Chords for Noel Fielding's Soundtrack Of My Life: The Mighty Boosh Man On Adam Ant, Pink Floyd And Dressing Up
Tempo:
64.05 bpm
Chords used:
F
G
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, I'm Noel Fielding, formerly of the Mighty Boosh and Noel Fielding's Luxury Comedy.
I'm here with NME Online, the Online Boys, and they're pretty violent.
They've forced me into this interview and they beat me up, sort of pushed me into a corner
and they pinched me quite badly and pulled some of my hair out, like it actually came out in their hands.
But they're nice boys and we're getting on better now and we've had some weak lemonade and some crisps
and we're just about to get on with the interview so stay tuned, it's going to be fun, it's going to be pun pun, pun pun.
My dad used to make compilations, tapes, out of all of his records and I had a massive record collection
and the songs that I liked were the weirder ones, because as a kid you sort of go, oh what's this, a bit frightening.
There was a sort of quite frightening Hawkwind song that I didn't like, it was called Brain Pollution or something weird,
it used to [G] frighten me a bit.
But there was actually, there was a Manfred Mann song that had a cockerel crowing
at the [F] beginning of it really loudly and it was quite frightening and I didn't like that when I was really young,
when I was like three or something.
But the song that I really liked was See Emily Play and Arnold Lane,
my dad had both those two songs on a compilation and for some reason I liked those songs and I always used to say,
hey who's this in the back of the car, dad I like this one, who's this, and he'd go it's Pink Floyd.
And then I remember when I was about 13 thinking right I'm going to go and get an album, a Pink Floyd album.
And I went to the library and got Dark Side of the Moon and I sort of remember thinking, this isn't the fate.
And I didn't know about Syd Barrett obviously at that point, so I realised it was because [N] Syd Barrett was the early stuff,
the stuff I liked and I liked the later stuff as well but it was sort of different, it sounded like a different band to me.
And I was like, this is weird.
So yeah I responded to Syd Barrett weirdly as a child.
Weirdly enough I sort of was obsessed with two kinds of music when I was really young.
Adamant I loved as a concept and I think Dandy Highwayman and Prince Charming,
Prince Charming was the first album I bought but then my mum and dad were into much more heavy rock
so I bought a Motörhead album called Bomber.
So it sort of flitted between Lemmy and Adamant.
So I was quite confused as a child which path to go down, the more dandy pop star or the sort of
warty whiskey drinking sort of rock and roll denim wearing madman.
And then there was Kiss thrown into the mix.
Kiss, I was obsessed with Kiss when I was young as well.
It's confusing.
There's two songs that we used to play at the start of Boosh gigs actually.
We used to play that Led Zeppelin song, Come From The Land Of The Ice And Snow, you know that one.
That one.
And we'd have wolf masks on, both of us, and we'd be in raincoats.
Because that was the first scene of [F] the show and we'd be sort of, the raincoats were really, really hot.
So often we'd just be, no top on, [F#] trousers, because we worked in the post office in the show, and wolf [N] masks.
And June one side and me the other.
And that song would come on and we knew that was the song just before we started the show.
And we'd both be sort of dancing, topless, with wolf masks on.
And that, I can't listen to that song as a song in its own right anymore without thinking about both shows.
It's not that it's a horrible experience, it's just like it killed it for me because I listened to it about 300 times.
And it just makes me think of Julian with his tits out with a wolf mask on.
Kind of ruined it.
I was listening to Gold the other day.
I was making some props for the live show.
And I just had classic Gold on, so I had all hits from the 60s I think, or the 70s.
And they kept playing really cheesy sort of old, but good songs.
But they played Baker Street and for about four days I just had that bit in my head.
I was just wandering about, that was the soundtrack to my life.
I was going, this has killed me, I can't get rid of it.
I wake up literally with that sax solo in my head.
It's quite a good song though.
It's sort of so good but it's a bit cheesy and you forget it's quite a good song.
But it is so 70s, you can write a song like that now.
That nine hours, it's almost like half an hour.
I like White Punks on Dope by The Tubes.
I wish I'd written that.
There's a really funny line in that.
He says I go crazy because my folks are so fucking rich.
