's not here.
But because now I've got some good help, good vocal and instrumental help, I can attempt it.
_ [G] And it's from the Woodface record and I think we all know it, don't we, now?
Yeah!
_ _ [Em] Alright, got the big count in.
A one, two, three, four. _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ [Em] _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ Walking [Em] round the room singing [A] stormy weather
[Dm] At [Em] 57 Mount Pleasant [A] Street
_ Well [Em] it's the same room and [A] everything's different
You can fight [Em] the sleep but not the [A] dream
_ [G] _ [Dm] Things [C] ain't cooking [Dm] in [C] my kitchen
[Dm] _ [G] [C] Strange affliction [F] wash over _ [Dm] me
[C] Julius Caesar [Dm] and the [C] Roman Empire
[Dm] _ [C] Couldn't conquer [F] the blue _ [G] sky _ _
_ [Em] _ _ _ _ [A] _ _ _
[Em] _ _ _ _ _ [A] _ Well [Em] there's a small fog made of [A] china _
[Em] It's going nowhere on the [A] mantelpiece
Well [Em] do I lie like a [A] loungy blue lizard
Or [Em] do I sing like a bird [A] released _
[Em] Everywhere you go, you always take the [D] weather with you
[Em] Everywhere you go, you always take the [D] weather _
Everywhere you [Em] go, you always [G] take the weather with you
Everywhere you [D] go, you [G] always take the weather, the [A] weather [Em] with you _ _ _ _ _
_ _ _ _ _ [A] _ _ [Em] _
_ Everywhere _ _ [A] _ [B] _ _
[Em] _ _ _ _ _ [A] _ _
you go, [Em] you [D] always take the weather with you
Everywhere you [Am] go, you always take [D] the weather _ Wherever [Am] you go, you always take [G] the weather with you
Everywhere [D] you go, you [E] always take the weather _ [G] Take the weather, [A] the weather with [D] _ you
_ _ _ [G] _ [D] _ _ _ _
[G] _ _ Thank you.
Thank you Graham, thank you buddy.
That's a draw for me. _ _ _ _ _
_ _ Thank you Mr Neil Finn. _ _
_ _ _ _ _ _ [Dm] _ _
_ [E] _ [C] I was explaining to Graham at the [Abm] sound check that that song was based on a, what they call in New Zealand a Maori strum.
Which is, you know, in every pub in New Zealand on a Saturday night you'll get a guy with a guitar in the corner and he's sort of [G] _ going_
I _ have a band of men and all [D] they do is play for me.
They come from miles around to [G] hear them play a melody. _
Beneath the stars my ten [D] guitars will play a song for you.
And if you're with the one you love, [C] this is [G] what you do.
[A] Woah, [G] dance, dance, dance to my ten [D] guitars.
_ _ _ _ Very soon you'll [G] notice where you are. _ _
In the eyes of love you'll see a thousand [C] _ stars.
[G] When you dance, dance, dance to my ten guitars.
_ _ _ _ _ _ _ _
_ I love that song.
So [N] who wrote that one?
I'm shocked.
You didn't write that one as well, did you man?
No, no, no.
No, that was actually the B-side of a Engleburd Humperdinck single.
It was and it was a huge hit in New Zealand, I'm not sure, but you guys know it.
It was a big hit in Scotland as well.
Well there we go.
It was not a big hit in Manchester.
[G] No, no, but it's only three chords so you can join in, you know it by the second verse.
But that was, that is the song in New Zealand, that's the party favourite, it always comes out.
Nice bit of Scottish blood in there, yeah.
Well the thing that amazed me about the Scottish people is there's a lot of Scottish immigrants to New Zealand
and the thing that amazed me is they all ended up in Dunedin in the South Island of New Zealand
which is just as cold and just as miserable as Scotland.
It's like in the States.
But they spent six months in a boat man to get there, it's like you'd think they were heading for the tropics.
Let's go to a tropical island.
No, no.
It's like all the Scandinavians went to Minneapolis.
It's the same thing isn't it, yeah.
New Yeas and fall. I know.
We are who we are, we are where we come from.
[Gm] That's right.
_ _ Profane.

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