Chords for Nelson Veras @Conservatorium van Amsterdam 2

[Db] _ [Eb] _ [Gb] _ _ [G] _ [Bb] _ [B] _ _
_ [Dm] So you [Gm] have key, on, [Gb] _ _
[F] _ _ so you have [D] [G] on.
[F] _ _
[Gbm] _ [Bbm] _ [Eb] _ [Gb] _ [F] _ [Bm] _ _ _
_ _ _ _ _ _ _ [B] _
_ _ [Eb] _ _ _ [Bm] _ _ [Gb] _
[Eb] _ [Bm] _ Is _ _ _ that a special scale?
Yes.
_ [G] _ _
_ _ _ _ [B] _ So [Bm] can you define it like from a key, [N] from a root?
Yes, like from the C _ _ _ _ _ [B] _
_ [Db] sharp, [D] _ D, [G] _
and [N] then the same thing twice, the same thing major.
_ _ _ Oh, major.
[B] Yes.
[D] _ [F] _ [Gbm] _ _ _ [Bb] _ _ [Bm] _
_ _ [Db] _ [G] _ _ Minor Coltrane change.
[E] Minor Coltrane change, if [Gb] you like.
Yes, you have [Bm] all the [Eb] arpeggios.
_ [G] _ _ [Bb] _ _ [G] _ [D] _
[Gm] _ _ [Cm] _ Everything you do, you can [Eb] do.
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ [Db] _
_ _ _ [Bbm] _ [D] _ _ _ _
[Gm] _ [B] _ [A] _ _ [Ab] _ _ [B] _ _
_ _ _ _ [Gm] _ [Bm] _ _ [B] _
_ _ [A] _ _ Also, you have the whole time this [E] key.
_ _ _ [Eb] _
_ _ _ [B] _ [Db] _ _ [B] _ _
_ _ _ _ _ _ [D] _ _
[Eb] _ _ _ _ _ _ [Bbm] _ [Bm] _
[Bbm] How [Dm] _ [Ebm] _ [Bbm] _ [Gm] _ [Gbm] _ [Ebm] _
[Dm] _ [B] do you call this scale again?
This [N] is called, it's a mode from, it's not from the piano. _ _
_ _ _ _ _ _ _
There are three modes of keys that I use. _ _ _ _
M3.
_ M3.
_ [Eb] And I [B] also use the C.
_ [N] _
_ _ _ _ _ _ _
Don't you shoot people now.
_ _ [Dm] _ What are the [B] others?
[N] Yeah, so I _ _ _ _ _ _ use _ _ _ _ like _ _ _
_ _ _ [C] [G] F, _ [F] _ _
[Em] _ [Bb] _ _ [C] _ _ _ [B] _ _
_ [Ab] _ _ _ [G] _ _ [Fm] _ _
[N] and the same thing, arrays of four. _ _
_ _ Those eight notes.
_ _ [Gb] [Cm] Yes.
And it works, [N] _ _ _
everything you do on this one, you can do arrays _ _
_ _ _ _ [Cm] _ _ _ _
[D] _ _ _ _ [Bm] _ _ _ [D] _
_ [Gbm] _ _ [Bm] _ _ _ _ _
_ [C] _ _ [Db] _ [G] _ _ [D] _ _
_ [C] _ [Gbm] _ [D] _ _ [B] _ [Bm] _ _
_ [E] _ _ _ _ [Bm] _ _ _
_ _ _ _ [B] _ [E] _ _ _
[B] _ _ _ _ _ _ _ [E] _
_ [B] _ _ _ [Em] _ [Ab] _ _ [E] _
_ _ [Bb] _ _ _ _ [E] _ [C] _
[Bm] _ [C] _ _ [D] _ of four. _ _
[C] _ _ [E] _ _ _ [Bm] _ _ _
[C] _ _ _ _ They are really a sound for you.
[Ab] You immediately recognize, [N] oh, this is M4, right?
Yes, this is M4.
So you really, for you it's like, _ [G] oh, hey, this sounds like M3, M4.
You have the sound in your head.
Yes.
When other people play it, you realize, oh, [N] like this.
And so what is M6?
_ So M6 is _ _ _ _ _ _ _ _ C [Db] [D] sharp, D, _ [Fm] M.
_ _ _ [Ab] _ _
_ _ _ _ _ [Dbm] _ [Dm] _ [G] _
[E] _ _ [G] _ [Dm] _ _ [Ab] _ _ [D] _
[C] _ [N] Sorry, again, C sharp, D.
_ [Cm] _
C, [Db] C sharp, [Dm] _ _ _ _
[Ab] _ _ _ [Gb] M sharp, [G] _ _
_ _ [Ab] _ flat.
_ [Bm] _ _
_ _ _ _ [Abm] _ [Gb] _ _ [Dbm] _
_ [D] _ _ [E] _ [Cm] _ So how do you like to work on [Eb] it?
_ _ _ _ [Db] _ _
_ _ _ _ [C] _ [Bm] _ _ _
_ _ _ [Db] _ _ [Bm] _ _ _
_ _ [D] _ _ _ [Gm] _ [B] _ _
So [G] basically it doesn't [Cm] have a third.
_ [Gb] _
Yeah, it depends on how you look at it.
You could [Cm] take from the second note. _ _ _ _ _ _ _
_ [Db] _ _ [E] _ _ [Eb] _ _ _
_ [Db] _ _ _ _ _ [G] _ _
Yeah, of course, yeah.
_ [Fm] _ [Gb] _ _
_ [Em] _ _ _ _ _ _ _
[D] _ [G] _ _ _ _ _ _ _
_ _ _ [Fm] _ _ _ [Bm] _ _
_ _ _ _ _ _ _ _
[D] _ _ _ [G] _ _ _ [Bm] _ _
_ [F] _ _ [Fm] _ _ _ _ [Bm] _
_ _ _ _ [G] _ _ _ [Bm] _
_ [G] _ _ _ _ _ [D] _ _
[G] _ [Db] _ _ [D] _ _ _ _ _
_ [G] _ _ [Ab] _ _ _ [G] _ _
_ _ [E] _ _ _ [D] _ _ [Db] _
[Gb] _ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ [Abm] _ _
_ _ [Db] _ _ [E] _ _ _ _
[Gb] _ [Db] _ _ [G] _ _ [Fm] _ _ [Bm] _
_ _ [Fm] _ _ [N] _ I use these three modes.
_ _ _ _ [A] And when [Ab]
you [Eb] _ improvise, [Ab] sometimes you play [N] more parts, _ [G] like melodies with more parts.