It always makes me laugh.
Yeah, or Can You Hear Me Knocking by The Rolling Stones.
That's pretty good.
Mick Taylor.
That guitar's pretty perfect.
I'm here with NME Online, the Online Boys, and they're pretty violent.
They've forced me into this interview and they beat me up, sort of pushed me into a corner
and they pinched me quite badly and pulled some of my hair out, like it actually came out in their hands.
But they're nice boys and we're getting on better now and we've had some weak lemonade and some crisps
and we're just about to get on with the interview so stay tuned, it's going to be fun, it's going to be pun pun, pun pun.
My dad used to make compilations, tapes, out of all of his records and I had a massive record collection
and the songs that I liked were the weirder ones, because as a kid you sort of go, oh what's this, a bit frightening.
There was a sort of quite frightening Hawkwind song that I didn't like, it was called Brain Pollution or something weird,
it used to [G] frighten me a bit.
But there was actually, there was a Manfred Mann song that had a cockerel crowing
at the [F] beginning of it really loudly and it was quite frightening and I didn't like that when I was really young,
when I was like three or something.
But the song that I really liked was See Emily Play and Arnold Lane,
my dad had both those two songs on a compilation and for some reason I liked those songs and I always used to say,
hey who's this in the back of the car, dad I like this one, who's this, and he'd go it's Pink Floyd.
And then I remember when I was about 13 thinking right I'm going to go and get an album, a Pink Floyd album.
And I went to the library and got Dark Side of the Moon and I sort of remember thinking, this isn't the fate.
And I didn't know about Syd Barrett obviously at that point, so I realised it was because [N] Syd Barrett was the early stuff,
the stuff I liked and I liked the later stuff as well but it was sort of different, it sounded like a different band to me.
And I was like, this is weird.
So yeah I responded to Syd Barrett weirdly as a child.
Weirdly enough I sort of was obsessed with two kinds of music when I was really young.
Adamant I loved as a concept and I think Dandy Highwayman and Prince Charming,
Prince Charming was the first album I bought but then my mum and dad were into much more heavy rock
so I bought a Motörhead album called Bomber.
So it sort of flitted between Lemmy and Adamant.
So I was quite confused as a child which path to go down, the more dandy pop star or the sort of
warty whiskey drinking sort of rock and roll denim wearing madman.
And then there was Kiss thrown into the mix.
Kiss, I was obsessed with Kiss when I was young as well.
It's confusing.
There's two songs that we used to play at the start of Boosh gigs actually.
We used to play that Led Zeppelin song, Come From The Land Of The Ice And Snow, you know that one.
That one.
And we'd have wolf masks on, both of us, and we'd be in raincoats.
Because that was the first scene of [F] the show and we'd be sort of, the raincoats were really, really hot.
So often we'd just be, no top on, [F#] trousers, because we worked in the post office in the show, and wolf [N] masks.
And June one side and me the other.
And that song would come on and we knew that was the song just before we started the show.
And we'd both be sort of dancing, topless, with wolf masks on.
And that, I can't listen to that song as a song in its own right anymore without thinking about both shows.
It's not that it's a horrible experience, it's just like it killed it for me because I listened to it about 300 times.
And it just makes me think of Julian with his tits out with a wolf mask on.
Kind of ruined it.
I was listening to Gold the other day.
I was making some props for the live show.
And I just had classic Gold on, so I had all hits from the 60s I think, or the 70s.
And they kept playing really cheesy sort of old, but good songs.
But they played Baker Street and for about four days I just had that bit in my head.
I was just wandering about, that was the soundtrack to my life.
I was going, this has killed me, I can't get rid of it.
I wake up literally with that sax solo in my head.
It's quite a good song though.
It's sort of so good but it's a bit cheesy and you forget it's quite a good song.
But it is so 70s, you can write a song like that now.
That nine hours, it's almost like half an hour.
I like White Punks on Dope by The Tubes.
I wish I'd written that.
There's a really funny line in that.
He says I go crazy because my folks are so fucking rich.
It always makes me laugh.
Yeah, or Can You Hear Me Knocking by The Rolling Stones.
That's pretty good.
Mick Taylor.
