Chords for NOISEMAKER×WK Interact-To Live Is【RARA PROJECT MAKING MOVIE】
Tempo:
130.05 bpm
Chords used:
Bb
F
C
Am
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F]
[Bb] [F]
When I asked them to find [Bb] me a wall, I told them, I especially [F] recommended to them not
in the middle of the city.
I was just like, [Bb] you find me a wall 10 meter by 10 meter [F] and you do not need to be [Am] in Shibuya
because I knew [Bb] it would be completely impossible to get that, especially in [C] this short period
of [F] time as we decided to do the [Am] project.
And [Bb] [F] they sent me a picture and I was like, wow, [Bb] that's a cool, that's a [C] really cool wall.
[Bbm]
[N]
[D]
[F]
[Bbm]
[Fm] [Am] [Bb]
[Fm] [Bb]
[Dm] [Fm] [Bb]
[G] [C] [Fm]
[Bb]
[G] [D]
[Bb]
[F]
[Bb] [F]
[C]
[Bb]
[F] [Am]
[Bb] [C]
[Dm] [F] I'm [Bb] going to show you the picture again.
[Dm] I was [C] in my teens, [Bb] when I was in middle school, and [F] I was really influenced by his art.
I don't remember what [Bb] magazine it was, but he had his art [F] there, and I was really shocked.
So I took his picture [C] and put it in a magazine, and [Gm] I started to copy his [Dm] [F] art.
And I saw this electricity [Bb] system being attached, and it's so [Gm] mini, and I [C] think a lot of Japanese
don't like it.
[Bb] I love it.
I think it's the character of what represents the city [F] of Japan.
But [Bb] now if you look at it in my shadow, I have [F] all this line.
It's [Bb] almost like the continuation of the line of the beams.
So for me, she's like almost like the beams and she connected.
[F] She continued to the connection to [Bb] all [F] Shibuya, to all the path.
So the graphic, [Bb] it really connected to the street.
If it was supposed to be inside, it would never have that power.
[F]
[Bb]
Just changing a bit this habit of having the musician just [F] posing like that, I thought
it would be amazing to have them [Bb] flying in motion.
[F] [Bb] [F] It's connected [Bb] to also [F] the way they sing and then sound and the way they write and stuff,
and the fact they're young.
So for me, it's got to be a little bit more energy.
You just have my world.
So [Bb] in terms of my work, I'm just becoming like a background for a lot of [F] that.
[Am] And I think that's [Bb] the cool part.
And another thing too, when you look at [G] the wall [Dm] going like that, when you see them [F] jumping
in the air, you [Bb] suddenly have them connected to the design.
Where we didn't really [F] see in the small screen, but you're going [Bb] to have a lot of things going
on through [F] that.
So this is another abstraction connected to my work.
[Bb] And of course, they're going to destroy all this area.
[F] They're going to build new buildings.
But still, it is a cool place.
And I'm sure a lot of sweethearts are going to ask me, how the fuck did I get that wall?
[Bb] [F]
When I asked them to find [Bb] me a wall, I told them, I especially [F] recommended to them not
in the middle of the city.
I was just like, [Bb] you find me a wall 10 meter by 10 meter [F] and you do not need to be [Am] in Shibuya
because I knew [Bb] it would be completely impossible to get that, especially in [C] this short period
of [F] time as we decided to do the [Am] project.
And [Bb] [F] they sent me a picture and I was like, wow, [Bb] that's a cool, that's a [C] really cool wall.
[Bbm]
[N]
[D]
[F]
[Bbm]
[Fm] [Am] [Bb]
[Fm] [Bb]
[Dm] [Fm] [Bb]
[G] [C] [Fm]
[Bb]
[G] [D]
[Bb]
[F]
[Bb] [F]
[C]
[Bb]
[F] [Am]
[Bb] [C]
[Dm] [F] I'm [Bb] going to show you the picture again.
[Dm] I was [C] in my teens, [Bb] when I was in middle school, and [F] I was really influenced by his art.
