Chords for Noel Gallagher interview on "It's Slade" (1999)
Tempo:
121.2 bpm
Chords used:
G
C
Am
A
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [Bb] [D] Everybody's having fun
Slade [G] have always had that [Am] [B] thing, that indefinable thing that [Bb] actually made people happy.
They were a proper geezers band, but [D] they sort of dressed like the Diddy Man, didn't they?
[Gm] I just like the [A] things you do
[Gm] I'm not a student, I've never been to college, you know, I never went to art [Bb] school.
Um, not very good with words, [Am] but, you know, Slade speak to me
just
through the energy of the guitars [Dm] and the music more than anything.
[A] [G]
[Bm] And the funny thing is, it [Bb] still sounds fresh.
I know a lot of people who don't agree with me, but that's sick to tell me.
[D] Doesn't it get re-released every year?
I mean, that must have sold about [G] 50 billion copies, innit?
Fantastic.
[B] Is there a particular lyric in that song that you like?
Yeah, the bit at the end where he says, [D] uh, it's Christmas.
[G]
[Bm] [Dm] It's brilliant.
It's just shouting, innit?
It's just pure
[D]
It's pure emotion.
[C] People just think when they listen to [F] Slade, they think of
come
on, feel the noise and [C] Mamma, we're all crazy now.
But how does it feel?
It's easily one of the best songs ever written, ever.
[Dm] [E]
[Am] [Ab] [Am] [Gb] [F]
That [Dm] [E]
[Am] is such a brilliant [C] song.
Go and buy it [Dm] if you're watching this.
It's on the Greatest Hits, [E] track 13.
Don't [Am] be such an [Gb] [G]
[C] unsatisfied
[E] And in [Am] 1995, when Oasis' Noel Gallagher did a spot of radio [F] DJing
a
Slade fan [G] made a novel suggestion for Noel's [C] next record.
[G] So they sent me and Dylan [A] into the back [G] room
and
we were looking through, like, all the CDs.
So Noel was looking through this kind of CD collection that I'm looking through
and
I spot [A] Slade, Greatest Hits.
So I [C] kind of went, Noel, [G] you've got to play some [F] Slade.
If it wasn't for [C] him, then we wouldn't have done the Slade cover of the album.
[E] [A] Of course, [Ab] Liam being Liam, if you watch the [Eb] footage of Top of the Pops
the
best bit about it is he's [Dm] so blatantly miming [G] out of time, it actually
[C] [E]
[A] [G] Come on, feel the noise, girls.
Grab the boys.
We'll go wild, wild, wild.
It just sounded like an Oasis song, you know.
It's a bit uncanny for me when I write a song
and
people say, that sounds like Oasis.
And I'm just putting the cart before the horse.
Come [A] on, feel the noise.
[C] Grab the boys.
I went to see Oasis when they did Main Road
[G] and
they came on and did it as the encore.
We found out Noddy was up in the balcony listening.
I hope it was as good for him as it was for us, because it was brilliant.
It was great seeing 40,000 kids singing along to it.
A song that was 20 years old, more than 20 years old
and
the audience was singing along to it in
Slade [G] have always had that [Am] [B] thing, that indefinable thing that [Bb] actually made people happy.
They were a proper geezers band, but [D] they sort of dressed like the Diddy Man, didn't they?
[Gm] I just like the [A] things you do
[Gm] I'm not a student, I've never been to college, you know, I never went to art [Bb] school.
Um, not very good with words, [Am] but, you know, Slade speak to me
just
through the energy of the guitars [Dm] and the music more than anything.
[A] [G]
[Bm] And the funny thing is, it [Bb] still sounds fresh.
I know a lot of people who don't agree with me, but that's sick to tell me.
[D] Doesn't it get re-released every year?
I mean, that must have sold about [G] 50 billion copies, innit?
Fantastic.
[B] Is there a particular lyric in that song that you like?
Yeah, the bit at the end where he says, [D] uh, it's Christmas.
[G]
[Bm] [Dm] It's brilliant.
It's just shouting, innit?
It's just pure
[D]
It's pure emotion.
[C] People just think when they listen to [F] Slade, they think of
come
on, feel the noise and [C] Mamma, we're all crazy now.
But how does it feel?
It's easily one of the best songs ever written, ever.
