Chords for Nick Mulvey - Cucurucu - Guitar Patterns Ep5
Tempo:
97.15 bpm
Chords used:
F#m
Bm
E
F#
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bm]
[F#m] [F#]
[Bm]
[F#m] [E] [F#m]
[A]
[E] [C#]
[G] So, the guitar pattern for Kuku Ruku [G#] is in a way a bit simpler because that song is all
about the words and I wanted to just get the lyrics across.
And because that song is based on a poem that already existed, I had to find a pattern that
matched the rhythm of those words.
So, in the strumming hand, that goes like this.
And that's pretty consistent [F#] throughout the whole of the piece.
And the chords, well, they have a feature which I really like, which I use a lot of
the time in my chord patterns, which is that the home chord, in this [F#m] case, this one, [G] is
not at the beginning of the sequence, but in the middle or in the second half.
So that when you get around to the beginning of the sequence, you start in the middle of the harmony.
So, it kind of creates this feeling of ever-ongoing pattern because the beginning of the sequence
in time is the middle of the sequence in harmony.
And the beginning of the sequence in harmony is the middle of the [F#] sequence in time.
I'll show you, like, [D] so this is the first chord, [Bm] that's the second [F#m] chord, and that's
the home chord, which is the root.
[A]
[D] [F#m]
[A] And then I just do [C#m] those same chords in this [Bm] position up here.
[F#m] [E] [F#]
[Bm] [F#m] That's the home, [E] but we don't stay there very often.
So, the chords are really, like, always urging to go somewhere, but we only land there very briefly.
You know, so this kind of gives it that feeling, you know, [F#] which matches, I hope, the words of the song.
[D] [Bm] [F#m]
[F#] [D]
[F#m]
[E] [Bm]
[A] [E]
[C#] [Bm]
[E]
[C#] [D]
[Bm] [F#m]
[E] [F#]
[F#m] [F#]
[Bm]
[F#m] [E] [F#m]
[A]
[E] [C#]
[G] So, the guitar pattern for Kuku Ruku [G#] is in a way a bit simpler because that song is all
about the words and I wanted to just get the lyrics across.
And because that song is based on a poem that already existed, I had to find a pattern that
matched the rhythm of those words.
So, in the strumming hand, that goes like this.
And that's pretty consistent [F#] throughout the whole of the piece.
And the chords, well, they have a feature which I really like, which I use a lot of
the time in my chord patterns, which is that the home chord, in this [F#m] case, this one, [G] is
not at the beginning of the sequence, but in the middle or in the second half.
So that when you get around to the beginning of the sequence, you start in the middle of the harmony.
So, it kind of creates this feeling of ever-ongoing pattern because the beginning of the sequence
in time is the middle of the sequence in harmony.
And the beginning of the sequence in harmony is the middle of the [F#] sequence in time.
I'll show you, like, [D] so this is the first chord, [Bm] that's the second [F#m] chord, and that's
the home chord, which is the root.
[A]
[D] [F#m]
[A] And then I just do [C#m] those same chords in this [Bm] position up here.
[F#m] [E] [F#]
[Bm] [F#m] That's the home, [E] but we don't stay there very often.
So, the chords are really, like, always urging to go somewhere, but we only land there very briefly.
You know, so this kind of gives it that feeling, you know, [F#] which matches, I hope, the words of the song.
[D] [Bm] [F#m]
[F#] [D]
[F#m]
[E] [Bm]
[A] [E]
[C#] [Bm]
[E]
[C#] [D]
[Bm] [F#m]
[E] [F#]
Key:
F#m
Bm
E
F#
D
F#m
Bm
E
_ _ _ _ [Bm] _ _ _ _
[F#m] _ _ _ _ [F#] _ _ _ _
[Bm] _ _ _ _ _ _ _ _
[F#m] _ _ _ _ [E] _ _ _ [F#m] _
_ _ _ _ [A] _ _ _ _
[E] _ _ _ _ [C#] _ _ _
[G] So, the guitar pattern for Kuku Ruku [G#] is in a way a bit simpler because that song is all
about the words and I wanted to just get the lyrics across.
And because that song is based on a poem that already existed, I had to find a pattern that
matched the rhythm of those words.