I don't remember what [Bb] magazine it was, but he had his art [F] there, and I was really shocked.
So I took his picture [C] and put it in a magazine, and [Gm] I started to copy his [Dm] [F] art.
And I saw this electricity [Bb] system being attached, and it's so [Gm] mini, and I [C] think a lot of Japanese
don't like it.
[Bb] I love it.
I think it's the character of what represents the city [F] of Japan.
But [Bb] now if you look at it in my shadow, I have [F] all this line.
It's [Bb] almost like the continuation of the line of the beams.
So for me, she's like almost like the beams and she connected.
[F] She continued to the connection to [Bb] all [F] Shibuya, to all the path.
So the graphic, [Bb] it really connected to the street.
If it was supposed to be inside, it would never have that power.
[F]
[Bb]
Just changing a bit this habit of having the musician just [F] posing like that, I thought
it would be amazing to have them [Bb] flying in motion.
[F] [Bb] [F] It's connected [Bb] to also [F] the way they sing and then sound and the way they write and stuff,
and the fact they're young.
So for me, it's got to be a little bit more energy.
You just have my world.
So [Bb] in terms of my work, I'm just becoming like a background for a lot of [F] that.
[Am] And I think that's [Bb] the cool part.
And another thing too, when you look at [G] the wall [Dm] going like that, when you see them [F] jumping
in the air, you [Bb] suddenly have them connected to the design.
Where we didn't really [F] see in the small screen, but you're going [Bb] to have a lot of things going
on through [F] that.
So this is another abstraction connected to my work.
[Bb] And of course, they're going to destroy all this area.
[F] They're going to build new buildings.
But still, it is a cool place.
And I'm sure a lot of sweethearts are going to ask me, how the fuck did I get that wall?
Key:
Bb
F
C
Am
Dm
Bb
F
C
[F] _ _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ _ _ When I asked them to find [Bb] me a wall, I told them, I especially [F] recommended to them not
in the middle of the city.
I was just like, [Bb] you find me a wall 10 meter by 10 meter [F] and you do not need to be [Am] in Shibuya
because I knew [Bb] it would be completely impossible to get that, especially in [C] this short period
of [F] time as we decided to do the [Am] project.
And [Bb] [F] they sent me a picture and I was like, wow, [Bb] that's a cool, that's a [C] really cool wall.
_ _ [Bbm] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ _
[Bbm] _ _ _ _ _ _ _ _
[Fm] _ _ _ _ [Am] _ _ [Bb] _ _
[Fm] _ _ _ _ [Bb] _ _ _ _
_ [Dm] _ _ _ [Fm] _ _ [Bb] _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ [C] _ _ [Fm] _ _
[Bb] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [D] _ _
[Bb] _ _ _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
[Bb] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ [Am] _ _ _
[Bb] _ _ _ _ _ _ [C] _ _
[Dm] _ _ _ _ [F] _ _ I'm [Bb] going to show you the picture again. _ _ _ _
[Dm] I was [C] in my teens, _ [Bb] when I was in middle school, and [F] I was really influenced by his art.
_ _ I don't remember _ what [Bb] magazine it was, but he had _ _ his art [F] there, and I was really shocked.
So I took his picture [C] _ and put it in a magazine, _ and [Gm] I started to copy his [Dm] _ [F] art.
And I saw this _ electricity [Bb] system being attached, and it's so _ [Gm] mini, and I [C] think a lot of Japanese
don't like it.
[Bb] I love it.
I think it's the character of what represents the city [F] of Japan.
But _ [Bb] now if you look at it in my shadow, I have [F] all this line.
It's [Bb] almost like the continuation of the line of the beams.
_ So for me, _ _ she's like almost like the beams and she connected.
[F] She continued to the connection to [Bb] all [F] Shibuya, to all the path.
So the graphic, [Bb] it really connected to the street.
If it was supposed to be inside, it would never have that power.
_ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bb] _ _ _
_ _ _ _ Just changing a bit this habit of having the musician just [F] posing like that, I thought
it would be amazing to have them [Bb] flying in motion.