[Dm] [E]
[Am] [Ab] [Am] [Gb] [F]
That [Dm] [E]
[Am] is such a brilliant [C] song.
Go and buy it [Dm] if you're watching this.
It's on the Greatest Hits, [E] track 13.
Don't [Am] be such an [Gb] [G]
[C] unsatisfied
[E] And in [Am] 1995, when Oasis' Noel Gallagher did a spot of radio [F] DJing
a
Slade fan [G] made a novel suggestion for Noel's [C] next record.
[G] So they sent me and Dylan [A] into the back [G] room
and
we were looking through, like, all the CDs.
So Noel was looking through this kind of CD collection that I'm looking through
and
I spot [A] Slade, Greatest Hits.
So I [C] kind of went, Noel, [G] you've got to play some [F] Slade.
If it wasn't for [C] him, then we wouldn't have done the Slade cover of the album.
[E] [A] Of course, [Ab] Liam being Liam, if you watch the [Eb] footage of Top of the Pops
the
best bit about it is he's [Dm] so blatantly miming [G] out of time, it actually
[C] [E]
[A] [G] Come on, feel the noise, girls.
Grab the boys.
We'll go wild, wild, wild.
It just sounded like an Oasis song, you know.
It's a bit uncanny for me when I write a song
and
people say, that sounds like Oasis.
And I'm just putting the cart before the horse.
Come [A] on, feel the noise.
[C] Grab the boys.
I went to see Oasis when they did Main Road
[G] and
they came on and did it as the encore.
We found out Noddy was up in the balcony listening.
I hope it was as good for him as it was for us, because it was brilliant.
It was great seeing 40,000 kids singing along to it.
A song that was 20 years old, more than 20 years old
and
the audience was singing along to it in
Key:
G
C
Am
A
Dm
G
C
Am
[B] _ _ [Bb] _ _ _ [D] Everybody's having fun
Slade [G] have always had that [Am] [B] thing, that indefinable thing that [Bb] actually made people happy.
They were a proper geezers band, but [D] they sort of dressed like the Diddy Man, didn't they?
[Gm] I just _ like the [A] things you do
_ [Gm] I'm not a student, I've never been to college, you know, I never went to art [Bb] school.
Um, not very good with words, [Am] but, you know, Slade speak to me_
_just
through the energy of the guitars [Dm] and the music more than anything. _ _ _ _ _
[A] _ _ _ _ _ _ _ [G] _
_ [Bm] _ And the funny thing is, it [Bb] still sounds fresh.
I know a lot of people who don't agree with me, but that's sick to tell me.
[D] Doesn't it get re-released every year?
I mean, that must have sold about [G] 50 billion copies, innit?
Fantastic. _
[B] _ Is there a particular lyric in that song that you like?
Yeah, the bit at the end where he says, [D] uh, it's Christmas.
[G] _ _ _
_ [Bm] _ _ _ _ [Dm] It's brilliant.
It's just shouting, innit?
It's just pure_
[D] _ _
It's pure emotion.
[C] _ People just think when they listen to [F] Slade, they think of_
_come
on, feel the noise and [C] Mamma, we're all crazy now.
But how does it feel?
It's easily one of the best songs ever written, ever.
_ [Dm] _ _ _ _ [E] _ _ _
_ [Am] _ _ [Ab] _ [Am] _ [Gb] _ _ [F]
That [Dm] _ _ _ _ [E] _ _ _
_ [Am] _ is such a brilliant [C] song. _
Go and buy it [Dm] if you're watching this.
It's on the Greatest Hits, [E] track 13. _
Don't [Am] be such an _ [Gb] _ _ [G] _
[C] unsatisfied_
_ _ [E] And in [Am] 1995, when Oasis' Noel Gallagher did a spot of radio [F] DJing_
_a
Slade fan [G] made a novel suggestion for Noel's [C] next record. _
[G] _ _ So they sent me and Dylan [A] into the back [G] room_
_and
we were looking through, like, all the CDs.
So Noel was looking through this kind of CD collection that I'm looking through_
_and
I spot [A] Slade, Greatest Hits.
So I [C] kind of went, Noel, [G] you've got to play some [F] Slade.