So, in the strumming hand, that goes like this. _ _
_ _ _ And that's pretty consistent [F#] throughout the whole of the piece.
And the chords, well, _ they have a feature which I really like, which I use a lot of
the time in my chord patterns, which is that the home chord, in this [F#m] case, this one, _ [G] is
not at the beginning of the sequence, but in the middle or in the second half.
So that when you get around to the beginning of the sequence, _ you start in the middle of the harmony.
So, it kind of creates this feeling of ever-ongoing pattern because the beginning of the sequence
in time is the middle of the sequence in harmony.
And the beginning of the sequence in harmony is the middle of the [F#] sequence in time.
I'll show you, like, [D] so this is the first chord, _ _ [Bm] that's the second [F#m] chord, and that's
the home chord, which is the root.
_ _ [A] _
_ _ _ [D] _ _ _ [F#m] _ _
[A] And then I just do [C#m] those same chords in this [Bm] position up here. _
_ _ [F#m] _ _ [E] _ _ [F#] _ _
[Bm] _ _ _ _ [F#m] _ That's the home, [E] but we don't stay there very often.
_ _ So, the chords are really, like, always urging to go _ somewhere, but we only land there very briefly.
You know, so this kind of gives it that feeling, you know, [F#] which matches, I hope, the words of the song.
[D] _ _ _ [Bm] _ _ _ _ _ [F#m] _ _ _ _
[F#] _ _ _ _ [D] _ _ _ _
_ _ _ _ [F#m] _ _ _ _
[E] _ _ _ _ [Bm] _ _ _ _
_ [A] _ _ _ [E] _ _ _ _
[C#] _ _ _ _ [Bm] _ _ _ _
_ _ _ _ [E] _ _ _ _
[C#] _ _ _ _ [D] _ _ _ _
[Bm] _ _ _ _ [F#m] _ _ _ _
[E] _ _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ [F#] _ _ _ _
[Bm] _ _ _ _ _ _ _ _
[F#m] _ _ _ _ [E] _ _ _ [F#m] _
_ _ _ _ [A] _ _ _ _
[E] _ _ _ _ [C#] _ _ _
[G] So, the guitar pattern for Kuku Ruku [G#] is in a way a bit simpler because that song is all
about the words and I wanted to just get the lyrics across.
And because that song is based on a poem that already existed, I had to find a pattern that
matched the rhythm of those words.
So, in the strumming hand, that goes like this. _ _
_ _ _ And that's pretty consistent [F#] throughout the whole of the piece.
And the chords, well, _ they have a feature which I really like, which I use a lot of
the time in my chord patterns, which is that the home chord, in this [F#m] case, this one, _ [G] is
not at the beginning of the sequence, but in the middle or in the second half.
So that when you get around to the beginning of the sequence, _ you start in the middle of the harmony.
So, it kind of creates this feeling of ever-ongoing pattern because the beginning of the sequence
in time is the middle of the sequence in harmony.
And the beginning of the sequence in harmony is the middle of the [F#] sequence in time.
I'll show you, like, [D] so this is the first chord, _ _ [Bm] that's the second [F#m] chord, and that's
the home chord, which is the root.
_ _ [A] _
_ _ _ [D] _ _ _ [F#m] _ _
[A] And then I just do [C#m] those same chords in this [Bm] position up here. _
_ _ [F#m] _ _ [E] _ _ [F#] _ _
[Bm] _ _ _ _ [F#m] _ That's the home, [E] but we don't stay there very often.
_ _ So, the chords are really, like, always urging to go _ somewhere, but we only land there very briefly.
You know, so this kind of gives it that feeling, you know, [F#] which matches, I hope, the words of the song.
[D] _ _ _ [Bm] _ _ _ _ _ [F#m] _ _ _ _
[F#] _ _ _ _ [D] _ _ _ _
_ _ _ _ [F#m] _ _ _ _
[E] _ _ _ _ [Bm] _ _ _ _
_ [A] _ _ _ [E] _ _ _ _
[C#] _ _ _ _ [Bm] _ _ _ _
_ _ _ _ [E] _ _ _ _
[C#] _ _ _ _ [D] _ _ _ _
[Bm] _ _ _ _ [F#m] _ _ _ _
[E] _ _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _