Chords for NME - Loopstation / "Awareness" // Microfilm Prod.
Tempo:
73.05 bpm
Chords used:
F#m
D
C#
A#
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] What a big, what a big tree.
What a big
[F#]
[G] [D]
[N] [G] [D]
[F#m] [A#] [F#m]
[A#m] [F#m]
[A#] [F#m]
[A#] [F#m]
[F]
[F#] [Bm] [A#m]
[F#m] [Bm] What a big
[C#]
[F#m] [D] [Bm] [C#]
[F#m] [Fm] What a big
[F#m] [D] [C#]
[F#m] [D] [C#]
[F#m] 3, 2, 1, [D] go!
Who are you?
A boxer?
You know, I'm a [C#] weird person.
People make me [F#m] jump by simply moving [Bm] their mouths.
You wonder how they do it?
Then go spy on them.
While I'm [C#] in the bathroom, while I'm creating music under the shower.
I hear a new sound, it seems like a drop.
It's hard to explain how [F#] we can make all these sounds at once, [A#m] without breathing,
without shitting, or at least looking at the people who lend us their attention.
[D] What am I talking about?
[F#] Something that must be done [A#m] specially to do it?
No, no, you got [C] it wrong.
All you need is a [F#] genital part, it's an art, the one I'm talking about.
It has so many things that make [A#m] it unique and metaphorical.
I'm [D] talking a bit like the faces of the music.
And now, it's your turn to see me do all the sounds [A#m] with my mouth.
And give me some space, [C] but it's better to make music [C#] than use my mouth for the fuck's sake.
You say, as [F#] you like, useless speeches.
But speeches that [Fm] need to be made.
You who sing, let's go command.
Come here [C#] and make a musical culture.
Now [F#m] I start the history lesson, but this time, dear [A#] guys,
it doesn't concern neither war [C] nor glory, but the history of [F#m] my world.
No way.
The history of beatbox, because it's the history of the discipline [A#] of hip-hop.
I always put aside the other four, but now [F#m] you can look at Paco, Greta, Juggie, Flesh, Kenny, Muhammad,
Razel, until today Rips, [A#] Wannalent, Nape, Hombolzy, Skill, [C#] Rtioner, why not, Enemy, Mago, Macrofilms?
[F#m] And meanwhile, you think that beatbox is limited to just [A#] your talent?
Or that viral video [C#] where a girl does beatbox with [F#m] her father?
Coo, coo, coglione, hip-hop was born to be watched on [A#] television.
If you really like the internet, [C#] then go look for a [F#m] better video.
Because, you know, there are good people who, like me, for this shit, give their [G] life.
And, unfortunately, we always know, art happens, [F#m] which is not understood.
I hope that among the people who listen to us, there are people who listen [A#] to me usually.
People who don't even listen [D] much, but who are listening to this stuff [F#] intelligently.
While the only thought that your mind is able to produce is,
[A#] Oh God, how does he do it?
I can't understand.
If I try to do it, I look like a madman.
[F#m] My mission, in fact, you know, is this.
To get you into the head.
[Fm] And there is nothing abnormal about it.
I am a [F#m] musician, and in this case, I am also a [D] musical instrument.
Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah.
[Fm] Ah, ah, ah, ah, ah, ah.
[F#m] Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah. [D] Yeah, yeah.
Huh.
[Fm]
[F#m] Mic, Mic, Microfilm Productions.
[N]
What a big
[F#]
[G] [D]
[N] [G] [D]
[F#m] [A#] [F#m]
[A#m] [F#m]
[A#] [F#m]
[A#] [F#m]
[F]
[F#] [Bm] [A#m]
[F#m] [Bm] What a big
[C#]
[F#m] [D] [Bm] [C#]
[F#m] [Fm] What a big
[F#m] [D] [C#]
[F#m] [D] [C#]
[F#m] 3, 2, 1, [D] go!
Who are you?
A boxer?
You know, I'm a [C#] weird person.
People make me [F#m] jump by simply moving [Bm] their mouths.
You wonder how they do it?
Then go spy on them.
While I'm [C#] in the bathroom, while I'm creating music under the shower.
I hear a new sound, it seems like a drop.
It's hard to explain how [F#] we can make all these sounds at once, [A#m] without breathing,
without shitting, or at least looking at the people who lend us their attention.
[D] What am I talking about?
[F#] Something that must be done [A#m] specially to do it?
No, no, you got [C] it wrong.
All you need is a [F#] genital part, it's an art, the one I'm talking about.
It has so many things that make [A#m] it unique and metaphorical.
I'm [D] talking a bit like the faces of the music.
And now, it's your turn to see me do all the sounds [A#m] with my mouth.
And give me some space, [C] but it's better to make music [C#] than use my mouth for the fuck's sake.
You say, as [F#] you like, useless speeches.
But speeches that [Fm] need to be made.
You who sing, let's go command.
Come here [C#] and make a musical culture.
Now [F#m] I start the history lesson, but this time, dear [A#] guys,
it doesn't concern neither war [C] nor glory, but the history of [F#m] my world.
No way.
The history of beatbox, because it's the history of the discipline [A#] of hip-hop.
I always put aside the other four, but now [F#m] you can look at Paco, Greta, Juggie, Flesh, Kenny, Muhammad,
Razel, until today Rips, [A#] Wannalent, Nape, Hombolzy, Skill, [C#] Rtioner, why not, Enemy, Mago, Macrofilms?
[F#m] And meanwhile, you think that beatbox is limited to just [A#] your talent?
Or that viral video [C#] where a girl does beatbox with [F#m] her father?
Coo, coo, coglione, hip-hop was born to be watched on [A#] television.
If you really like the internet, [C#] then go look for a [F#m] better video.
Because, you know, there are good people who, like me, for this shit, give their [G] life.
And, unfortunately, we always know, art happens, [F#m] which is not understood.
I hope that among the people who listen to us, there are people who listen [A#] to me usually.
People who don't even listen [D] much, but who are listening to this stuff [F#] intelligently.
While the only thought that your mind is able to produce is,
[A#] Oh God, how does he do it?
I can't understand.
If I try to do it, I look like a madman.
[F#m] My mission, in fact, you know, is this.
To get you into the head.
[Fm] And there is nothing abnormal about it.
I am a [F#m] musician, and in this case, I am also a [D] musical instrument.
Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah.
[Fm] Ah, ah, ah, ah, ah, ah.
[F#m] Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah. [D] Yeah, yeah.
Huh.
[Fm]
[F#m] Mic, Mic, Microfilm Productions.
[N]
Key:
F#m
D
C#
A#
F#
F#m
D
C#
[A] What a big, what a big tree.
What a big_ _ _ _ _ _ _
_ _ _ _ [F#] _ _ _ _
_ _ _ _ _ [G] _ _ [D] _
_ [N] _ _ _ _ [G] _ _ [D] _
[F#m] _ _ _ _ _ [A#] _ _ [F#m] _
_ _ _ _ _ [A#m] _ _ [F#m] _
_ _ _ _ _ [A#] _ _ [F#m] _
_ _ _ _ _ [A#] _ _ [F#m] _
_ _ _ _ _ _ _ [F] _
_ [F#] _ _ [Bm] _ _ _ _ [A#m] _
_ [F#m] _ _ [Bm] What a big_
_ [C#] _
_ [F#m] _ _ [D] _ _ [Bm] _ _ [C#] _
_ [F#m] _ _ _ _ _ [Fm] What a big_
[F#m] _ _ [D] _ _ _ _ [C#] _
_ [F#m] _ _ [D] _ _ _ _ [C#] _
[F#m] 3, 2, 1, [D] go!
Who are you?
A boxer?
You know, I'm a [C#] weird person.
People make me [F#m] jump by simply moving [Bm] their mouths.
You wonder how they do it?
Then go spy on them.
While I'm [C#] in the bathroom, while I'm creating music under the shower.
I hear a new sound, it seems like a drop.
It's hard to explain how [F#] we can make all these sounds at once, [A#m] without breathing,
without shitting, or at least looking at the people who lend us their attention.
[D] What am I talking about?
[F#] Something that must be done [A#m] specially to do it?
No, no, you got [C] it wrong.
All you need is a [F#] genital part, it's an art, the one I'm talking about.
It has so many things that make [A#m] it unique and metaphorical.
I'm [D] talking a bit like the faces of the music.
And now, it's your turn to see me do all the sounds [A#m] with my mouth.
And give me some space, [C] but it's better to make music [C#] than use my mouth for the fuck's sake.
You say, as [F#] you like, useless speeches.
But speeches that [Fm] need to be made.
You who sing, let's go command.
Come here [C#] and make a musical culture.
Now [F#m] I start the history lesson, but this time, dear [A#] guys,
it doesn't concern neither war [C] nor glory, but the history of [F#m] my world.
No way.
The history of beatbox, because it's the history of the discipline [A#] of hip-hop.
I always put aside the other four, but now [F#m] you can look at Paco, Greta, Juggie, Flesh, Kenny, Muhammad,
Razel, until today Rips, [A#] Wannalent, Nape, Hombolzy, Skill, [C#] Rtioner, why not, Enemy, Mago, Macrofilms?
[F#m] And meanwhile, you think that beatbox is limited to just [A#] your talent?
Or that viral video [C#] where a girl does beatbox with [F#m] her father?
Coo, coo, coglione, hip-hop was born to be watched on [A#] television.
If you really like the internet, [C#] then go look for a [F#m] better video.
