Chords for NOISEMAKER×WK Interact-To Live Is【RARA PROJECT MAKING MOVIE】

Tempo:
130.05 bpm
Chords used:

Bb

F

C

Am

Dm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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NOISEMAKER×WK Interact-To Live Is【RARA PROJECT MAKING MOVIE】 chords
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[F]
[Bb] [F]
When I asked them to find [Bb] me a wall, I told them, I especially [F] recommended to them not
in the middle of the city.
I was just like, [Bb] you find me a wall 10 meter by 10 meter [F] and you do not need to be [Am] in Shibuya
because I knew [Bb] it would be completely impossible to get that, especially in [C] this short period
of [F] time as we decided to do the [Am] project.
And [Bb] [F] they sent me a picture and I was like, wow, [Bb] that's a cool, that's a [C] really cool wall.
[Bbm]
[N]
[D]
[F]
[Bbm]
[Fm] [Am] [Bb]
[Fm] [Bb]
[Dm] [Fm] [Bb]
[G] [C] [Fm]
[Bb]
[G] [D]
[Bb]
[F]
[Bb] [F]
[C]
[Bb]
[F] [Am]
[Bb] [C]
[Dm] [F] I'm [Bb] going to show you the picture again.
[Dm] I was [C] in my teens, [Bb] when I was in middle school, and [F] I was really influenced by his art.
I don't remember what [Bb] magazine it was, but he had his art [F] there, and I was really shocked.
So I took his picture [C] and put it in a magazine, and [Gm] I started to copy his [Dm] [F] art.
And I saw this electricity [Bb] system being attached, and it's so [Gm] mini, and I [C] think a lot of Japanese
don't like it.
[Bb] I love it.
I think it's the character of what represents the city [F] of Japan.
But [Bb] now if you look at it in my shadow, I have [F] all this line.
It's [Bb] almost like the continuation of the line of the beams.
So for me, she's like almost like the beams and she connected.
[F] She continued to the connection to [Bb] all [F] Shibuya, to all the path.
So the graphic, [Bb] it really connected to the street.
If it was supposed to be inside, it would never have that power.
[F]
[Bb]
Just changing a bit this habit of having the musician just [F] posing like that, I thought
it would be amazing to have them [Bb] flying in motion.
[F] [Bb] [F] It's connected [Bb] to also [F] the way they sing and then sound and the way they write and stuff,
and the fact they're young.
So for me, it's got to be a little bit more energy.
You just have my world.
So [Bb] in terms of my work, I'm just becoming like a background for a lot of [F] that.
[Am] And I think that's [Bb] the cool part.
And another thing too, when you look at [G] the wall [Dm] going like that, when you see them [F] jumping
in the air, you [Bb] suddenly have them connected to the design.
Where we didn't really [F] see in the small screen, but you're going [Bb] to have a lot of things going
on through [F] that.
So this is another abstraction connected to my work.
[Bb] And of course, they're going to destroy all this area.
[F] They're going to build new buildings.
But still, it is a cool place.
And I'm sure a lot of sweethearts are going to ask me, how the fuck did I get that wall?
Key:  
Bb
12341111
F
134211111
C
3211
Am
2311
Dm
2311
Bb
12341111
F
134211111
C
3211
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Chords
NotesBeta

To learn Noisemaker - To Live Is chords, anchor your practice on these foundational sequence of chords - F, Bb and F. Start with a comfortable 65 BPM and as you become proficient, aim for the song's BPM of 130. Align the capo with your vocal depth and chord choice, bearing in mind the song's original key: F Major.

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[F] _ _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ _ _ When I asked them to find [Bb] me a wall, I told them, I especially [F] recommended to them not
in the middle of the city.
I was just like, [Bb] you find me a wall 10 meter by 10 meter [F] and you do not need to be [Am] in Shibuya
because I knew [Bb] it would be completely impossible to get that, especially in [C] this short period
of [F] time as we decided to do the [Am] project.
And [Bb] [F] they sent me a picture and I was like, wow, [Bb] that's a cool, that's a [C] really cool wall.
_ _ [Bbm] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ _
[Bbm] _ _ _ _ _ _ _ _
[Fm] _ _ _ _ [Am] _ _ [Bb] _ _
[Fm] _ _ _ _ [Bb] _ _ _ _
_ [Dm] _ _ _ [Fm] _ _ [Bb] _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ [C] _ _ [Fm] _ _
[Bb] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [D] _ _
[Bb] _ _ _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
[Bb] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ [Am] _ _ _
[Bb] _ _ _ _ _ _ [C] _ _
[Dm] _ _ _ _ [F] _ _ I'm [Bb] going to show you the picture again. _ _ _ _
[Dm] I was [C] in my teens, _ [Bb] when I was in middle school, and [F] I was really influenced by his art.
_ _ I don't remember _ what [Bb] magazine it was, but he had _ _ his art [F] there, and I was really shocked.
So I took his picture [C] _ and put it in a magazine, _ and [Gm] I started to copy his [Dm] _ [F] art.
And I saw this _ electricity [Bb] system being attached, and it's so _ [Gm] mini, and I [C] think a lot of Japanese
don't like it.
[Bb] I love it.
I think it's the character of what represents the city [F] of Japan.
But _ [Bb] now if you look at it in my shadow, I have [F] all this line.
It's [Bb] almost like the continuation of the line of the beams.
_ So for me, _ _ she's like almost like the beams and she connected.
[F] She continued to the connection to [Bb] all [F] Shibuya, to all the path.
So the graphic, [Bb] it really connected to the street.
If it was supposed to be inside, it would never have that power.
_ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bb] _ _ _
_ _ _ _ Just changing a bit this habit of having the musician just [F] posing like that, I thought
it would be amazing to have them [Bb] flying in motion.
[F] _ _ [Bb] [F] It's connected [Bb] to also [F] the way they sing and then sound and the way they write and stuff,
and the fact they're young.
_ So for me, it's got to be a little bit more energy. _
You just have my world.
_ _ So [Bb] in terms of my work, I'm just becoming like a background for a lot of [F] that.
[Am] And I think that's [Bb] the cool part.
And another thing too, when you look at [G] the wall [Dm] going like that, when you see them [F] jumping
in the air, you [Bb] suddenly have them connected to the design.
Where we didn't really [F] see in the small screen, but you're going [Bb] to have a lot of things going
on through [F] that.
So this is another abstraction connected to my work. _
[Bb] And of course, they're going to destroy all this area.
[F] They're going to build new buildings.
But still, it is a _ cool place.
And I'm sure a lot of sweethearts are going to ask me, how the fuck did I get that wall? _

Facts about this song

This song was featured on the RARA album.

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