Chords for New Year's Eve Whiplash Bash 87' - Stranglehold (HQ)

Tempo:
77.45 bpm
Chords used:

A

Am

C

G

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
New Year's Eve Whiplash Bash 87' - Stranglehold (HQ) chords
Start Jamming...
It's fucking weird.
[Am]
[A] [Am] Woah, yeah!
[A]
[G] [A]
[G]
[A] [G] [A]
I'm a girl [Am] that's here.
[A]
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
[C] [A]
[Am] [A] I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
[F#m] [D#] [A]
[C#] [A] I'm [Am]
[A] [Am]
[A]
[Am]
[A]
[C]
[A]
[Am]
[D] [A]
[A]
[Gm] [Am]
[A] [G] [A]
a
[E]
[C] [A]
[C] [A] girl that's [C] here.
[Am] I'm a girl that's here.
[A] I'm a girl that's here.
Come [E] [A] on, come on, come on, come on.
I don't know [Am] why I let it go
You make it harder to let me in
You're just trying to be my play
[A] Thought you were just trying to go home
But you're right, now I'm pressed so play
I
[G]
[G#]
[A] [Am]
[D] [Am]
[C]
[Am] [F#] [D] [Am]
[A]
[Am] [A]
[Am] [A] don't know why
[F#]
[D#] Dave Kaswini, my bass [N] player, is originally from Detroit.
Dave's been with me since 1979.
He's been with me a long time.
Derek St.
Holmes originally started out with me back in 1973 or 1974
and he's gone off and pursued a few personal things on his own
but he's back with [C#m] me again this year.
He sings and [D] plays guitar with me.
And then I've got old yeller on drums, Pat Marsh, you know, from [B] Florida.
He's just one of [N] the best drummers in the world.
In fact, my whole band is a virtual rock and roll pounding machine.
I mean, I can get out there in front of the audience and just waylay at will
without a thought behind me because I know those boys are hammering relentlessly at
Key:  
A
1231
Am
2311
C
3211
G
2131
D
1321
A
1231
Am
2311
C
3211
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_ _ _ _ It's fucking weird.
_ _ _ _ _ _ _ _
_ _ _ _ [Am] _ _ _ _
_ _ [A] _ [Am] Woah, yeah! _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ [G] _ [A] _ _ _
_ _ _ _ [G] _ _ _ _
_ [A] _ _ _ [G] _ [A] _ _ _
_ _ _ _ _ _ _ _
_ I'm a girl [Am] that's here.
[A] _ _ _
_ I'm a girl that's here.
_ I'm a girl that's here.
_ I'm a girl that's here.
_ I'm a girl that's here. _
_ I'm a girl that's here. _ _ _ _
_ _ _ _ [C] _ [A] _ _ _
[Am] _ _ _ _ _ [A] I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here.
I'm a girl that's here. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ [D#] _ [A] _ _ _
_ [C#] _ _ _ [A] I'm _ [Am] _
_ _ _ _ [A] _ _ [Am] _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [C] _ _ _ _
_ [A] _ _ _ _ _ _ _
_ [Am] _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ [A] _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Gm] _ [Am] _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ [G] _ [A] _ _ _
_ _ _ a _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ [C] _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
[C] _ _ [A] _ _ _ _ girl that's [C] here.
[Am] I'm a girl that's here.
[A] I'm _ a girl that's here.
Come _ [E] _ [A] on, come on, come on, _ _ _ _ _ _ _ _ _ come on.
I don't know [Am] why I _ let it go
You make it harder to let me in
You're just trying to be my play
_ [A] Thought you were just trying to go home
But you're right, now I'm pressed so play
I _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ [Am] _ _ _ _
_ [D] _ _ [Am] _ _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ _ _ [F#] _ [D] _ _ [Am] _
_ _ _ _ [A] _ _ _ _
[Am] _ _ _ _ [A] _ _ _ _
_ _ [Am] _ _ [A] don't know why
[F#] _
_ _ _ [D#] Dave Kaswini, my bass [N] player, is originally from Detroit.
Dave's been with me since 1979.
He's been with me a long time.
Derek St.
Holmes originally started out with me back in 1973 or 1974
and he's gone off and pursued a few personal things on his own
but he's back with [C#m] me again this year.
He sings and [D] plays guitar with me.
And then I've got old yeller on drums, Pat Marsh, you know, from [B] Florida.
He's just one of [N] the best drummers in the world.
In fact, my whole band is a virtual rock and roll pounding machine.
I mean, I can get out there in front of the audience and just waylay at will
without a thought behind me because I know those boys are hammering relentlessly at