That guitar's pretty perfect.
Key:
F
G
F#
F
G
F#
F
G
_ _ _ Hi, I'm Noel Fielding, formerly of the Mighty Boosh and Noel Fielding's Luxury Comedy.
I'm here with NME Online, the Online Boys, and they're pretty violent.
They've forced me into this interview and they beat me up, sort of pushed me into a corner
and they pinched me quite badly and pulled some of my hair out, like it actually came out in their hands.
But they're nice boys and we're getting on better now and we've had some weak lemonade and some crisps
and we're just about to get on with the interview so stay tuned, it's going to be fun, it's going to be pun pun, pun pun.
My dad used to make compilations, tapes, out of all of his records and I had a massive record collection
and the songs that I liked were the weirder ones, because as a kid you sort of go, oh what's this, a bit frightening.
There was a sort of quite frightening Hawkwind song that I didn't like, it was called Brain Pollution or something weird,
it used to [G] frighten me a bit.
But there was actually, there was a Manfred Mann song that had a cockerel crowing
at the [F] beginning of it really loudly and it was quite frightening and I didn't like that when I was really young,
when I was like three or something.
But the song that I really liked was See Emily Play and Arnold Lane,
my dad had both those two songs on a compilation and for some reason I liked those songs and I always used to say,
hey who's this in the back of the car, dad I like this one, who's this, and he'd go it's Pink Floyd.
And then I remember when I was about 13 thinking right I'm going to go and get an album, a Pink Floyd album.
And I went to the library and got Dark Side of the Moon and I sort of remember thinking, this isn't the fate.
And I didn't know about Syd Barrett obviously at that point, so I realised it was because [N] Syd Barrett was the early stuff,
the stuff I liked and I liked the later stuff as well but it was sort of different, it sounded like a different band to me.
And I was like, this is weird.
So yeah I responded to Syd Barrett weirdly as a child.
Weirdly enough I sort of was obsessed with two kinds of music when I was really young.
Adamant I loved as a concept and I think Dandy Highwayman and Prince Charming,
Prince Charming was the first album I bought but then my mum and dad were into much more heavy rock
so I bought a Motörhead album called Bomber.
So it sort of flitted between Lemmy and Adamant.
So I was quite confused as a child which path to go down, the more dandy pop star or the sort of
warty whiskey drinking sort of rock and roll denim wearing madman.
And then there was Kiss thrown into the mix.
Kiss, I was obsessed with Kiss when I was young as well.
It's confusing.
There's two songs that we used to play at the start of Boosh gigs actually.
We used to play that Led Zeppelin song, Come From The Land Of The Ice And Snow, you know that one.
That one.
And we'd have wolf masks on, both of us, and we'd be in raincoats.
Because that was the first scene of [F] the show and we'd be sort of, the raincoats were really, really hot.
So often we'd just be, no top on, [F#] trousers, because we worked in the post office in the show, and wolf [N] masks.
And June one side and me the other.
And that song would come on and we knew that was the song just before we started the show.
And we'd both be sort of dancing, topless, with wolf masks on.
And that, I can't listen to that song as a song in its own right anymore without thinking about both shows.
_ It's not that it's a horrible experience, it's just like it killed it for me because I listened to it about 300 times.
And it just makes me think of Julian with his tits out with a wolf mask on.
Kind of ruined it.
I was listening to Gold the other day.
I was making some props for the live show.
And I just had classic Gold on, so I had all hits from the 60s I think, or the 70s.
And they kept playing really cheesy sort of old, but good songs.
But they played Baker Street and for about four days I just had that bit in my head.
I was just wandering about, that was the soundtrack to my life.
I was going, this has killed me, I can't get rid of it.
I wake up literally with that sax solo in my head. _
It's quite a good song though.
It's sort of so good but it's a bit cheesy and you forget it's quite a good song.
_ But it is so 70s, you can write a song like that now.
That nine hours, it's almost like half an hour.
I like White Punks on Dope by The Tubes.
I wish I'd written that.
There's a really funny line in that.
He says I go crazy because my folks are so fucking rich.
It always makes me laugh.
_ _ Yeah, or Can You Hear Me Knocking by The Rolling Stones.
