Chords for Nostalgia 77 Octet's beatnik "jazz jihad," interview

Tempo:
158.8 bpm
Chords used:

Bb

E

D

Ab

B

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Nostalgia 77 Octet's beatnik "jazz jihad," interview chords
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The man behind the man the [D] man behind the lady behind the guy behind the people
[Gb]
[B]
[Eb] [Dm]
[Am] Enjoy what I do as I do [A] and I really do but sometimes it can be quite daunting
Meeting people you've never met before and then trying to spark up some kind of a conversation
Sometimes just sometimes one of your actual real-life [D] mates
Bowls in I know him as Ben, [D] but to the rest of the world
He's nostalgia 77 and he joins [E] us on the Porter report.
Hello.
[Dm] [Em] How are you?
Good.
So welcome along to the [Ebm] shambles.
That is the poor report.
[D] You're quite used to it by now though
[E]
[Bm] What's a configuration of the nostalgia 77 octets gonna be great in the stage tonight's the full compliment
[E] [Bb] [Ab]
[Bb]
[C] [Bb]
[Ab] [Bb]
[C] [Bb]
[C]
[Bb] [Ab]
[Gm] [Dm] It's [Bm] bad to say that you've become something of something of the Jazza
Well, not me [D] no, not really [E] me but I have recruited you
[Bm] I've kind of yeah
Into a into some kind of [B] band into a jazz truck.
Yeah, honey jazz truck
Not sure if there's much honey no, in fact
Remember [B] them saying today that they shouldn't be on camera because they [A] only had faces for radio
[E] I think it's a little
Slipping into [B] the role of producer is something that you've been doing quite a lot recently see that [D] for a segue
[E] But you [B] have you've been kind of
Becoming [D] the kind of like the guy behind the guy controlling things [E] a little bit
I'm talking about this stuff with [Bm] Lizzie and man behind the man the [Ab] man behind the lady behind [E] the guy behind
[E] Well, yeah, I mean to be honest, [B] that's why I feel probably most comfortable [D] doing
More comfortable doing that than performing really [Ab] so even though I [Bm] really enjoy
Enjoy doing this [Ab] band.
[D] Yeah
it's a you know, so actually [E] it's like a real kind of kick for me because [Bm] everyone's really like
[E] Really good musicians and yeah, and they kind of they kind of power the thing [Db] along and you've been working quite closely with rain
Yeah, Rian and I mean [B] kind of a number of people in there
In the band, yeah, great Fox is sat in the corner he's off-camera, but you might catch him
He drums in the band.
He's been on like lots of records [C] recently
[Dm] [Ab]
[G] [C]
[Bb] [Fm]
[Eb] [G]
[Cm] [Bb]
[D]
[Eb] [Gb]
[E] [D]
[F] [Ab]
[Bb] [Fm]
[Dm]
[Ab] [C]
So we return stay tuned port report Benedict Lambden [Eb] and just a lovely little touch on the knee and see you soon
[B]
You
[Fm]
[Bb] [C]
[Bb]
[Eb] [Bb]
[Ab] [Dm]
[Ab] [Bb]
[Dm] [Db]
[Bb] [Dm]
[Cm] [Bb]
[A] [Abm]
Key:  
Bb
12341111
E
2311
D
1321
Ab
134211114
B
12341112
Bb
12341111
E
2311
D
1321
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The man behind the man the [D] man behind the lady behind the guy behind the people
_ [Gb] _ _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ _ _ _ [Dm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Am] Enjoy what I do as I do [A] and I really do but sometimes it can be quite daunting _
Meeting people you've never met before and then trying to spark up some kind of a conversation
_ Sometimes just sometimes one of your actual real-life [D] mates
Bowls in I know him as Ben, [D] but to the rest of the world
He's nostalgia 77 and he joins [E] us on the Porter report.
Hello.
[Dm] _ [Em] How are you?
_ Good.
So welcome along to the [Ebm] shambles.
That is the poor report.
[D] You're quite used to it by now though
_ [E] _ _ _
[Bm] What's a configuration of the nostalgia 77 octets gonna be great in the stage tonight's the full compliment _ _
[E] _ _ _ _ [Bb] _ _ _ [Ab] _
_ _ _ _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
[C] _ _ _ _ _ [Bb] _ _ _
_ [Ab] _ _ _ _ [Bb] _ _ _
_ _ _ [C] _ _ _ _ [Bb] _
_ _ _ _ [C] _ _ _ _
[Bb] _ _ _ _ _ [Ab] _ _ _
_ [Gm] _ _ _ [Dm] _ It's [Bm] bad to say that you've become something of something of the Jazza
Well, not me [D] no, not really [E] me but I have recruited you
_ [Bm] I've kind of yeah
_ _ _ _ Into a into some kind of [B] band into a jazz truck.
Yeah, honey jazz truck _ _ _
Not sure if there's much honey no, in fact _
Remember [B] them saying today that they shouldn't be on camera because they [A] only had faces for radio
[E] I think it's a little
_ _ _ _ _ Slipping into [B] the role of producer is something that you've been doing quite a lot recently see that [D] for a segue
_ _ [E] _ _ But you [B] have you've been kind of _ _ _
Becoming [D] the kind of like the guy behind the guy controlling things [E] a little bit
I'm talking about this stuff with [Bm] Lizzie and man behind the man the [Ab] man behind the lady behind [E] the guy behind _ _
_ _ _ [E] Well, yeah, I mean to be honest, [B] that's why I feel probably most comfortable [D] doing
_ More comfortable doing that than performing really [Ab] so even though I [Bm] really enjoy
_ Enjoy doing this [Ab] band.
[D] Yeah
it's a you know, so actually [E] it's like a real kind of kick for me because [Bm] everyone's really _ like
[E] Really good musicians and yeah, and they kind of they kind of power the thing [Db] along and you've been working quite closely with rain
_ Yeah, Rian and I mean [B] kind of a number of people in there _
_ In the band, yeah, great Fox is sat in the corner he's off-camera, but you might _ catch him
_ _ He drums in the band.
He's been on like lots of records [C] recently _ _ _
[Dm] _ _ _ _ _ [Ab] _ _ _
_ _ _ [G] _ _ _ _ [C] _
_ _ _ [Bb] _ _ _ [Fm] _ _
[Eb] _ _ _ _ [G] _ _ _ _
_ [Cm] _ _ _ _ _ [Bb] _ _
[D] _ _ _ _ _ _ _ _
_ _ _ [Eb] _ _ _ [Gb] _ _
[E] _ _ _ _ _ [D] _ _ _
_ [F] _ _ _ _ _ [Ab] _ _
_ _ _ [Bb] _ _ _ _ [Fm] _
_ _ _ _ _ [Dm] _ _ _
_ [Ab] _ _ _ [C] _ _ _ _
_ _ _ So we return stay tuned port report _ Benedict Lambden [Eb] and just a lovely little touch on the knee and see you soon
_ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You
[Fm] _ _ _ _ _ _ _ _
_ [Bb] _ _ _ _ _ _ [C] _
_ _ _ [Bb] _ _ _ _ _
[Eb] _ _ _ _ [Bb] _ _ _ _
_ [Ab] _ _ _ _ _ [Dm] _ _
_ _ _ [Ab] _ _ _ _ [Bb] _
_ _ _ _ _ _ _ _
_ [Dm] _ _ _ _ _ [Db] _ _
_ [Bb] _ _ _ _ [Dm] _ _ _
[Cm] _ _ _ _ [Bb] _ _ _ _
_ [A] _ _ [Abm] _ _ _ _ _