Chords for NGDB w New Grass Revival

The New Grass Revival to me is really the epitome of _ the traditional bluegrass brought into the 80s and approaching the 90s.
Those guys are just _ amazing.
I love, they do stuff [D] like a bluegrass version of Ain't That Peculiar. _ _
_ _ _ [B] It's sort of like [F#] Sam and Dave meets Flat and [B] Scruggs.
Can you hear Jerusalem _ moan?
_ _ _ Can you hear Jerusalem moan?
_ _ _ _ Can you hear Jerusalem moan?
Can you hear Jerusalem moan?
Can you hear Jerusalem moan?
Thank God there's a heaven and a kingdom in my soul and my soul set free.
_ _ [F#] _ Thank God there's a heaven and a kingdom in my soul and my soul set free.
Can you hear [B] Jerusalem moan?
There's one version I've heard, but there's different versions.
What's that?
Well, with_
Thank God there's a heaven [G] and a kingdom in my soul [E] and my soul set free.
Can you hear Jerusalem [C#] moan?
Just [B] straight ahead, that's cool.
That's one version.
[C#] Thank God there's a heaven and a kingdom in my soul and my soul [F#] set free.
Can you hear Jerusalem [B] moan?
I'm ready for ya.
How's it going down the other side?
That's nice Jimmy.
I'm ready for you lads. _
God, it's a manly thing you're doing.
It's going to be a manly session.
[B] _ _ _ And all we really need to figure out is how do we want to start back up instrumentally at the edge of one of those sections.
Where do you want to start?
Start counting. _ _ _ _ _ _ _
_ Thank you [C#] very much.
Oh [Bm] my, oh that's_
_ Thank [B] God, there was a thank God.
There it is.
In a ring in my soul and my soul set free.
Okay.
Can't you hear Jerusalem moan?
Can't you hear Jerusalem moan?
Thank God there's a heaven in a ring in my [A] soul and my soul set free.
Can't you hear Jerusalem [F] moan?
Maybe I shouldn't be singing [G] one note song, but maybe I'm hearing a part that's really_
Can't my soul set free?
Should I be up there do you think?
[Em] If you want him to go up, maybe you should go up.
Okay, let's try that.
_ [B] Can't you hear Jerusalem moan?
Can't you hear Jerusalem moan?
Thank God [Bm] there's a heaven in a ring in my soul and my soul set [A#m] free.
Can't [B] you hear Jerusalem moan?
I like that.
Can't my [G] soul set free?
Can't you hear Jerusalem moan?
That's nice.
I think that's [G#m] it.
In a ring in my soul and my soul set free.
Can't you [F#] hear Jerusalem _ moan?
Can you make this move on free?
I'm going [C#] free.
Can you go free?
Yeah. Okay.
Thank [G#m] God there's a heaven in a ring in my soul and my soul set free.
Can't you hear [B] Jerusalem moan?
Yeah, that's good.
That's good, isn't it?
I think it sounds good to [N] be up there on the first soul. _
_ Let's try it the other way.
Straight across.
Then come up on it.
Then come up.
Can my soul set free?
That's it.
Thank [B] God there's a heaven in a ring in my soul and my soul set free.
Do it again.
[G#] I'm sorry.
Thank God there's a heaven in a ring in my soul and my soul set free.
[F#] Can't you hear Jerusalem moan?
[D] Okay.
Are we supposed to be better up?
Can't you hear Jerusalem moan?
The day that we did Can't You Hear Jerusalem Moan, we came in [Em] and it was so unlike [F#] making our records or being on another recording session. _
It's funny.
I didn't play on it.
Roy Husky Jr.
played bass.
So what was going on is that Bela and Sam and Pat were in one room working out the musical arrangement,
and me and Jimmy Ibbotson were in another room frantically writing lyrics out on a piece of paper.
We didn't realize we'd be such a part of the arrangement as it went down, so we really got to sit and co-arrange it.
It was just a nice experience.
And what John was talking about, the way it was recorded, trying to do it all in one take,
that's not so foreign to guys like us that have been around and played on a lot of bluegrass records and stuff
because they're made a lot quicker.
But even in this, the vocals and everything [D] even went down on the spot.
So, I don't know, it was just a nice way to do it.
It's a nice feeling to walk away knowing you're through with that song that day.
Speaking of the Newgrass Revival, they used to play with Leon Russell for about three or four years in the late 70s, early 80s,
and they made a great record that I just love, and that was sort of the inspiration for me wanting to do Valley Road Bluegrass.
They used to take everything, just all Leon's songs, and just play them just as fast as they could.
And it was a scream to [B] me.
I loved it. _ _ _ _ _
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[Bm] _ _ [B] _ _ _ _ _ _
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_ [F#] _ _ [B] _ _ _ _ _
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_ _ _ Newgrass Revival is finally going to come into their own, I think.
Everyone has enjoyed their cult _ [E] acceptance, _ [C] but I think in [G#m] 1989, that'll be the year that Newgrass [B] Revival will have their first big country hit.
A lot more people will start to realize who they are.
Lord, Lord, Lord, don't you hear Jerusalem moan.
Lord, Lord,
_ _ _ _ _ _ _ _
[D] don't you hear.
_ [F#] Lord, Lord, _ _ _ [F] _ [B] don't you hear Jerusalem moan.
Hear Jerusalem moan.
Thank God there's a heaven and a ringing in my soul and [C#] my soul set free.
Don't you hear [E] Jerusalem _ _ [B] _
moan.
_ _ _ _ I would never have expected it when I bought the first record that I would be playing on the second. _
How's the ending go?
Four.
[F] _ _ _ _ [N] _