[F] _ _ [Bb] [F] It's connected [Bb] to also [F] the way they sing and then sound and the way they write and stuff,
and the fact they're young.
_ So for me, it's got to be a little bit more energy. _
You just have my world.
_ _ So [Bb] in terms of my work, I'm just becoming like a background for a lot of [F] that.
[Am] And I think that's [Bb] the cool part.
And another thing too, when you look at [G] the wall [Dm] going like that, when you see them [F] jumping
in the air, you [Bb] suddenly have them connected to the design.
Where we didn't really [F] see in the small screen, but you're going [Bb] to have a lot of things going
on through [F] that.
So this is another abstraction connected to my work. _
[Bb] And of course, they're going to destroy all this area.
[F] They're going to build new buildings.
But still, it is a _ cool place.
And I'm sure a lot of sweethearts are going to ask me, how the fuck did I get that wall? _
[Bb] _ _ _ _ _ _ _ [F] _
_ _ _ When I asked them to find [Bb] me a wall, I told them, I especially [F] recommended to them not
in the middle of the city.
I was just like, [Bb] you find me a wall 10 meter by 10 meter [F] and you do not need to be [Am] in Shibuya
because I knew [Bb] it would be completely impossible to get that, especially in [C] this short period
of [F] time as we decided to do the [Am] project.
And [Bb] [F] they sent me a picture and I was like, wow, [Bb] that's a cool, that's a [C] really cool wall.
_ _ [Bbm] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ _
[Bbm] _ _ _ _ _ _ _ _
[Fm] _ _ _ _ [Am] _ _ [Bb] _ _
[Fm] _ _ _ _ [Bb] _ _ _ _
_ [Dm] _ _ _ [Fm] _ _ [Bb] _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ [C] _ _ [Fm] _ _
[Bb] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [D] _ _
[Bb] _ _ _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
[Bb] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ [Am] _ _ _
[Bb] _ _ _ _ _ _ [C] _ _
[Dm] _ _ _ _ [F] _ _ I'm [Bb] going to show you the picture again. _ _ _ _
[Dm] I was [C] in my teens, _ [Bb] when I was in middle school, and [F] I was really influenced by his art.
_ _ I don't remember _ what [Bb] magazine it was, but he had _ _ his art [F] there, and I was really shocked.
So I took his picture [C] _ and put it in a magazine, _ and [Gm] I started to copy his [Dm] _ [F] art.
And I saw this _ electricity [Bb] system being attached, and it's so _ [Gm] mini, and I [C] think a lot of Japanese
don't like it.
[Bb] I love it.
I think it's the character of what represents the city [F] of Japan.
But _ [Bb] now if you look at it in my shadow, I have [F] all this line.
It's [Bb] almost like the continuation of the line of the beams.
_ So for me, _ _ she's like almost like the beams and she connected.
[F] She continued to the connection to [Bb] all [F] Shibuya, to all the path.
So the graphic, [Bb] it really connected to the street.
If it was supposed to be inside, it would never have that power.
_ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bb] _ _ _
_ _ _ _ Just changing a bit this habit of having the musician just [F] posing like that, I thought
it would be amazing to have them [Bb] flying in motion.
[F] _ _ [Bb] [F] It's connected [Bb] to also [F] the way they sing and then sound and the way they write and stuff,
and the fact they're young.
_ So for me, it's got to be a little bit more energy. _
You just have my world.
_ _ So [Bb] in terms of my work, I'm just becoming like a background for a lot of [F] that.
[Am] And I think that's [Bb] the cool part.
And another thing too, when you look at [G] the wall [Dm] going like that, when you see them [F] jumping
in the air, you [Bb] suddenly have them connected to the design.
Where we didn't really [F] see in the small screen, but you're going [Bb] to have a lot of things going
on through [F] that.
So this is another abstraction connected to my work. _
[Bb] And of course, they're going to destroy all this area.
[F] They're going to build new buildings.
But still, it is a _ cool place.
And I'm sure a lot of sweethearts are going to ask me, how the fuck did I get that wall? _