If it wasn't for [C] him, then we wouldn't have done the Slade cover of the album. _
[E] _ _ _ [A] Of _ _ _ _ course, [Ab] Liam being Liam, if you watch the [Eb] footage of Top of the Pops_
_the
best bit about it is he's [Dm] so blatantly miming [G] out of time, it _ actually_
[C] _ _ _ [E] _ _ _
_ [A] _ _ [G] Come on, feel the noise, girls.
Grab the boys.
We'll go wild, wild, wild.
It just sounded like an Oasis song, you know.
It's a bit uncanny for me when I write a song_
_and
people say, that sounds like Oasis.
And I'm just putting the cart before the horse.
Come [A] on, feel the noise.
[C] Grab the boys.
I went to see Oasis when they did Main Road_
[G] _and
they came on and did it as the encore.
We found out Noddy was up in the balcony listening. _
I hope it was as good for him as it was for us, because it was brilliant.
It was great seeing 40,000 kids singing along to it.
A song that was 20 years old, more than 20 years old_
_and
the audience was singing along to it in
Slade [G] have always had that [Am] [B] thing, that indefinable thing that [Bb] actually made people happy.
They were a proper geezers band, but [D] they sort of dressed like the Diddy Man, didn't they?
[Gm] I just _ like the [A] things you do
_ [Gm] I'm not a student, I've never been to college, you know, I never went to art [Bb] school.
Um, not very good with words, [Am] but, you know, Slade speak to me_
_just
through the energy of the guitars [Dm] and the music more than anything. _ _ _ _ _
[A] _ _ _ _ _ _ _ [G] _
_ [Bm] _ And the funny thing is, it [Bb] still sounds fresh.
I know a lot of people who don't agree with me, but that's sick to tell me.
[D] Doesn't it get re-released every year?
I mean, that must have sold about [G] 50 billion copies, innit?
Fantastic. _
[B] _ Is there a particular lyric in that song that you like?
Yeah, the bit at the end where he says, [D] uh, it's Christmas.
[G] _ _ _
_ [Bm] _ _ _ _ [Dm] It's brilliant.
It's just shouting, innit?
It's just pure_
[D] _ _
It's pure emotion.
[C] _ People just think when they listen to [F] Slade, they think of_
_come
on, feel the noise and [C] Mamma, we're all crazy now.
But how does it feel?
It's easily one of the best songs ever written, ever.
_ [Dm] _ _ _ _ [E] _ _ _
_ [Am] _ _ [Ab] _ [Am] _ [Gb] _ _ [F]
That [Dm] _ _ _ _ [E] _ _ _
_ [Am] _ is such a brilliant [C] song. _
Go and buy it [Dm] if you're watching this.
It's on the Greatest Hits, [E] track 13. _
Don't [Am] be such an _ [Gb] _ _ [G] _
[C] unsatisfied_
_ _ [E] And in [Am] 1995, when Oasis' Noel Gallagher did a spot of radio [F] DJing_
_a
Slade fan [G] made a novel suggestion for Noel's [C] next record. _
[G] _ _ So they sent me and Dylan [A] into the back [G] room_
_and
we were looking through, like, all the CDs.
So Noel was looking through this kind of CD collection that I'm looking through_
_and
I spot [A] Slade, Greatest Hits.
So I [C] kind of went, Noel, [G] you've got to play some [F] Slade.
If it wasn't for [C] him, then we wouldn't have done the Slade cover of the album. _
[E] _ _ _ [A] Of _ _ _ _ course, [Ab] Liam being Liam, if you watch the [Eb] footage of Top of the Pops_
_the
best bit about it is he's [Dm] so blatantly miming [G] out of time, it _ actually_
[C] _ _ _ [E] _ _ _
_ [A] _ _ [G] Come on, feel the noise, girls.
Grab the boys.
We'll go wild, wild, wild.
It just sounded like an Oasis song, you know.
It's a bit uncanny for me when I write a song_
_and
people say, that sounds like Oasis.
And I'm just putting the cart before the horse.
Come [A] on, feel the noise.
[C] Grab the boys.
I went to see Oasis when they did Main Road_
[G] _and
they came on and did it as the encore.
We found out Noddy was up in the balcony listening. _
I hope it was as good for him as it was for us, because it was brilliant.
It was great seeing 40,000 kids singing along to it.
A song that was 20 years old, more than 20 years old_
_and
the audience was singing along to it in