Because, you know, there are good people who, like me, for this shit, give their [G] life.
And, unfortunately, we always know, art happens, [F#m] which is not understood.
I hope that among the people who listen to us, there are people who listen [A#] to me usually.
People who don't even listen [D] much, but who are listening to this stuff [F#] intelligently.
While the only thought that your mind is able to produce is,
[A#] Oh God, how does he do it?
I can't understand.
If I try to do it, I look like a madman.
[F#m] My mission, in fact, you know, is this.
To get you into the head.
[Fm] And there is nothing abnormal about it.
I am a [F#m] musician, and in this case, I am also a [D] musical instrument.
Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah.
[Fm] Ah, ah, ah, ah, ah, ah.
[F#m] Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah. [D] Yeah, yeah.
_ Huh.
[Fm] _
_ [F#m] _ _ Mic, Mic, Microfilm Productions. _
_ _ _ _ _ _ _ [N] _
What a big_ _ _ _ _ _ _
_ _ _ _ [F#] _ _ _ _
_ _ _ _ _ [G] _ _ [D] _
_ [N] _ _ _ _ [G] _ _ [D] _
[F#m] _ _ _ _ _ [A#] _ _ [F#m] _
_ _ _ _ _ [A#m] _ _ [F#m] _
_ _ _ _ _ [A#] _ _ [F#m] _
_ _ _ _ _ [A#] _ _ [F#m] _
_ _ _ _ _ _ _ [F] _
_ [F#] _ _ [Bm] _ _ _ _ [A#m] _
_ [F#m] _ _ [Bm] What a big_
_ [C#] _
_ [F#m] _ _ [D] _ _ [Bm] _ _ [C#] _
_ [F#m] _ _ _ _ _ [Fm] What a big_
[F#m] _ _ [D] _ _ _ _ [C#] _
_ [F#m] _ _ [D] _ _ _ _ [C#] _
[F#m] 3, 2, 1, [D] go!
Who are you?
A boxer?
You know, I'm a [C#] weird person.
People make me [F#m] jump by simply moving [Bm] their mouths.
You wonder how they do it?
Then go spy on them.
While I'm [C#] in the bathroom, while I'm creating music under the shower.
I hear a new sound, it seems like a drop.
It's hard to explain how [F#] we can make all these sounds at once, [A#m] without breathing,
without shitting, or at least looking at the people who lend us their attention.
[D] What am I talking about?
[F#] Something that must be done [A#m] specially to do it?
No, no, you got [C] it wrong.
All you need is a [F#] genital part, it's an art, the one I'm talking about.
It has so many things that make [A#m] it unique and metaphorical.
I'm [D] talking a bit like the faces of the music.
And now, it's your turn to see me do all the sounds [A#m] with my mouth.
And give me some space, [C] but it's better to make music [C#] than use my mouth for the fuck's sake.
You say, as [F#] you like, useless speeches.
But speeches that [Fm] need to be made.
You who sing, let's go command.
Come here [C#] and make a musical culture.
Now [F#m] I start the history lesson, but this time, dear [A#] guys,
it doesn't concern neither war [C] nor glory, but the history of [F#m] my world.
No way.
The history of beatbox, because it's the history of the discipline [A#] of hip-hop.
I always put aside the other four, but now [F#m] you can look at Paco, Greta, Juggie, Flesh, Kenny, Muhammad,
Razel, until today Rips, [A#] Wannalent, Nape, Hombolzy, Skill, [C#] Rtioner, why not, Enemy, Mago, Macrofilms?
[F#m] And meanwhile, you think that beatbox is limited to just [A#] your talent?
Or that viral video [C#] where a girl does beatbox with [F#m] her father?
Coo, coo, coglione, hip-hop was born to be watched on [A#] television.
If you really like the internet, [C#] then go look for a [F#m] better video.
Because, you know, there are good people who, like me, for this shit, give their [G] life.
And, unfortunately, we always know, art happens, [F#m] which is not understood.
I hope that among the people who listen to us, there are people who listen [A#] to me usually.
People who don't even listen [D] much, but who are listening to this stuff [F#] intelligently.
While the only thought that your mind is able to produce is,
[A#] Oh God, how does he do it?
I can't understand.
If I try to do it, I look like a madman.
[F#m] My mission, in fact, you know, is this.
To get you into the head.
[Fm] And there is nothing abnormal about it.
I am a [F#m] musician, and in this case, I am also a [D] musical instrument.
Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah.
[Fm] Ah, ah, ah, ah, ah, ah.
[F#m] Ah, ah, ah, ah, ah, ah.
Ah, ah, ah, ah, ah, ah. [D] Yeah, yeah.
_ Huh.
[Fm] _
_ [F#m] _ _ Mic, Mic, Microfilm Productions. _
_ _ _ _ _ _ _ [N] _