That's pretty good.
Mick Taylor.
That guitar's pretty perfect. _ _ _ _
I'm here with NME Online, the Online Boys, and they're pretty violent.
They've forced me into this interview and they beat me up, sort of pushed me into a corner
and they pinched me quite badly and pulled some of my hair out, like it actually came out in their hands.
But they're nice boys and we're getting on better now and we've had some weak lemonade and some crisps
and we're just about to get on with the interview so stay tuned, it's going to be fun, it's going to be pun pun, pun pun.
My dad used to make compilations, tapes, out of all of his records and I had a massive record collection
and the songs that I liked were the weirder ones, because as a kid you sort of go, oh what's this, a bit frightening.
There was a sort of quite frightening Hawkwind song that I didn't like, it was called Brain Pollution or something weird,
it used to [G] frighten me a bit.
But there was actually, there was a Manfred Mann song that had a cockerel crowing
at the [F] beginning of it really loudly and it was quite frightening and I didn't like that when I was really young,
when I was like three or something.
But the song that I really liked was See Emily Play and Arnold Lane,
my dad had both those two songs on a compilation and for some reason I liked those songs and I always used to say,
hey who's this in the back of the car, dad I like this one, who's this, and he'd go it's Pink Floyd.
And then I remember when I was about 13 thinking right I'm going to go and get an album, a Pink Floyd album.
And I went to the library and got Dark Side of the Moon and I sort of remember thinking, this isn't the fate.
And I didn't know about Syd Barrett obviously at that point, so I realised it was because [N] Syd Barrett was the early stuff,
the stuff I liked and I liked the later stuff as well but it was sort of different, it sounded like a different band to me.
And I was like, this is weird.
So yeah I responded to Syd Barrett weirdly as a child.
Weirdly enough I sort of was obsessed with two kinds of music when I was really young.
Adamant I loved as a concept and I think Dandy Highwayman and Prince Charming,
Prince Charming was the first album I bought but then my mum and dad were into much more heavy rock
so I bought a Motörhead album called Bomber.
So it sort of flitted between Lemmy and Adamant.
So I was quite confused as a child which path to go down, the more dandy pop star or the sort of
warty whiskey drinking sort of rock and roll denim wearing madman.
And then there was Kiss thrown into the mix.
Kiss, I was obsessed with Kiss when I was young as well.
It's confusing.
There's two songs that we used to play at the start of Boosh gigs actually.
We used to play that Led Zeppelin song, Come From The Land Of The Ice And Snow, you know that one.
That one.
And we'd have wolf masks on, both of us, and we'd be in raincoats.
Because that was the first scene of [F] the show and we'd be sort of, the raincoats were really, really hot.
So often we'd just be, no top on, [F#] trousers, because we worked in the post office in the show, and wolf [N] masks.
And June one side and me the other.
And that song would come on and we knew that was the song just before we started the show.
And we'd both be sort of dancing, topless, with wolf masks on.
And that, I can't listen to that song as a song in its own right anymore without thinking about both shows.
_ It's not that it's a horrible experience, it's just like it killed it for me because I listened to it about 300 times.
And it just makes me think of Julian with his tits out with a wolf mask on.
Kind of ruined it.
I was listening to Gold the other day.
I was making some props for the live show.
And I just had classic Gold on, so I had all hits from the 60s I think, or the 70s.
And they kept playing really cheesy sort of old, but good songs.
But they played Baker Street and for about four days I just had that bit in my head.
I was just wandering about, that was the soundtrack to my life.
I was going, this has killed me, I can't get rid of it.
I wake up literally with that sax solo in my head. _
It's quite a good song though.
It's sort of so good but it's a bit cheesy and you forget it's quite a good song.
_ But it is so 70s, you can write a song like that now.
That nine hours, it's almost like half an hour.
I like White Punks on Dope by The Tubes.
I wish I'd written that.
There's a really funny line in that.
He says I go crazy because my folks are so fucking rich.
It always makes me laugh.
_ _ Yeah, or Can You Hear Me Knocking by The Rolling Stones.
That's pretty good.
Mick Taylor.
That guitar's pretty perfect. _ _ _ _