Chords for Nirvana Breed Tone | Guitar Cover with Nevermind Studio Tone

[A] _ _ _ _ _ _ _ _
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[A] _ [C] _ [B] _ [Dm] _ [A] _ _ [B] _ [D] _
[A] _ [C] _ [B] _ [D] _ [A] _ [C] _ [A] _ _
_ _ _ _ _ [E] _ _ _
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[Am] _ _ _ [A] _ _ _ _ _
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[E] _ [F#m] _ [E] _ [E] _ _ [F#] _ [E] _ [F#] _
[E] _ _ _ _ _ [F#] _ [E] _ [F#] _
[Em] _ [F#] _ _ _ _ _ _ [C] _
[F#] _ _ _ _ _ _ _ [C] _
[F#] _ _ _ _ _ _ _ [C] _
[F#] _ _ _ _ _ [A] _ [F#] _ _
[D] _ [A] _ [C] _ [B] _ [D] _ [A] _ [C] _ [B] _
[D] _ [A] _ [C] _ [B] _ [D] _ [A] _ [C] _ [F#m] _
_ _ _ [E] _ [F#] _ [E] _ _ _
[F#] _ _ [F#] _ _ _ [E] _ [F#] _ _
_ _ _ _ _ _ _ [C] _
[F#] _ _ _ _ _ _ _ [C] _
[E] _ [A] _ _ _ [E] _ [F#] _ _ _
_ _ [E] _ [A] _ [E] _ [F#] _ _ _
_ _ _ _ _ [F] _ [Em] _ [A] _
_ _ _ _ _ [G#] _ [B] _ _
[E] _ _ _ [Bm] _ _ _ [E] _ [C#] _
_ _ _ [D] _ _ [D#m] _ [D] _ _
[A] _ [C] _ [B] _ [D] _ [A] _ [C] _ [B] _ [D] _
[A] _ [C] _ [B] _ [D] _ [A] _ [C] _ [E] _ [F#] _
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_ _ _ _ _ [F#] _ [A] _ [F#] _
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_ _ _ _ _ [A] _ [F#] _ _
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_ _ _ _ _ _ _ [G#] _
[G] _ _ _ [E] _ _ _ _ _
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_ I can't help it, this, this, this is so strange.
[B] All the way [N] down to the ground.
_ I need to get out of here.
I don't think I'm going to make it.
I'm going to have to convince him.
I want to get out of here. _ _ _ _ _ _
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[A] _ _ [F#] _ _ _ _ _ _
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_ _ [A] _ _ _ _ _ _
_ _ _ [F#m] _ _ _ _ [F#] _
[E] _ [A] _ _ _ _ _ _ _
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_ _ For a pedal that's 30 years old, it's in remarkably amazing shape and operates Flawlessly.
I'm super happy with it.
I got multiple comments on my pedal comparison video saying that Kurt used a big muff on Breathe.
But, I was not entirely sure.
Especially since it came from multiple different people on separate [A] comments, I've only
ever read that the Big Muff was [E] used on Lilthium.
From listening to breathe, I've always thought it was either the Competition Mustang
Next, I have the Kramer Tape plugin to add in simulated tape warmth.
After that, I have the Puke Tech Mid EQ plugin.
The Puke Techs are my favorite EQ plugins, and with this one, I am shaping the overall mids.
Next is an SSL EQ strip, which I'm using to further shape very specific frequencies
in the low and high [A] mids.
And finally, after that is the X-Noise Noise Reducer, to get rid of the harsh fuzziness.
I know this probably seems like a lot, but each plugin is serving a specific purpose
and helps get to the tone at the end of the day.
Here's what the track sounds like with each plugin getting turned on one at a time, so
you can hear what they're doing.
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[F#m] _ _ _ _ _ _ [F#m] _ _
_ _ _ _ _ _ _ [G]
[E] Which studio tone should I try to recreate next?
[F#] Let me know in the comments.
In the meantime, follow me on Instagram at Nirvana Guitars, and subscribe and check out
my other Nirvana gear videos right here on YouTube. _
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